31 years after its initial theatrical release, Carl Franklin still can't believe "One False Move" happened.
The actor-turned-director took a crackerjack screenplay by a pair of struggling writers named Billy Bob Thornton and Tom Epperson, and turned what was supposed to be a direct-to-video thriller featuring a couple of familiar faces (Bill Paxton and Cynda Williams) into a buzzy critical darling. After a brief theatrical run, the film earned five Independent Spirit Award nominations, with Franklin taking home the trophy for Best Director.
Despite this acclaim, "One False Move" has remained an under-the-radar cult favorite amongst neo-noir fans, perhaps because it lacks the Coen Brothers' archness or the overripe sensuality of Lawrence Kasdan's "Body Heat." It's a quietly surprising, yet plenty violent thriller about a trio of criminals who, after committing a string of vicious murders, flee Los Angeles for a backwater Arkansas town run by police chief Dale "Hurricane...
The actor-turned-director took a crackerjack screenplay by a pair of struggling writers named Billy Bob Thornton and Tom Epperson, and turned what was supposed to be a direct-to-video thriller featuring a couple of familiar faces (Bill Paxton and Cynda Williams) into a buzzy critical darling. After a brief theatrical run, the film earned five Independent Spirit Award nominations, with Franklin taking home the trophy for Best Director.
Despite this acclaim, "One False Move" has remained an under-the-radar cult favorite amongst neo-noir fans, perhaps because it lacks the Coen Brothers' archness or the overripe sensuality of Lawrence Kasdan's "Body Heat." It's a quietly surprising, yet plenty violent thriller about a trio of criminals who, after committing a string of vicious murders, flee Los Angeles for a backwater Arkansas town run by police chief Dale "Hurricane...
- 7/31/2023
- by Jeremy Smith
- Slash Film
The racism in Carl Franklin’s One False Move suggests a festering pool of standing water just waiting to be disturbed. Dale Dixon (Bill Paxton), the police chief of Star City, Arkansas, casually utters the n-word while having a peaceful meal with his colleagues, one of whom is Black. Lila Walker (Cynda Williams), the mixed-race outlaw trying to avoid capture in order to see her son again, understands American inequality all too well: “Looking guilty is being guilty, for Black people,” she tells her brother. Having recently shot a white Texas state trooper in the head at point blank range, the irony of her statement is hard to miss. But that doesn’t mean she’s wrong.
Released days after the 1992 Los Angeles riots, One False Move offers a particularly prescient reflection of regional division and segregation. It sees violence as the common denominator between blue and red states, a...
Released days after the 1992 Los Angeles riots, One False Move offers a particularly prescient reflection of regional division and segregation. It sees violence as the common denominator between blue and red states, a...
- 7/18/2023
- by Glenn Heath Jr.
- Slant Magazine
Stars: David Carradine, Bruce Campbell, Dana Ashbrook, Max Caulfield, Morgan Brittany, Jim Metzler, Deborah Foreman, M. Emmet Walsh, John Ireland, John Hancock | Written by Anthony Hickox, John Burgess | Directed by Anthony Hickox
Horror from the 80s can have a certain charm. They can be cheesy, funny, and most importantly fun. Sundown: The Vampire in Retreat is a good example of just how fun, if cheesy, eighties horror can be.
When a group of vampires settle in a lonely American Town they wear sun cream and drink synthetic blood to survive. With some of the vampires not happy with the situation and the machine that processes the synthetic blood not working they soon need help from the living. When they arrive, as well as a descendant of Van Helsing, a tensions boil over in the small town.
For fans of cult movies, the case of Sundown: The Vampire in Retreat will catch their eye straight away.
Horror from the 80s can have a certain charm. They can be cheesy, funny, and most importantly fun. Sundown: The Vampire in Retreat is a good example of just how fun, if cheesy, eighties horror can be.
When a group of vampires settle in a lonely American Town they wear sun cream and drink synthetic blood to survive. With some of the vampires not happy with the situation and the machine that processes the synthetic blood not working they soon need help from the living. When they arrive, as well as a descendant of Van Helsing, a tensions boil over in the small town.
For fans of cult movies, the case of Sundown: The Vampire in Retreat will catch their eye straight away.
- 11/17/2021
- by Paul Metcalf
- Nerdly
Sundown: The Vampire in Retreat is a rarely seen or mentioned 80s/90s gem, filmed in the 80s, but not really seen until it hit VHS in 1991. Starring David Carradine, Morgan Brittany, and Bruce Campbell, and directed by Anthony Hickox, it's headed to Blu-ray as part of Vestron Video's "Collector's Series" on August 17th and we have an exclusive special feature clip. Watch as special effects master Tony Gardner talks about the process for creating vampire teeth for the film:
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray™ (plus Digital) August 17 from Lionsgate. Sundown: The Vampire in Retreat stars Golden Globe® nominee David Carradine, Maxwell Caulfield, Morgan Brittany, Bruce Campbell, and Golden Globe® nominee Jim Metzler. Sundown: The Vampire in Retreat will be available on Blu-ray™ (plus Digital) for the suggested retail price of...
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray™ (plus Digital) August 17 from Lionsgate. Sundown: The Vampire in Retreat stars Golden Globe® nominee David Carradine, Maxwell Caulfield, Morgan Brittany, Bruce Campbell, and Golden Globe® nominee Jim Metzler. Sundown: The Vampire in Retreat will be available on Blu-ray™ (plus Digital) for the suggested retail price of...
- 8/16/2021
- by Jonathan James
- DailyDead
“Only got two choices – kill ’em or convert ’em.”
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray (plus Digital) August 17 from Lionsgate.
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray (plus Digital) August 17 from Lionsgate. Sundown: The Vampire in Retreat stars Golden Globe nominee David Carradine, Maxwell Caulfield, Morgan Brittany, Bruce Campbell, and Golden Globe nominee Jim Metzler. Sundown: The Vampire in Retreat will be available on Blu-ray (plus Digital) for the suggested retail price of $17.99.
The road to Purgatory is paved with good intentions, and Count Mardulak (David Carradine) wouldn’t have it any other way. He’s seeking atonement for centuries of human carnage, which is why he’s instructed Purgatory’s vampire residents to slather on Spf 100 sunblock, pursue daytime activities…...
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray (plus Digital) August 17 from Lionsgate.
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray (plus Digital) August 17 from Lionsgate. Sundown: The Vampire in Retreat stars Golden Globe nominee David Carradine, Maxwell Caulfield, Morgan Brittany, Bruce Campbell, and Golden Globe nominee Jim Metzler. Sundown: The Vampire in Retreat will be available on Blu-ray (plus Digital) for the suggested retail price of $17.99.
The road to Purgatory is paved with good intentions, and Count Mardulak (David Carradine) wouldn’t have it any other way. He’s seeking atonement for centuries of human carnage, which is why he’s instructed Purgatory’s vampire residents to slather on Spf 100 sunblock, pursue daytime activities…...
- 7/12/2021
- by Tom Stockman
- WeAreMovieGeeks.com
Sundown: The Vampire in Retreat is a rarely seen or mentioned 90s gem, starring David Carradine, Morgan Brittany, and Bruce Campbell, and directed by Anthony Hickox. It's headed to Blu-ray as part of Vestron Video's "Collector's Series" on August 17th and we have all the details:
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray™ (plus Digital) August 17 from Lionsgate. Sundown: The Vampire in Retreat stars Golden Globe® nominee David Carradine, Maxwell Caulfield, Morgan Brittany, Bruce Campbell, and Golden Globe® nominee Jim Metzler. Sundown: The Vampire in Retreat will be available on Blu-ray™ (plus Digital) for the suggested retail price of $17.99.
Official Synopsis
The road to Purgatory is paved with good intentions, and Count Mardulak (David Carradine) wouldn’t have it any other way. He’s seeking atonement for centuries of human carnage, which is...
A new edition to the Vestron Video Collector’s Series, the tongue-in-cheek vampire film Sundown: The Vampire in Retreat arrives on Blu-ray™ (plus Digital) August 17 from Lionsgate. Sundown: The Vampire in Retreat stars Golden Globe® nominee David Carradine, Maxwell Caulfield, Morgan Brittany, Bruce Campbell, and Golden Globe® nominee Jim Metzler. Sundown: The Vampire in Retreat will be available on Blu-ray™ (plus Digital) for the suggested retail price of $17.99.
Official Synopsis
The road to Purgatory is paved with good intentions, and Count Mardulak (David Carradine) wouldn’t have it any other way. He’s seeking atonement for centuries of human carnage, which is...
- 6/29/2021
- by Jonathan James
- DailyDead
Before A Simple Plan, there was One False Move – a neo noir that was underrated from its very inception. Relegated to the direct-to-video market, it secured a theatrical run through glowing word of mouth, especially that of Gene Siskel, who named it his best film of 1992. A city-by-city release followed, earning Carl Franklin’s film a modest box office of $1.5 million. But like most entries in my retrospective series, One False Move was to be a footnote, neglected and forgotten, with a meagre 9806 votes on IMDb as testament. Happily, this unsung status causes One False Move to be a most satisfying discovery, for it is a film of vicious force and emotional depth that has no flaw worth mentioning.
It begins in a whirlwind of violence as criminal trio Ray (Billy Bob Thornton), Pluto (Michael Beach) and Fantasia (Cynda Williams) burst into a Los Angeles home, looking for a trove of cash and cocaine.
It begins in a whirlwind of violence as criminal trio Ray (Billy Bob Thornton), Pluto (Michael Beach) and Fantasia (Cynda Williams) burst into a Los Angeles home, looking for a trove of cash and cocaine.
- 1/14/2021
- by Jack Hawkins
- HeyUGuys.co.uk
Guest reviewer Lee Broughton returns with an assessment of Robert Englund’s offbeat video rental store favourite 976-evil. Satanic panic ensues when two teenage cousins are foolish enough to start using an automated telephone “horrorscope” service. Dialling 666 just might be granting the pair a direct line to the Devil himself and there’s bound to be a hefty price to pay for that. Sandy Dennis and Stephen Geoffreys bring a touch of class to this low budget but unpredictable and compelling 1980s horror show.
976-Evil
Region B Blu-ray
Eureka Entertainment
1988 / Colour / 1:85 widescreen / 92 min. / Street Date, 19 October 2020 / £17.99
Starring: Stephen Geoffreys, Pat O’Bryan, Sandy Dennis, Jim Metzler, Lezlie Deane, J. J. Cohen, Maria Rubell, Robert Picardo.
Cinematography: Paul Elliott
Production Designer: David Brian Miller
Film Editor: Stephen Myers
Original Music: Thomas Chase, Steve Rucker
Written by Rhet Topham, Brian Helgeland
Produced by Lisa Hansen
Directed by Robert Englund
Spike (Pat...
976-Evil
Region B Blu-ray
Eureka Entertainment
1988 / Colour / 1:85 widescreen / 92 min. / Street Date, 19 October 2020 / £17.99
Starring: Stephen Geoffreys, Pat O’Bryan, Sandy Dennis, Jim Metzler, Lezlie Deane, J. J. Cohen, Maria Rubell, Robert Picardo.
Cinematography: Paul Elliott
Production Designer: David Brian Miller
Film Editor: Stephen Myers
Original Music: Thomas Chase, Steve Rucker
Written by Rhet Topham, Brian Helgeland
Produced by Lisa Hansen
Directed by Robert Englund
Spike (Pat...
- 11/10/2020
- by Lee Broughton
- Trailers from Hell
Rebecca Lea Oct 16, 2017
The third Children Of The Corn movie is a step up, and a really fun movie...
The film: After the disappearance of their father, brothers Eli (Daniel Cerny) and Joshua (Ron Melendez), are adopted by a Chicago couple, William (Jim Metzler) and Amanda (Nancy Lee Grahn). The brothers are from Gatlin, Nebraska and are used to more conservative ways, but slowly Joshua acclimatises to his new environment. However, Eli is less keen to shed the religion of He Who Walks Behind The Rows and begins scheming to lure in his fellow students with his magic brainwashing corn.
See related Little Me: My Life From A-z by Matt Lucas review
You would think that the adoption going drastically wrong in Children Of The Corn II: The [Not So] Final Sacrifice would put people off taking in weird kids from Gatlin, but here we are. Children Of The Corn III: Urban Harvest...
The third Children Of The Corn movie is a step up, and a really fun movie...
The film: After the disappearance of their father, brothers Eli (Daniel Cerny) and Joshua (Ron Melendez), are adopted by a Chicago couple, William (Jim Metzler) and Amanda (Nancy Lee Grahn). The brothers are from Gatlin, Nebraska and are used to more conservative ways, but slowly Joshua acclimatises to his new environment. However, Eli is less keen to shed the religion of He Who Walks Behind The Rows and begins scheming to lure in his fellow students with his magic brainwashing corn.
See related Little Me: My Life From A-z by Matt Lucas review
You would think that the adoption going drastically wrong in Children Of The Corn II: The [Not So] Final Sacrifice would put people off taking in weird kids from Gatlin, but here we are. Children Of The Corn III: Urban Harvest...
- 10/15/2017
- Den of Geek
Jim Metzler steals the show from top-billed star Matt Dillon in this poignant tale about a 15-year-old boy who falls out with his overburdened sibling as they struggle to make ends meet. Dillon plays Tex, a teenage delinquent who goes off the rails after his mother dies, his father goes Awol and he's left in a decrepit Oklahoma house with his well-meaning brother (Metzler). An unsentimental and authentic adaptation of Se Hinton's novel.
- 8/20/2013
- Sky Movies
In the first story, a man is assaulted in Central Park, leading to a mounted police officer intervening and is shot. The horse escapes but is run over by a taxi and is still alive. Flack (Eddie Cahill) says he heard the shot from 6th Ave and it shook the windows of his car. Mac (Gary Sinise) explains it was the echo from the weapon, as if Flack wouldn't know that already. The policeman was shot through the back and through his vest by a sniper. Danny (Carmine Giovinazzo) and Aiden (Vanessa Ferlito) process the scene in search of the elusive bullet. Mac finds a mobile/cell phone, but no bullet and Danny takes the tapes from the cameras. Hawkes (Hill Harper) deduces the Cod was a single Gsw to the back, which left through the front, from a high powered rifle. His vest is examined to see where the...
- 10/18/2011
- by mhasan@corp.popstar.com (Mila Hasan)
- PopStar
From John Huston's "The Dead" to Thomas Vinterberg's "The Celebration", large family gatherings on special occasions have been potent subject matter in the hands of an accomplished moviemaker. While rookie writer-director Hope Perello is a little woozy in her direction, the low-budget U.S. indie "St. Patrick's Day" is a satisfying mix of comedy and drama with excellent performances by headliners Piper Laurie and Joanne Baron.
St. Patrick's Day the holiday, the tradition, is a time for singing and wailing, lovemaking and fighting, drinking and praying. These activities and more occur in Perello's mostly gentle, civilized film that has no shocking family secrets like in Huston and Vinterberg's more ambitious but gloomier films.
But the payoffs in "St. Patrick's Day" are well worth spending 105 minutes with the Donnellys and McDonoughs, Irish-Americans who are not far removed from the immigrant experience. Life has been good to the dozen or so characters in the film, but in the tradition of such scenarios, many big and little crises and epiphanies occur. Perello opts for matter-of-fact portraits of individuals, their talents and failings, with some wonderfully intimate moments and singing performances.
Second cousins surrender to their lustful desires, a married couple of 15 years announce their pending divorce, the matriarch of the family declares at the start of dinner that she has taken the "pledge" and forbids any drinking of alcohol, an unpopular but cheerfully honored restriction that is eventually resolved in favor of the imbibers.
Perello keeps the pace moving along nicely but allows the actors to have many unhurried moments where the characters come into focus. The most endearing and satisfying story line relates the long-overdue coming together of widow Mary Pat (Laurie) and gentlemanly Thomas (Redmond M. Gleeson), two great friends who in a exquisitely filmed scene, the film's best, become great lovers.
Both actors are thoroughly engaging in their roles thanks more to Perello's writing than often too-conservative directing. Baron is likewise terrific as Mary Pat's daughter, who is in the middle of breaking up with her husband (Jim Metzler). He delivers a heart-felt and eloquent farewell to the assembled family in another splendid scene.
Working out the story's constraints of time and locale, Perello overall gets the job done nicely. The all-around superb cast includes David Ault, Herta Ware and Colleen Fitzpatrick.
ST. PATRICK'S DAY
Sceneries International
Sceneries Euorpe, Enrique Cerezo Producciones
Cinematograficas, Marvel Movies
Writer-director: Hope Perello
Producers: Hope Perello, Kindra Anne Ruocco
Executive producers: Philippe Diaz, Philippe Lenglet
Director of photography: Denise Brassard
Production designer: Timothy Bride Keating
Editor: Ann Nervin Job
Music: Michael Muhlfriedel
Color/stereo
Cast:
Mary Pat: Piper Laurie
Priss: Joanne Baron
Adam: Jim Metzler
Thomas: Redmond M. Gleeson
Running time -- 105 minutes
No MPAA rating...
St. Patrick's Day the holiday, the tradition, is a time for singing and wailing, lovemaking and fighting, drinking and praying. These activities and more occur in Perello's mostly gentle, civilized film that has no shocking family secrets like in Huston and Vinterberg's more ambitious but gloomier films.
But the payoffs in "St. Patrick's Day" are well worth spending 105 minutes with the Donnellys and McDonoughs, Irish-Americans who are not far removed from the immigrant experience. Life has been good to the dozen or so characters in the film, but in the tradition of such scenarios, many big and little crises and epiphanies occur. Perello opts for matter-of-fact portraits of individuals, their talents and failings, with some wonderfully intimate moments and singing performances.
Second cousins surrender to their lustful desires, a married couple of 15 years announce their pending divorce, the matriarch of the family declares at the start of dinner that she has taken the "pledge" and forbids any drinking of alcohol, an unpopular but cheerfully honored restriction that is eventually resolved in favor of the imbibers.
Perello keeps the pace moving along nicely but allows the actors to have many unhurried moments where the characters come into focus. The most endearing and satisfying story line relates the long-overdue coming together of widow Mary Pat (Laurie) and gentlemanly Thomas (Redmond M. Gleeson), two great friends who in a exquisitely filmed scene, the film's best, become great lovers.
Both actors are thoroughly engaging in their roles thanks more to Perello's writing than often too-conservative directing. Baron is likewise terrific as Mary Pat's daughter, who is in the middle of breaking up with her husband (Jim Metzler). He delivers a heart-felt and eloquent farewell to the assembled family in another splendid scene.
Working out the story's constraints of time and locale, Perello overall gets the job done nicely. The all-around superb cast includes David Ault, Herta Ware and Colleen Fitzpatrick.
ST. PATRICK'S DAY
Sceneries International
Sceneries Euorpe, Enrique Cerezo Producciones
Cinematograficas, Marvel Movies
Writer-director: Hope Perello
Producers: Hope Perello, Kindra Anne Ruocco
Executive producers: Philippe Diaz, Philippe Lenglet
Director of photography: Denise Brassard
Production designer: Timothy Bride Keating
Editor: Ann Nervin Job
Music: Michael Muhlfriedel
Color/stereo
Cast:
Mary Pat: Piper Laurie
Priss: Joanne Baron
Adam: Jim Metzler
Thomas: Redmond M. Gleeson
Running time -- 105 minutes
No MPAA rating...
- 3/17/1999
- The Hollywood Reporter - Movie News
Brutally graphic, with an unfliching, hard-consequences finale, "One False Move'' will rivet Jim Thompson fans -- it's in that intense, unsparing tradition -- but its quick-trigger and rub-your-nose-in-it squalor are likely to hold only the most minuscule of movie audiences. Plugged with riveting textures and coarsed with raw contradictions, the film will likely fare well in its special space on the video shelf.
The film opens with a nauseatingly vivid drug murder in Los Angeles -- two dealers, accompanied by a coked-out woman, wipe out an innocent family. They're a scary group, a pathologically violent white-trasher Billy Bob Thornton), a clinically cold, black genius (Michael Beach) and a desperate, whacked-out mulatto with the nom de streets of Fantasia (Cynda Williams).
With a bundle of coke, they blast out of Los Angeles, heading to Houston to unload the stuff, with an eventual destination of Star City, Ark., where Fantasia grew up and, in her rattled drug delirium, yearns to return.
They don't exactly leave the scene of the crime without clues, and it's not long before the LAPD figures out their destination, sending two veteran homicide investigators (Jim Metzler, Earl Billings) on their trail. Up ahead, they've alerted the Star City sheriff, a local-yokel lawman nicknamed Hurricane (Bill Paxton) who's thrilled by the chance to do some big-time stuff.
Cross-cutting between the events of the chase and the dirtwater Arkansas burg where Hurricane is whetting his chops for action, director Carl Franklin has cranked up an unnervingly tight-triggered film. Screenwriters Billy Bob Thornton and Tom Epperson's scenario never relents from the out-of-control nature of the trio's bad acts.
The performances are chock-full with hard mettle. Thorton is rivetingly vile as the explosive dealer, while Beach's portrayal of his methodical accomplice is cunningly powerful. As Fantasia, Williams is the film's most sympathetic character, soundly limning the horrific downspin of an abused woman who keeps coming back for more.
Paxton as the good-ole-boy, backwoods lawman, gets to this grit of his inner fires, revealing the dark flecks in his good-guy/white-hat persona.
The technical credits are tough and crisp. Top marks, especially to Peter Yaycock and Derek Holt's score: a raw swirl of blues and hard roads.
ONE FALSE MOVE
I.R.S. Releasing
A Carl Franklin Film
Producers Jesse Beaton, Ben Myron
Director Carl Franklin
Screenwriters Billy Bob Thornton, Tom Epperson
Executive producers Miles A. Copeland III, Paul Colichman, Harold Welb
Executives in charge of production Toni Phillips, Steven Reich
Director of photography James L. Carter
Production designer Gary T. New
Editor Carole Kravetz
Costume designer Ron Leamon
Music Peter Haycock, Derek Holt
Sound mixer Ken Segal
Color/Stereo
Dale "Hurricane" Dixon Bill Paxton
Fantasia/Lila Cynda Williams
Ray Malcolm Billy Bob Thornton
Pluto Michael Beach
Dud Cole Jim Metzler
McFeely Earl Billings
Running time - 114 minutes
MPAA Rating: R
(c) The Hollywood Reporter...
The film opens with a nauseatingly vivid drug murder in Los Angeles -- two dealers, accompanied by a coked-out woman, wipe out an innocent family. They're a scary group, a pathologically violent white-trasher Billy Bob Thornton), a clinically cold, black genius (Michael Beach) and a desperate, whacked-out mulatto with the nom de streets of Fantasia (Cynda Williams).
With a bundle of coke, they blast out of Los Angeles, heading to Houston to unload the stuff, with an eventual destination of Star City, Ark., where Fantasia grew up and, in her rattled drug delirium, yearns to return.
They don't exactly leave the scene of the crime without clues, and it's not long before the LAPD figures out their destination, sending two veteran homicide investigators (Jim Metzler, Earl Billings) on their trail. Up ahead, they've alerted the Star City sheriff, a local-yokel lawman nicknamed Hurricane (Bill Paxton) who's thrilled by the chance to do some big-time stuff.
Cross-cutting between the events of the chase and the dirtwater Arkansas burg where Hurricane is whetting his chops for action, director Carl Franklin has cranked up an unnervingly tight-triggered film. Screenwriters Billy Bob Thornton and Tom Epperson's scenario never relents from the out-of-control nature of the trio's bad acts.
The performances are chock-full with hard mettle. Thorton is rivetingly vile as the explosive dealer, while Beach's portrayal of his methodical accomplice is cunningly powerful. As Fantasia, Williams is the film's most sympathetic character, soundly limning the horrific downspin of an abused woman who keeps coming back for more.
Paxton as the good-ole-boy, backwoods lawman, gets to this grit of his inner fires, revealing the dark flecks in his good-guy/white-hat persona.
The technical credits are tough and crisp. Top marks, especially to Peter Yaycock and Derek Holt's score: a raw swirl of blues and hard roads.
ONE FALSE MOVE
I.R.S. Releasing
A Carl Franklin Film
Producers Jesse Beaton, Ben Myron
Director Carl Franklin
Screenwriters Billy Bob Thornton, Tom Epperson
Executive producers Miles A. Copeland III, Paul Colichman, Harold Welb
Executives in charge of production Toni Phillips, Steven Reich
Director of photography James L. Carter
Production designer Gary T. New
Editor Carole Kravetz
Costume designer Ron Leamon
Music Peter Haycock, Derek Holt
Sound mixer Ken Segal
Color/Stereo
Dale "Hurricane" Dixon Bill Paxton
Fantasia/Lila Cynda Williams
Ray Malcolm Billy Bob Thornton
Pluto Michael Beach
Dud Cole Jim Metzler
McFeely Earl Billings
Running time - 114 minutes
MPAA Rating: R
(c) The Hollywood Reporter...
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