Not since the summer of 2003, when François Ozon unveiled Sapphic sizzler “Swimming Pool” at the Cannes Film Festival, has the French director seduced audiences quite as brazenly as he does in “Summer of 85,” which was also set to premiere at Cannes, before the global coronavirus outbreak forced the cancellation of the 2020 edition. Undaunted, the film opened July 14 in French theaters, which have rebounded faster than those of the U.S., with a festival premiere planned for San Sebastián in the fall.
(HIV was already ravaging the gay community, but it wasn’t till the death of Rock Hudson in October 1985, a few months after the film is set, that many acknowledged the crisis). The nostalgia here is undercut by tragedy, though no virus is to blame in what feels like Ozon’s response to “Call Me by Your Name” — his own effervescent account of two souls who found one another for a single season,...
(HIV was already ravaging the gay community, but it wasn’t till the death of Rock Hudson in October 1985, a few months after the film is set, that many acknowledged the crisis). The nostalgia here is undercut by tragedy, though no virus is to blame in what feels like Ozon’s response to “Call Me by Your Name” — his own effervescent account of two souls who found one another for a single season,...
- 7/14/2020
- by Peter Debruge
- Variety Film + TV
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