“Excuse me. I have to go. Somewhere there is a crime happening.”
Robocop 4K Ultra HD 2-Disc Limited Edition Collector’s Set will be available April 12th From Arrow Video
RoboCop, from Orion Pictures, marked director Paul Verhoeven’s (Flesh + Blood) Hollywood debut & now the future of law enforcement is back in a definitive 4K Ultra HD presentation packed with hours of brand new bonus features & exclusive collectible packaging.
4K Ultra HD Blu-ray Limited Edition Contents
4K restoration of the film from the original negative by MGM, transferred in 2013 and approved by director Paul VerhoevenNew artwork by Paul ShipperDirector’s Cut and Theatrical Cut of the film on two 4K (2160p) Uhd Blu-ray discs with Dolby Vision (HDR10 compatible)Original lossless stereo and four-channel mixes plus DTS-hd Ma 5.1 and Dolby Atmos surround sound optionsOptional English subtitles for the deaf and hard of hearingSix collector’s postcards (Limited Edition exclusive)Double-sided...
Robocop 4K Ultra HD 2-Disc Limited Edition Collector’s Set will be available April 12th From Arrow Video
RoboCop, from Orion Pictures, marked director Paul Verhoeven’s (Flesh + Blood) Hollywood debut & now the future of law enforcement is back in a definitive 4K Ultra HD presentation packed with hours of brand new bonus features & exclusive collectible packaging.
4K Ultra HD Blu-ray Limited Edition Contents
4K restoration of the film from the original negative by MGM, transferred in 2013 and approved by director Paul VerhoevenNew artwork by Paul ShipperDirector’s Cut and Theatrical Cut of the film on two 4K (2160p) Uhd Blu-ray discs with Dolby Vision (HDR10 compatible)Original lossless stereo and four-channel mixes plus DTS-hd Ma 5.1 and Dolby Atmos surround sound optionsOptional English subtitles for the deaf and hard of hearingSix collector’s postcards (Limited Edition exclusive)Double-sided...
- 3/30/2022
- by Tom Stockman
- WeAreMovieGeeks.com
Just because it’s Thanksgiving week here in the states, home media releases don’t get any time off, and we’ve got a brand new batch of titles coming our way tomorrow. Scream Factory is giving us a double dose of horror from 1979 with their new Blu-rays for Dracula (1979) and Prophecy (1979), and for those of you RoboCop fans out there, you’ll definitely want to pick up Arrow Video’s brand new Steelbook release as well.
Other Blu-ray and DVD releases for November 26th include Mary, Don’t Let Go, Shock, First Person Shooter, Eegah, and The Zombie Apocalypse in Apartment 14F.
Don’t Let Go
Detective Jack Radcliff (David Oyelowo) gets a shocking phone call from his recently murdered niece Ashley (Storm Reid). Working together across time, they race to solve her murder before it can happen. Don't Let Go is a classic thriller with a supernatural twist from Blumhouse,...
Other Blu-ray and DVD releases for November 26th include Mary, Don’t Let Go, Shock, First Person Shooter, Eegah, and The Zombie Apocalypse in Apartment 14F.
Don’t Let Go
Detective Jack Radcliff (David Oyelowo) gets a shocking phone call from his recently murdered niece Ashley (Storm Reid). Working together across time, they race to solve her murder before it can happen. Don't Let Go is a classic thriller with a supernatural twist from Blumhouse,...
- 11/26/2019
- by Heather Wixson
- DailyDead
Frequent fliers might understand the title ''Love Field, '' but the general public will be misled by this romantic moniker, especially when coupled with the star billing of Michelle Pfeiffer.
In this case, the title refers to the Dallas airport where John F. Kennedy landed prior to his assassination. Viewers expecting a passionate romp may be initially disgruntled, but ultimately charmed, by this backroads psychological journey where a young wife finally learns to trust herself.
''Love Field'' is essentially what Harry Cohn used to call a ''bus picture, '' a colorful odyssey where a man and a woman fussed and fought and eventually came to love each other. Prospects look rosiest on a limited run, however, before ''Love Field'' naturally lands at its most hospitable venue, rental city.
Not gussied up with a convertible T-bird, bourbon or gunplay, this woman-on-the-road odyssey is a sweet and scratchy portrait of a young wife, Lurene (Pfeiffer), whose marriage is as boring as an ironing board. Pretty Lurene married, basically, the boy next door (Brian Kerwin) and has been bored out of her mind ever since.
He's a nice guy, opens his own Budweisers and everything, but he'd eat creamed corn every day if she'd serve it to him. And she's getting sick and tired of her monotonous Campbell's soup life.
Not real smart, Lurene doesn't have other outlets. She doesn't get ''ordinary life.'' So, she takes to fixating on Jackie Kennedy, assumes her one-piece style and little pillbox hat and, in her most hungry yearnings, regards her armchair frontiersman as JFK. When the president is shot, she knows she must be at Jackie's side, go to the funeral.
Over her husband's perplexed objections, Lurene flies the coop. She hops on a bus, where even by the standards of public transportation, Lurene has the makings of a seat companion from hell. She chatters incessantly to a skeptical black man, Paul Dennis Haysbert), and his withdrawn young daughter (Stephanie McFadden), babbling her entire life.
But Paul, too, is running from his past, trying to establish a new life. The two forge a desperate bond, although he notes there's a difference between ''being bored and being black.''
Like most journeys, this sojourn has its slow spots, but screenwriter Don Roos has crafted a solid character-driven saga. Director Jonathan Kaplan's eye is ever receptive to off-roads color, allowing the story to bounce and bump along in its charmingly offbeat way.
Pfeiffer is superb as the bouffant-topped Lurene, marvelously capturing her nervous dissatisfaction and energies, while Haysbert is well-cast as the stoic, dignified Paul.
Technical contributions are smartly fleshed, in particular Mark Freeborn's trans-Americana production design and Peter Mitchell's period-packed costumes.
LOVE FIELD
Orion Pictures
Producers Sarah Pillsbury, Midge Sanford
Director Jonathan Kaplan
Screenwriter/co-producer Don Roos
Executive producers George Goodman, Kate Guinzburg
Director of phtography Ralf Bode
Production designer Mark Freeborn
Editor Jane Kurson
Music Jerry Goldsmith
Associate producer Sulla Hamer
Costume designer Peter Mitchell
Michelle Pfeiffer's costumes Coleen Atwood
Casting Julie Selzer, Sally Dennison
Color/stereo
Cast:
Lurene Hallett ... Michelle Pfeiffer
Paul Cater ... Dennis Haysbert
Jonell ... Stephanie McFadden
Ray Hallett ... Brian Kerwin
Mrs. Enright ... Louise Latham
Mrs. Heisenbuttal ... Peggy Rea
Hazel ... Beth Grant
Running time -- 104 minutes
MPAA Rating: R
(c) The Hollywood Reporter...
In this case, the title refers to the Dallas airport where John F. Kennedy landed prior to his assassination. Viewers expecting a passionate romp may be initially disgruntled, but ultimately charmed, by this backroads psychological journey where a young wife finally learns to trust herself.
''Love Field'' is essentially what Harry Cohn used to call a ''bus picture, '' a colorful odyssey where a man and a woman fussed and fought and eventually came to love each other. Prospects look rosiest on a limited run, however, before ''Love Field'' naturally lands at its most hospitable venue, rental city.
Not gussied up with a convertible T-bird, bourbon or gunplay, this woman-on-the-road odyssey is a sweet and scratchy portrait of a young wife, Lurene (Pfeiffer), whose marriage is as boring as an ironing board. Pretty Lurene married, basically, the boy next door (Brian Kerwin) and has been bored out of her mind ever since.
He's a nice guy, opens his own Budweisers and everything, but he'd eat creamed corn every day if she'd serve it to him. And she's getting sick and tired of her monotonous Campbell's soup life.
Not real smart, Lurene doesn't have other outlets. She doesn't get ''ordinary life.'' So, she takes to fixating on Jackie Kennedy, assumes her one-piece style and little pillbox hat and, in her most hungry yearnings, regards her armchair frontiersman as JFK. When the president is shot, she knows she must be at Jackie's side, go to the funeral.
Over her husband's perplexed objections, Lurene flies the coop. She hops on a bus, where even by the standards of public transportation, Lurene has the makings of a seat companion from hell. She chatters incessantly to a skeptical black man, Paul Dennis Haysbert), and his withdrawn young daughter (Stephanie McFadden), babbling her entire life.
But Paul, too, is running from his past, trying to establish a new life. The two forge a desperate bond, although he notes there's a difference between ''being bored and being black.''
Like most journeys, this sojourn has its slow spots, but screenwriter Don Roos has crafted a solid character-driven saga. Director Jonathan Kaplan's eye is ever receptive to off-roads color, allowing the story to bounce and bump along in its charmingly offbeat way.
Pfeiffer is superb as the bouffant-topped Lurene, marvelously capturing her nervous dissatisfaction and energies, while Haysbert is well-cast as the stoic, dignified Paul.
Technical contributions are smartly fleshed, in particular Mark Freeborn's trans-Americana production design and Peter Mitchell's period-packed costumes.
LOVE FIELD
Orion Pictures
Producers Sarah Pillsbury, Midge Sanford
Director Jonathan Kaplan
Screenwriter/co-producer Don Roos
Executive producers George Goodman, Kate Guinzburg
Director of phtography Ralf Bode
Production designer Mark Freeborn
Editor Jane Kurson
Music Jerry Goldsmith
Associate producer Sulla Hamer
Costume designer Peter Mitchell
Michelle Pfeiffer's costumes Coleen Atwood
Casting Julie Selzer, Sally Dennison
Color/stereo
Cast:
Lurene Hallett ... Michelle Pfeiffer
Paul Cater ... Dennis Haysbert
Jonell ... Stephanie McFadden
Ray Hallett ... Brian Kerwin
Mrs. Enright ... Louise Latham
Mrs. Heisenbuttal ... Peggy Rea
Hazel ... Beth Grant
Running time -- 104 minutes
MPAA Rating: R
(c) The Hollywood Reporter...
- 12/9/1992
- The Hollywood Reporter - Movie News
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