Ed Ames, the youngest member of the popular 1950s singing group the Ames Brothers, who later became a successful actor in television and musical theatre, has died. He was 95.
The last survivor of the four singing brothers, Ames died May 21 from Alzheimer’s disease, his wife, Jeanne Ames, said Saturday.
“He had a wonderful life,” she said.
On television, Ames was likely best known for his role as Mingo, the Oxford-educated Native American in the 1960s adventure series “Daniel Boone” that starred Fess Parker as the famous frontiersman. He also was the centre of a bit on “The Tonight Show” that — thanks to his painfully uncanny aim with a hatchet — became one of the show’s most memorable surprise moments.
Ames had guest roles in TV series such as “Murder, She Wrote” and “In the Heat of the Night,” and toured frequently in musicals, performing such popular songs as “Try to Remember...
The last survivor of the four singing brothers, Ames died May 21 from Alzheimer’s disease, his wife, Jeanne Ames, said Saturday.
“He had a wonderful life,” she said.
On television, Ames was likely best known for his role as Mingo, the Oxford-educated Native American in the 1960s adventure series “Daniel Boone” that starred Fess Parker as the famous frontiersman. He also was the centre of a bit on “The Tonight Show” that — thanks to his painfully uncanny aim with a hatchet — became one of the show’s most memorable surprise moments.
Ames had guest roles in TV series such as “Murder, She Wrote” and “In the Heat of the Night,” and toured frequently in musicals, performing such popular songs as “Try to Remember...
- 5/28/2023
- by Brent Furdyk
- ET Canada
In the postwar turf fight between the motion picture industry and the television networks, the first telecast of an Academy Awards ceremony by NBC on March 19, 1953 marked the beginning of grudging truce: The movies would use TV to lure audiences back into theaters and TV would use the movies to sell television.
As usual, a lot of the action took place off (either) screen. In addition to the film-v.-TV storyline and the backstage machinations to win the gold-plated statue (by now universally known as Oscar, though still a name that required quotation marks, at least according to the grammar police at the New York Times), a political undercurrent rumbled beneath the hooray-for-Hollywood festivities. The showdown was not just, or maybe mostly, between calibrations of film artistry but, in the case of two of the five best picture nominees, between gradations of ideological correctness.
Three of the candidates bore no...
As usual, a lot of the action took place off (either) screen. In addition to the film-v.-TV storyline and the backstage machinations to win the gold-plated statue (by now universally known as Oscar, though still a name that required quotation marks, at least according to the grammar police at the New York Times), a political undercurrent rumbled beneath the hooray-for-Hollywood festivities. The showdown was not just, or maybe mostly, between calibrations of film artistry but, in the case of two of the five best picture nominees, between gradations of ideological correctness.
Three of the candidates bore no...
- 3/26/2022
- by Thomas Doherty
- The Hollywood Reporter - Movie News
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