Ronald Colman: Turner Classic Movies' Star of the Month in two major 1930s classics Updated: Turner Classic Movies' July 2017 Star of the Month is Ronald Colman, one of the finest performers of the studio era. On Thursday night, TCM presented five Colman star vehicles that should be popping up again in the not-too-distant future: A Tale of Two Cities, The Prisoner of Zenda, Kismet, Lucky Partners, and My Life with Caroline. The first two movies are among not only Colman's best, but also among Hollywood's best during its so-called Golden Age. Based on Charles Dickens' classic novel, Jack Conway's Academy Award-nominated A Tale of Two Cities (1936) is a rare Hollywood production indeed: it manages to effectively condense its sprawling source, it boasts first-rate production values, and it features a phenomenal central performance. Ah, it also shows its star without his trademark mustache – about as famous at the time as Clark Gable's. Perhaps...
- 7/21/2017
- by Andre Soares
- Alt Film Guide
Rex Ingram in 'The Thief of Bagdad' 1940 with tiny Sabu. Actor Rex Ingram movies on TCM: Early black film performer in 'Cabin in the Sky,' 'Anna Lucasta' It's somewhat unusual for two well-known film celebrities, whether past or present, to share the same name.* One such rarity is – or rather, are – the two movie people known as Rex Ingram;† one an Irish-born white director, the other an Illinois-born black actor. Turner Classic Movies' “Summer Under the Stars” continues today, Aug. 11, '15, with a day dedicated to the latter. Right now, TCM is showing Cabin in the Sky (1943), an all-black musical adaptation of the Faust tale that is notable as the first full-fledged feature film directed by another Illinois-born movie person, Vincente Minnelli. Also worth mentioning, the movie marked Lena Horne's first important appearance in a mainstream motion picture.§ A financial disappointment on the...
- 8/12/2015
- by Andre Soares
- Alt Film Guide
Olivia de Havilland on Turner Classic Movies: Your chance to watch 'The Adventures of Robin Hood' for the 384th time Olivia de Havilland is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 2, '15. The two-time Best Actress Oscar winner (To Each His Own, 1946; The Heiress, 1949) whose steely determination helped to change the way studios handled their contract players turned 99 last July 1. Unfortunately, TCM isn't showing any de Havilland movie rarities, e.g., Universal's cool thriller The Dark Mirror (1946), the Paramount comedy The Well-Groomed Bride (1947), or Terence Young's British-made That Lady (1955), with de Havilland as eye-patch-wearing Spanish princess Ana de Mendoza. On the other hand, you'll be able to catch for the 384th time a demure Olivia de Havilland being romanced by a dashing Errol Flynn in The Adventures of Robin Hood, as TCM shows this 1938 period adventure classic just about every month. But who's complaining? One the...
- 8/3/2015
- by Andre Soares
- Alt Film Guide
Eleanor Parker: Actress Wasted in ‘Valentino,’ brilliant in abortion-themed crime drama ‘Detective Story’ (photo: Eleanor Parker ca. 1955) (See previous post: "Eleanor Parker Dead at 91: ‘The Sound of Music’ Actress.") Eleanor Parker’s three 1950 releases were her last ones for Warner Bros. The following year, she starred in Columbia’s critical and box office flop Valentino, with Anthony Dexter as silent film idol Rudolph Valentino and Parker as a mix of Alice Terry (Valentino’s leading lady in The Four Horsemen of the Apocalypse and The Conquering Power), Agnes Ayres (Valentino’s leading lady in The Sheik), and Hollywood bullshit. As an aside: Alice Terry wasn’t at all pleased with Valentino. Eleanor Parker wasn’t the problem; Terry was angry because Parker’s character, "Joan Carlisle" aka "Sarah Gray," is shown becoming involved with Valentino both before and after Terry’s marriage to The Four Horsemen of the Apocalypse director Rex Ingram,...
- 12/10/2013
- by Andre Soares
- Alt Film Guide
Wallace Beery: Best Actor Academy Award winner and Best Actor Academy Award runner-up in the same year (photo: Jackie Cooper and Wallace Beery in ‘The Champ’) (See previous post: “Wallace Beery Movies: Anomalous Hollywood Star.”) In the Academy’s 1931-32 season, Wallace Beery took home the Best Actor Academy Award — I mean, one of them. In the King Vidor-directed melodrama The Champ (1931), Beery plays a down-on-his-luck boxer and caring Dad to tearduct-challenged Jackie Cooper, while veteran Irene Rich is Beery’s cool former wife and Cooper’s mother. Will daddy and son remain together forever and ever? Audiences the world over were drowned in tears — theirs and Jackie Cooper’s. Now, regarding Wallace Beery’s Best Actor Academy Award, he was actually a runner-up: Fredric March, initially announced as the sole winner for his performance in Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde, turned out to have...
- 8/17/2013
- by Andre Soares
- Alt Film Guide
Ramon Novarro and Greta Garbo in ‘Mata Hari’: The wrath of the censors (See previous post: "Ramon Novarro in One of the Best Silent Movies.") George Fitzmaurice’s romantic spy melodrama Mata Hari (1931) was well received by critics and enthusiastically embraced by moviegoers. The Greta Garbo / Ramon Novarro combo — the first time Novarro took second billing since becoming a star — turned Mata Hari into a major worldwide blockbuster, with $2.22 million in worldwide rentals. The film became Garbo’s biggest international success to date, and Novarro’s highest-grossing picture after Ben-Hur. (Photo: Ramon Novarro and Greta Garbo in Mata Hari.) Among MGM’s 1932 releases — Mata Hari opened on December 31, 1931 — only W.S. Van Dyke’s Tarzan, the Ape Man, featuring Johnny Weissmuller and Maureen O’Sullivan, and Edmund Goulding’s all-star Best Picture Academy Award winner Grand Hotel (also with Garbo, in addition to Joan Crawford, John Barrymore, Wallace Beery, and...
- 8/9/2013
- by Andre Soares
- Alt Film Guide
Ramon Novarro: Silent movie star proves he can talk and sing (See previous post: "Ramon Novarro: Mexican-Born Actor Was First Latin American Hollywood Superstar.") On Ramon Novarro Day, Turner Classic Movies’ first Novarro movie is Rex Ingram’s The Prisoner of Zenda (1922), a stately version of Edward Rose’s play, itself based on Anthony Hope’s 1897 novel: in the Central European kingdom of Ruritania, a traveling Englishman takes the place of the kidnapped local king-to-be-crowned. A pre-Judge Hardy Lewis Stone has the double role, while Novarro plays the scheming Rupert of Hentzau. (Photo: Ramon Novarro ca. 1922.) Despite his stage training, Stone is as interesting to watch as a beach pebble; Novarro, for his part, has a good time hamming it up in his first major break — courtesy of director Rex Ingram, then looking for a replacement for Rudolph Valentino, with whom he’d had a serious falling out...
- 8/8/2013
- by Andre Soares
- Alt Film Guide
Eleanor Parker 2013 movie series continues today (photo: Eleanor Parker in Detective Story) Palm Springs resident Eleanor Parker is Turner Classic Movies’ Star of the Month of June 2013. Thus, eight more Eleanor Parker movies will be shown this evening on TCM. Parker turns 91 on Wednesday, June 26. (See also: “Eleanor Parker Today.”) Eleanor Parker received her second Best Actress Academy Award nomination for William Wyler’s crime drama Detective Story (1951). The movie itself feels dated, partly because of several melodramatic plot developments, and partly because of Kirk Douglas’ excessive theatricality as the detective whose story is told. Parker, however, is excellent as Douglas’ wife, though her role is subordinate to his. Just about as good is Best Supporting Actress Oscar nominee Lee Grant, whose career would be derailed by the anti-Red hysteria of the ’50s. Grant would make her comeback in the ’70s, eventually winning a Best Supporting Actress Oscar for her...
- 6/25/2013
- by Andre Soares
- Alt Film Guide
Eleanor Parker today: Beautiful as ever in Scaramouche, Interrupted Melody Eleanor Parker, who turns 91 in ten days (June 26, 2013), can be seen at her most radiantly beautiful in several films Turner Classic Movies is showing this evening and tomorrow morning as part of their Star of the Month Eleanor Parker "tribute." Among them are the classic Scaramouche, the politically delicate Above and Beyond, and the biopic Interrupted Melody, which earned Parker her third and final Best Actress Academy Award nomination. (Photo: publicity shot of Eleanor Parker in Scaramouche.) The best of the lot is probably George Sidney’s balletic Scaramouche (1952), in which Eleanor Parker plays one of Stewart Granger’s love interests — the other one is Janet Leigh. A loose remake of Rex Ingram’s 1923 blockbuster, the George Sidney version features plenty of humor, romance, and adventure; vibrant colors (cinematography by Charles Rosher); an elaborately staged climactic swordfight; and tough dudes...
- 6/18/2013
- by Andre Soares
- Alt Film Guide
One of the Most Amazing Silent Movies (or Movies of Any Era, Period) Ever Made Tops the List of Best of Movies Released in 1921 Rex Ingram’s The Four Horsemen of the Apocalypse, Metro Pictures' film version of Vicente Blasco Ibáñez’s epic novel -- from a scenario by the immensely powerful writer-producer June Mathis -- catapulted Mathis’ protégé, the until then little known Rudolph Valentino (photo, left), to worldwide superstardom, as The Four Horsemen became one of the biggest box-office hits of the silent era. Ingram’s wife, the invariably excellent Alice Terry (right, dark-haired in real life; a light-haired in her many movies), played Valentino's love interest. Ninety-two years after its initial launch, the Four Horsemen remains a monumental achievement. Released by MGM, Vincente Minnelli's 1962 remake of this Metro Pictures production featured an all-star cast: Glenn Ford, Ingrid Thulin (dubbed by Angela Lansbury), Charles Boyer, Lee J. Cobb,...
- 4/3/2013
- by Andre Soares
- Alt Film Guide
Innocence of Muslims / 'Desert Warrior' director Alan Roberts best-known for '70s soft-core porn The polemical anti-Islam "film" (actually, a cheap, grade Z amateur video), now has not only a producer, but also a director. The "Israeli entrepreneur Sam Bacile" has been exposed as the Egyptian Coptic Christian Nakoula Basseley Nakoula, who allegedly misled all (or most) involved in the production. And Gawker has reported that Alan Roberts aka Robert Brownell, the director of a handful of softcore porn movies in the '70s and early '80s, helmed "Desert Warrior," a cheesy Arabian adventure that was to become -- following some sloppy overdubbing -- Innocence of Muslims. Besides the now infamous Islamophobic YouTube sensation, which has been blamed for riots in several Muslim countries from Tunisia to Pakistan, Alan Roberts' movie credits include several now long forgotten titles. (Please scroll down for more details.) Alan Roberts also produced several little-known movies,...
- 9/16/2012
- by Andre Soares
- Alt Film Guide
Innocence of Muslims: Cast and crew repudiate rabidly anti-Islam 'film' An amateurish, rabidly anti-Islam 'film' -- actually, more like a homemade video made three decades ago -- whose Arabic-dubbed version was initially blamed for this week's attacks by Muslim fanatics against the U.S. consulate in Benghazi, Libya, and the U.S. embassy in Cairo, Muslims was initially called "Desert Warrior." (Photo: Actor purportedly as Islam's prophet Mohammad.) According to 80 cast and crew members of the film, they thought "Desert Warrior" was going to be an adventure flick set in Biblical times. Indeed, the movie's casting notice on Backstage calls it a "historical Arabian Desert adventure film." Below is the statement submitted to CNN on behalf of those who worked on what eventually became Innocence of Muslims. (Please scroll down to check out: Innocence of Muslims creator: Coptic Christian involved in meth manufacture, bank fraud.) "The entire cast and crew...
- 9/15/2012
- by Andre Soares
- Alt Film Guide
You want action? Movie-movie action? Then forget The Avengers, which opens in the Us on May 4. The following day, head instead to the Niles Essanay Film Museum in the northern Californian town of Fremont, where they’ll be screening two action-packed flicks: Laughing at Danger and "The Tragic Plunge," episode 7 of the serial The Perils of Pauline. Haven’t heard of either one? Well, Laughing at Danger was an independent production released in 1924. It stars Richard Talmadge (no relation to sisters Constance Talmadge and Norma Talmadge), who, according to some sources, was quite popular in the Soviet Union, of all places. As for the serial The Perils of Pauline, it was a humongous success in 1914, turning Pearl White (photo) into a major screen star. Actually, more than that. White became a near-legendary movie icon, one whose adventures have been copied, remade, and rebooted ever since. In fact, I wouldn’t...
- 4/26/2012
- by Andre Soares
- Alt Film Guide
"Frederica Sagor Maas, a pioneering female screenwriter who scored her first big success with The Plastic Age, a smash hit for 'It Girl' Clara Bow in 1925, died Jan 5." She was 111. Mike Barnes in the Hollywood Reporter: "Because she was a woman, Maas was typically assigned work on flapper comedies and light dramas. Her efforts includes such other Bow films as Dance Madness (1926), Hula (1927) and Red Hair (1928); two films featuring Norma Shearer, His Secretary (1925) and The Waning Sex (1926); the Greta Garbo drama Flesh and the Devil (1926); and the Louise Brooks film Rolled Stockings (1927)…. In 1927, she married Ernest Maas, a producer at Fox, and they wrote as a team but struggled to sell scripts…. The pair, interrogated by the FBI for allegedly Communist activities, were out of the business by the early 1950s. Ernest Mass died in 1986 at age 94. In 1999, at the urging of film historian Kevin Brownlow, Maas published her autobiography,...
- 1/8/2012
- MUBI
Screenwriter Frederica Sagor Dead at 111: Wrote Movies for Norma Shearer (photo), Clara Bow, Louise Brooks Now, whether Frederica Sagor's Hollywood Babylon-like tales bear any resemblance to what actually happened at studio parties and private soirees, I can't tell. But on the professional side, one problem with the information found in The Shocking Miss Pilgrim is that studios invariably used numerous writers, whether male or female, in their projects. Usually, in those pre-Writers Guild days, only two or three contributors received final credit, not because of the uncredited writer's gender but in large part because the final product oftentimes had little — if anything — in common with the original source. While doing research for my Ramon Novarro biography, I went through various drafts, written by various hands, of his movies. A Certain Young Man, for instance, went through so many changes (including director, cast, and title), that the final film...
- 1/7/2012
- by Andre Soares
- Alt Film Guide
Ramon Novarro, Barbara La Marr, Trifling Women Ramon Novarro Brutal Death Pt.2: Convicted Killer Blames Catholicism Ramon Novarro's extant films for Rex Ingram, The Prisoner of Zenda (1922), in which he plays the sly villain Rupert of Hentzau, and Scaramouche (1923), in the heroic title role, are also well worth a look. I haven't watched The Arab (1924), which has been recently brought back to the United States from foreign archives. My understanding is that the print is incomplete; even so, here's hoping The Arab will soon be restored and shown on TCM. The now lost Ingram-Novarro collaboration Trifling Women (1922) would probably have been a sumptuous treat — cinematographer John F. Seitz's work in that Gothic melodrama seems to have inspired his later chiaroscuro lighting for Billy Wilder's Sunset Blvd. The same goes for the idyllic Where the Pavement Ends (1923), a tale of interethnic romance set on a South Pacific...
- 10/31/2011
- by Andre Soares
- Alt Film Guide
By John Exshaw
Saturday, 26 February, saw the triumphant return of director Rex Ingram – or at any rate, his most celebrated film – to the city of his birth, as The Four Horsemen of the Apocalypse thundered once more across the big screen at the National Concert Hall in Dublin. Last seen at the same venue in 1993 (the centenary of Ingram’s birth), the film was showing as part of the recently-concluded Jameson Dublin International Film Festival, and, as on that previous occasion, the score was again performed by the RTÉ Concert Orchestra, this time under the direction of David Brophy.
Ingram’s masterpiece not only propelled Rudolph Valentino and Alice Terry to international stardom but made Ingram himself the leading director of his day, with complete power over all future projects and his own studio in the south of France. But while Valentino has retained his iconic status – albeit of a...
Saturday, 26 February, saw the triumphant return of director Rex Ingram – or at any rate, his most celebrated film – to the city of his birth, as The Four Horsemen of the Apocalypse thundered once more across the big screen at the National Concert Hall in Dublin. Last seen at the same venue in 1993 (the centenary of Ingram’s birth), the film was showing as part of the recently-concluded Jameson Dublin International Film Festival, and, as on that previous occasion, the score was again performed by the RTÉ Concert Orchestra, this time under the direction of David Brophy.
Ingram’s masterpiece not only propelled Rudolph Valentino and Alice Terry to international stardom but made Ingram himself the leading director of his day, with complete power over all future projects and his own studio in the south of France. But while Valentino has retained his iconic status – albeit of a...
- 3/7/2011
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Van Johnson, Elizabeth Taylor in Richard Brooks' The Last Time I Saw Paris (top); Alice Terry, Antonio Moreno in Rex Ingram's Mare Nostrum (middle); Gina Lollobrigida (bottom) F. Scott Fitzgerald, Rex Ingram, and Gina Lollobrigida. No, not together again — or ever, for that matter. But samples of their individual works can all be found this evening on Turner Classic Movies. Right now, TCM is showing Henry King's Tender Is the Night (1962), Jennifer Jones' swan song as a major movie star. Jones was criticized for being too old to play the film's young heroine Nicole Diver — and at 42 or so she surely was. Having said that, let me add that I enjoyed her performance all the same. Coincidentally, I'm currently reading Richard Buller's biography of silent-film actress Lois Moran (the young daughter in the 1925 version of Stella Dallas), who befriended F. Scott Fitzgerald in the late 1920s...
- 12/6/2010
- by Andre Soares
- Alt Film Guide
Francis Ford Coppola wasn’t around to give writer W. Somerset Maugham his father’s famous advice about “stealing” from the best to create your own art, but mystic Aleister Crowley accused the British author of doing just that after he read Maugham’s 1908 novel, The Magician. Maybe it was just sour grapes—seeing as how Maugham’s fantasy-terror tale was said to be inspired in part by Crowley’s life—but in Maugham’s story of a mad medical student who dabbles in the occult secrets of creating life (not to mention unnecessary surgery), Crowley saw elements he felt were directly lifted variously from Rosenroth’s Kabbalah Unveiled, as well as a book about 16th-century physician/alchemist Paracelsus and H.G. Wells’ man-beast classic The Island of Dr. Moreau.
Sounds like that could be a great movie? Not only has the obscure 1926 silent thriller made from Maugham’s book, produced and directed by Rex Ingram,...
Sounds like that could be a great movie? Not only has the obscure 1926 silent thriller made from Maugham’s book, produced and directed by Rex Ingram,...
- 11/15/2010
- by Movies Unlimited
- FamousMonsters of Filmland
Alice Terry, Ramon Novarro in Rex Ingram's Scaramouche Ramon Novarro is back for the fourth and last installment of Turner Classic Movies' Sunday evening celebration of the 100 years of the Mexican Revolution. Tonight, Novarro's vehicle is Scaramouche (1923), one of his most prestigious critical and box-office hits, and one featuring another revolution, the one in France back in the late 18th century. Directed by Rex Ingram, and co-starring Alice Terry and Lewis Stone, Scaramouche was the vehicle that turned Novarro into a top box-office attraction — though official star billing would only come two years later, with the release of The Midshipman. Ingram's version of Scaramouche is also much closer to Rafael Sabatini's highly political — and at times quite subversive — novel than the fluffier but equally entertaining 1952 release directed by George Sidney and starring Stewart Granger in the title role. The information below about Scaramouche is from my [...]...
- 9/27/2010
- by Andre Soares
- Alt Film Guide
Francis Ford Coppola Oscar 2011: Jean-Luc Godard, Eli Wallach Honorary Oscar Recipients Kevin Brownlow (right), 72, is the most renowned silent-film historian and preservationist. Among his various restoration projects are Abel Gance’s epic Napoleon (1927), with Albert Dieudonné; Rex Ingram’s blockbuster The Four Horsemen of the Apocalypse (1921), starring Rudolph Valentino and Alice Terry; and Raoul Walsh‘s fantasy The Thief of Bagdad (1924), starring Douglas Fairbanks. Among the documentaries Brownlow co-directed with David Gill are Unknown Chaplin, Buster Keaton: A Hard Act to Follow, Harold Lloyd: The Third Genius, D.W. Griffith: Father of Film, and the outstanding Hollywood. Brownlow also directed Cecil B. DeMille: American Epic and, with Christopher Bird, Garbo. Additionally, Brownlow has authored numerous film books, including The Parade’s Gone By; The War, the West, and the Wilderness; Hollywood: The Pioneers; Behind the Mask of Innocence; David Lean; and Mary Pickford Rediscovered. Well, Brownlow should feel right...
- 8/25/2010
- by Andre Soares
- Alt Film Guide
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