‘Hearts and Bones.’
Madman Entertainment had dated Ben Lawrence’s debut feature Hearts and Bones for an April 30 premiere on 40 screens, the marketing campaign was ready and Hugo Weaving was set do a a publicity tour.
That was until the sky fell in – all cinemas closed due to the pandemic – so the distributor and producer Matt Reeder had to rethink their strategy.
The upshot: The drama which follows Weaving’s war photographer and a South Sudanese refugee (newcomer Andrew Luri), who discovers a photograph that threatens to destroy them both, will be available to buy on digital platforms for $19.95 from May 6.
“Matt and Ben are fully on board with the decision; this is a great time to experiment,” says Madman Entertainment MD Paul Wiegard.
Wiegard is confident the download-to-own offer will get significant take-up through iTunes, Google Play, YouTube, Sony PlayStation, Telstra and Fetch TV. That will be followed by...
Madman Entertainment had dated Ben Lawrence’s debut feature Hearts and Bones for an April 30 premiere on 40 screens, the marketing campaign was ready and Hugo Weaving was set do a a publicity tour.
That was until the sky fell in – all cinemas closed due to the pandemic – so the distributor and producer Matt Reeder had to rethink their strategy.
The upshot: The drama which follows Weaving’s war photographer and a South Sudanese refugee (newcomer Andrew Luri), who discovers a photograph that threatens to destroy them both, will be available to buy on digital platforms for $19.95 from May 6.
“Matt and Ben are fully on board with the decision; this is a great time to experiment,” says Madman Entertainment MD Paul Wiegard.
Wiegard is confident the download-to-own offer will get significant take-up through iTunes, Google Play, YouTube, Sony PlayStation, Telstra and Fetch TV. That will be followed by...
- 4/19/2020
- by The IF Team
- IF.com.au
‘Butch’.
Screen Australia has announced almost $750,000 of story development funding for nine feature films, 11 television series and two online projects.
The slate includes an Imogen Banks-produced musical dramedy, composed by Kate Miller-Heidke; a television adaptation of Melanie Cheng book Australia Day; and a feature film from Helpmann Award-winning playwright S. Shakthidharan.
Screen Australia’s head of development Nerida Moore said, “We are looking for projects that are distinctive in the market, have a very specific audience in mind and reflect a range of Australian experiences. As such, it’s fantastic to be able to support the development of these 22 productions, which give an exciting glimpse into the diversity of stories, formats and genres we will hopefully see on our screens in the coming years.”
“I’m particularly pleased Screen Australia is able to support creators to expand their skill sets and take creative risks, including actors Lucy Durack and...
Screen Australia has announced almost $750,000 of story development funding for nine feature films, 11 television series and two online projects.
The slate includes an Imogen Banks-produced musical dramedy, composed by Kate Miller-Heidke; a television adaptation of Melanie Cheng book Australia Day; and a feature film from Helpmann Award-winning playwright S. Shakthidharan.
Screen Australia’s head of development Nerida Moore said, “We are looking for projects that are distinctive in the market, have a very specific audience in mind and reflect a range of Australian experiences. As such, it’s fantastic to be able to support the development of these 22 productions, which give an exciting glimpse into the diversity of stories, formats and genres we will hopefully see on our screens in the coming years.”
“I’m particularly pleased Screen Australia is able to support creators to expand their skill sets and take creative risks, including actors Lucy Durack and...
- 2/25/2020
- by jkeast
- IF.com.au
‘Bad Boys for Life’ (Photo: Sony Pictures).
Seventeen years after the Bad Boys sequel the third edition in the franchise has put Will Smith back in the winners’ circle after he starred in Ang Lee’s 2019 flop Gemini Man.
Sony Pictures’ Bad Boys for Life opened in top spot in a buoyant weekend as exhibitors and distributors donated two dollars of every ticket sold on Sunday at participating cinemas to three charities involved in bushfire relief.
Sunday takings totaled $6 million, so based on an average ticket price of about $14.50 that would mean 420,000 admissions and a total donation of around $840,000.
“I really take my hat off to the distributors, exhibitors and representative bodies that were able to swiftly come together and create such a powerful and unified industry initiative,” Hayden Orpheum Picture Palace Gm Alex Temesvari tells If. “It really gave cinemas a chance to contribute in a meaningful way.”
Majestic...
Seventeen years after the Bad Boys sequel the third edition in the franchise has put Will Smith back in the winners’ circle after he starred in Ang Lee’s 2019 flop Gemini Man.
Sony Pictures’ Bad Boys for Life opened in top spot in a buoyant weekend as exhibitors and distributors donated two dollars of every ticket sold on Sunday at participating cinemas to three charities involved in bushfire relief.
Sunday takings totaled $6 million, so based on an average ticket price of about $14.50 that would mean 420,000 admissions and a total donation of around $840,000.
“I really take my hat off to the distributors, exhibitors and representative bodies that were able to swiftly come together and create such a powerful and unified industry initiative,” Hayden Orpheum Picture Palace Gm Alex Temesvari tells If. “It really gave cinemas a chance to contribute in a meaningful way.”
Majestic...
- 1/20/2020
- by The IF Team
- IF.com.au
Go! (Photo credit: See Pictures).
Netflix has acquired worldwide rights to Owen Trevor’s debut feature Go!, excluding Australia and New Zealand where Roadshow Films will launch the See Pictures production on more than 240 screens on Thursday.
The streamer will release the action-packed family film scripted by Paper Planes’ Steve Worland under its original title Go Karts.
Worland has written a novelisation of the film in Australia which will be published in the Us later this year.
Canada-based Aqute Media negotiated the Netflix deal, which also excludes China, on behalf of the producers Jamie Hilton and Sonia Borella.
William Lodder stars as 15-year-old Jack, a charismatic larrikin who discovers go kart racing after he moves to a new town with his mother (Frances O’Connor) and dedicates himself to the sport.
Richard Roxburgh plays Patrick, an old race-car driver with a secret past who along with Jack’s new friends helps...
Netflix has acquired worldwide rights to Owen Trevor’s debut feature Go!, excluding Australia and New Zealand where Roadshow Films will launch the See Pictures production on more than 240 screens on Thursday.
The streamer will release the action-packed family film scripted by Paper Planes’ Steve Worland under its original title Go Karts.
Worland has written a novelisation of the film in Australia which will be published in the Us later this year.
Canada-based Aqute Media negotiated the Netflix deal, which also excludes China, on behalf of the producers Jamie Hilton and Sonia Borella.
William Lodder stars as 15-year-old Jack, a charismatic larrikin who discovers go kart racing after he moves to a new town with his mother (Frances O’Connor) and dedicates himself to the sport.
Richard Roxburgh plays Patrick, an old race-car driver with a secret past who along with Jack’s new friends helps...
- 1/13/2020
- by The IF Team
- IF.com.au
Owen Trevor’s Go!, John Sheedy’s H is for Happiness, Ben Lawrence’s Hearts and Bones, Mirrah Foulkes’ Judy & Punch and Paul Ireland’s Measure for Measure will compete for Australia’s biggest film prize.
Those are the finalists for the $100,000 prize at CinefestOZ, which will run from August 28 to September 1 in Bunbury, Busselton, Margaret River and surrounds.
CinefestOZ festival chair Helen Shervington said it had been another stellar year for the film prize entries and this year’s finalists are the cream of the crop.
The prize was established in 2014 to recognise excellence in Australian filmmaking and is awarded on the gala night by a five-member industry jury, this year chaired by director/writer Rachel Ward.
Scripted by Paper Planes‘ Steve Worland and produced by See Pictures’ Jamie Hilton and Sonia Borella, Go! stars William Lodder, Anastasia Bampos, Darius Amarfio-Jefferson, Dan Wyllie, Cooper Van Grootel, Damian De Montemas,...
Those are the finalists for the $100,000 prize at CinefestOZ, which will run from August 28 to September 1 in Bunbury, Busselton, Margaret River and surrounds.
CinefestOZ festival chair Helen Shervington said it had been another stellar year for the film prize entries and this year’s finalists are the cream of the crop.
The prize was established in 2014 to recognise excellence in Australian filmmaking and is awarded on the gala night by a five-member industry jury, this year chaired by director/writer Rachel Ward.
Scripted by Paper Planes‘ Steve Worland and produced by See Pictures’ Jamie Hilton and Sonia Borella, Go! stars William Lodder, Anastasia Bampos, Darius Amarfio-Jefferson, Dan Wyllie, Cooper Van Grootel, Damian De Montemas,...
- 7/4/2019
- by The IF Team
- IF.com.au
See Pictures has cast newcomer William Lodder in the lead role of its upcoming “Go Karts,” which begins filming this week in Busselton, Western Australia. He is joined by Frances O’Connor, Richard Roxburgh, Dan Wyllie, Darius Amarfio-Jefferson, Cooper van Grootel and another newcomer Anastasia Bampos.
The high-octane family film sees Lodder as a Jack-the-lad who discovers that he is good at something, karting. He is encouraged in his career choice by a supportive mother. But he has to face up to challenges of his own making, as well as from other racers.
The film is directed by Owen Trevor (TV’s “Top Gear”) from a script by Steve Worland (“Paper Planes”). Production is by Jamie Hilton “(Breath”) and Sonia Borella for See Pictures.
Distribution in Australia and new Zealand is to be through Roadshow Films, which co-developed the script. It will be represented internationally by Aqute Media.
Sydney- and...
The high-octane family film sees Lodder as a Jack-the-lad who discovers that he is good at something, karting. He is encouraged in his career choice by a supportive mother. But he has to face up to challenges of his own making, as well as from other racers.
The film is directed by Owen Trevor (TV’s “Top Gear”) from a script by Steve Worland (“Paper Planes”). Production is by Jamie Hilton “(Breath”) and Sonia Borella for See Pictures.
Distribution in Australia and new Zealand is to be through Roadshow Films, which co-developed the script. It will be represented internationally by Aqute Media.
Sydney- and...
- 4/19/2018
- by Patrick Frater
- Variety Film + TV
Glenn here. As expected, it was a big night for Oscar hopeful Mad Max: Fury Road at the Aacta Awards last night, while Cate Blanchett gave yet another wonderful speech upon winning the Longford Lyell Award for outstanding achievement to Australian screen. Split over two ceremonies in Sydney, this year’s “Australian Oscars” were honouring the most successful year for Australian film on record – yes, that means of all time (inflation not included) – as well as television. Miller’s film picked up eight trophies all up, bringing the total number of AFI/Aacta Awards won by the franchise to 16, while Miller has now amassed 8 career statues. Yes, eight!!
Jocelyn Moorhouse’s homegrown phenomenon The Dressmaker was also a hit winning five including for actors Kate Winslet, Judy Davis, and Hugo Weaving as well as the audience choice award, which goes to show just how popular that period western has been...
Jocelyn Moorhouse’s homegrown phenomenon The Dressmaker was also a hit winning five including for actors Kate Winslet, Judy Davis, and Hugo Weaving as well as the audience choice award, which goes to show just how popular that period western has been...
- 12/9/2015
- by Glenn Dunks
- FilmExperience
George Miller’s action-epic scoops eight awards including best film and best director.Scroll down for the full list
Mad Max: Fury Road has scooped the pool at Australia’s top film awards, the AACTAs, with George Miller’s high-action epic scoring wins in eight of its 11 nominated categories, including best film and best director.
Jocelyn Moorhouse’s retro western The Dressmaker won the Aacta People’s Choice Award at the Sydney event, and Kate Winslet won the Best Actress award for her lead performance (and convincing accent) as a spiteful Aussie seamstress in outback 1950s Australia. Winslet accepted her award via smartphone video selfie.
Her onscreen mum, Judy Davis, was the odds-on favourite to win Best Supporting Actress, which she did. In another acting gong for The Dressmaker, Hugo Weaving seemed as surprised as everyone else when his name was called to the stage of Sydney’s The Star casino complex.
In other awards...
Mad Max: Fury Road has scooped the pool at Australia’s top film awards, the AACTAs, with George Miller’s high-action epic scoring wins in eight of its 11 nominated categories, including best film and best director.
Jocelyn Moorhouse’s retro western The Dressmaker won the Aacta People’s Choice Award at the Sydney event, and Kate Winslet won the Best Actress award for her lead performance (and convincing accent) as a spiteful Aussie seamstress in outback 1950s Australia. Winslet accepted her award via smartphone video selfie.
Her onscreen mum, Judy Davis, was the odds-on favourite to win Best Supporting Actress, which she did. In another acting gong for The Dressmaker, Hugo Weaving seemed as surprised as everyone else when his name was called to the stage of Sydney’s The Star casino complex.
In other awards...
- 12/9/2015
- ScreenDaily
George Miller’s action-epic scoops eight awards including best film and best director.Scroll down for the full list
Mad Max: Fury Road has scooped the pool at Australia’s top film awards, the AACTAs, with George Miller’s high-action epic scoring wins in eight of its 11 nominated categories, including best film and best director.
Jocelyn Moorhouse’s retro western The Dressmaker won the Aacta People’s Choice Award at the Sydney event, and Kate Winslet won the Best Actress award for her lead performance (and convincing accent) as a spiteful Aussie seamstress in outback 1950s Australia. Winslet accepted her award via smartphone video selfie.
Her onscreen mum, Judy Davis, was the odds-on favourite to win Best Supporting Actress, which she did. In another acting gong for The Dressmaker, Hugo Weaving seemed as surprised as everyone else when his name was called to the stage of Sydney’s The Star casino complex.
In other awards...
Mad Max: Fury Road has scooped the pool at Australia’s top film awards, the AACTAs, with George Miller’s high-action epic scoring wins in eight of its 11 nominated categories, including best film and best director.
Jocelyn Moorhouse’s retro western The Dressmaker won the Aacta People’s Choice Award at the Sydney event, and Kate Winslet won the Best Actress award for her lead performance (and convincing accent) as a spiteful Aussie seamstress in outback 1950s Australia. Winslet accepted her award via smartphone video selfie.
Her onscreen mum, Judy Davis, was the odds-on favourite to win Best Supporting Actress, which she did. In another acting gong for The Dressmaker, Hugo Weaving seemed as surprised as everyone else when his name was called to the stage of Sydney’s The Star casino complex.
In other awards...
- 12/9/2015
- ScreenDaily
The Australian Film Television and Radio School has unleashed a new crop of talent on the industry with the 2015 Graduation Ceremony. . .
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
A highlight of the ceremony was the awarding of the Aftrs. Honorary Degree (Doctor of Arts) to broadcaster, commentator and filmmaker Phillip Adams.
Adams played a key role in the revival of the Australian film industry in the 1970s. .
He was the author of a 1969 report that led to legislation by Prime Minister Gorton in 1970 for an Australian Film and Television Development Corporation (later the Australian Film Commission) and the Experimental Film Fund as well as the eventual creation of an Australian national film School (now Aftrs). Phillip was one of the original members of council for the interim School.
The Dressmaker producer Sue Maslin present the degree. .
Maslin is a graduate of the Aftrs Masters of Screen Arts & Business degree.
Graduates include Imogen Banks, one of the producers...
- 12/8/2015
- by Staff Writer
- IF.com.au
John Edwards today likened the state of the Australian TV drama production industry to a .stagnant billabong,. marked by fewer series, the same writers, inflated costs for no apparent quality gain, shrinking audiences and increasingly reliance on subsidy.
.All the openness and excitement and bringing through of new talent, of new work, has certainly dissipated, and the area that has historically been the largest and most productive sector of the broadcast industry has all but disappeared,. the veteran producer said in his Hector Crawford memorial lecture at Screen Forever.
.People keep saying it.s the golden age of television drama. If the emperor doesn.t have no clothes, he certainly seems to be wearing very weird underwear..
Edwards lamented the demise of the 40-part and 22-part series and said 13-parters are almost an anachronism.. He noted 6-8 part dramas typically cost $1 million- $1.2 million per hour and once those production structures...
.All the openness and excitement and bringing through of new talent, of new work, has certainly dissipated, and the area that has historically been the largest and most productive sector of the broadcast industry has all but disappeared,. the veteran producer said in his Hector Crawford memorial lecture at Screen Forever.
.People keep saying it.s the golden age of television drama. If the emperor doesn.t have no clothes, he certainly seems to be wearing very weird underwear..
Edwards lamented the demise of the 40-part and 22-part series and said 13-parters are almost an anachronism.. He noted 6-8 part dramas typically cost $1 million- $1.2 million per hour and once those production structures...
- 11/17/2015
- by Don Groves
- IF.com.au
Nine features have been nominated for this year's Awgie Awards for performance writing.
Eight telemovies and miniseries are in contention. The Australian Writers. Guild says nominations in the 25 categories for the 48th Annual Awgie Awards reflect the abundance of outstanding work currently being produced in Australia. Nominees for best original telemovie are Steven McGregor for Redfern Now: Promise Me and Katherine Thomson for House of Hancock, while Christopher Lee.s Gallipoli and Jan Sardi and Mac Gudgeon.s The Secret River contend for best adaptation in a television miniseries. There are four nominees for original television mini-series: The Principal by Alice Addison and Kristen Dunphy; The Kettering Incident by Vicki Madden, Andrew Knight, Cate Shortland and Louise Fox; Deadline Gallipoli by Jacquelin Perske, Stuart Beattie, Shaun Grant and Cate Shortland; and Love Child: Series 2 from Tim Pye, Cathryn Strickland, Chris McCourt, Jane Allen and Tamara Asmar. In the categories...
Eight telemovies and miniseries are in contention. The Australian Writers. Guild says nominations in the 25 categories for the 48th Annual Awgie Awards reflect the abundance of outstanding work currently being produced in Australia. Nominees for best original telemovie are Steven McGregor for Redfern Now: Promise Me and Katherine Thomson for House of Hancock, while Christopher Lee.s Gallipoli and Jan Sardi and Mac Gudgeon.s The Secret River contend for best adaptation in a television miniseries. There are four nominees for original television mini-series: The Principal by Alice Addison and Kristen Dunphy; The Kettering Incident by Vicki Madden, Andrew Knight, Cate Shortland and Louise Fox; Deadline Gallipoli by Jacquelin Perske, Stuart Beattie, Shaun Grant and Cate Shortland; and Love Child: Series 2 from Tim Pye, Cathryn Strickland, Chris McCourt, Jane Allen and Tamara Asmar. In the categories...
- 7/23/2015
- by Staff writer
- IF.com.au
Rob Connolly.s Paper Planes will be released in the Us and UK by two of the largest mini-majors. Lionsgate will launch the children.s/family film co-written by Connolly and Steve Worland in UK cinemas on October 23. EntertainmentOne acquired the rights for the Us, where a multi-platform release combined with a limited number of screens is likely. In the Us eOne handles relatively few theatrical releases as its primary focus is on home entertainment.
Both deals were negotiated by international sales rep Arclight Films. This year Lionsgate distributed A Royal Night Out, A Little Chaos, Testament of Youth and Survivor, and it will launch John Maclean.s Slow West on June 26. Roadshow released Paper Planes in Australia, grossing $9.6 million. The title went out on DVD rental and VOD this week and currently ranks twelfth on the iTunes chart behind Fifty Shades of Grey, after peaking at No. 2 during the 2-week download to-own-window.
Both deals were negotiated by international sales rep Arclight Films. This year Lionsgate distributed A Royal Night Out, A Little Chaos, Testament of Youth and Survivor, and it will launch John Maclean.s Slow West on June 26. Roadshow released Paper Planes in Australia, grossing $9.6 million. The title went out on DVD rental and VOD this week and currently ranks twelfth on the iTunes chart behind Fifty Shades of Grey, after peaking at No. 2 during the 2-week download to-own-window.
- 6/23/2015
- by Don Groves
- IF.com.au
It.s been a strong start to the year for Australian cinema with Robert Connolly.s Paper Planes soaring even higher than some pundits predicted last weekend and The Water Diviner continuing to earn tidy sums. The children.s film released by Roadshow, starring Sam Worthington, Ed Oxenbould and David Wenham, raked in $1.73 million in its first four days and nearly $1.9 million with previews, the No. 1 title in most locations on Thursday and at many cinemas over the weekend. That figure is even more meritorious considering the tale of an Australian boy.s passion for flight had very few evening sessions. .Ï didn.t know what to expect because of the performance of Australian films in 2014,. Wallis Cinemas program manager Bob Parr tells If. .Consequently I am delighted with the result. .The date was perfect because it was trailered on all the big family films in December / January. Our programming...
- 1/19/2015
- by Don Groves
- IF.com.au
Robert Connolly's Paper Planes has been selected to screen at the Berlin International Film Festival in February. The children's film will have its European premiere in the Generation Kplus program.
That will Connolly's third production to be featured in the Berlin festival. His first was The Boys, directed by Rowan Woods, in 1998. Last year his omnibus film Tim Winton's The Turning had its European premiere in Berlin. .
Connolly said, .We are all very excited to return to the Berlinale next year to launch Paper Planes in Europe, a festival that has been a wonderful pioneer in championing cinema for kids from all over the world..
The tale of an Australian boy's passion for flight and his challenge to compete in the World Paper Plane Championships in Japan, it. will have its first 3D screenings in Berlin.
Screen Australia CEO Graeme Mason said, .We are thrilled for Rob and his...
That will Connolly's third production to be featured in the Berlin festival. His first was The Boys, directed by Rowan Woods, in 1998. Last year his omnibus film Tim Winton's The Turning had its European premiere in Berlin. .
Connolly said, .We are all very excited to return to the Berlinale next year to launch Paper Planes in Europe, a festival that has been a wonderful pioneer in championing cinema for kids from all over the world..
The tale of an Australian boy's passion for flight and his challenge to compete in the World Paper Plane Championships in Japan, it. will have its first 3D screenings in Berlin.
Screen Australia CEO Graeme Mason said, .We are thrilled for Rob and his...
- 12/14/2014
- by Don Groves
- IF.com.au
Rob Connolly.s Paper Planes and Josh Lawson.s The Little Death have been added to the Australian line-up at the Toronto International Film Festival next month.
That brings the number of Australian films screening at Tiff to seven. In addition, Australian artist Shaun Gladwell has been invited to present his projects BMX Channel and Midnight Traceur in the festival.s Future Projections program, a crossover between cinema and art.
Connolly.s Paper Planes will have its international premiere in Tiff Kids. The film, which centres on a young Australian boy.s passion for flight and his challenge to compete in the World Paper Plane Championships in Japan, stars Sam Worthington, Ed Oxenbould, Deborah Mailman and David Wenham. Roadshow will launch the film co-written by Connolly and Steve Worland and produced by Connolly, Maggie Miles and Liz Kearney in Australia next January.
The Little Death, Lawson.s feature writing and directing debut,...
That brings the number of Australian films screening at Tiff to seven. In addition, Australian artist Shaun Gladwell has been invited to present his projects BMX Channel and Midnight Traceur in the festival.s Future Projections program, a crossover between cinema and art.
Connolly.s Paper Planes will have its international premiere in Tiff Kids. The film, which centres on a young Australian boy.s passion for flight and his challenge to compete in the World Paper Plane Championships in Japan, stars Sam Worthington, Ed Oxenbould, Deborah Mailman and David Wenham. Roadshow will launch the film co-written by Connolly and Steve Worland and produced by Connolly, Maggie Miles and Liz Kearney in Australia next January.
The Little Death, Lawson.s feature writing and directing debut,...
- 8/19/2014
- by Don Groves
- IF.com.au
Sam Worthington, Anthony Lapaglia and Ed Oxenbould are set to star in nm3522455 autoRobert Connolly[/link]'s 3D family film "Paper Planes" for Arenamedia and Footprint Films.
Inspired by true events, Connolly and Steve Worland penned the script which follows eleven-year old Dylan (Oxenbould), who is brought up by his father (Worthington) in a remote Australian country town.
Dylan's life changes when he wins a place in the regional Paper Plane Championships in Sydney. Battling nerves and private schoolboy nemesis Jason (Nicholas Bakopoulos), for a spot at the World Championships in Japan.
Lapaglia has the comedic role of a former Fa Cup star and Jason's father. Maggie Miles and Liz Kearney are producing. Filming is currently underway in Perth with some second unit filming in Tokyo.
Source: Inside Film...
Inspired by true events, Connolly and Steve Worland penned the script which follows eleven-year old Dylan (Oxenbould), who is brought up by his father (Worthington) in a remote Australian country town.
Dylan's life changes when he wins a place in the regional Paper Plane Championships in Sydney. Battling nerves and private schoolboy nemesis Jason (Nicholas Bakopoulos), for a spot at the World Championships in Japan.
Lapaglia has the comedic role of a former Fa Cup star and Jason's father. Maggie Miles and Liz Kearney are producing. Filming is currently underway in Perth with some second unit filming in Tokyo.
Source: Inside Film...
- 11/12/2013
- by Garth Franklin
- Dark Horizons
Sam Worthington, Anthony Lapaglia and Ed Oxenbould are starring in writer-director Robert Connolly.s Paper Planes, a family film about an Australian boy.s passion for flight.
Connolly.s Arenamedia is producing the 3D film, which did second unit shooting in Tokyo last week and is now shooting in Perth. Korea.s Emig is providing some 3D services.
Inspired by true events, the screenplay is by Connolly and author Steve Worland. The plot follows 11-year old Dylan (Oxenbould), who is brought up by his father (Worthington) in a remote town in country Australia.
Dylan.s life changes when he wins a place in the regional Paper Plane Championships in Sydney. Battling nerves and his nemesis, private schoolboy Jason (Nicholas Bakopoulos), for a spot at the World Championships in Japan, his greatest challenge seems himself. Wisdom arrives from a most unlikely source when he meets Kimi (Ena Imai), the junior Japanese champion.
Connolly.s Arenamedia is producing the 3D film, which did second unit shooting in Tokyo last week and is now shooting in Perth. Korea.s Emig is providing some 3D services.
Inspired by true events, the screenplay is by Connolly and author Steve Worland. The plot follows 11-year old Dylan (Oxenbould), who is brought up by his father (Worthington) in a remote town in country Australia.
Dylan.s life changes when he wins a place in the regional Paper Plane Championships in Sydney. Battling nerves and his nemesis, private schoolboy Jason (Nicholas Bakopoulos), for a spot at the World Championships in Japan, his greatest challenge seems himself. Wisdom arrives from a most unlikely source when he meets Kimi (Ena Imai), the junior Japanese champion.
- 11/10/2013
- by Don Groves
- IF.com.au
Children.s movie Paper Planes, Cambodian-set romantic drama Ruin and art-house drama Partisan received investment from Screen Australia at Tuesday's board meeting.
The agency is investing almost $15.5 million in the three features, five adult drama series, one telemovie and three children.s series, triggering production worth almost $84 million.
Writer/director/producer Robert Connolly.s Paper Planes is a drama about a young boy from a small outback town who dreams of competing in the World Paper Plane Championships in Japan. The writers are Connolly and Steve Worland, produced by Maggie Miles and Liz Kearney.
Connolly told If, .We don.t make this kind of film any more in Australia, where the hero is an Australian kid. If kids don.t grow up watching Australian films we are not building a future..
The film will shoot in Perth later this year. Connolly and John Maynard.s Footprint Films will release in...
The agency is investing almost $15.5 million in the three features, five adult drama series, one telemovie and three children.s series, triggering production worth almost $84 million.
Writer/director/producer Robert Connolly.s Paper Planes is a drama about a young boy from a small outback town who dreams of competing in the World Paper Plane Championships in Japan. The writers are Connolly and Steve Worland, produced by Maggie Miles and Liz Kearney.
Connolly told If, .We don.t make this kind of film any more in Australia, where the hero is an Australian kid. If kids don.t grow up watching Australian films we are not building a future..
The film will shoot in Perth later this year. Connolly and John Maynard.s Footprint Films will release in...
- 6/26/2013
- by Don Groves
- IF.com.au
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