Whereas his early films such as “Pushing Hands” and “The Wedding Banquet” often touch upon the crossroads between modernity and tradition, Taiwanese filmmaker Ang Lee found himself in a similar situation with his third film. As he reflects upon the production of his 1994 “Eat Drink Man Woman”, he describes how he felt the pressure between going mainstream with his movies or making an arthouse film, especially after winning the Golden Bear at Berlin International Film Festival for “The Wedding Banquet”. Considering this situation, it seems only fitting he would make a film which would not only pick up the thematic threads of his previous ones, but which would also discuss these issues within the circle of the family, their relationships and, of course, the world of cooking.
Eat Drink Man Woman is screening at Vesoul International Film Festival of Asian Cinema
Even though he has been planning to settle down...
Eat Drink Man Woman is screening at Vesoul International Film Festival of Asian Cinema
Even though he has been planning to settle down...
- 2/11/2024
- by Rouven Linnarz
- AsianMoviePulse
Why do we not talk about “The Adventurers?” To be fair, this could be asked about many of Ringo Lam's films. For a filmmaker widely considered to be one of the “Big Three” of Hong Kong action along with Tsui Hark and John Woo, only a few of Lam's films are discussed frequently outside of cinephile circles. His work tended to be jagged, foregoing Woo's elegance and Hark's epic scope in favor of open-wound intensity. A film like “School on Fire,” for example, functions more as social issue drama than action flick. This nervy, uncompromising style perhaps lacked the slick commercial appeal of his contemporaries, which would explain why some of his relatively minor B-Sides tend to be left out of the conversation. This is a shame, because “The Adventurers” is an admirably over-the-top revenge thriller that deserves to be seen.
On paper, the film sounds like...
On paper, the film sounds like...
- 11/27/2023
- by Henry McKeand
- AsianMoviePulse
Benny Chan’s A Moment of Romance swiftly establishes the narrow perimeter of the world that triad member Wah Dee (Andy Lau) inhabits. Though Dee cuts a profile of louche cool in his denim jackets and sleek motorcycle, the gangster getaway driver moves through the emptiest and least exotic realms of the criminal underworld. His stomping grounds generally consist of rundown buildings and day-rate hotels where he works and sleeps, and his only visible means of letting off steam consists of heading to a nearby quarry to watch a kind of demolition derby with all the other fast-living losers who occupy the bottom rungs of triad life. He treats his bosses with the usual differences demanded by organized crime’s rigid power structures, and they in turn speak to him as little more than an indentured servant.
When one of Dee’s superiors, Trumpet (Wong Kwong-leung), stages a jewelry store robbery,...
When one of Dee’s superiors, Trumpet (Wong Kwong-leung), stages a jewelry store robbery,...
- 8/22/2023
- by Jake Cole
- Slant Magazine
I'm slightly ashamed to say I only saw “A Moment of Romance” for the first time recently, but sometimes, one viewing will show you that classics are classics for a reason. Gratefully, I was able to watch Benny Chan's Hong Kong masterpiece on the big screen at the Far East Film Festival, where my mentors insisted it would blow me away. Rarely does this phrase find a footing in me as someone who tends to dwell on slow-moving, melancholic queer cinema, but I'm happy to admit that they were correct.
The story itself is simple: a wealthy young Hong Kong heiress, Jo-Jo (Jacklyn Wu) falls in love with a toughened-by-the-streets triad member, Wah Dee (Andy Lau). Drawn to each other but unwilling to get too close for fear of endangering the other, they become the epitome of star-crossed lovers. Wah Dee and Jo-Jo quickly learn that the world doesn't tolerate their romance,...
The story itself is simple: a wealthy young Hong Kong heiress, Jo-Jo (Jacklyn Wu) falls in love with a toughened-by-the-streets triad member, Wah Dee (Andy Lau). Drawn to each other but unwilling to get too close for fear of endangering the other, they become the epitome of star-crossed lovers. Wah Dee and Jo-Jo quickly learn that the world doesn't tolerate their romance,...
- 6/4/2023
- by Olivia Popp
- AsianMoviePulse
Whereas his early films such as “Pushing Hands” and “The Wedding Banquet” often touch upon the crossroads between modernity and tradition, Taiwanese filmmaker Ang Lee found himself in a similar situation with his third film. As he reflects upon the production of his 1994 “Eat Drink Man Woman”, he describes how he felt the pressure between going mainstream with his movies or making an arthouse film, especially after winning the Golden Bear at Berlin International Film Festival for “The Wedding Banquet”. Considering this situation, it seems only fitting he would make a film which would not only pick up the thematic threads of his previous ones, but which would also discuss these issues within the circle of the family, their relationships and, of course, the world of cooking.
“Eat Drink Man Woman” is screening at New York Asian Film Festival – Winter Showcase 2020
Even though he has been planning to settle down...
“Eat Drink Man Woman” is screening at New York Asian Film Festival – Winter Showcase 2020
Even though he has been planning to settle down...
- 2/15/2020
- by Rouven Linnarz
- AsianMoviePulse
With twelve features to his name, two of those winning him Best Director Academy Awards (Brokeback Mountain; Life of Pi), Ang Lee has become one of the most notable auteurs to achieve success within the studio system. While his 1995 adaptation of Jane Austen’s Sense and Sensibility began a successful career in English language filmmaking, the Taiwanese director had already received two Oscar nods for Best Foreign Language film. Those include 1993’s The Wedding Banquet, premiering in Berlin, and 1994’s Eat Drink Man Woman, now available for the first time on Blu-ray, though it hasn’t enjoyed the same lasting reputation. After the film, Lee wouldn’t return to working in Mandarin until six years later (2000’s Crouching Tiger, Hidden Dragon), so it represents a certain jumping off point for the director.
Food and sex are base human desires that cannot be ignored, or so Mr. Chu (Sihung Lung) remarks,...
Food and sex are base human desires that cannot be ignored, or so Mr. Chu (Sihung Lung) remarks,...
- 2/24/2015
- by Nicholas Bell
- IONCINEMA.com
Like millions of you around the world, i love Kung Fu movies. It is the only real genre that keeps me going back for more and that is why i will always love Kung Fu movies.
I know many of you have probably seen many of the movies i will post about, but this is also for anyone new to the genre of Kung Fu and even Swordplay and looking for other movies to enjoy. I hope you enjoy the movies i have listed and please feel free to comment about any of the movies.
1.Heroes Two (1974)
Director: Chang Cheh
Cast: Fu Sheng, Chen Kuan Tai, Bruce Tong, Wong Ching, Fong Sam, Fung Hak On, Lau Kar Wing
Fight Choreographer(s): Tong Gaai, Lau Kar Leung
Studio: Shaw Brothers
2.Shaolin Plot (1977)
Director: Huang Feng
Cast: James Tien, Chan Sing, Casanova Wong, Sammo Hung
Fight Choreographer(s): Sammo Hung...
I know many of you have probably seen many of the movies i will post about, but this is also for anyone new to the genre of Kung Fu and even Swordplay and looking for other movies to enjoy. I hope you enjoy the movies i have listed and please feel free to comment about any of the movies.
1.Heroes Two (1974)
Director: Chang Cheh
Cast: Fu Sheng, Chen Kuan Tai, Bruce Tong, Wong Ching, Fong Sam, Fung Hak On, Lau Kar Wing
Fight Choreographer(s): Tong Gaai, Lau Kar Leung
Studio: Shaw Brothers
2.Shaolin Plot (1977)
Director: Huang Feng
Cast: James Tien, Chan Sing, Casanova Wong, Sammo Hung
Fight Choreographer(s): Sammo Hung...
- 11/3/2014
- by kingofkungfu
- AsianMoviePulse
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