NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Tree of Life, Everyone Else, and 35 Shots on Rum on 35mm, while A Hidden Life also screens; James and the Giant Peach plays in a Roald Dahl series with Matilda; a print of Bringing Up Baby shows on 35mm this Friday and Sunday.
Film Forum
“50 from the ’50s” continues with films by Welles, Kazan, Kubrick, and many more, while “Hitchcock’s ’50s” runs through arguably the director’s greatest decade.
Bam
“Cinema, Surrealism, Marxism” offers films from Buñuel, Glauber Rocha, Chris Marker, and more.
Anthology Film Archives
Yugoslav Black Wave icon Želimir Žilnik is subject of a new retrospective.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain, Gamer, and Exorcist III play late; Oldboy screens in a new restoration.
Museum of the Moving Image
Reverse Shot celebrates its 20th anniversary with a months-long programming run, continuing this weekend with The Tree of Life, Everyone Else, and 35 Shots on Rum on 35mm, while A Hidden Life also screens; James and the Giant Peach plays in a Roald Dahl series with Matilda; a print of Bringing Up Baby shows on 35mm this Friday and Sunday.
Film Forum
“50 from the ’50s” continues with films by Welles, Kazan, Kubrick, and many more, while “Hitchcock’s ’50s” runs through arguably the director’s greatest decade.
Bam
“Cinema, Surrealism, Marxism” offers films from Buñuel, Glauber Rocha, Chris Marker, and more.
Anthology Film Archives
Yugoslav Black Wave icon Želimir Žilnik is subject of a new retrospective.
IFC Center
An extensive William Friedkin series continues, while The Holy Mountain, Gamer, and Exorcist III play late; Oldboy screens in a new restoration.
- 11/9/2023
- by Nick Newman
- The Film Stage
We've posted a roundup of interviews: Lucile Hadzihalilovic, whose Evolution is released in the UK next week; Zelimir Zilnik, whose 1995 award-winning Marble Ass was revived at the Berlinale this year; Richard Linklater, who talks about all his films and the current presidential primaries; Albert Magnoli, who directed Prince's Purple Rain; Raymond Depardon, whose Les Habitants has just opened in France; Juliette Binoche, who talks about L’Attesa; Whit Stillman on his 90s trilogy and his latest, Love & Friendship; and Interview has posted Ingrid Sischy's 1994 conversation with Tom Hanks. » - David Hudson...
- 4/30/2016
- Keyframe
We've posted a roundup of interviews: Lucile Hadzihalilovic, whose Evolution is released in the UK next week; Zelimir Zilnik, whose 1995 award-winning Marble Ass was revived at the Berlinale this year; Richard Linklater, who talks about all his films and the current presidential primaries; Albert Magnoli, who directed Prince's Purple Rain; Raymond Depardon, whose Les Habitants has just opened in France; Juliette Binoche, who talks about L’Attesa; Whit Stillman on his 90s trilogy and his latest, Love & Friendship; and Interview has posted Ingrid Sischy's 1994 conversation with Tom Hanks. » - David Hudson...
- 4/30/2016
- Fandor: Keyframe
Dalibor Matanic’s The High Sun wins hat trick at Cottbus.
Croatia was the big winner at the 25th edition of FilmFestival Cottbus (Nov 3-8) with Dalibor Matanić’s The High Sun taking home three awards, including the Main Prize and Fipresci Prize.
The €25,000 Main Prize was shared equally between Matanić and his producer Ankica Jurić Tilić for the Croatian-Slovenian-Serbian co-production which had its world premiere in San Sebastian in September.
The film’s actress Tihana Lazović was in Cottbus to accept the Main Prize on behalf of Matanić and Tilić, and subsequently picked up the €5,000 Special Prize for Best Actress for her portrayal of three women in three consecutive decades.
The High Sun premiered in Cannes’ Un Certain Regard sidebar where it won the Jury Prize; international sales are handled by Cercamon World Sales for the film which is now Croatia’s submission for the Foreign-Language Film Oscar.
Meanwhile, another Croatian...
Croatia was the big winner at the 25th edition of FilmFestival Cottbus (Nov 3-8) with Dalibor Matanić’s The High Sun taking home three awards, including the Main Prize and Fipresci Prize.
The €25,000 Main Prize was shared equally between Matanić and his producer Ankica Jurić Tilić for the Croatian-Slovenian-Serbian co-production which had its world premiere in San Sebastian in September.
The film’s actress Tihana Lazović was in Cottbus to accept the Main Prize on behalf of Matanić and Tilić, and subsequently picked up the €5,000 Special Prize for Best Actress for her portrayal of three women in three consecutive decades.
The High Sun premiered in Cannes’ Un Certain Regard sidebar where it won the Jury Prize; international sales are handled by Cercamon World Sales for the film which is now Croatia’s submission for the Foreign-Language Film Oscar.
Meanwhile, another Croatian...
- 11/9/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The East-West co-production market has selected 10 projects this year, down from 13 in 2014.
New films by Slovakia’s Ivan Ostrochovský, and Israel’s Evgeny Ruman are among 10 projects selected for a slimmed down version of Germany’s East-West co-production market Connecting Cottbus (CoCo) (November 5-6).
Last year, the East-West co-production market presented 13 projects.
This year’s line-up includes Romanian director Bogdan Muranescu’s 1985, which was the winner of the CoCo Award at the Transilvania Pitch Stop during Cluj’s Transilvania International Festival in June, and Danyael Sugawara’s When Fucking Spring Is In The Air, to be produced by Trent of Oak Motion Pictures, as part of FilmFestival Cottbus’ Global East focus on The Netherlands.
Ostrochovský will be coming to Cottbus on the back of the success of his boxing drama Koza to pitch The Disciple about the extent aspiring priests were prepared to go in collaborating with the Communist regime in Slovakia of the 1980s, while Ruman will...
New films by Slovakia’s Ivan Ostrochovský, and Israel’s Evgeny Ruman are among 10 projects selected for a slimmed down version of Germany’s East-West co-production market Connecting Cottbus (CoCo) (November 5-6).
Last year, the East-West co-production market presented 13 projects.
This year’s line-up includes Romanian director Bogdan Muranescu’s 1985, which was the winner of the CoCo Award at the Transilvania Pitch Stop during Cluj’s Transilvania International Festival in June, and Danyael Sugawara’s When Fucking Spring Is In The Air, to be produced by Trent of Oak Motion Pictures, as part of FilmFestival Cottbus’ Global East focus on The Netherlands.
Ostrochovský will be coming to Cottbus on the back of the success of his boxing drama Koza to pitch The Disciple about the extent aspiring priests were prepared to go in collaborating with the Communist regime in Slovakia of the 1980s, while Ruman will...
- 10/16/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Serbian director Vuk Rsumovic’s No One’s Child and Slovak filmmaker Ivan Ostrochovský fiction debut Koza were the big winners at the 15th edition of the goEast Festival of Central and East European Film (April 22-28) in Wiesbaden.
The international jury headed by Czech producer Pavel Strnad of Negativ Film and including Filmfestival Cottbus’ artistic director Bernd Buder and Bosnian writer-director Ines Tanovic awarded the Grand Prix to Rsumovic’s feature debut which is being handled internationally by Belgrade-based Soul Food Distribution.
In addition, Achim Forst of broadcaster 3sat announced at the awards ceremony on Tuesday evening that hise channel has interest in acquiring the broadcast rights to the film.
Last year, 3sat picked up the 2014 Grand Prix winner Blind Dates and broadcast the film on the eve of this year’s goEast.
Ostrochovský’s road movie about an ex-boxer known as ¨The Goat¨ (Koza) received the City of Wiesbaden’s Prize for Best Director and the...
The international jury headed by Czech producer Pavel Strnad of Negativ Film and including Filmfestival Cottbus’ artistic director Bernd Buder and Bosnian writer-director Ines Tanovic awarded the Grand Prix to Rsumovic’s feature debut which is being handled internationally by Belgrade-based Soul Food Distribution.
In addition, Achim Forst of broadcaster 3sat announced at the awards ceremony on Tuesday evening that hise channel has interest in acquiring the broadcast rights to the film.
Last year, 3sat picked up the 2014 Grand Prix winner Blind Dates and broadcast the film on the eve of this year’s goEast.
Ostrochovský’s road movie about an ex-boxer known as ¨The Goat¨ (Koza) received the City of Wiesbaden’s Prize for Best Director and the...
- 4/29/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Serbian director Vuk Rsumovic’s No One’s Child and Slovak filmmaker Ivan Ostrochovský fiction debut Goat (Koza) were the big winners at the 15th edition of the goEast Festival of Central and East European Film (April 22-28) in Wiesbaden.
The international jury headed by Czech producer Pavel Strnad of Negativ Film and including Filmfestival Cottbus’ artistic director Bernd Buder and Bosnian writer-director Ines Tanovic awarded the Grand Prix to Rsumovic’s feature debut which is being handled internationally by Belgrade-based Soul Food Distribution.
In addition, Achim Forst of broadcaster 3sat announced at the awards ceremony on Tuesday evening that hise channel has interest in acquiring the broadcast rights to the film.
Last year, 3sat picked up the 2014 Grand Prix winner Blind Dates and broadcast the film on the eve of this year’s goEast.
Ostrochovský’s road movie about an ex-boxer known as ¨The Goat¨ (Koza) received the City of Wiesbaden’s Prize for Best Director...
The international jury headed by Czech producer Pavel Strnad of Negativ Film and including Filmfestival Cottbus’ artistic director Bernd Buder and Bosnian writer-director Ines Tanovic awarded the Grand Prix to Rsumovic’s feature debut which is being handled internationally by Belgrade-based Soul Food Distribution.
In addition, Achim Forst of broadcaster 3sat announced at the awards ceremony on Tuesday evening that hise channel has interest in acquiring the broadcast rights to the film.
Last year, 3sat picked up the 2014 Grand Prix winner Blind Dates and broadcast the film on the eve of this year’s goEast.
Ostrochovský’s road movie about an ex-boxer known as ¨The Goat¨ (Koza) received the City of Wiesbaden’s Prize for Best Director...
- 4/29/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Mexican feature Perpetual Sadness and Israeli drama Next to Her take top prizes at Greek festival.Scroll down for full list of winners
Mexican director Jorge Perez Solorzano’s Perpetual Sadness (La Tirisia) was named best film at the 55th Thessaloniki International Film Festival (Oct 31 - Nov 9) winning the Golden Alexander.
It beat competition from 13 other first and second films screened in this year’s international competition section.
The film deals with the stoicism and the sadness shared by women in a remote village facing the departure of their sons in search of work. World sales are handled by Media Luna.
It marks the second consecutive year that a Mexican production has won top honours at Thessaloniki. Last year, Diego Quemada-Diez’s Golden Dream (La jaula de oro) scooped the top award as well as best director.
Some 10 Mexican features have played in competition at the festival since 2000, winning cropping 12 principal awards.
Israeli feature...
Mexican director Jorge Perez Solorzano’s Perpetual Sadness (La Tirisia) was named best film at the 55th Thessaloniki International Film Festival (Oct 31 - Nov 9) winning the Golden Alexander.
It beat competition from 13 other first and second films screened in this year’s international competition section.
The film deals with the stoicism and the sadness shared by women in a remote village facing the departure of their sons in search of work. World sales are handled by Media Luna.
It marks the second consecutive year that a Mexican production has won top honours at Thessaloniki. Last year, Diego Quemada-Diez’s Golden Dream (La jaula de oro) scooped the top award as well as best director.
Some 10 Mexican features have played in competition at the festival since 2000, winning cropping 12 principal awards.
Israeli feature...
- 11/10/2014
- by alexisgrivas@yahoo.com (Alexis Grivas)
- ScreenDaily
The Independent Film Centre “Filmart” in Serbia is now calling for submissions for 9th International Student Film Camp ‘Interaction 2014’ and International Documentary Masterclass ‘Interdoc 2014’.
9th International Student Film Camp ‘Interaction 2014’ – Pozega (Serbia), from 12- 29 August 2014
Interaction – during the camp, 15 students of film production, directing, cinematography, sound design and editing from all over the world divided into 3 crews are going to shoot 3 documentaries on a certain topic.
Eligibility
Students who fall in the given category can apply
Studying film production, directing, cinematography, sound design or editing Have taken part in production of at least one documentary film Speak English fluently
They have to do the following:
Complete and submit the online application form Upload a film (participated in its production during studies) on one of the online services (Youtube, Vimeo) and place the link in the online application form.
The Application deadline for Interaction is 15 April 2014.
International Documentary Masterclass ‘Interdoc 2014’ – Pozega...
9th International Student Film Camp ‘Interaction 2014’ – Pozega (Serbia), from 12- 29 August 2014
Interaction – during the camp, 15 students of film production, directing, cinematography, sound design and editing from all over the world divided into 3 crews are going to shoot 3 documentaries on a certain topic.
Eligibility
Students who fall in the given category can apply
Studying film production, directing, cinematography, sound design or editing Have taken part in production of at least one documentary film Speak English fluently
They have to do the following:
Complete and submit the online application form Upload a film (participated in its production during studies) on one of the online services (Youtube, Vimeo) and place the link in the online application form.
The Application deadline for Interaction is 15 April 2014.
International Documentary Masterclass ‘Interdoc 2014’ – Pozega...
- 3/24/2014
- by NewsDesk
- DearCinema.com
International Short Film Festival Oberhausen has launched a new video-on-demand platform. This platform that features about 270 short films and film clips from the festival, is fully controlled by the filmmakers.
The films will be available in full for streaming or download, either for free or for a charge, depending on the filmmaker.
Currently available are films by Thomas Draschan, Jeanne Faust, Robert Frank, Ken Kobland, Jan Svankmajer, Jaan Toomik and Zelimir Zilnik. The platform also has an extensive short film database to which new films will be added every year from the festival’s market catalogues.
New films will be added from the current festival programmes as well as from the festival archive, beginning with the competition nominees at the 57th International Short Film Festival Oberhausen.
“Oberhausen Films Online” can be visited at www.kurzfilmtage.de/en/videotheque.
The films will be available in full for streaming or download, either for free or for a charge, depending on the filmmaker.
Currently available are films by Thomas Draschan, Jeanne Faust, Robert Frank, Ken Kobland, Jan Svankmajer, Jaan Toomik and Zelimir Zilnik. The platform also has an extensive short film database to which new films will be added every year from the festival’s market catalogues.
New films will be added from the current festival programmes as well as from the festival archive, beginning with the competition nominees at the 57th International Short Film Festival Oberhausen.
“Oberhausen Films Online” can be visited at www.kurzfilmtage.de/en/videotheque.
- 3/24/2011
- by NewsDesk
- DearCinema.com
Year: 2009
Directors: Mladen Djordjevic
Writers: Mladen Djordjevic
IMDb: link
Trailer: link (Nsfw)
Review by: Dejan Ognjanovic
Rating: 8.5 out of 10
[Editor's note: Reposted from Dejan's blog The Temple of Ghoul]
Here is a film from Serbia which succeeds to be shocking and original: Zivot i smrt porno bande (The Life and Death of a Porn Gang, 2009), a debut feature by Mladen Djordjevic. He became known among horror fans with his short films Zivi mrtvaci (The Living Dead, 2000) and Glad (Hunger, 2002) and he earned a wider acclaim with his feature-length documentary about Serbian porn industry, Made in Serbia (2005). These concerns logically continue with his …Porn Gang.
The film deals with an aspiring filmmaker, Marko, who is unable to pursue a career in horror films. He ventures into the porn industry, but his unorthodox style fails to impress producers. Frustrated, he assembles a crew of junkies, homosexuals and transvestites and starts a traveling live porn show. It draws attention of the suspicious police,...
Directors: Mladen Djordjevic
Writers: Mladen Djordjevic
IMDb: link
Trailer: link (Nsfw)
Review by: Dejan Ognjanovic
Rating: 8.5 out of 10
[Editor's note: Reposted from Dejan's blog The Temple of Ghoul]
Here is a film from Serbia which succeeds to be shocking and original: Zivot i smrt porno bande (The Life and Death of a Porn Gang, 2009), a debut feature by Mladen Djordjevic. He became known among horror fans with his short films Zivi mrtvaci (The Living Dead, 2000) and Glad (Hunger, 2002) and he earned a wider acclaim with his feature-length documentary about Serbian porn industry, Made in Serbia (2005). These concerns logically continue with his …Porn Gang.
The film deals with an aspiring filmmaker, Marko, who is unable to pursue a career in horror films. He ventures into the porn industry, but his unorthodox style fails to impress producers. Frustrated, he assembles a crew of junkies, homosexuals and transvestites and starts a traveling live porn show. It draws attention of the suspicious police,...
- 12/9/2009
- QuietEarth.us
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