Spanish cinema was celebrated at the 38th Annual Goya Awards in Valladolid, with Netflix’s The Society of the Snow taking a total of 12 trophies, the most of the night.
J.A. Bayona won in the Best Director category for The Society of the Snow (La Sociedad de la Nieve), with the film also taking Best Film.
The top acting awards went to Malena Alterio for Antonio Méndez Esparza’s Que Nadie Duerma (Something Is About to Happen) and to David Verdaguer for David Trueba’s Saben aquell (Jokes & Cigarettes).
Sigourney Weaver was honored with an International Goya during the ceremony with Juan Mariné receiving an honorary Goya.
See all the winners in the list below.
Premios Goya 2024 Complete Winners List
Honorary Goya
Juan Mariné
Best Supporting Actor
José Coronado
Cerrar los ojos (Close Your Eyes)
Best Original Song
“Yo solo quiero amor”
Rigoberta Bandini
Te estoy amando locamente
Best...
J.A. Bayona won in the Best Director category for The Society of the Snow (La Sociedad de la Nieve), with the film also taking Best Film.
The top acting awards went to Malena Alterio for Antonio Méndez Esparza’s Que Nadie Duerma (Something Is About to Happen) and to David Verdaguer for David Trueba’s Saben aquell (Jokes & Cigarettes).
Sigourney Weaver was honored with an International Goya during the ceremony with Juan Mariné receiving an honorary Goya.
See all the winners in the list below.
Premios Goya 2024 Complete Winners List
Honorary Goya
Juan Mariné
Best Supporting Actor
José Coronado
Cerrar los ojos (Close Your Eyes)
Best Original Song
“Yo solo quiero amor”
Rigoberta Bandini
Te estoy amando locamente
Best...
- 2/11/2024
- by Armando Tinoco
- Deadline Film + TV
Netflix Original “The Society of the Snow” won best picture and director for J.A. Bayona at Saturday night’s 38th Spanish Academy Goya Awards.
Those plaudits were two of a total 12 prizes, the third-highest kudos count for any title in the Goyas’ near 40-year history.
The lineup of best picture nominees was, however, a reminder in itself of the high quality and diversity of Spain’s current film production output. These took in Estibaliz’s Urresola Berlin triple winner “20,000 Species of Bees,” David Trueba’s real-life tender love story “Jokes & Cigarettes,” Isabel Coixet’s probing “Un Amor” and Victor Erice’s “Close Your Eyes,” an “aching ode to film, time and memory,” Variety wrote in its review.
Even after Bayona took best director there was still genuine suspense whether he would also win best picture, after best adapted screenplay went to “Robot Dreams” and “Jokes & Cigarettes” took best actor for David Verdaguer.
Those plaudits were two of a total 12 prizes, the third-highest kudos count for any title in the Goyas’ near 40-year history.
The lineup of best picture nominees was, however, a reminder in itself of the high quality and diversity of Spain’s current film production output. These took in Estibaliz’s Urresola Berlin triple winner “20,000 Species of Bees,” David Trueba’s real-life tender love story “Jokes & Cigarettes,” Isabel Coixet’s probing “Un Amor” and Victor Erice’s “Close Your Eyes,” an “aching ode to film, time and memory,” Variety wrote in its review.
Even after Bayona took best director there was still genuine suspense whether he would also win best picture, after best adapted screenplay went to “Robot Dreams” and “Jokes & Cigarettes” took best actor for David Verdaguer.
- 2/11/2024
- by John Hopewell
- Variety Film + TV
Spain’s Revelations showcase has focused on shorts, not features, unveiling the huge breadth of animation talent and techniques in Spain.
Some shorts directors are already stars, such as Alberto Mielgo with the Oscar-winner “The Windshield Wiper.” Diego Porral, director of “Leopoldo From the Bar,” served as animation lead on “Love, Death + Robots” episode “Kill Team Kill.”
Standouts among new projects in Revelations included “Latente,” a Next Lab Generation winner from Carlos Zaragoza and Aurora Jiménez, and Martín Romero’s “To Bird or Not to Bird,” from Uniko and Abano Producións, which is a 2D short made largely in black and white featuring an angst-ridden clock cuckoo and other birds beset by environmental destruction.
Revelations climaxes with a special screening, the first in a cinema, of “Sith,” Rodrigo Blaas’ episode in Disney+’s “Star Wars: Visions.”
As for features, here are 10 toon titles to track. Further international co-productions – Mr.
Some shorts directors are already stars, such as Alberto Mielgo with the Oscar-winner “The Windshield Wiper.” Diego Porral, director of “Leopoldo From the Bar,” served as animation lead on “Love, Death + Robots” episode “Kill Team Kill.”
Standouts among new projects in Revelations included “Latente,” a Next Lab Generation winner from Carlos Zaragoza and Aurora Jiménez, and Martín Romero’s “To Bird or Not to Bird,” from Uniko and Abano Producións, which is a 2D short made largely in black and white featuring an angst-ridden clock cuckoo and other birds beset by environmental destruction.
Revelations climaxes with a special screening, the first in a cinema, of “Sith,” Rodrigo Blaas’ episode in Disney+’s “Star Wars: Visions.”
As for features, here are 10 toon titles to track. Further international co-productions – Mr.
- 5/21/2023
- by John Hopewell
- Variety Film + TV
Spain’s status as Cannes’ Marché du Film’s Country of Honor is a “milestone,” says María Peña, CEO of Icex Spain Trade & Investment.
But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale and France’s Cesars.
Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.
Last year, Spain scooped up a Berlin Golden Bear (“Alcarràs”) and an Oscar (Alberto Mielgo’s “The Windshield Wiper”).
Spain is on a roll. That cuts multiple ways, however, explaining both the Country of Honor designation, and the country’s presence at large at Cannes this year. Seven takeaways about Spain:
Talent, Large Talent
Victor Erice, Pedro Almodóvar, Alberto Mielgo, Rodrigo Blaas — Cannes...
But it’s also a mark of recognition, she says, after Spain’s big wins just this year at the Berlinale and France’s Cesars.
Peña also points to April’s MipTV, where Rafael Cobos’ “The Left Handed Son,” from Movistar Plus+, won Canneseries’ Short Format Competition, and “The Caravan,” produced by Barcelona’s Caravan Films, the first MipDoc International Buyers Screenings honors.
Last year, Spain scooped up a Berlin Golden Bear (“Alcarràs”) and an Oscar (Alberto Mielgo’s “The Windshield Wiper”).
Spain is on a roll. That cuts multiple ways, however, explaining both the Country of Honor designation, and the country’s presence at large at Cannes this year. Seven takeaways about Spain:
Talent, Large Talent
Victor Erice, Pedro Almodóvar, Alberto Mielgo, Rodrigo Blaas — Cannes...
- 5/19/2023
- by John Hopewell
- Variety Film + TV
Spanish animation shows off its serious side in Cannes’ “Revelations!” showcase, dedicated to new shorts both by promising beginners and acclaimed filmmakers, such as Alberto Mielgo, who scored an Academy Award for “The Windshield Wiper.”
In June, four of the presented titles will also head to Annecy: María Lorenzo’s “Fashion Victims 2.0,” “Lost at Sea,” directed by Lucija Stojevic and Andrés Bartos, Pablo Río’s “Conej Steps Out” and Carla Pereira and Juanfran Jacinto’s “All Is Lost.”
“Animators, or just artists in general, tend to reflect on their times. Some of these films were born during the pandemic and yes, there is this melancholy to them. They are tackling multiple serious subjects,” says animation curator Carolina López Caballero.
That includes elderly suicide, like in the case of Diego Porral’s tender “Leopoldo from the Bar,” where a lonely man walks through ever-changing streets of Madrid accompanied by a massive pigeon.
In June, four of the presented titles will also head to Annecy: María Lorenzo’s “Fashion Victims 2.0,” “Lost at Sea,” directed by Lucija Stojevic and Andrés Bartos, Pablo Río’s “Conej Steps Out” and Carla Pereira and Juanfran Jacinto’s “All Is Lost.”
“Animators, or just artists in general, tend to reflect on their times. Some of these films were born during the pandemic and yes, there is this melancholy to them. They are tackling multiple serious subjects,” says animation curator Carolina López Caballero.
That includes elderly suicide, like in the case of Diego Porral’s tender “Leopoldo from the Bar,” where a lonely man walks through ever-changing streets of Madrid accompanied by a massive pigeon.
- 5/17/2023
- by Marta Balaga
- Variety Film + TV
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