The 17th edition of the International Film Festival of Kerala (Iffk) has announced its lineup. The festival will run from 7th to 14th December, 2012 in Thiruvananthapuram, Kerala.
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
Some of the highlights of the lineup are festival favourites of the year Amour, Chitrangada, Samhita, The Sapphires, Drapchi, Miss Lovely, Me and You, Celluloid Man, and Baandhon.
Fourteen films will screen in the Competition section while seven contemporary films will be screened in “Indian Cinema Now” section.
Complete list of films:
Competition Films
Fourteen feature films from Asia, Africa and Latin America will compete for the coveted “Suvarna Chakoram” (Golden Crow Pheasant) and other awards.
Always Brando by Ridha Behi (Tunisia)
Inheritors of the Earth by T V Chandran (India)
A Terminal Trust by by Masayuki Suo (Japan)
Shutter by Joy Mathew (India)
Today by Alain Gomis (Senegal-France)
The Repentant by Merzak Allouache (Algeria)
Sta. Niña by Manny Palo (Philippines)
Present Tense...
- 11/2/2012
- by NewsDesk
- DearCinema.com
The 12th Osian’s Cinefan Film Festival, New Delhi (27 July to 5 August 2012) will open with Japanese director Keiichi Sato’s “Asura” and close with Rituparno Ghosh’s “Chitragandha”.
Festival announced its competition lineup and highlights on Wednesday.
According to the official press release the festival will present 15 World premieres, 8 International premieres, 104 Indian premieres and 13 Asian premieres from China, Estonia, Indonesia, Iran, Israel, Japan, Philippines, South Korea, Taiwan, Thailand, Turkey, Morocco and Algeria among other Asian and Arab countries.
Films In Competition
Asian & Arab
1. Death For Sale (Mort à Vendre)/Faouzi Bensaidi, Morocco, France, Belgium, United Arab Emirates
2011/India Premiere
2. Ex Press (Ex Press)/Jet Leyco, Philippines 2011/India Premiere
3. Headshot (Fon Tok Kuen Fah)/Pen-ek Ratanaruang, Thailand 2011/India Premiere
4. Highway (Autobahn)/Deepak Rauniyar, Nepal, USA 2011/Asia Premiere
5. Inside (Yeralti)/Zeki Demirkubuz, Turkey 2012/Asia Premiere
6. Mekong Hotel/Apichatpong Weerasethakul, Thailand, UK 2012/India Premiere
7. Milocrorze: A Love Story (Mirokurôze)/Yoshimasa Ishibashi, Japan 2011/India...
Festival announced its competition lineup and highlights on Wednesday.
According to the official press release the festival will present 15 World premieres, 8 International premieres, 104 Indian premieres and 13 Asian premieres from China, Estonia, Indonesia, Iran, Israel, Japan, Philippines, South Korea, Taiwan, Thailand, Turkey, Morocco and Algeria among other Asian and Arab countries.
Films In Competition
Asian & Arab
1. Death For Sale (Mort à Vendre)/Faouzi Bensaidi, Morocco, France, Belgium, United Arab Emirates
2011/India Premiere
2. Ex Press (Ex Press)/Jet Leyco, Philippines 2011/India Premiere
3. Headshot (Fon Tok Kuen Fah)/Pen-ek Ratanaruang, Thailand 2011/India Premiere
4. Highway (Autobahn)/Deepak Rauniyar, Nepal, USA 2011/Asia Premiere
5. Inside (Yeralti)/Zeki Demirkubuz, Turkey 2012/Asia Premiere
6. Mekong Hotel/Apichatpong Weerasethakul, Thailand, UK 2012/India Premiere
7. Milocrorze: A Love Story (Mirokurôze)/Yoshimasa Ishibashi, Japan 2011/India...
- 7/12/2012
- by NewsDesk
- DearCinema.com
“The biggest problem for documentary filmmakers in India is distribution. There is hardly any formal set-up for distribution and exhibition of documentaries in an organized manner. For that reason, filmmakers have to wear many caps simultaneously.”
Indian documentaries garner acclaim and awards at international film festivals but find little success when it comes to braving the distribution chain to reach the common audiences in India. Think about watching a documentary and one can only think of screenings at some select cultural hubs or college campuses. The notion that documentary films have few takers is fast changing, but has that made documentary filmmaking and distribution a less inconvenient and more commercially viable option?
Saba Dewan is a Delhi based filmmaker whose documentaries Dharmayuddha (Holy War, 1989), Nasoor (Festering Wound, 1991), Khel (The Play, 1994), Barf (Snow, 1997), Sita’s Family (2001), Delhi-Mumbai-Delhi (2006) and Naach (The Dance, 2008)have been screened in several Indian and international film festivals.
Indian documentaries garner acclaim and awards at international film festivals but find little success when it comes to braving the distribution chain to reach the common audiences in India. Think about watching a documentary and one can only think of screenings at some select cultural hubs or college campuses. The notion that documentary films have few takers is fast changing, but has that made documentary filmmaking and distribution a less inconvenient and more commercially viable option?
Saba Dewan is a Delhi based filmmaker whose documentaries Dharmayuddha (Holy War, 1989), Nasoor (Festering Wound, 1991), Khel (The Play, 1994), Barf (Snow, 1997), Sita’s Family (2001), Delhi-Mumbai-Delhi (2006) and Naach (The Dance, 2008)have been screened in several Indian and international film festivals.
- 6/22/2011
- by Nandita Dutta
- DearCinema.com
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