"The truth is we heard the world," said producer Avi Arad in discussing fan complaints that the Spider-Man suit worn by Andrew Garfield strayed too far from the source material. To that end, Webb, Tolmach, Scott and a whole team worked on a new design that aims to please hardcore Spider-Man fans. This is their end product. (1) "We've got the best eyes of any suit," boasted director Marc Webb. He continued, "Really big, very warm white eyes." Costume designer Lynn Scott added, "They're very expressive in their own way." An improvement I think over the eyes in the costume from the reboot but better than the eyes on the costume worn by Tobey Maguire? Take it to the comment section to decide. (2) There's a belt this time around but it doesn't appear to serve any particular function. "It's there in the source material, so this one does," have a belt...
- 7/12/2013
- ComicBookMovie.com
Since 19th July, The London Film Museum has been running an exhibition of props and costumes from 20th Century Fox movies to celebrate the studio’s 75th anniversary. Clothes on Film decided to make a visit, a bit late in the day, but we had a good look round anyway.
There were not that many costumes in the Fox exhibition (certainly considering the history of the studio), but the museum itself has plenty more to see. Just to be in the same room as some of these memorable outfits is a thrill, especially from more recent movies where memories are fresh. With this is mind, here is our pick of Fox’s lot and the best the museum has to offer:
Australia (2008):
One thing about Baz Luhrmann’s Australia, regardless of the quality of the film itself, is that the World War II era costumes are dazzling . This red...
There were not that many costumes in the Fox exhibition (certainly considering the history of the studio), but the museum itself has plenty more to see. Just to be in the same room as some of these memorable outfits is a thrill, especially from more recent movies where memories are fresh. With this is mind, here is our pick of Fox’s lot and the best the museum has to offer:
Australia (2008):
One thing about Baz Luhrmann’s Australia, regardless of the quality of the film itself, is that the World War II era costumes are dazzling . This red...
- 8/16/2010
- by Chris Laverty
- Clothes on Film
Well-intentioned but unsatisfying, "The Hungry Bachelors Club" is a quirky romantic comedy with all the forced charm of a failed TV pilot.
Based on the self-published novel of the same name by Atlanta-based author Lynn Scott Myers, the independent production has its share of eccentric characters and a tangled web of subplots that play like a Southern-accented "thirtysomething." But despite some pleasant performances, the flat direction and writing -- leading up to a difficult-to-digest surprise ending -- will leave audiences unsated.
Serving as the story's heart and soul is Delmar Youngblood (Jorja Fox), a food-loving divorcee with a young son who works as an insurance adjuster but dreams of opening her own restaurant (Overworked Screen Cliche No. 127).
During one of the dinner parties she hosts with her best friend and roommate, Hortense (Suzanne Mara), Delmar is greeted with a little business proposition from Hortense's lawyer boyfriend Stanley Paul Provenza). If she's willing to become a surrogate mother for the wife of his smarmy boss Michael Des Barres), he'll be made a partner in the firm, while she'll receive enough cash to finally open that eatery, to be called, naturally, the Hungry Bachelors Club.
While Delmar ponders the offer, her vintage car-obsessed brother Jethro (Peter Murnik) and his drunken slug of a buddy Marlon (David Shackelford) meet up with Moses (Bill Nunn), an ex-con who has taken up residence in his 1956 Cadillac, which is awaiting its fate in a wrecking yard.
Jethro takes in Moses and his Caddy, while Marlon is out to prove to Hortense that women might think they want to be with respectable guys in suits but are really attracted to bad boys who eat with their hands. Delmar, meanwhile, agrees to the little deal and gets pregnant immediately. But by the time the third trimester rolls around, she decides she wants to keep the baby, leading to the aforementioned twist ending that proves to be anything but conceivable.
As directed by Gregory Ruzzin from an adaptation by Fred Dresch and Ron Ratliff, "The Hungry Bachelors Club" and its various ingredients never quite gel. Despite some nice work from its ensemble -- Fox, Murnik and Nunn, in particular -- the end result feels hastily assembled and unsubstantial.
Production values are fine, but, curiously, for a film revolving around a culinary theme, all that food never looks particularly appetizing.
THE HUNGRY BACHELORS CLUB
Mama's Boys Prods.
Taggart Transcontinental and
Managed Passion Films present
A Mama's Boys production
of a Gregory Ruzzin film
Director: Gregory Ruzzin
Producers: Dan Gifford, Amy Sommer
Executive producer: Kimberly Becker
Screenplay by: Fred Dresch, Ron Ratliff
Based on the book by: Lynn Scott Myers
Director of photography: Robert Smith
Production designer: Timothy Duffy
Editors: Stephen Myers, Andrew Frank
Costume designer: Monique "Nikki" Smith
Music: Larry Brown
Color/stereo
Cast:
Delmar Youngblood: Jorja Fox
Hortense: Suzanne Mara
Moses Grady: Bill Nunn
Jethro Youngblood: Peter Murnik
Marlon Price: David Shackelford
Hannibal Youngblood: Candice Azzara
Stanley Diggers: Paul Provenza
Missy Bainbridge: Katherine Kendall
Mr. Ringold: W. Morgan Sheppard
Mr. Spinner: Michael Des Barres
Running time -- 93 minutes
MPAA rating: PG-13...
Based on the self-published novel of the same name by Atlanta-based author Lynn Scott Myers, the independent production has its share of eccentric characters and a tangled web of subplots that play like a Southern-accented "thirtysomething." But despite some pleasant performances, the flat direction and writing -- leading up to a difficult-to-digest surprise ending -- will leave audiences unsated.
Serving as the story's heart and soul is Delmar Youngblood (Jorja Fox), a food-loving divorcee with a young son who works as an insurance adjuster but dreams of opening her own restaurant (Overworked Screen Cliche No. 127).
During one of the dinner parties she hosts with her best friend and roommate, Hortense (Suzanne Mara), Delmar is greeted with a little business proposition from Hortense's lawyer boyfriend Stanley Paul Provenza). If she's willing to become a surrogate mother for the wife of his smarmy boss Michael Des Barres), he'll be made a partner in the firm, while she'll receive enough cash to finally open that eatery, to be called, naturally, the Hungry Bachelors Club.
While Delmar ponders the offer, her vintage car-obsessed brother Jethro (Peter Murnik) and his drunken slug of a buddy Marlon (David Shackelford) meet up with Moses (Bill Nunn), an ex-con who has taken up residence in his 1956 Cadillac, which is awaiting its fate in a wrecking yard.
Jethro takes in Moses and his Caddy, while Marlon is out to prove to Hortense that women might think they want to be with respectable guys in suits but are really attracted to bad boys who eat with their hands. Delmar, meanwhile, agrees to the little deal and gets pregnant immediately. But by the time the third trimester rolls around, she decides she wants to keep the baby, leading to the aforementioned twist ending that proves to be anything but conceivable.
As directed by Gregory Ruzzin from an adaptation by Fred Dresch and Ron Ratliff, "The Hungry Bachelors Club" and its various ingredients never quite gel. Despite some nice work from its ensemble -- Fox, Murnik and Nunn, in particular -- the end result feels hastily assembled and unsubstantial.
Production values are fine, but, curiously, for a film revolving around a culinary theme, all that food never looks particularly appetizing.
THE HUNGRY BACHELORS CLUB
Mama's Boys Prods.
Taggart Transcontinental and
Managed Passion Films present
A Mama's Boys production
of a Gregory Ruzzin film
Director: Gregory Ruzzin
Producers: Dan Gifford, Amy Sommer
Executive producer: Kimberly Becker
Screenplay by: Fred Dresch, Ron Ratliff
Based on the book by: Lynn Scott Myers
Director of photography: Robert Smith
Production designer: Timothy Duffy
Editors: Stephen Myers, Andrew Frank
Costume designer: Monique "Nikki" Smith
Music: Larry Brown
Color/stereo
Cast:
Delmar Youngblood: Jorja Fox
Hortense: Suzanne Mara
Moses Grady: Bill Nunn
Jethro Youngblood: Peter Murnik
Marlon Price: David Shackelford
Hannibal Youngblood: Candice Azzara
Stanley Diggers: Paul Provenza
Missy Bainbridge: Katherine Kendall
Mr. Ringold: W. Morgan Sheppard
Mr. Spinner: Michael Des Barres
Running time -- 93 minutes
MPAA rating: PG-13...
- 11/12/1999
- The Hollywood Reporter - Movie News
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