As “Twin Peaks” starts nearing its end, David Lynch has been kind enough to start giving the series a little bit of closure when it comes to the familiar characters in the town. The central mystery, however, is more baffling than ever, and the most recent question on everyone’s mind is the fate of Special Agent Cooper (Kyle MacLachlan).
In the last episode, Cooper is living his best Dougie life by digging into some chocolate cake when he catches on TV the portion of “Sunset Boulevard” that mentions Gordon Cole, which happens to be the same name as his old FBI Director pal, played by Lynch. Recognition spurs Cooper into action, and he sticks a fork into the electrical socket. Cut to outside of the house as the sounds of Dougie’s wife Janey-e (Naomi Watts) screaming within can be heard.
Read More:‘Twin Peaks’ Just Explained How Dougie...
In the last episode, Cooper is living his best Dougie life by digging into some chocolate cake when he catches on TV the portion of “Sunset Boulevard” that mentions Gordon Cole, which happens to be the same name as his old FBI Director pal, played by Lynch. Recognition spurs Cooper into action, and he sticks a fork into the electrical socket. Cut to outside of the house as the sounds of Dougie’s wife Janey-e (Naomi Watts) screaming within can be heard.
Read More:‘Twin Peaks’ Just Explained How Dougie...
- 8/25/2017
- by Hanh Nguyen
- Indiewire
Recently, Seth Meyers imagined what his NBC talk show might look like if it was set in The Red Room. Despite the opportunity for easy potshots at the preposterousness of “Twin Peaks,” the two-minute segment played it pretty straight.
Read More:‘Twin Peaks’ Review: David Lynch Bids a Pensive Goodbye in a Powerful ‘Part 15’
The original opening titles were reincorporated along with the 4:3 framing of the original seasons. There were stand-ins for Laura Palmer and The Man From Another Place, while Meyers took over the role of Agent Dale Cooper. For anyone familiar with the series, the video homage was quite fun. For anyone else, it would’ve been quite weird.
But one thing stood out above the rest: Seth Meyers was moving too much.
Now, that’s not a slight against Meyers. His take on Agent Cooper was about as physically restrained as possible, barring any lessons from...
Read More:‘Twin Peaks’ Review: David Lynch Bids a Pensive Goodbye in a Powerful ‘Part 15’
The original opening titles were reincorporated along with the 4:3 framing of the original seasons. There were stand-ins for Laura Palmer and The Man From Another Place, while Meyers took over the role of Agent Dale Cooper. For anyone familiar with the series, the video homage was quite fun. For anyone else, it would’ve been quite weird.
But one thing stood out above the rest: Seth Meyers was moving too much.
Now, that’s not a slight against Meyers. His take on Agent Cooper was about as physically restrained as possible, barring any lessons from...
- 8/21/2017
- by Ben Travers
- Indiewire
Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.Much of David Lynch's work is about regression, or regressiveness, about people who are most comfortable when indulging (really, hiding behind) their baser instincts. An acid-jazz saxophonist with murder on his mind might take refuge in the body and soul of a teenage delinquent (Lost Highway), or a midwestern girl who has played and lost the Hollywood game might concoct a candy-colored dream-life in which she finally attains Tinseltown stardom (Mulholland Dr.). But these escapes always prove to be traps, and cyclical ones at that. What goes around comes around. What has happened before will happen again. Even Blue Velvet's Dorothy Vallens (Isabella Rossellini), finally liberated from her abusive sexual relationship with Frank Booth (Dennis Hopper), "still can see blue velvet through my tears.
- 8/10/2017
- MUBI
Welcome to Dark Mood Woods: A Twin Peaks Podcast, in which Managing Editor Nick Newman and contributor Ethan Vestby discuss David Lynch’s return to long-form filmmaking. This summer, join us as we offer insight and knowledge only devoted fans can bring, along with the curiosity of what, exactly, has been happening in the Pacific Northwest these last 25 years.
In this discussion of Episode 13, John Semley joins us to talk the latest hour of Twin Peaks: The Return, featuring Anthony Sinclair’s foiled murder attempt, a heated face-off featuring Cooper’s doppelgänger, Big Ed’s loneliness, a performance from James, and much more.
Subscribe on iTunes, follow on Soundcloud, or see below to stream/download (right-click and save as…).
MP3: Dark Mood Woods: A Twin Peaks Podcast – Episode 13
Subscribe below:
Illustration by artist Ben Holmes.
E-mail us or respond on Twitter and Facebook with any questions or comments.
In this discussion of Episode 13, John Semley joins us to talk the latest hour of Twin Peaks: The Return, featuring Anthony Sinclair’s foiled murder attempt, a heated face-off featuring Cooper’s doppelgänger, Big Ed’s loneliness, a performance from James, and much more.
Subscribe on iTunes, follow on Soundcloud, or see below to stream/download (right-click and save as…).
MP3: Dark Mood Woods: A Twin Peaks Podcast – Episode 13
Subscribe below:
Illustration by artist Ben Holmes.
E-mail us or respond on Twitter and Facebook with any questions or comments.
- 8/9/2017
- by Ethan Vestby
- The Film Stage
You may not realize it, but Lara Flynn Boyle’s Donna — the heart of the original series, the activated burgeoning girl detective, my one true love — returned to Twin Peaks Sunday.
Where exactly was she in the show? Well, it’s complicated. First, her face appeared in an old framed photo (of Laura and Donna, from the original series) sitting on a side table in Sarah Palmer’s living room. Then her voice (it was indeed Boyle’s voice) wafted out over the Road House as James Hurley sang his sweet, crazy, retro 50’s ballad “Just You And I” from Season 2. (Yes,...
Where exactly was she in the show? Well, it’s complicated. First, her face appeared in an old framed photo (of Laura and Donna, from the original series) sitting on a side table in Sarah Palmer’s living room. Then her voice (it was indeed Boyle’s voice) wafted out over the Road House as James Hurley sang his sweet, crazy, retro 50’s ballad “Just You And I” from Season 2. (Yes,...
- 8/7/2017
- TVLine.com
What's worse: Crushing a person's skull or crushing their spirit? The back-from-the-dead Twin Peaks has seen its fair share of the former violation, courtesy of the supernaturally strong denizens of the Black Lodge. When those demonic entities are around – whether they're Woodsmen assaulting radio-station employees or Dale Cooper's evil doppelganger shattering a rival criminal's face with a single punch after an arm-wrestling bout – no cranium is safe. And then there's the long, wordless scene starring Big Ed Hurley (Everett McGill, making his revival debut), which features no monsters and no...
- 8/7/2017
- Rollingstone.com
[Editor’s Note: The following review contains spoilers for “Twin Peaks: The Return,” Season 3, “Part 13” (Episode 13).]
No part of “Twin Peaks” is predictable, but the predominant theme of “Part 13” unveiled itself in a hurry: pie.
The delicious diner desert and its perfect beverage partner have been staples of David Lynch’s series since its inception, but rarely in “The Return” have we seen such intense focus on the healing power of a good slice and a few sips.
Cooper’s (Kyle MacLachlan) fixation on cherry pie, which already saved his life once, did so again (and from the same shop). A distraught Becky (Amanda Seyfried) calls her mother, Shelly (Madchen Amick), and the mere promise of pie turns her frown upside down. Later, Norma (Peggy Lipton) meets with Walter (Grant Goodeve) about her diner franchise’s performance, and she’s told the other pies aren’t as good as her own. Norma explains why — hers are made from all-natural ingredients — to which Walter responds, “Love doesn’t always turn a profit.
No part of “Twin Peaks” is predictable, but the predominant theme of “Part 13” unveiled itself in a hurry: pie.
The delicious diner desert and its perfect beverage partner have been staples of David Lynch’s series since its inception, but rarely in “The Return” have we seen such intense focus on the healing power of a good slice and a few sips.
Cooper’s (Kyle MacLachlan) fixation on cherry pie, which already saved his life once, did so again (and from the same shop). A distraught Becky (Amanda Seyfried) calls her mother, Shelly (Madchen Amick), and the mere promise of pie turns her frown upside down. Later, Norma (Peggy Lipton) meets with Walter (Grant Goodeve) about her diner franchise’s performance, and she’s told the other pies aren’t as good as her own. Norma explains why — hers are made from all-natural ingredients — to which Walter responds, “Love doesn’t always turn a profit.
- 8/7/2017
- by Ben Travers
- Indiewire
Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.A study in contrasts. That's the best way to describe Part 11 of Mark Frost and David Lynch's revived Twin Peaks, which opens with a brief moment of doom-laden calm—three young boys playing catch happening upon the bruised and beaten but very much alive Miriam Sullivan (Sarah Jean Long)—then details, for its first half, the many ways in which the titular town, as well as the few-states-over locale of Buckhorn, South Dakota, are coming unglued. But this is dramatic incident Lynch-style, which means that the narrative rhythms are always shifting (violently, unpredictably), as if someone was continually revving a car engine into the red, but never in a calculable way.There's madness in such extremity, as there's insanity in the blood-curdling scream...
- 7/25/2017
- MUBI
Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.It's worth quoting the latest (perhaps the last?) gnomic pronouncements from Margaret "The Log Lady" Lanterman (the late Catherine E. Coulson), speaking via phone to Deputy Sheriff Tommy "Hawk" Hill (Michael Horse), in full: "Hawk—electricity is humming. You hear it in the mountains and rivers. You see it dance among the seas and stars. And glowing around the moon. But in these days, the glow is dying. What will be in the darkness that remains? The Truman brothers are both true men. They are your brothers. And the others, the good ones, who have been with you. Now the circle is almost complete. Watch and listen to the dream of time and space. It all comes out now, flowing like a river. That which is and is not.
- 7/18/2017
- MUBI
Twin Peaks has given us a new monster to fear, and his name is Richard Horne. He's not a creature from the Black Lodge like Bob or the Woodsmen, at least as far as we know. He's just Ben and Sylvia Horne's piece-of-shit grandson, which would make Audrey Horne – Sherilyn Fenn's girl-next-door femme fatale, still unseen in the show's astonishing third season – his mother. His father? Good question, although given reports of Dale Cooper's Bob-ppelganger skulking around the young woman's hospital bed 25 years ago after the events of the Season Two finale,...
- 7/17/2017
- Rollingstone.com
Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.A man walks into a bar—after cursing out Gene Kelly (because most of the time we don't feel like singin' in the rain). The bar, by the way, is named "Max Von's," surely after Erich von Stroheim's rabidly devoted butler Max von Mayerling from Sunset Blvd (1950). Of his employer, silent-film diva Norma Desmond (Gloria Swanson), Max once said, "Madame is the greatest star of them all." No more proper locale, then, for a star entrance: "Diane," says FBI forensics specialist Albert Rosenfield (Miguel Ferrer) to a platinum blond beauty nursing martini and cigarette. Around turns Diane Evans, the heretofore unseen confidante of FBI Special Agent Dale Cooper (Kyle MacLachlan), and played (of course, how could there be any doubt?) by Laura Dern.
- 6/15/2017
- MUBI
[Editor’s Note: The following contains spoilers from “Twin Peaks” Episode 6, “Don’t Die.”]
While “Twin Peaks” continues to play the long game when it comes to its various mysteries, Sunday’s episode at least offered a tantalizing carrot to viewers one-third of the way through the season. Fans finally got to see whom Agent Cooper (Kyle MacLachlan) has been speaking to all of these years: The never-before-seen Diane, naturally portrayed by David Lynch favorite Laura Dern.
Diane was Cooper’s secretary from his earliest days in the FBI and the recipient of all of his audio reports and musings. She never appeared on screen, but he confided everything in her. Many speculated long before the show premiered that Dern, who had never been a part of the original “Twin Peaks” cast, would get the plum role of Diane.
The scene, while brief, is satisfying in its details. Albert’s (Miguel Ferrer) important work that evening is to follow up on that promise that he “knows where she drinks,...
While “Twin Peaks” continues to play the long game when it comes to its various mysteries, Sunday’s episode at least offered a tantalizing carrot to viewers one-third of the way through the season. Fans finally got to see whom Agent Cooper (Kyle MacLachlan) has been speaking to all of these years: The never-before-seen Diane, naturally portrayed by David Lynch favorite Laura Dern.
Diane was Cooper’s secretary from his earliest days in the FBI and the recipient of all of his audio reports and musings. She never appeared on screen, but he confided everything in her. Many speculated long before the show premiered that Dern, who had never been a part of the original “Twin Peaks” cast, would get the plum role of Diane.
The scene, while brief, is satisfying in its details. Albert’s (Miguel Ferrer) important work that evening is to follow up on that promise that he “knows where she drinks,...
- 6/12/2017
- by Hanh Nguyen
- Indiewire
Twin Peaks Recap is a weekly column by Keith Uhlich covering David Lynch and Mark Frost's limited, 18-episode continuation of the Twin Peaks television series.The key image in Part 5 of the revived Twin Peaks is of a woman in ecstasy. Recall, however, the subtitle that series co-creator/director David Lynch appended to his thorny 2006 masterpiece Inland Empire: "A Woman in Trouble." The line separating rapture and anguish is a blurry one, especially for Lynch's ladies, who are as likely to end up exquisitely chiseled corpses (the ubiquitous Laura Palmer; Part 2's doomed henchwoman Darya) as they are world-weary survivors. For the moment, let's focus on Rebecca "Becky" Burnett (Amanda Seyfried), daughter of Rr Diner waitress Shelly Johnson (Mädchen Amick), though Becky's last name—taken from ne'er-do-well husband Steven Burnett (Caleb Landry Jones)—obscures the identity of her father. (Dana Ashbrook's now-law-abiding Bobby Briggs is the most likely candidate,...
- 6/6/2017
- MUBI
Starring: Daniel Craig, Judi Dench, Javier Bardem
Directed By: Sam Mendes
Spoiler Free
James Bond thunders back to our screens in what feels like a reboot of the 50 year old franchise with the same actor. This is not the 007 who calmly waits for a man to bleed to death before stealing his Harrington; the brutal cold bastard of Casino Royale and Quantum of Solace has mellowed considerably and can even manage a quip or two. Whether this development will delight or disappoint is a matter of personal taste. One thing is certain however; Bond has never scrubbed up better. Tom Ford now exists to make Daniel Craig suits.
Bringing new costumer Jany Temime on board was a smart idea. She has infused Skyfall with a stylish, European vibe of fashionable designer dresses, dramatic Swarovski decorated evening gowns and geek chic via Dries Van Noten. For the man himself a modern cut of single breasted,...
Directed By: Sam Mendes
Spoiler Free
James Bond thunders back to our screens in what feels like a reboot of the 50 year old franchise with the same actor. This is not the 007 who calmly waits for a man to bleed to death before stealing his Harrington; the brutal cold bastard of Casino Royale and Quantum of Solace has mellowed considerably and can even manage a quip or two. Whether this development will delight or disappoint is a matter of personal taste. One thing is certain however; Bond has never scrubbed up better. Tom Ford now exists to make Daniel Craig suits.
Bringing new costumer Jany Temime on board was a smart idea. She has infused Skyfall with a stylish, European vibe of fashionable designer dresses, dramatic Swarovski decorated evening gowns and geek chic via Dries Van Noten. For the man himself a modern cut of single breasted,...
- 10/16/2012
- by Chris Laverty
- Clothes on Film
On 6th July, Clothes on Film were invited to the Designing 007 launch party in London. Apart from quaffing complimentary Bollinger and celeb spotting, we did make several circuits of the exhibition itself. As expected, Designing 007: Fifty Years of Bond Style has a pleasing emphasis on the sartorial, particularly female costume. Vintage discoveries mix with contemporary recreations from all 23 James Bond films in themed rooms dotted across the Barbican Centre.
We will not spoil everything because if you can see the exhibition first hand, you should. The rooms themselves are fairly self explanatory: Gold, Ian Fleming, M’s Office, Q Branch, Casino, Foreign Territories, Villains and Enigmas, and Ice Palace. The Barbican can be a little tricky to navigate (that may have been the champagne), but we began by descending a short flight of stairs into the Gold room. Screens play spliced Bond clips on a loop, as in every room actually,...
We will not spoil everything because if you can see the exhibition first hand, you should. The rooms themselves are fairly self explanatory: Gold, Ian Fleming, M’s Office, Q Branch, Casino, Foreign Territories, Villains and Enigmas, and Ice Palace. The Barbican can be a little tricky to navigate (that may have been the champagne), but we began by descending a short flight of stairs into the Gold room. Screens play spliced Bond clips on a loop, as in every room actually,...
- 7/16/2012
- by Chris Laverty
- Clothes on Film
Barbican showcases costumes and props from the films' 50-year history, from suits and swimwear to gadgets and diamonds
The Chesterfield coat and hat Sean Connery wears in Dr No for his first meeting with M; Roger Moore's yellow ski suit and red backpack seen on the slopes in The Spy Who Loved Me; George Lazenby's kilt donned in On Her Majesty's Secret Service; the Brioni suit Pierce Brosnan wore to drive a tank in Goldeneye; and Daniel Craig's infamously snug baby-blue swim trunks of Casino Royale fame. All are featured in the Barbican's blockbuster summer show Designing 007: 50 Years of Bond Style, which opens on Friday
Every aspect of this extensive retrospective of the Bond films has been carefully thought through. It is as camp and fun as it is nerdishly packed with facts, production sketches, storyboards and costume drawings. Film screens playing classic clips are dotted throughout,...
The Chesterfield coat and hat Sean Connery wears in Dr No for his first meeting with M; Roger Moore's yellow ski suit and red backpack seen on the slopes in The Spy Who Loved Me; George Lazenby's kilt donned in On Her Majesty's Secret Service; the Brioni suit Pierce Brosnan wore to drive a tank in Goldeneye; and Daniel Craig's infamously snug baby-blue swim trunks of Casino Royale fame. All are featured in the Barbican's blockbuster summer show Designing 007: 50 Years of Bond Style, which opens on Friday
Every aspect of this extensive retrospective of the Bond films has been carefully thought through. It is as camp and fun as it is nerdishly packed with facts, production sketches, storyboards and costume drawings. Film screens playing classic clips are dotted throughout,...
- 7/5/2012
- by Simon Chilvers
- The Guardian - Film News
Academy Award winning costume designer Lindy Hemming has worked on five James Bond films with Pierce Brosnan and Daniel Craig in the lead role. Who better then to curate an exhibition of 007 style? The most anticipated event of its kind for fans of the Bond aesthetic, gadgets, sets, cars and some unforgettable costumes, this ambitious project has been in the making for nearly a decade. Speaking exclusively to Clothes on Film, Lindy Hemming talks through her involvement with the exhibition and hints at what to expect when it opens next month in London:
‘Having worked for the producers Barbara Broccoli and Michael Wilson on five Bond films over eleven years, I had wanted to either produce a book or make an exhibition of the Bond women’s costumes for some time. On Casino Royale I met up with Stephanie Wenborne who had come to be our new publicist, and she also had the same idea.
‘Having worked for the producers Barbara Broccoli and Michael Wilson on five Bond films over eleven years, I had wanted to either produce a book or make an exhibition of the Bond women’s costumes for some time. On Casino Royale I met up with Stephanie Wenborne who had come to be our new publicist, and she also had the same idea.
- 6/14/2012
- by Chris Laverty
- Clothes on Film
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