Two from Magnolia Pictures, the story of an iconic record album design firm back and a sighting of Brian Cox usher in a specialty weekend with smoke clearing over New York City. Acrid plumes from Canadian wildfires have smothered the key arthouse market over the past few days in an unusual air quality event that had Mayor Eric Adams urging people to home.
Friday the sky was visible and air fresher, a boon for all — including the ongoing Tribeca Festival, which opened Wednesday night and will be unspooling 100+ features and events through June 17.
New openings: From Magnolia, Dalíland by Mary Harron starring Ben Kingsley as the iconic artist in 20 markets (including Quad in NYC and Nuart in LA) and on VOD. Written by John C. Walsh. With Christopher Briney, Barbara Sukowa, Ezra Miller, Andreja Pejic. Premiered as TIFF’s closing night film, see Deadline review here. Follows the later years...
Friday the sky was visible and air fresher, a boon for all — including the ongoing Tribeca Festival, which opened Wednesday night and will be unspooling 100+ features and events through June 17.
New openings: From Magnolia, Dalíland by Mary Harron starring Ben Kingsley as the iconic artist in 20 markets (including Quad in NYC and Nuart in LA) and on VOD. Written by John C. Walsh. With Christopher Briney, Barbara Sukowa, Ezra Miller, Andreja Pejic. Premiered as TIFF’s closing night film, see Deadline review here. Follows the later years...
- 6/9/2023
- by Jill Goldsmith
- Deadline Film + TV
Editors note: This review originally was originally published on May 18, 2022 after its world premiere in the Directors’ Fortnight section of the Cannes Film Festival. Kino Lorber releases it in theaters Friday.
Italian director Pietro Marcello (Martin Eden) shifts his focus to France in Scarlet (L’Envol), a period drama in Directors’ Fortnight at the Cannes Film Festival. Set in the rural north after the First World War, it’s a decade-spanning story of family, small-town politics and — ultimately — romance.
When Raphaël (Raphaël Thiéry) returns from war, his wife has died, leaving their baby daughter, Juliette, in the care of farmer Adeline (Noémie Lvovsky). Adeline gives Raphaël lodgings and helps him gain work as a carpenter. Juliette grows up close to her father, but this unconventional family is ostracized by many in the community, sealing Juliette’s fate as something of a loner. But she’s also a happy dreamer. The...
Italian director Pietro Marcello (Martin Eden) shifts his focus to France in Scarlet (L’Envol), a period drama in Directors’ Fortnight at the Cannes Film Festival. Set in the rural north after the First World War, it’s a decade-spanning story of family, small-town politics and — ultimately — romance.
When Raphaël (Raphaël Thiéry) returns from war, his wife has died, leaving their baby daughter, Juliette, in the care of farmer Adeline (Noémie Lvovsky). Adeline gives Raphaël lodgings and helps him gain work as a carpenter. Juliette grows up close to her father, but this unconventional family is ostracized by many in the community, sealing Juliette’s fate as something of a loner. But she’s also a happy dreamer. The...
- 6/9/2023
- by Anna Smith
- Deadline Film + TV
Pietro Marcello with Anne-Katrin Titze on his Scarlet end credit thanks: “Renato Berta, in addition to being a friend, he is also a teacher. Thanks to Caroline Champetier we were able to shoot in 35mm. And finally Gianfranco Rosi, he’s an old friend.”
In the second instalment with Pietro Marcello on Scarlet (L'envol), his adaptation with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin, we discuss the influence of Vittorio De Sica’s Miracle In Milan, the chance discovery of Louise Michel’s poetry, fathers as mothers, dethroning princes and knights in shining armour, being an archivist, Louis Garrel’s crocodile entrance, Pietro’s new project on the question what is war, and the end credit thanks in Scarlet to Renato Berta, Caroline Champetier and Gianfranco Rosi.
Raphaël (Raphaël Thiéry) with his daughter Juliette...
In the second instalment with Pietro Marcello on Scarlet (L'envol), his adaptation with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin, we discuss the influence of Vittorio De Sica’s Miracle In Milan, the chance discovery of Louise Michel’s poetry, fathers as mothers, dethroning princes and knights in shining armour, being an archivist, Louis Garrel’s crocodile entrance, Pietro’s new project on the question what is war, and the end credit thanks in Scarlet to Renato Berta, Caroline Champetier and Gianfranco Rosi.
Raphaël (Raphaël Thiéry) with his daughter Juliette...
- 6/7/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
As filmmaking gets further relegated to smaller screens, it’s a breath of fresh air to have a director like Pietro Marcello crafting cinema that is best experienced on a vast canvas. While the release of his stunning 2019 drama Martin Eden was unfortunately dampened by the pandemic, he’s now returned with the gorgeous fable Scarlet (aka L’Envol). Premiering just about a year ago at Cannes, the tale of a woman’s family and romantic journey in post-wwi France will now arrive in U.S. theaters starting this Friday. Starring Juliette Jouan, Raphaël Thierry, Louis Garrel, Noémie Lvovsky, Ernst Umhauer, François Négret, and Yolande Moreau.
While he stopped by NYC for last fall’s New York Film Festival premiere, I had the opportunity to speak with Marcello about his experience working in France, the silent film connections to Scarlet, how his latest work marked a transitional point for his career,...
While he stopped by NYC for last fall’s New York Film Festival premiere, I had the opportunity to speak with Marcello about his experience working in France, the silent film connections to Scarlet, how his latest work marked a transitional point for his career,...
- 6/6/2023
- by Jordan Raup
- The Film Stage
“No one believes in magic anymore:” In the devastating aftermath of World War I, veteran Raphaël (Raphaël Thiéry) returns home and discovers that not only has he been widowed, but he is the father to an infant girl, Juliette (Juliette Jouan). In the years that follow, Juliette is raised by her father in rural Normandy, growing into a lonely young girl who seeks refuge in her passion for singing.
Continue reading ‘Scarlet’ Trailer: Lyrical Interwar Fable From Pietro Marcello Sails Into Theaters This Summer at The Playlist.
Continue reading ‘Scarlet’ Trailer: Lyrical Interwar Fable From Pietro Marcello Sails Into Theaters This Summer at The Playlist.
- 5/16/2023
- by Rosa Martinez
- The Playlist
Coming-of-age films are a dime a dozen. We see them all of the time. But rarely do they come with such style and skill, such as with the upcoming film, “Scarlet.”
As seen in the trailer, there’s so much style and beauty in the way “Scarlet” is shot. The film feels like a throwback to the films of decades ago. The story follows a young girl, Juliette, who is trying to find her place in the world.
Continue reading ‘Scarlet’ Trailer: Juliette Jouan & Louis Garrel Star In Pietro Marcello’s New Drama About A Young Girl Dreaming Of A Better Life at The Playlist.
As seen in the trailer, there’s so much style and beauty in the way “Scarlet” is shot. The film feels like a throwback to the films of decades ago. The story follows a young girl, Juliette, who is trying to find her place in the world.
Continue reading ‘Scarlet’ Trailer: Juliette Jouan & Louis Garrel Star In Pietro Marcello’s New Drama About A Young Girl Dreaming Of A Better Life at The Playlist.
- 5/8/2023
- by Charles Barfield
- The Playlist
"No one believes in magic anymore. No one sings anymore, except you." Ah yes, the romance of old... Kino Lorber has unveiled the official US trailer for an indie romantic fable titled Scarlet, opening in the US this June after first premiering last year. The film (shot on 35mm film in the 1.5:1 aspect ratio) is an enchanting period fable set in France and directed by Italian filmmaker Pietro Marcello, whose prize-winning Martin Eden was a festival hit in 2020. With a talented cast that includes Raphaël Thiéry, Louis Garrel, and newcomer Juliette Jouan, Scarlet will play in US art house theaters (starting in New York City) this June before expanding wide. Based on a novel by Russian author Alexander Grin, it tells of the emancipation of a woman over twenty years, between 1919 and 1939, a time of great inventions and great dreams between the wars. A story "filled with lyrical beauty,...
- 5/8/2023
- by Alex Billington
- firstshowing.net
Unless you were lucky enough to catch it on the 2019 festival circuit, the pandemic unfortunately led to most viewers seeing Pietro Marcello’s stunning drama Martin Eden at home. Thankfully his next feature, the gorgeous fable Scarlet (aka L’Envol), will be primed for theatrical viewing. The Cannes selection will get a U.S. release from Kino Lorber on June 9. An adaptation of Scarlet Sails by Alexander Grin, the tale of a woman’s family and romantic journey stars Juliette Jouan, Raphaël Thierry, Louis Garrel, Noémie Lvovsky, Ernst Umhauer, François Négret, and Yolande Moreau.
As David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s also something that runs through Jim Jarmusch’s Paterson, about the poetry-penning bus driver of the same name:...
As David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s also something that runs through Jim Jarmusch’s Paterson, about the poetry-penning bus driver of the same name:...
- 5/8/2023
- by Leonard Pearce
- The Film Stage
Italian director Pietro Marcello made a splash at the 2019 Venice Film Festival with the Jack London adaptation “Martin Eden.” That film about an idealistic man’s sentimental and moral education at the turn of the 20th century, distributed in the U.S. by Kino Lorber, more or less introduced the talents of heartthrob Luca Marinelli to Western audiences. Now, Marcello is partnering with the U.S. distributor once more, this time turning his camera on the story of a woman’s coming of age, with “Scarlet.” The cast includes Raphaël Thiéry, Louis Garrel, and newcomer Juliette Jouan. IndieWire shares the exclusive trailer for the film, which premiered at the 2022 Cannes Directors’ Fortnight, below.
Per the official synopsis, shortly after World War I, veteran Raphaël (Raphaël Thiéry) returns home from the frontlines to find himself a widower and father to an infant daughter. Raised by her father in rural Normandy, the...
Per the official synopsis, shortly after World War I, veteran Raphaël (Raphaël Thiéry) returns home from the frontlines to find himself a widower and father to an infant daughter. Raised by her father in rural Normandy, the...
- 5/8/2023
- by Ryan Lattanzio
- Indiewire
Unless you were lucky enough to catch it on the 2019 festival circuit, the pandemic unfortunately led to most viewers seeing Pietro Marcello’s stunning drama Martin Eden at home. Thankfully, when it comes to his next feature, the gorgeous fable Scarlet (aka L’Envol), there will be ample opportunity for a theatrical viewing. The Cannes selection will arrive in France this January, and the first trailer has now arrived, followed by a U.S. release from Kino Lorber in 2023. An adaptation of Scarlet Sails by Alexander Grin, the tale of a woman’s family and romantic journey stars Juliette Jouan, Raphaël Thierry, Louis Garrel, Noémie Lvovsky, Ernst Umhauer, François Négret, and Yolande Moreau.
David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s...
David Katz said in his review, “In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s...
- 11/30/2022
- by Jordan Raup
- The Film Stage
Scarlet (L'envol) director Pietro Marcello with Anne-Katrin Titze (in scarlet Haider Ackermann) on Gabriel Yared: “He was both a guide and for me it was a new experience to be flanked and to be working alongside a composer of that high level.” Photo: Kate Patterson
Pietro Marcello’s Scarlet (L'envol), which is an adaptation by the director with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin stars Raphaël Thiéry, Juliette Jouan, Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Pietro Marcello on costume designer Pascaline Chavanne (pictured Juliette Jouan as Juliette in Scarlet): “For me it was a privilege to work not only with her but with the many masters of their crafts that I worked with.”
The film is a celebration of craft, both on screen and in the making, Pascaline Chavanne’s...
Pietro Marcello’s Scarlet (L'envol), which is an adaptation by the director with Maurizio Braucci and Maud Ameline (Mikhaël Hers’ Amanda), in collaboration with Geneviève Brisac of the 1923 novel Scarlet Sails by Russian author Alexander Grin stars Raphaël Thiéry, Juliette Jouan, Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Pietro Marcello on costume designer Pascaline Chavanne (pictured Juliette Jouan as Juliette in Scarlet): “For me it was a privilege to work not only with her but with the many masters of their crafts that I worked with.”
The film is a celebration of craft, both on screen and in the making, Pascaline Chavanne’s...
- 10/12/2022
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Next festival stop is NYFF.
Kino Lorber has picked up North American rights from Orange Studio to Scarlet, which opened this year’s Cannes Directors’ Fortnight.
Pietro Marcello’s French-language drama is based loosely on Alexander Grin’s novel Scarlet Sails and centres on a girl growing up with her widower father in Normandy between the two world wars at a time of dramatic innovation.
Raphaël Thiery and Juliette Jouan star alongside Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Marcello, who directed Venice and TIFF prize-winning narrative Martin Eden, co-wrote the screenplay with regular collaborator Maurizio Braucci and Maud Ameline,...
Kino Lorber has picked up North American rights from Orange Studio to Scarlet, which opened this year’s Cannes Directors’ Fortnight.
Pietro Marcello’s French-language drama is based loosely on Alexander Grin’s novel Scarlet Sails and centres on a girl growing up with her widower father in Normandy between the two world wars at a time of dramatic innovation.
Raphaël Thiery and Juliette Jouan star alongside Louis Garrel, Noémie Lvovsky, and Yolande Moreau.
Marcello, who directed Venice and TIFF prize-winning narrative Martin Eden, co-wrote the screenplay with regular collaborator Maurizio Braucci and Maud Ameline,...
- 8/10/2022
- by Jeremy Kay
- ScreenDaily
Kino Lorber has acquired North American distribution rights to Pietro Marcello’s sprawling post-wwi film “Scarlet,” which opened Cannes’ Directors Fortnight.
Represented in international markets by Orange Studio, “Scarlet” will have its North American premiere at the New York Film Festival, before a theatrical release in 2023.
A loose adaptation of Alexander Grin’s novel, “Scarlet” marks Kino’s second collaboration with Marcello. It follows “Martin Eden,” which competed at Venice, won best actor for Luca Marinelli and went on to play at Toronto.
Marcello, who rose to prominence as a documentarian with his film “The Mouth of the Wolf,” penned the script for “Scarlet” with his regular screenwriting partner Maurizio Braucci (“Martin Eden”) and Maud Ameline, with the participation of novelist Geneviève Brisac.
“Scarlet” was produced by Charles Gillibert and Ilya Stewart. The film stars Raphaël Thiery and Juliette Jouan as father and daughter, alongside Louis Garrel, Noémie Lvovsky and Yolande Moreau.
Represented in international markets by Orange Studio, “Scarlet” will have its North American premiere at the New York Film Festival, before a theatrical release in 2023.
A loose adaptation of Alexander Grin’s novel, “Scarlet” marks Kino’s second collaboration with Marcello. It follows “Martin Eden,” which competed at Venice, won best actor for Luca Marinelli and went on to play at Toronto.
Marcello, who rose to prominence as a documentarian with his film “The Mouth of the Wolf,” penned the script for “Scarlet” with his regular screenwriting partner Maurizio Braucci (“Martin Eden”) and Maud Ameline, with the participation of novelist Geneviève Brisac.
“Scarlet” was produced by Charles Gillibert and Ilya Stewart. The film stars Raphaël Thiery and Juliette Jouan as father and daughter, alongside Louis Garrel, Noémie Lvovsky and Yolande Moreau.
- 8/10/2022
- by Elsa Keslassy
- Variety Film + TV
Notebook is covering the Cannes Film Festival with an on going correspondence between critics Leonoardo Goi and Lawrence Garcia, and editor Daniel Kasman.Scarlet.Dear Danny, dear Lawrence,The blue-white-red smoke of the French Air Force aerobatic team is still smearing the sky as I begin typing, and for a moment there, as the planes packed the sky with noise to honor the Top Gun: Maverick premiere, I’ve had to pinch myself to remind me where I was. A welcome side effect of last year’s edition being held in mid-July was that the 75th Cannes Film Festival would take place only ten months later, but if there’s one thing the past two years have taught me is to handle my optimism and festival plans with caution. And yet, strolling around town on Day Zero, the eve of the fiesta, everything was right as I left it. The...
- 5/28/2022
- MUBI
Neapolitan director Pietro Marcello, who made the transition from high-profile docs to fiction with his Naples-set 2019 adaptation of Jack London’s Martin Eden – that made a splash on the international art-house scene – has now tackled a France-set tale inspired by a Russian novel in his new film “Scarlet” (see review) that mixes fable, musical, historical and magical realism elements.
The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away.
Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.
There is a strong sense of matriarchy in this film. You’ve underlined its feminine aspect.
I’ve always made films that are quite masculine. “Martin Eden” certainly was.
The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away.
Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.
There is a strong sense of matriarchy in this film. You’ve underlined its feminine aspect.
I’ve always made films that are quite masculine. “Martin Eden” certainly was.
- 5/18/2022
- by Nick Vivarelli
- Variety Film + TV
Not quite a musical, sort of a folktale, and almost but not entirely a hardscrabble hunk of post-war realism before all of a sudden changing gears, “Scarlet” – which opened the 2022 Cannes Film Festival’s Directors’ Fortnight sidebar on Wednesday – is a tricky project to pin down. Of course, director Pietro Marcello wouldn’t have it any other way.
Shooting in French for the first time, the Italian filmmaker made his name with documentaries before working found and historical footage into the world of make-believe with 2019’s “Martin Eden.” With this more ambitious (if more uneven) follow-up, Marcello continues at a similar pace, folding fact into fiction as he explores both the landscapes of rural Normandy in the aftermath of the First World War and the plight of the working poor, all through the crags of his leading man’s brow.
That brow (and those crags) belongs to Raphael (Raphaël Thiéry...
Shooting in French for the first time, the Italian filmmaker made his name with documentaries before working found and historical footage into the world of make-believe with 2019’s “Martin Eden.” With this more ambitious (if more uneven) follow-up, Marcello continues at a similar pace, folding fact into fiction as he explores both the landscapes of rural Normandy in the aftermath of the First World War and the plight of the working poor, all through the crags of his leading man’s brow.
That brow (and those crags) belongs to Raphael (Raphaël Thiéry...
- 5/18/2022
- by Ben Croll
- The Wrap
In his previous film Martin Eden, and now with Scarlet, Pietro Marcello has found a novel way to depict artistic striving, closely tying it with the concept of labor. It’s also something that runs through Jim Jarmusch’s Paterson, about the poetry-penning bus driver of the same name: both filmmakers have helped demystify our idea of the artist as a potential “great man of history” and the deification often accorded them. The would-be literary maven of Martin Eden and two artist-craftsmen of Scarlet are engaged instead in a noble struggle, a bit like the eternal workers’ struggle of Marcello’s other chief interest: that of leftist political thought.
Scarlet, a quasi-fairytale adapted from Russian author Aleksandr Grin’s Scarlet Skies, is a more even-tempered work than Martin Eden, and less likely to command the same ardor directed towards that film. But it finds Marcello acing another high-end literary adaptation,...
Scarlet, a quasi-fairytale adapted from Russian author Aleksandr Grin’s Scarlet Skies, is a more even-tempered work than Martin Eden, and less likely to command the same ardor directed towards that film. But it finds Marcello acing another high-end literary adaptation,...
- 5/18/2022
- by David Katz
- The Film Stage
A slight but satisfying choice to open Director’s Fortnight at the Cannes Film Festival, Pietro Marcello’s “Scarlet” isn’t quite a fairy tale, although it certainly feels like one at times. For example, roughly midway through the movie, a woman who might be a witch meets the film’s fanciful young heroine, Juliette (Juliette Jouan), in the woods and predicts her fortune, explaining that one day this girl — who’s destined for greater things than the provincial Normandy farm where she’s dutifully passed her adolescence — will be whisked away by a ship flying scarlet sails.
Set in the years just after the Great War, this charming French-language fable — which hails from the celebrated Italian doc maker whose epic narrative debut, “Martin Eden,” was a critical success on the festival circuit just pre-covid — is smaller, sweeter and more sensitive than Marcello’s earlier work. The movie’s sense of reality-based romance,...
Set in the years just after the Great War, this charming French-language fable — which hails from the celebrated Italian doc maker whose epic narrative debut, “Martin Eden,” was a critical success on the festival circuit just pre-covid — is smaller, sweeter and more sensitive than Marcello’s earlier work. The movie’s sense of reality-based romance,...
- 5/18/2022
- by Peter Debruge
- Variety Film + TV
Pietro Marcello’s Scarlet will be the opening film at the 54th Directors’ Fortnight at this year’s Cannes Film Festival.
The drama, telling the story of young girl Juliette growing up alone with her First World War veteran father, and who is given a prophecy by a travelling magician, will have its world premiere on May 18, it has been announced.
Inspired by the tale The Scarlet Sails by Aleksandr Grin, Marcello’s film blends music, history and folklore, bordering on magic realism. Stars include Raphaël Thiery, Juliette Jouan, Louis Garrel and Noémie Lvovsky, and the film is being distributed in France by Le Pacte, with international sales handled by Orange Studio.
The complete lineup for this year’s Directors’ Fortnight will be announced on April 19. Created in 1969 by the French Directors’ Guild, the Directors’ Fortnight is a parallel selection of the Cannes Film...
The drama, telling the story of young girl Juliette growing up alone with her First World War veteran father, and who is given a prophecy by a travelling magician, will have its world premiere on May 18, it has been announced.
Inspired by the tale The Scarlet Sails by Aleksandr Grin, Marcello’s film blends music, history and folklore, bordering on magic realism. Stars include Raphaël Thiery, Juliette Jouan, Louis Garrel and Noémie Lvovsky, and the film is being distributed in France by Le Pacte, with international sales handled by Orange Studio.
The complete lineup for this year’s Directors’ Fortnight will be announced on April 19. Created in 1969 by the French Directors’ Guild, the Directors’ Fortnight is a parallel selection of the Cannes Film...
- 4/15/2022
- by Caroline Frost
- Deadline Film + TV
Juliette Jouan in Cannes Directors’ Fortnight opener Scarlet Photo: Courtesy of Cannes Directors' Fortnight Hot on the heels of the announcement yesterday of the Cannes Film Festival’s official selection the Directors’ Fortnight (La Quinzaine des réalisateurs) have revealed that the opening title will be a world premiere on 18 May of Scarlet (L'envol) by critically acclaimed Italian film-maker Petro Marcello.
The director was noted for Venice prize-winning Martin Eden.
His new film stars Juliette Jouan, Louis Garrel, Noémie Lvovsky and Raphaël Thierry.
Set In northern France, Juliette grows up alone with her father, Raphaël, a First World War veteran. She spends all her days between music and literature. Once, she meets a witch who reveals to her that some scarlet sails will appear to take her away from the village. The young girl will then never stop believing in the prophecy.
The script has been freely inspired by the tale...
The director was noted for Venice prize-winning Martin Eden.
His new film stars Juliette Jouan, Louis Garrel, Noémie Lvovsky and Raphaël Thierry.
Set In northern France, Juliette grows up alone with her father, Raphaël, a First World War veteran. She spends all her days between music and literature. Once, she meets a witch who reveals to her that some scarlet sails will appear to take her away from the village. The young girl will then never stop believing in the prophecy.
The script has been freely inspired by the tale...
- 4/15/2022
- by Richard Mowe
- eyeforfilm.co.uk
A film that we wholeheartedly thought was going to be in the competition for the Palme, will instead be the highlight opening film for the Quinzaine. With L’envol (international title is Scarlet), Pietro Marcello makes a second consecutive trip to the sidebar — he was there last year with the docu Futura.
Among our most anticipated films of the year, Marcello might have switched languages, but he remains committed to the period drama — this is set between the two World Wars. Production began late last summer in Normandy and follows a young woman (Juliette Jouan) being raised by her father, a widowed war veteran, who struggles to find her own path in life.…...
Among our most anticipated films of the year, Marcello might have switched languages, but he remains committed to the period drama — this is set between the two World Wars. Production began late last summer in Normandy and follows a young woman (Juliette Jouan) being raised by her father, a widowed war veteran, who struggles to find her own path in life.…...
- 4/15/2022
- by Eric Lavallée
- IONCINEMA.com
The fantasy period drama marks the Italian director’s first French-language production.
Italian director Pietro Marcello’s French-language drama Scarlet has been announced as the opening film of the 54th edition of Cannes Directors’ Fortnight, running May 18-27.
The fantasy period drama revolves around a girl growing up with her widower father in Normandy between the two world wars in a time of great technological and social innovation. It marks Marcello’s first French-language drama and is loosely inspired by Russian writer Aleksandr Grin’s 1923 novella The Scarlet Sails.
Newcomer Juliette Jouan stars as the titular Scarlet with other cast...
Italian director Pietro Marcello’s French-language drama Scarlet has been announced as the opening film of the 54th edition of Cannes Directors’ Fortnight, running May 18-27.
The fantasy period drama revolves around a girl growing up with her widower father in Normandy between the two world wars in a time of great technological and social innovation. It marks Marcello’s first French-language drama and is loosely inspired by Russian writer Aleksandr Grin’s 1923 novella The Scarlet Sails.
Newcomer Juliette Jouan stars as the titular Scarlet with other cast...
- 4/15/2022
- by Melanie Goodfellow
- ScreenDaily
Pietro Marcello’s French-language period drama “Scarlet” is set to open the 54th edition of Cannes’ Directors Fortnight on May 18.
Weaving musical and fantasy elements, the film is set in Northern Normandy, between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives to find her own path in life.
Marcello, a critically acclaimed Italian filmmaker whose credits include the Venice prize-winning “Martin Eden,” penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
“Scarlet” is produced by Charles Gillibert at CG Cinema with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures). Orange Studio is handling international sales while Le Pacte will distribute it in France.
Weaving musical and fantasy elements, the film is set in Northern Normandy, between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives to find her own path in life.
Marcello, a critically acclaimed Italian filmmaker whose credits include the Venice prize-winning “Martin Eden,” penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
“Scarlet” is produced by Charles Gillibert at CG Cinema with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures). Orange Studio is handling international sales while Le Pacte will distribute it in France.
- 4/15/2022
- by Elsa Keslassy
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Sonny Chiba in Kill Bill: Volume 1 (2003). Sonny Chiba, the prolific and singular actor, martial artist and choreographer, has died at the age of 82.New York Film Festival has unveiled its Currents section, featuring a strong slate that includes Artavazd Peleshian, Ted Fendt, Shengze Zhu, Christopher Harris, Shireen Seno, Matías Piñeiro and more. NYFF will also be screening seven programs dedicated to the centenary of the late film programmer and festival co-founder Amos Vogel. The retrospective includes works by Glauber Rocher, Oskar Fischinger, and Dušan Makavejev. The Berwick Film & Media Arts Festival has announced its lineup. This year's Focus program will showcase the works of Cambodian production company Anti-Archive, Nguyễn Trinh Thí, Rajee Samarasinghe, and Sps Community Media. Organized by Arsenal – Institute for Film and Video Art, Archival Assembly #1 will take place from...
- 8/25/2021
- MUBI
Pietro Marcello, the critically acclaimed Italian filmmaker of the Venice prize-winning “Martin Eden,” has just started shooting “Scarlet” (“L’envol”), a French-language drama set in Northern Normandy. Orange Studio has acquired international sales rights to the film which will be distributed in France by Le Pacte.
Charles Gillibert, whose Paris-based outfit CG Cinema previously delivered award-winning films such as Deniz Erguven’s “Mustang” and Leos Carax’s “Annette,” is producing “Scarlet” with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures).
Marcello penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
The film is set between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives...
Charles Gillibert, whose Paris-based outfit CG Cinema previously delivered award-winning films such as Deniz Erguven’s “Mustang” and Leos Carax’s “Annette,” is producing “Scarlet” with Avventurosa and Rai Cinema in Italy, in collaboration with Ilya Stewart (Hype Film) and Antonio Miyakawa (Wise Pictures).
Marcello penned the script with his regular screenwriting partner Maurizio Braucci (“Gomorra”), as well as Maud Ameline (“Amanda”), with the participation of the novelist Geneviève Brisac.
The film is set between the two world wars, a time of great inventions, and follows the journey of a young woman who was raised by her father, a widowed war veteran, and strives...
- 8/19/2021
- by Elsa Keslassy
- Variety Film + TV
Italian directors Alice Rohrwacher (“Happy as Lazzaro”), Pietro Marcello (“Martin Eden”) and Francesco Munzi (“Black Souls”) have teamed up on high-profile doc “Futura,” a portrait of how Italy’s adolescents look at the future.
“Futura,” which is being co-produced by pubcaster Rai’s Rai Cinema film unit with Marcello’s own Avventurosa shingle, is billed as a “collective investigation” by the three auteurs “on the different expectations and prospects for the future” of adolescents they met while traveling across Italy.
The doc, which is now in post, is described in promotional materials as “a portrait of the country [Italy] observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.”
Marcello, who is being feted with a retrospective at the...
“Futura,” which is being co-produced by pubcaster Rai’s Rai Cinema film unit with Marcello’s own Avventurosa shingle, is billed as a “collective investigation” by the three auteurs “on the different expectations and prospects for the future” of adolescents they met while traveling across Italy.
The doc, which is now in post, is described in promotional materials as “a portrait of the country [Italy] observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.”
Marcello, who is being feted with a retrospective at the...
- 4/23/2021
- by Nick Vivarelli
- Variety Film + TV
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