Ten projects have been selected for the second edition of Seriesmakers, Series Mania’s development lab for feature film directors sidestepping into series production.
The lab is run in collaboration with Beta, and this year features projects helmed by directors including Kaouther Ben Hania, who directed the Oscar-nominated doc Four Daughters, and Kevin Macdonald, best known for The Mauritanian.
Ben Hania’s project is titled Freedom Academy and is produced by Nadim Cheikhrouha. The synopsis reads: In the competitive world of television, a cunning producer and his optimistic wife battle for control of a daring reality TV show set in a high-security prison, hoping to capture the intense competition among incarcerated radicals all while the jury grapples with their divergent opinions on prisoners’ rehabilitation.
Macdonald’s series is titled George Blake and is produced by Femke Wolting. Synopsis reads: What makes a person turn against everything they ever stood for?...
The lab is run in collaboration with Beta, and this year features projects helmed by directors including Kaouther Ben Hania, who directed the Oscar-nominated doc Four Daughters, and Kevin Macdonald, best known for The Mauritanian.
Ben Hania’s project is titled Freedom Academy and is produced by Nadim Cheikhrouha. The synopsis reads: In the competitive world of television, a cunning producer and his optimistic wife battle for control of a daring reality TV show set in a high-security prison, hoping to capture the intense competition among incarcerated radicals all while the jury grapples with their divergent opinions on prisoners’ rehabilitation.
Macdonald’s series is titled George Blake and is produced by Femke Wolting. Synopsis reads: What makes a person turn against everything they ever stood for?...
- 3/4/2024
- by Zac Ntim
- Deadline Film + TV
Exclusive: UK sales outfit bolsters Cannes slate.
UK sales outfit Independent Film Company has added a host of projects to its Cannes slate.
Among them is The Secret Of The Universe, the second feature from Guy Myhill, whose debut The Goob premiered in Venice Days. Produced by Mike Elliott of Emu Films, the circus-set feature follows a clown who tries to keep his heart cold but finds himself plunged into the depths of life.
Also on Independent’s slate is The Lemon Grove, the second feature from writer-director Helen Walsh, whose debut The Violators [pictured] played at Edinburgh and Karlovy Vary. Adapted from her own novel, her next film follows a husband and wife who return to the island of Mallorca annually for a summer holiday. One year, the arrival of the wife’s stepdaughter and her new boyfriend threatens to upset their equilibrium. Producers are David Moores, Dave Hughes and Kevin Sampson of Red Union Films.
The...
UK sales outfit Independent Film Company has added a host of projects to its Cannes slate.
Among them is The Secret Of The Universe, the second feature from Guy Myhill, whose debut The Goob premiered in Venice Days. Produced by Mike Elliott of Emu Films, the circus-set feature follows a clown who tries to keep his heart cold but finds himself plunged into the depths of life.
Also on Independent’s slate is The Lemon Grove, the second feature from writer-director Helen Walsh, whose debut The Violators [pictured] played at Edinburgh and Karlovy Vary. Adapted from her own novel, her next film follows a husband and wife who return to the island of Mallorca annually for a summer holiday. One year, the arrival of the wife’s stepdaughter and her new boyfriend threatens to upset their equilibrium. Producers are David Moores, Dave Hughes and Kevin Sampson of Red Union Films.
The...
- 5/19/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Three films from 12 teams will be greenlit for production.Scroll down for full list of projects
UK film-making initiative iFeatures has revealed the teams and projects that will make up its fourth development slate.
Twelve teams and projects have been selected, of which three will be greenlit for production in 2017, each with a budget of £350,000 ($455,000).
The scheme, which has previously produced regional productions such as Guy Myhill’s award-winning The Goob, is overseen by Creative England with partners the BFI Film Fund, BBC Films and Creative Skillset.
The selected teams include Screen International Stars of Tomorrow Rob Savage, Emily Morgan and Joy Wilkinson; Sundance Fellowship winner Naz Sadoughi; and Ted Evans, one of the UK’s leading deaf filmmakers who directed and co-wrote the Paralympic Opening Ceremony film Look Up.
Between them the chosen teams have made films which have screened at Toronto, London and Sundance film festivals as well as FrightFest.
The selected...
UK film-making initiative iFeatures has revealed the teams and projects that will make up its fourth development slate.
Twelve teams and projects have been selected, of which three will be greenlit for production in 2017, each with a budget of £350,000 ($455,000).
The scheme, which has previously produced regional productions such as Guy Myhill’s award-winning The Goob, is overseen by Creative England with partners the BFI Film Fund, BBC Films and Creative Skillset.
The selected teams include Screen International Stars of Tomorrow Rob Savage, Emily Morgan and Joy Wilkinson; Sundance Fellowship winner Naz Sadoughi; and Ted Evans, one of the UK’s leading deaf filmmakers who directed and co-wrote the Paralympic Opening Ceremony film Look Up.
Between them the chosen teams have made films which have screened at Toronto, London and Sundance film festivals as well as FrightFest.
The selected...
- 7/6/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Exclusive: Production underway in UK on next iFeatures film, its first period drama.
Principal photography is underway on this year’s first iFeatures film Lady Macbeth, which will star Florence Pugh (The Falling).
Theatre director William Oldroyd makes his feature debut on the 19th Century period drama.
Singer-songwriter and former Screen Star of Tomorrow Cosmo Jarvis (Spooks: The Greater Good) will play opposite Pugh while supporting cast includes Christopher Fairbank (Guardians of the Galaxy), newcomer Naomi Ackie and Paul Hilton (Wuthering Heights).
Lady Macbeth centres on Katherine, a young woman brought up in the wilds of Northumberland, who finds herself childless and friendless, stifled by her marriage of convenience to a rich local industrialist twice her age.
Tired of the vast house she shares with her detached husband and father-in-law, Katherine’s interests become piqued by Sebastian, a worker on her husband’s estate. Sebastian unlocks a fearsome passion in Katherine. As their illicit...
Principal photography is underway on this year’s first iFeatures film Lady Macbeth, which will star Florence Pugh (The Falling).
Theatre director William Oldroyd makes his feature debut on the 19th Century period drama.
Singer-songwriter and former Screen Star of Tomorrow Cosmo Jarvis (Spooks: The Greater Good) will play opposite Pugh while supporting cast includes Christopher Fairbank (Guardians of the Galaxy), newcomer Naomi Ackie and Paul Hilton (Wuthering Heights).
Lady Macbeth centres on Katherine, a young woman brought up in the wilds of Northumberland, who finds herself childless and friendless, stifled by her marriage of convenience to a rich local industrialist twice her age.
Tired of the vast house she shares with her detached husband and father-in-law, Katherine’s interests become piqued by Sebastian, a worker on her husband’s estate. Sebastian unlocks a fearsome passion in Katherine. As their illicit...
- 9/22/2015
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Industry veteran to take executive producer and producer duties at new firm.
Chris Moll, who stepped down as head of film at Creative England in April, has resurfaced at burgeoning film and TV production company Catalyst Global Media.
Moll has been hired to takes on both executive producer and producer duties at the London-based firm, which launched in May.
Reporting to Catalyst co-founder and CEO Charlotte Walls, Moll will be charged with sourcing high-quality, commercially viable projects for Catalyst’s development and production slate.
He will also be responsible for expanding the company’s national and international partnerships with key talent, producers, agents, publishers and financiers, and identifying new opportunities for collaboration across film, television, digital and music.
Walls said: “Chris brings tremendous strength as an award-winning film producer and seasoned entertainment executive with passion and vision for current projects and the future of Catalyst.”
Moll said he would help build “a slate focused on both creative...
Chris Moll, who stepped down as head of film at Creative England in April, has resurfaced at burgeoning film and TV production company Catalyst Global Media.
Moll has been hired to takes on both executive producer and producer duties at the London-based firm, which launched in May.
Reporting to Catalyst co-founder and CEO Charlotte Walls, Moll will be charged with sourcing high-quality, commercially viable projects for Catalyst’s development and production slate.
He will also be responsible for expanding the company’s national and international partnerships with key talent, producers, agents, publishers and financiers, and identifying new opportunities for collaboration across film, television, digital and music.
Walls said: “Chris brings tremendous strength as an award-winning film producer and seasoned entertainment executive with passion and vision for current projects and the future of Catalyst.”
Moll said he would help build “a slate focused on both creative...
- 8/12/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
An intelligent essay in classic Brit social realism that is well acted with a beautiful evocation of the East Anglian landscape
This is my second viewing of The Goob since it premiered at the Venice film festival last year, and the film has grown in my mind: a really intelligent essay in classic Brit social realism, well-acted and beautifully photographed by cinematographer Simon Tindall. On first acquaintance, I expressed reservations about originality, but these hesitations have been cancelled by this film’s fiercely atmospheric drama, and its evocation of the East Anglian landscape, capturing not merely the traditional sense of its endless level desolation, but also the way its huge skies are paradoxically enclosing and imprisoning. Newcomer Liam Walpole plays open-faced Goob, a school-leaver with absolutely no idea what to do with the rest of his life: his mum (Sienna Guillory) is being badly treated by her bullying, abusive partner,...
This is my second viewing of The Goob since it premiered at the Venice film festival last year, and the film has grown in my mind: a really intelligent essay in classic Brit social realism, well-acted and beautifully photographed by cinematographer Simon Tindall. On first acquaintance, I expressed reservations about originality, but these hesitations have been cancelled by this film’s fiercely atmospheric drama, and its evocation of the East Anglian landscape, capturing not merely the traditional sense of its endless level desolation, but also the way its huge skies are paradoxically enclosing and imprisoning. Newcomer Liam Walpole plays open-faced Goob, a school-leaver with absolutely no idea what to do with the rest of his life: his mum (Sienna Guillory) is being badly treated by her bullying, abusive partner,...
- 5/28/2015
- by Peter Bradshaw
- The Guardian - Film News
The film’s star, Liam Walpole, is used to working in chicken factories and legging it from gangs. But now he thinks he might like to be an actor after all ...
A late night and a new iPhone changed Liam Walpole’s life. The teenager had stayed up until dawn with mates, drinking and playing Xbox. He emerged from his home in the rundown Norfolk town of Dereham in the early afternoon to buy breakfast from USA Chicken. “I was just walking along the road not looking where I was going, looking at my brand new phone and I happened to bump into Leanne [Flinn] who was doing the casting,” says Walpole.
That night, Guy Myhill, the writer-director of The Goob, a film about a teenage boy with an abusive stepfather and trapped in rural poverty, was flicking through 50 photos emailed in by casting agents when he was confronted with Walpole’s face.
A late night and a new iPhone changed Liam Walpole’s life. The teenager had stayed up until dawn with mates, drinking and playing Xbox. He emerged from his home in the rundown Norfolk town of Dereham in the early afternoon to buy breakfast from USA Chicken. “I was just walking along the road not looking where I was going, looking at my brand new phone and I happened to bump into Leanne [Flinn] who was doing the casting,” says Walpole.
That night, Guy Myhill, the writer-director of The Goob, a film about a teenage boy with an abusive stepfather and trapped in rural poverty, was flicking through 50 photos emailed in by casting agents when he was confronted with Walpole’s face.
- 5/28/2015
- by Patrick Barkham
- The Guardian - Film News
In this extract from the Guardian film show, Peter Bradshaw, Xan Brooks and Catherine Shoard review the debut movie from Britain's Guy Myhill, a socio-realist coming-of-age drama set in East Anglia. Newcomer Liam Warpole stars as the teenage hero, out of school with a long hot summer ahead romancing the migrant workers and fending off his abusive stepfather (Sean Harris) Continue reading...
- 5/28/2015
- by Xan Brooks, Peter Bradshaw, Catherine Shoard, Joan Portillo, Caterina Monzani and Dan Susman
- The Guardian - Film News
In this week's show, Xan Brooks is joined by Peter Bradshaw and Catherine Shoard to review the big releases, including 3D disaster movie San Andreas, starring Dwayne (The Rock) Johnson as a helicopter pilot who must rescue his wife and daughter from a pulverising San Francisco, The Goob, a coming-of-age tale set in East Anglia from first-time director Guy Myhill and Timbuktu, Abderrahmane Sissako's controversial drama about jihadis in an African village. They also answer some of your questions, which you can post in the comments below Continue reading...
- 5/28/2015
- by Xan Brooks, Peter Bradshaw, Catherine Shoard, Joan Portillo, Caterina Monzani and Dan Susman
- The Guardian - Film News
Exclusive: Creative England has named the three films to be greenlit for production through the latest round of its low-budget filmmaking initiative iFeatures.
The three films are Lady Macbeth, written by playwright Alice Birch and to be directed by William Oldroyd and produced by Fodhla Cronin O Reilly; Apostasy, co-written by Dan Kokotajlo and Charlotte Wise, to be directed by Kokotajlo and produced by Marcie MacLellan; and The Levelling, written and directed by Hope Dickson Leach and produced by Rachel Robey.
Having been whittled down from over 400 submissions, the three films will go into production in the autumn, each with a budget of £350,000 ($550,000).
All three projects feature women at the centre of their storylines. Lady Macbeth is the first period drama to be made through iFeatures and centres around a young woman trapped in a loveless marriage in the 19th century.
Apostasy is about an 18-year-old Jehovah’s Witness who is forced to shun her own sister...
The three films are Lady Macbeth, written by playwright Alice Birch and to be directed by William Oldroyd and produced by Fodhla Cronin O Reilly; Apostasy, co-written by Dan Kokotajlo and Charlotte Wise, to be directed by Kokotajlo and produced by Marcie MacLellan; and The Levelling, written and directed by Hope Dickson Leach and produced by Rachel Robey.
Having been whittled down from over 400 submissions, the three films will go into production in the autumn, each with a budget of £350,000 ($550,000).
All three projects feature women at the centre of their storylines. Lady Macbeth is the first period drama to be made through iFeatures and centres around a young woman trapped in a loveless marriage in the 19th century.
Apostasy is about an 18-year-old Jehovah’s Witness who is forced to shun her own sister...
- 5/18/2015
- by sarah.cooper@screendaily.com (Sarah Cooper)
- ScreenDaily
Neil Armfield.s Holding the Man, Simon Stone.s The Daughter, Jeremy Sims. Last Cab to Darwin and Jen Peedom.s feature doc Sherpa will have their world premieres at the Sydney Film Festival.
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
The festival program unveiled today includes 33 world premieres (including 22 shorts) and 135 Australian premieres (with 18 shorts) among 251 titles from 68 countries.
Among the other premieres will be Daina Reid.s The Secret River, Ruby Entertainment's. ABC-tv miniseries starring Oliver Jackson Cohen and Sarah Snook, and three Oz docs, Marc Eberle.s The Cambodian Space Project — Not Easy Rock .n. Roll, Steve Thomas. Freedom Stories and Lisa Nicol.s Wide Open Sky.
Festival director Nashen Moodley boasted. this year.s event will be far larger than 2014's when 183 films from 47 countries were screened, including 15 world premieres. The expansion is possible in part due to the addition of two new screening venues in Newtown and Liverpool.
As previously announced, Brendan Cowell...
- 5/6/2015
- by Don Groves
- IF.com.au
Amy Schumer and Bill Hader in TrainwreckPhoto: Universal Pictures With Sundance just wrapping up and Berlin starting up in a few days, we are now immersed in the year-long barrage of film festivals. One such festival in South By Southwest. A few weeks back they announced the first seven films of their program, including the opening night film Brand: A Second Coming. Today, they have revealed the rest of the features to be shown in March (except for the midnight program), and some of it has me very excited. The bigger titles announced do not do much for me. Paul Feig's Spy, starring Melissa McCarthy, and the Will Ferrell/Kevin Hart starrer Get Hard leave a lot to be desired in terms of anticipation, as does a work in progress cut of Judd Apatow's latest film Trainwreck. I'm guessing an Apatow work in progress is probably around three and a half hours.
- 2/3/2015
- by Mike Shutt
- Rope of Silicon
South by Southwest, the multi-faceted film, music and technology festival held annually in Austin, TX will feature such upcoming films as Paul Feig’s Spy, David Gordon Green’s Manglehorn, Alex Gibney’s documentary Steve Jobs: The Man in the Machine, and Ondi Timoner’s Russell Brand profile Brand: A Second Coming as headliners in this year’s film festival lineup.
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
- 2/3/2015
- by Brian Welk
- SoundOnSight
The Stockholm International Film Festival has unveiled the programme for its 25th edition, with more than 200 films from 60+ countries screening from Nov 5-16.
The festival opens with Mikael Marcimain’s hotly anticipated adaptation of Klas Östergren’s postwar Swedish classic Gentlemen [pictured].
Alejandro Gonzalez Inarritu’s Birdman will be the centerpiece film of the festival and Jean-Marc Vallee’s Wild will close.
“We are extra proud to present a record breaking program when celebrating our 25th anniversary,” said festival director Git Scheynius.
This year’s spotlight theme is hope, and films selected in that programme include Richard Raymond’s Desert Dancer, Hong Khaou’s Lilting, Shira Geffen’s Self Made and Stephen Daldry’s Trash.
Uma Thurman will be honoured with the Stockholm Achievement Award and give a public talk followed by a screening of Kill Bill 1 & 2.
Mike Leigh will also be honoured with the Lifetime Achievement Award and will give a talk and screen Mr. Turner.
Ai...
The festival opens with Mikael Marcimain’s hotly anticipated adaptation of Klas Östergren’s postwar Swedish classic Gentlemen [pictured].
Alejandro Gonzalez Inarritu’s Birdman will be the centerpiece film of the festival and Jean-Marc Vallee’s Wild will close.
“We are extra proud to present a record breaking program when celebrating our 25th anniversary,” said festival director Git Scheynius.
This year’s spotlight theme is hope, and films selected in that programme include Richard Raymond’s Desert Dancer, Hong Khaou’s Lilting, Shira Geffen’s Self Made and Stephen Daldry’s Trash.
Uma Thurman will be honoured with the Stockholm Achievement Award and give a public talk followed by a screening of Kill Bill 1 & 2.
Mike Leigh will also be honoured with the Lifetime Achievement Award and will give a talk and screen Mr. Turner.
Ai...
- 10/21/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The festival’s 25th edition will feature a contribution from Ai Weiwei and competition titles including Whiplash, Nightcrawler and Foxcatcher.
The Stockholm International Film Festival (Nov 5-16) is to present its Achievement Award to Us actress Uma Thurman.
The Kill Bill star will will visit Stockholm to receive the prestigious Bronze Horse and meet the audience during an exclusive “Face2Face”.
Thurman will also take part in the inauguration ceremony, which will include the unveiling of an ice sculpture by Chinese artist Ai Weiwei.
Weiwei was a Stockholm jury member last year but since he wasn’t allowed to leave China, he sent an empty chair named ”The Chair for Non-attendance” as symbol of his absence.
He is still not allowed to leave China so will send a design that will be portrayed in the form of a large ice sculpture symbolising this years’ Spotlight theme - Hope.
Brazil
The festival will focus this year on Brazil...
The Stockholm International Film Festival (Nov 5-16) is to present its Achievement Award to Us actress Uma Thurman.
The Kill Bill star will will visit Stockholm to receive the prestigious Bronze Horse and meet the audience during an exclusive “Face2Face”.
Thurman will also take part in the inauguration ceremony, which will include the unveiling of an ice sculpture by Chinese artist Ai Weiwei.
Weiwei was a Stockholm jury member last year but since he wasn’t allowed to leave China, he sent an empty chair named ”The Chair for Non-attendance” as symbol of his absence.
He is still not allowed to leave China so will send a design that will be portrayed in the form of a large ice sculpture symbolising this years’ Spotlight theme - Hope.
Brazil
The festival will focus this year on Brazil...
- 10/16/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Goober is Great: Norfolk Sets the Scene for Myhill’s Debut
Rebellious youths riding motorbikes down dirt roads aside, while there are some similarities to Pawel Pawlikoski’s My Summer of Love and this Norfolk, England set story of a dim-witted teen nicknamed Goob, writer-director Guy Myhill strikes a verve of his own in this quixotic feature debut. With cinematographer Simon Tindall providing dreamy summertime shots of fields of wheat adding romanticism to the humdrumness of rural living and Luke Abbott’s unusual electronic soundtrack setting the film firmly in youth culture and contrasting the stillness of the small town’s atmosphere, The Goob announces the arrival of a new British talent worth keeping tabs on.
The first time we meet 16-year-old Goob (Liam Walpole) he is getting off a school bus in his underwear and running through fields while his classmates cheer on. This is the mood of the...
Rebellious youths riding motorbikes down dirt roads aside, while there are some similarities to Pawel Pawlikoski’s My Summer of Love and this Norfolk, England set story of a dim-witted teen nicknamed Goob, writer-director Guy Myhill strikes a verve of his own in this quixotic feature debut. With cinematographer Simon Tindall providing dreamy summertime shots of fields of wheat adding romanticism to the humdrumness of rural living and Luke Abbott’s unusual electronic soundtrack setting the film firmly in youth culture and contrasting the stillness of the small town’s atmosphere, The Goob announces the arrival of a new British talent worth keeping tabs on.
The first time we meet 16-year-old Goob (Liam Walpole) he is getting off a school bus in his underwear and running through fields while his classmates cheer on. This is the mood of the...
- 10/13/2014
- by Flossie Topping
- IONCINEMA.com
Other prize winners include ‘71, Catch Me Daddy and Lilting.
The 25th anniversary of Brittany’s Dinard British Film Festival gave its top prize, the Golden Hitchcock, to Guy Myhill’s The Goob. The prize comes with distribution assistance and direct support to the director, and promotion on the Cine + channels.
The jury was led by Catherine Deneuve and also included Emilia Fox, Jodie Whittaker, Kevin Macdonald, Penny Woolcock, Amira Casar, Rémy Bezançon, Jean-Pierre Daroussin, Suzanne Clément, Léa Drucker and Alexandre Mallet-Guy. A special mention went to Lenny Abrahamson’s Frank.
The Award for Best Cinematography, sponsored by Technicolor, went to Daniel Wolfe’s Catch Me Daddy, which also won the Allianz Award for best screenplay.
Hong Khaou’s Lilting won the Heartbeat Award Le Prix Coup de Coeur, awarded by l’association La Règle du Jeu.
The Audience Award, sponsored by Première, was awarded to Yann Demange’s ‘71.
The Best Short Film Award, chosen from submissions...
The 25th anniversary of Brittany’s Dinard British Film Festival gave its top prize, the Golden Hitchcock, to Guy Myhill’s The Goob. The prize comes with distribution assistance and direct support to the director, and promotion on the Cine + channels.
The jury was led by Catherine Deneuve and also included Emilia Fox, Jodie Whittaker, Kevin Macdonald, Penny Woolcock, Amira Casar, Rémy Bezançon, Jean-Pierre Daroussin, Suzanne Clément, Léa Drucker and Alexandre Mallet-Guy. A special mention went to Lenny Abrahamson’s Frank.
The Award for Best Cinematography, sponsored by Technicolor, went to Daniel Wolfe’s Catch Me Daddy, which also won the Allianz Award for best screenplay.
Hong Khaou’s Lilting won the Heartbeat Award Le Prix Coup de Coeur, awarded by l’association La Règle du Jeu.
The Audience Award, sponsored by Première, was awarded to Yann Demange’s ‘71.
The Best Short Film Award, chosen from submissions...
- 10/12/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
In a rare deal for a third-party format, Talpa Global will partner with Israel’s A Cappella to handle the worldwide distribution rights to game show The Big Picture. Created by TV host and mentalist Nimrod Harel and A Cappella, The Big Picture sees studio contestants given a shot at winning $1M by correctly answering 12 picture-based questions. If the studio player is unsure, they can enlist help from a connected viewer playing along in real time with the Big Picture app. At that moment, the connected player will have their image projected on the TV screen, play along via the technology and also have a shot at winning a substantial amount of the studio player’s total prize money. A budget of $1M went toward developing and producing an English-language Big Picture pilot, which A Cappella’s Einat Shamir and Tal Shaked shopped at Mip-tv in April.
Beta Film has...
Beta Film has...
- 9/25/2014
- by Nancy Tartaglione
- Deadline
British drama debuted at Venice Days.
Soda Pictures has acquired UK rights to The Goob, the debut feature from writer-director Guy Myhill.
The deal was negotiated between Soda Pictures’ MD Edward Fletcher and producers Mike Elliott and Lee Groombridge of Emu Films.
The cast includes Sean Harris (Prometheus), Sienna Guilleroy (Luther), Hannah Spearritt (Primeval) and newcomer Liam Walpole.
The coming-of-age story centres on 16-year-old Goob Taylor (Walpole) in Norfolk. He helps his mother run a transport cafe and harvests the surrounding pumpkin fields. But when she starts a relationship with a stock car driver (Harris), Goob becomes an unwelcome side thought. But when exotic pumpkin picker Eva arrives, Goob dreams of a better life, fuelled by her flirtatious comments.
The Goob received its world premiere last month in Venice. It is up for the Golden Hitchcock at the 25th Dinard British Film Festival and will feature in the First Feature Competition at the BFI London Film Festival...
Soda Pictures has acquired UK rights to The Goob, the debut feature from writer-director Guy Myhill.
The deal was negotiated between Soda Pictures’ MD Edward Fletcher and producers Mike Elliott and Lee Groombridge of Emu Films.
The cast includes Sean Harris (Prometheus), Sienna Guilleroy (Luther), Hannah Spearritt (Primeval) and newcomer Liam Walpole.
The coming-of-age story centres on 16-year-old Goob Taylor (Walpole) in Norfolk. He helps his mother run a transport cafe and harvests the surrounding pumpkin fields. But when she starts a relationship with a stock car driver (Harris), Goob becomes an unwelcome side thought. But when exotic pumpkin picker Eva arrives, Goob dreams of a better life, fuelled by her flirtatious comments.
The Goob received its world premiere last month in Venice. It is up for the Golden Hitchcock at the 25th Dinard British Film Festival and will feature in the First Feature Competition at the BFI London Film Festival...
- 9/24/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Other jurors across London’s competitions include Sally Hawkins, James McAvoy, James Corden and Dexter Fletcher.
British producer Jeremy Thomas to to head the Official Competition jury at the 58th BFI London Film Festival (Oct 8-19).
Thomas’s career as producer and executive producer spans Nicolas Roeg’s Bad Timing (1978), Bernardo Bertolucci’s Oscar-winner The Last Emperor (1987), David Cronenberg’s Crash (1996), Wim Wender’s Pina (2011) and Jim Jarmusch’s Only Lovers Left Alive (2013).
He will preside over a jury that comprises last year’s Best Film Award nominee Ahmad Abdalla (Rags & Tatters), actress Sally Hawkins (Blue Jasmine), film producer and programme advisor Lorna Tee (Postcards from the Zoo), actor James McAvoy (X-Men: Days of Future Past) and film critic Scott Foundas.
Jury members who will present work at the festival include Abdalla, whose film Decor receives its world premiere; Hawkins, who features in Morgan Matthews’ debut feature X + Y; and James McAvoy who stars in The Disappearance...
British producer Jeremy Thomas to to head the Official Competition jury at the 58th BFI London Film Festival (Oct 8-19).
Thomas’s career as producer and executive producer spans Nicolas Roeg’s Bad Timing (1978), Bernardo Bertolucci’s Oscar-winner The Last Emperor (1987), David Cronenberg’s Crash (1996), Wim Wender’s Pina (2011) and Jim Jarmusch’s Only Lovers Left Alive (2013).
He will preside over a jury that comprises last year’s Best Film Award nominee Ahmad Abdalla (Rags & Tatters), actress Sally Hawkins (Blue Jasmine), film producer and programme advisor Lorna Tee (Postcards from the Zoo), actor James McAvoy (X-Men: Days of Future Past) and film critic Scott Foundas.
Jury members who will present work at the festival include Abdalla, whose film Decor receives its world premiere; Hawkins, who features in Morgan Matthews’ debut feature X + Y; and James McAvoy who stars in The Disappearance...
- 9/23/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Fury (David Ayer)
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
[via the BFI]
The programme for the 58th BFI London Film Festival launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. The lineup includes highly anticipated fall titles including David Ayer’s Fury, Bennett Miller’s Foxcatcher, the Sundance smash Whiplash, Jean-Luc Godard’s Goodbye to Language 3D, The Imitation Game starring Benedict Cumberbatch, Mike Leigh’s Mr. Turner, Jason Reitman’s Men, Women and Children and Jean-Marc Vallee’s Wild.
As Britain’s leading film event and one of the world’s oldest film festivals, it introduces the finest new British and international films to an expanding London and UK-wide audience, offering a compelling combination of red carpet glamour, engaged audiences and vibrant exchange. The Festival provides an essential profiling opportunity for films seeking global success at the start of the Awards season, promotes the careers of British and...
- 9/3/2014
- by John
- SoundOnSight
World premieres include Wwi drama Testament of Youth, Carol Morley’s The Falling and sci-fi sequel Monsters: Dark Continent.
The line-up for the 58th London Film Festival (Oct 8-19) has been revealed this morning and it is packed with awards contenders and the best of this year’s festivals.
Click here for full line-up
Titles already generating awards buzz that will receive gala screenings at Lff include Bennett Miller’s Foxcatcher, starring Steve Carell, Channing Tatum and Mark Ruffalo, and Damien Chazelle’s Whiplash, which proved the breakout hit at Sundance.
Other galas will give European premieres to Jason Reitman’s Men, Women & Children, starring Adam Sandler and Ansel Elgort with a racy voiceover by Emma Thompson, and biopic Wild, starring Reese Witherspoon and directed by Jean-Marc Vallee.
Mike Leigh’s Mr Turner will also feature among the main gala screenings as will the world premiere of Testament of Youth, a First World...
The line-up for the 58th London Film Festival (Oct 8-19) has been revealed this morning and it is packed with awards contenders and the best of this year’s festivals.
Click here for full line-up
Titles already generating awards buzz that will receive gala screenings at Lff include Bennett Miller’s Foxcatcher, starring Steve Carell, Channing Tatum and Mark Ruffalo, and Damien Chazelle’s Whiplash, which proved the breakout hit at Sundance.
Other galas will give European premieres to Jason Reitman’s Men, Women & Children, starring Adam Sandler and Ansel Elgort with a racy voiceover by Emma Thompson, and biopic Wild, starring Reese Witherspoon and directed by Jean-Marc Vallee.
Mike Leigh’s Mr Turner will also feature among the main gala screenings as will the world premiere of Testament of Youth, a First World...
- 9/3/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Guy Myhill's debut feature, The Goob, premiering at Venice Days, "ostensibly borrows heavily from the Andrea Arnold school of contemporary working class miserablism," notes Adam Woodward at Little White Lies. "Stylistically and tonally, however, it blends the codeine reverie of Harmony Korine's Gummo with the cold-shower realism of early Ken Loach, although perhaps the film it best evokes is Shane Meadows's A Room for Romeo Brass. This is a tremendously assured portrait of an underprivileged if sporadically joy-filled childhood." And we've got more reviews and clips. » - David Hudson...
- 8/28/2014
- Fandor: Keyframe
Guy Myhill's debut feature, The Goob, premiering at Venice Days, "ostensibly borrows heavily from the Andrea Arnold school of contemporary working class miserablism," notes Adam Woodward at Little White Lies. "Stylistically and tonally, however, it blends the codeine reverie of Harmony Korine's Gummo with the cold-shower realism of early Ken Loach, although perhaps the film it best evokes is Shane Meadows's A Room for Romeo Brass. This is a tremendously assured portrait of an underprivileged if sporadically joy-filled childhood." And we've got more reviews and clips. » - David Hudson...
- 8/28/2014
- Keyframe
Venice - NBC's "The Office" rang frequent laughs from Dwight Schrute's beet farm, with glimpses of backwards Cousin Mose and his feral antics proving particularly fertile ground for comedy ("And as of this morning, we are completely wireless here at Schrute Farms, but as soon as I find out where Mose hid all the wires, we'll get all that power back on.") This kind of vaguely unsettling boys-on-the-farm vibe is played straight in "The Goob", a character piece that has atmosphere to spare, and whose minimal plot is helped along by the happily original setting; this might be the first film shot in Norfolk to premiere at Venice. Self-described as "a psychological Western" and set largely on farmland of sorts in the flat formerly marshy Fens in the East of England (think the reclaimed bits of the Everglades without the redeeming features of exotic wildlife or sunshine), The Goob is...
- 8/26/2014
- by Catherine Bray
- Hitfix
As previously reported by my HitFix colleagues, 2014’s fall festivals represent something of a battle royale for various heavyweight Oscar hopefuls. The oldest fest in the big four, venerable Venice, is up against younger North American counterparts Toronto, Telluride and New York in the perennial fight to deliver a truly memorable Competition. Which films will be left standing once the critics have had their way with them? Contenders hoping to emerge victorious from La Biennale’s royal rumble include Alejandro González Iñárritu’s opening nighter "Birdman" starring Michael Keaton, David Gordon Green’s Al Pacino vehicle "Manglehorn" and Andrew Garfield vs Michael Shannon in Ramin Bahrani’s real estate showdown "99 Homes." As far as awards season goes, for me the big hitter to beat from Cannes is "Foxcatcher," an extraordinary and illuminating piece of filmmaking from Bennett Miller, a director I’ve not been personally persuaded by before now. In the documentary category,...
- 8/21/2014
- by Catherine Bray
- Hitfix
The Venice International Film Festival is in the process announcing the lineup for its 71st edition. Here's what we know so far:
Competition
The Cut (Fatih Akin)
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson)
99 Homes (Ramin Bahrani)
Tales (Rakhshan Bani E'temad)
La rancon de la gloire (Xavier Beauvois)
Hungry Hearts (Saverio Costanzo)
Le dernier coup de marteau (Alix Delaporte)
Pasolini (Abel Ferrara)
Manglehorn (David Gordon Green)
Birdman or the Unexpected Virtue of Ignorance (Alejandro González Iñárritu)
Three Hearts (Benoît Jacquot)
The Postman's White Nights (Andrei Konchalovsky)
Il Giovane Favoloso (Mario Martone)
Sivas (Kaan Mujdeci)
Anime Nere (Francesco Munzi)
Good Kill (Andrew Niccol)
Loin des hommes (David Oelhoffen)
The Look of Silence (Joshua Oppenheimer)
Nobi (Shinya Tsukamoto)
Red Amnesia (Wang Xiaoshuai)
Out Of Competition
Joe Date. Photo by Evan Dickson.
Words with Gods (Guillermo Arriaga, Emir Kusturica, Amos Gitai, Mira Nair, Warwick Thornton, Hector Babenco, Bahman Ghobadi,...
Competition
The Cut (Fatih Akin)
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson)
99 Homes (Ramin Bahrani)
Tales (Rakhshan Bani E'temad)
La rancon de la gloire (Xavier Beauvois)
Hungry Hearts (Saverio Costanzo)
Le dernier coup de marteau (Alix Delaporte)
Pasolini (Abel Ferrara)
Manglehorn (David Gordon Green)
Birdman or the Unexpected Virtue of Ignorance (Alejandro González Iñárritu)
Three Hearts (Benoît Jacquot)
The Postman's White Nights (Andrei Konchalovsky)
Il Giovane Favoloso (Mario Martone)
Sivas (Kaan Mujdeci)
Anime Nere (Francesco Munzi)
Good Kill (Andrew Niccol)
Loin des hommes (David Oelhoffen)
The Look of Silence (Joshua Oppenheimer)
Nobi (Shinya Tsukamoto)
Red Amnesia (Wang Xiaoshuai)
Out Of Competition
Joe Date. Photo by Evan Dickson.
Words with Gods (Guillermo Arriaga, Emir Kusturica, Amos Gitai, Mira Nair, Warwick Thornton, Hector Babenco, Bahman Ghobadi,...
- 7/25/2014
- by Notebook
- MUBI
Films by David Gordon Green, Andrew Niccol and Abel Ferrara will bring world premieres to the Lido di Venezia this year, as the Venice Film Festival has announced its selections for the 71st edition of the oldest such event in the world. Green's "Manglehorn" with Al Pacino, Niccol's "Good Kill" with Ethan Hawke and Ferrara's "Pasolini" with Willem Dafoe promise to bring a fair share of star power to the event, while actors such as Viggo Mortensen, Andrew Garfield and Adam Driver feature in films sprinkled throughout the Competition. "The Act of Killing" director Joshua Oppenheimer will also continue his look at the Indonesian genocide with a new documentary, "The Look of Silence." Playing out of competition are films by Barry Levinson ("The Humbling," also starring Pacino), James Franco ("The Sound and the Fury") and Lisa Cholodenko ("Olive Kitteridge"), while Focus Features will bring the new Laika film, "The Boxtrolls,...
- 7/24/2014
- by Kristopher Tapley
- Hitfix
Shawn Christensen’s Before I Disappear in 12-strong competition line-up.Scroll down for full list
Venice Days (Aug 27 to Sept 6) has unveiled the line-up for its 11th edition, opening with Kim Ki-Duk’s One On One and closing with Alex de la Iglesia’s footballer documentary, Messi.
The 11-day event, which runs as an independent sidebar of the Venice Film Festival, will play 12 features in competition – the first time Venice Days has hosted a competitive element.
Those competing for the €20,000 ($27,000) Venice Days Award, split between the winning director and international distributor of the film, include Shawn Christensen’s SXSW winner Before I Disappear; Guy Myhill’s The Goob; and Laurent Cantet’s Return to Ithaca.
The jurors for the Venice Days Award will be 28 young participants – one from each of the 28 EU member countries.
A total of 678 feature films were submitted between January and July. Including films viewed at festivals and markets, a total of...
Venice Days (Aug 27 to Sept 6) has unveiled the line-up for its 11th edition, opening with Kim Ki-Duk’s One On One and closing with Alex de la Iglesia’s footballer documentary, Messi.
The 11-day event, which runs as an independent sidebar of the Venice Film Festival, will play 12 features in competition – the first time Venice Days has hosted a competitive element.
Those competing for the €20,000 ($27,000) Venice Days Award, split between the winning director and international distributor of the film, include Shawn Christensen’s SXSW winner Before I Disappear; Guy Myhill’s The Goob; and Laurent Cantet’s Return to Ithaca.
The jurors for the Venice Days Award will be 28 young participants – one from each of the 28 EU member countries.
A total of 678 feature films were submitted between January and July. Including films viewed at festivals and markets, a total of...
- 7/22/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Benni Diez’s horror comedy Stung set to commence shooting, while principal photography is now underway on Guy Myhill’s The Goob.
German-us co-production Stung will start principal photography on October 22 with Peter Stormare, Matt O´Leary, Jessica Cook and Lance Henriksen attached to star.
The film centres on two catering staff at a fancy garden party who battle a mutated species of wasp.
Adam Aresty and Benjamin Munz wrote the screenplay with Germany’s Rat Pack Filmproduktion and the Us’ Xyz Films jointly producing.
The latter also acquired international sales rights and eOne will distribute in Canada, France, Germany, Scandinavia and the UK.
For more new projects and updates visit
iFeatures2 and Emu Films’s The Goob has started its four week shoot in Norfolk.
Myhill wrote the script, which is set in the middle of a heatwave in England and follows Goob Taylor who has spent each of his 16 summers helping his mother run a diner...
German-us co-production Stung will start principal photography on October 22 with Peter Stormare, Matt O´Leary, Jessica Cook and Lance Henriksen attached to star.
The film centres on two catering staff at a fancy garden party who battle a mutated species of wasp.
Adam Aresty and Benjamin Munz wrote the screenplay with Germany’s Rat Pack Filmproduktion and the Us’ Xyz Films jointly producing.
The latter also acquired international sales rights and eOne will distribute in Canada, France, Germany, Scandinavia and the UK.
For more new projects and updates visit
iFeatures2 and Emu Films’s The Goob has started its four week shoot in Norfolk.
Myhill wrote the script, which is set in the middle of a heatwave in England and follows Goob Taylor who has spent each of his 16 summers helping his mother run a diner...
- 8/30/2013
- ScreenDaily
Guy Myhill’s film is the first to be made under Creative England’s iFeatures2 scheme.
Principal photography for The Goob has begun in Norfolk.
For production details visit
The Goob
It is the first film to be made under iFeatures2, the second iteration of Creative England’s low-budget filmmaking scheme.
The Goob is one of three greenlit from Creative England and its iFeatures2 partners the BFI Film Fund, BBC Films and the Creative Skillset Film Skills Fund.
Its budget of $645,000 (£415,000) is higher than the original $545,000 (£350,000) announced at the launch of the scheme due to the ambitious nature of the film, which will see some scenes filmed live at Swaffham Raceway during banger and stock car racing.
The film, from writer/director Guy Myhill and producers Lee Groombridge and Mike Elliott of Emu Films, is described as “an emotionally charged tale of divided family loyalties played out over a sizzling hot summer”.
The cast includes Sean Harris ([link...
Principal photography for The Goob has begun in Norfolk.
For production details visit
The Goob
It is the first film to be made under iFeatures2, the second iteration of Creative England’s low-budget filmmaking scheme.
The Goob is one of three greenlit from Creative England and its iFeatures2 partners the BFI Film Fund, BBC Films and the Creative Skillset Film Skills Fund.
Its budget of $645,000 (£415,000) is higher than the original $545,000 (£350,000) announced at the launch of the scheme due to the ambitious nature of the film, which will see some scenes filmed live at Swaffham Raceway during banger and stock car racing.
The film, from writer/director Guy Myhill and producers Lee Groombridge and Mike Elliott of Emu Films, is described as “an emotionally charged tale of divided family loyalties played out over a sizzling hot summer”.
The cast includes Sean Harris ([link...
- 8/28/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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