Prometheus is out on home release, and once again we are all back into the fray of planet Lv-223 and its labyrinthian meanings. We were all left scratching our noggins earlier this year, when Ridley Scott’s sci-fi horror first oozed onto our screens. Like a belligerent fart it upset many, and lingered with us for some time. Split down the middle, some felt it to be a masterpiece and a worthy heir to the Xneomorph throne, whilst the rest thought Sir Ridley had gone Awol. For what it is worth, I feel that the film most definitely benefits from a second viewing.
Despite all of this, somewhere between the dissolving giants, spatially aware holograms, penis worms, ambiguous villains and toneless Scottish actresses (I am looking at you, Kate Dickie); film theorist and screenwriter Eugene Baldovino thinks he may have found something surprising. Prometheus might well be the prelude to a time travel saga.
Despite all of this, somewhere between the dissolving giants, spatially aware holograms, penis worms, ambiguous villains and toneless Scottish actresses (I am looking at you, Kate Dickie); film theorist and screenwriter Eugene Baldovino thinks he may have found something surprising. Prometheus might well be the prelude to a time travel saga.
- 10/25/2012
- by Brad Williams
- Obsessed with Film
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.