Editor’s note: Kim Voynar and Nathaniel Luke Pinzon are co-founders of Xr content and consulting studio WonderTek Labs, and are co-producers on Lena Herzog’s 2019 New Frontier selection “Last Whispers.”
Sundance Film Festival began featuring Vr content at its New Frontier section in 2012, but the first wave of Vr development began when cinematographer Morton Heilig filed his 1962 patent for the Sensorama. It gave viewers the passive experiences of riding a bike, a helicopter, or a go-kart, with full-color 3D video, stereo sound, haptic vibrations, scent, and wind effects.
A half century later, his technology’s promise is still waiting to be fulfilled. Head curator Shari Frilot always intended New Frontier to disarm and disrupt, and on that count the 2019 lineup ably delivered. However, if the Vr industry is still yearning for its version of “The Jazz Singer” — the project that could catapult a once-fringe technology into a world-changing sensation — that was not on display.
Sundance Film Festival began featuring Vr content at its New Frontier section in 2012, but the first wave of Vr development began when cinematographer Morton Heilig filed his 1962 patent for the Sensorama. It gave viewers the passive experiences of riding a bike, a helicopter, or a go-kart, with full-color 3D video, stereo sound, haptic vibrations, scent, and wind effects.
A half century later, his technology’s promise is still waiting to be fulfilled. Head curator Shari Frilot always intended New Frontier to disarm and disrupt, and on that count the 2019 lineup ably delivered. However, if the Vr industry is still yearning for its version of “The Jazz Singer” — the project that could catapult a once-fringe technology into a world-changing sensation — that was not on display.
- 2/2/2019
- by Kim Voynar and Nathaniel Luke Pinzon
- Indiewire
By Tim Brayton
The Film Experience is going to look at the films of 1972 all month in preparation for the Supporting Actress Smackdown celebrating that year's nominees. It was a strong year for cinema in general, but in the history of screen animation, it's nothing less than one of the single most importany years ever. For it was in 1972 that a 27-year-old PhD student at the University of Utah named Edwin "Ed" Catmull, aided by fellow student Fred Parke, laboriously created a wireframe model of his own left hand, applied a series of polygonal shapes to it, and made it move along the joints between those polygons.
That might sound dully, deadeningly technical, and in a very real way, it is: Catmull and Parke were working in the storied computer lab of Dr. Ivan Sutherland, which was focused on pure research and industrial applications. Catmull himself was the only member...
The Film Experience is going to look at the films of 1972 all month in preparation for the Supporting Actress Smackdown celebrating that year's nominees. It was a strong year for cinema in general, but in the history of screen animation, it's nothing less than one of the single most importany years ever. For it was in 1972 that a 27-year-old PhD student at the University of Utah named Edwin "Ed" Catmull, aided by fellow student Fred Parke, laboriously created a wireframe model of his own left hand, applied a series of polygonal shapes to it, and made it move along the joints between those polygons.
That might sound dully, deadeningly technical, and in a very real way, it is: Catmull and Parke were working in the storied computer lab of Dr. Ivan Sutherland, which was focused on pure research and industrial applications. Catmull himself was the only member...
- 9/10/2018
- by Tim Brayton
- FilmExperience
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