Frankie D. Harrison
- Sound Department
- Actor
- Composer
A native of the Bay Area, Frankie D. Harrison has two decades working
experience in post-production, music, and live sound. In the Bay Area,
Frank co-founded an independent recording label, Sound Table Recordings
with shared duties as an engineer, producer & artist. He eventually
began offering outside production services, including CD mastering as
well as live sound mixing. He also worked for several music & sound
software companies. Frank was actively involved in his church, South
Bay Community Church, as Youth Choir director & assisted the Youth &
Young Adult Minitries.
After moving to Los Angeles in December 2002, he mixed monitors for a touring gospel play, "Lord, All Men Can't Be Dogs" and front of house for a major concert tour, "Ladies Night Out". Frank was Supervising sound editor & mixer on 2 seasons of Fine Living TV's "iDesign" and a feature-length film.
From 2003 to 2007, Frank was also the principal sound designer for The Groundlings' Main Company, where he worked weekly with current industry heavyweights such as Kristen Wiig(SNL), Melissa McCarthy(Mike & Molly), Phil LaMarr(Mad TV), Jordan Black(Punk'd), Stephanie Courtney(Progressive's "Flo") and Daniele Gaither(Mad TV).
His resume includes mixing local shows for major & independent artists as well as post-production for commercials and shows for major networks, cable & radio. This was all within Frankie's first 18 months in L.A.
In September 2006, after a short stint with the American Film Institute, Frankie D. Harrison was appointed as Operations Manager & Senior Engineer of Outlaw Sound in Hollywood. A new marketing strategy included the design of a new Flash-based website with personalized FTP access for clients and an email marketing campaign emphasizing services, expertise, and client experiences. Outlaw Sound is now able to offer more services and take more sessions in Post, ADR, Mixing, Sound Design and more. The result was an 18% increase in revenues for the company, which made Outlaw Sound an attractive purchase for Brahmstead White Noise (BWN) in June 2008.
Mr. Harrison is now venturing into television & film production and media management. After earning his Bachelor's degree at CSU Northridge, he is now attending the University of Southern California - Annenberg School of Journalism and Communication in pursuit of his Master's in Communication Management.
After moving to Los Angeles in December 2002, he mixed monitors for a touring gospel play, "Lord, All Men Can't Be Dogs" and front of house for a major concert tour, "Ladies Night Out". Frank was Supervising sound editor & mixer on 2 seasons of Fine Living TV's "iDesign" and a feature-length film.
From 2003 to 2007, Frank was also the principal sound designer for The Groundlings' Main Company, where he worked weekly with current industry heavyweights such as Kristen Wiig(SNL), Melissa McCarthy(Mike & Molly), Phil LaMarr(Mad TV), Jordan Black(Punk'd), Stephanie Courtney(Progressive's "Flo") and Daniele Gaither(Mad TV).
His resume includes mixing local shows for major & independent artists as well as post-production for commercials and shows for major networks, cable & radio. This was all within Frankie's first 18 months in L.A.
In September 2006, after a short stint with the American Film Institute, Frankie D. Harrison was appointed as Operations Manager & Senior Engineer of Outlaw Sound in Hollywood. A new marketing strategy included the design of a new Flash-based website with personalized FTP access for clients and an email marketing campaign emphasizing services, expertise, and client experiences. Outlaw Sound is now able to offer more services and take more sessions in Post, ADR, Mixing, Sound Design and more. The result was an 18% increase in revenues for the company, which made Outlaw Sound an attractive purchase for Brahmstead White Noise (BWN) in June 2008.
Mr. Harrison is now venturing into television & film production and media management. After earning his Bachelor's degree at CSU Northridge, he is now attending the University of Southern California - Annenberg School of Journalism and Communication in pursuit of his Master's in Communication Management.