Alice, Darling is a film directed by Mary Nighy and starring Anna Kendrick.
Anna Kendrick stars in this movie which is a great acting treat for any dramatic actress. She exhibits all her talent which is indisputable in this drama about abuse.
About the Movie Alice, Cariño (2022)
Fancy a drama about male abuse? Here you have one called “Alice, Darling”, a movie written by Alanna Francis which, thanks to a good screenplay, the goals of the movie are reached in an intelligent manner… that is also manipulative (as the plot reveals to us).
This is a story about psychological abuse that is well narrated and is also a “social denouncement” and you need to be prepared for this. A drama and a denouncement featuring three women who defend themselves and a friend.
Technically this has a very good screenplay that goes shaping and offering the keys to the story very...
Anna Kendrick stars in this movie which is a great acting treat for any dramatic actress. She exhibits all her talent which is indisputable in this drama about abuse.
About the Movie Alice, Cariño (2022)
Fancy a drama about male abuse? Here you have one called “Alice, Darling”, a movie written by Alanna Francis which, thanks to a good screenplay, the goals of the movie are reached in an intelligent manner… that is also manipulative (as the plot reveals to us).
This is a story about psychological abuse that is well narrated and is also a “social denouncement” and you need to be prepared for this. A drama and a denouncement featuring three women who defend themselves and a friend.
Technically this has a very good screenplay that goes shaping and offering the keys to the story very...
- 2/3/2023
- by Martin Cid
- Martin Cid Magazine - Movies
Imax Corporation has revealed its latest distribution play via its $50m war chest to finance original film, partnering with Broad Green Pictures to join Sophisticated Films and Wild Bunch on Terrence Malick’s Voyage Of Time.
Broad Green gets the first opportunity to distribute the feature version in North America following an exclusive IMAX release.
Wild Bunch represents international sales on Voyage, in which Malick sets out to chronicle the entirety of time. The auteur is working first in the IMAX format for a 40-minute version that Brad Pitt narrates before shifting his focus to a 35mm feature-length version with narration by Cate Blanchett.
Imax unveiled it’s Original Film Fund last May to co-finance 10 original Imax films.
Broad Green’s Gabriel and Daniel Hammond serve as executive producers with Tanner Beard, Mary Bing, Yves Chevalier, Christos V Konstantakopoulos, Jacques Perrin, Ryan Rettig and Donald Rosenfeld.
The producers are Dede Gardner, Malick regular...
Broad Green gets the first opportunity to distribute the feature version in North America following an exclusive IMAX release.
Wild Bunch represents international sales on Voyage, in which Malick sets out to chronicle the entirety of time. The auteur is working first in the IMAX format for a 40-minute version that Brad Pitt narrates before shifting his focus to a 35mm feature-length version with narration by Cate Blanchett.
Imax unveiled it’s Original Film Fund last May to co-finance 10 original Imax films.
Broad Green’s Gabriel and Daniel Hammond serve as executive producers with Tanner Beard, Mary Bing, Yves Chevalier, Christos V Konstantakopoulos, Jacques Perrin, Ryan Rettig and Donald Rosenfeld.
The producers are Dede Gardner, Malick regular...
- 2/3/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Imax Corporation has revealed the first funding recipient from its $50m war chest set up to finance original film, partnering with Broad Green Pictures to join Sophisticated Films and Wild Bunch on the Terrence Malick project.
Broad Green gets the first opportunity to distribute the feature version in North America following an exclusive IMAX release.
Wild Bunch represents international sales on Voyage, in which Malick sets out to the entirety of time. The auteur is working first in the IMAX format for a 40-minute version that Brad Pitt narrates before shifting his focus to a 35mm feature-length version with narration by Cate Blanchett.
Imax’s Original Film Fund was announced last May to co-finance 10 original Imax films.
Broad Green’s Gabriel and Daniel Hammond serve as executive producers with Tanner Beard, Mary Bing, Yves Chevalier, Christos V Konstantakopoulos, Jacques Perrin, Ryan Rettig and Donald Rosenfeld.
The producers are Dede Gardner, Malick regular...
Broad Green gets the first opportunity to distribute the feature version in North America following an exclusive IMAX release.
Wild Bunch represents international sales on Voyage, in which Malick sets out to the entirety of time. The auteur is working first in the IMAX format for a 40-minute version that Brad Pitt narrates before shifting his focus to a 35mm feature-length version with narration by Cate Blanchett.
Imax’s Original Film Fund was announced last May to co-finance 10 original Imax films.
Broad Green’s Gabriel and Daniel Hammond serve as executive producers with Tanner Beard, Mary Bing, Yves Chevalier, Christos V Konstantakopoulos, Jacques Perrin, Ryan Rettig and Donald Rosenfeld.
The producers are Dede Gardner, Malick regular...
- 2/3/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
IMAX Corporation, together with Broad Green Pictures, today announced they are joining Sophisticated Films and Wild Bunch to complete financing of Terrence Malick’s Voyage Of Time. Broad Green will have the first opportunity to distribute the feature film version in North America following the exclusive IMAX release. Gabriel and Daniel Hammond of Broad Green Pictures are executive-producing the film along with Tanner Beard, Mary Bing, Yves Chevalier, Christos V. Konstantakopoulos, Jacques Perrin, Ryan Rettig, and Donald Rosenfeld. Dede Gardner, Nicolas Gonda, Sarah Green, Grant Hill, Brad Pitt, Bill Pohlad and Sophokles Tasioulis are producing. Voyage commenced international sales at the 2014 Cannes Film Festival, with Gaga (Jpn), Mars (Fr), Lumière (Benelux) and Edko (Hk) among the first to secure distribution rights. Voyage Of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare...
- 2/3/2015
- by Josh Abraham
- Hollywoodnews.com
Chicago – I suspect there is a segment of the moviegoing population that will take one look at the title, “Anton Chekhov’s The Duel,” and flee in the other direction, most likely into “The Hangover Part II.” Chekhov is the sort of literary genius whose work is quoted by writers aiming to prove their own level of intellectualism. Yet his work is too good to be merely confined in art houses.
Israeli director Dover Koshashvili has created what is easily the most accessible cinematic adaptation of Chekhov to date. It’s perched delicately on the razor’s edge between wrenching drama and deadpan comedy, allowing several sequences to simultaneously succeed as both. There isn’t a stilted or inauthentic moment in the picture, evoking memories of the best Merchant Ivory productions, particularly 1985’s “A Room with a View.”
Blu-Ray Rating: 4.0/5.0
Like Koshashvili’s acclaimed 2001 drama, “Late Marriage,” Chekhov’s 1891 short story,...
Israeli director Dover Koshashvili has created what is easily the most accessible cinematic adaptation of Chekhov to date. It’s perched delicately on the razor’s edge between wrenching drama and deadpan comedy, allowing several sequences to simultaneously succeed as both. There isn’t a stilted or inauthentic moment in the picture, evoking memories of the best Merchant Ivory productions, particularly 1985’s “A Room with a View.”
Blu-Ray Rating: 4.0/5.0
Like Koshashvili’s acclaimed 2001 drama, “Late Marriage,” Chekhov’s 1891 short story,...
- 5/27/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
PARK CITY -- Black soul from Mississippi and white hillbilly music from Tennessee met up and married around Memphis and, essentially, rock 'n' roll was born. Centering on one of the good-ol'-boy icons of this musical magic, Forty Shades of Blue is a drab, minor-key melodrama that seems millions of miles from the barbecue 'n' blues world of Beale Street and the musical greatness that sprang from that Sun Records region.
A weepy slide guitar would be the proper instrument to ring forth this film's sad commercial prospects.
In as saucy an environs as Memphis you'd expect some odd mixings: Screenwriters Michael Rohatyn and Ira Sachs ladle up a weathered music legend, Alan (Rip Torn) living in kitschy splendor with a young Russian beauty (Dina Korzun) whom he's snapped up on a tour. She's in the stereotypical Russian mold, icy cold and a problem drinker. Big legend Alan doesn't notice much outside his own orbit, including his California-based son (Darren Burrows) who slouches homeward for the old man's coronation at some music wingding. Depressed foreign beauty, wayward old coot and resentful son -- you know the dance patterns of this old song already.
Filmmaker Ira Sachs' smart but sore scenario is crammed with somber story chords and predictable character refrains. While the Memphis backdrop spices things up, Forty Shades of Blue is plodding and predictable. The only scenes with any fiber are set around too much drinking, indicative of the film's slim characterizations. The players deliver with those handicaps. Rip Torn is a fine dusty/crusty mix of hoot and holler but none of the other players are able to enliven their flat parts.
Under Sachs' strummy hand, technical contributions are also wrong notes, including composer Dickon Hinchliffe's baleful sounds and cinematographer Julian Whatley's pan-'n'-scan compositions.
Forty Shades of Blue
Credits:
Producers: Margot Bridger, Ira Sachs, Mary Bing, Jawal Nga, Donald Rosenfeld
Director: Ira Sachs
Screenwriters: Michael Rohatyn, Ira Sachs
Executive producers: Geoff Stier, Diane Von Furstenberg
Director of photography: Julian Whatley
Editor: Alfonso Goncalves
Production designer: Teresa Mastropierro
Costume designer: Eric Daman
Music: Dickon Hinchliffe
Music supervisor: Susan Jacobs
Sound mixer: Dominick Tavella
Casting: Avy Kaufman, Jordan Beswick
Cast:
Alan: Rip Torn
Michael: Darren Burrows
Shel: Jerry Chipman
Tom Skolnick: Stuart Greer
Sam James: Andrew Henderson
Karin: Charly Kayle
Laura: Dina Korzun
Gina: Mary Jean McAdams
April James: Emily McKenna
Celia: Jenny O'Hara
Betty: Joanne Pankow
Gary: Forrest Pruett
Lonni: Paprika Steen
Barry: John Boyd West
Duigan: Red West
No MPAA rating
Running time -- 107 minutes...
A weepy slide guitar would be the proper instrument to ring forth this film's sad commercial prospects.
In as saucy an environs as Memphis you'd expect some odd mixings: Screenwriters Michael Rohatyn and Ira Sachs ladle up a weathered music legend, Alan (Rip Torn) living in kitschy splendor with a young Russian beauty (Dina Korzun) whom he's snapped up on a tour. She's in the stereotypical Russian mold, icy cold and a problem drinker. Big legend Alan doesn't notice much outside his own orbit, including his California-based son (Darren Burrows) who slouches homeward for the old man's coronation at some music wingding. Depressed foreign beauty, wayward old coot and resentful son -- you know the dance patterns of this old song already.
Filmmaker Ira Sachs' smart but sore scenario is crammed with somber story chords and predictable character refrains. While the Memphis backdrop spices things up, Forty Shades of Blue is plodding and predictable. The only scenes with any fiber are set around too much drinking, indicative of the film's slim characterizations. The players deliver with those handicaps. Rip Torn is a fine dusty/crusty mix of hoot and holler but none of the other players are able to enliven their flat parts.
Under Sachs' strummy hand, technical contributions are also wrong notes, including composer Dickon Hinchliffe's baleful sounds and cinematographer Julian Whatley's pan-'n'-scan compositions.
Forty Shades of Blue
Credits:
Producers: Margot Bridger, Ira Sachs, Mary Bing, Jawal Nga, Donald Rosenfeld
Director: Ira Sachs
Screenwriters: Michael Rohatyn, Ira Sachs
Executive producers: Geoff Stier, Diane Von Furstenberg
Director of photography: Julian Whatley
Editor: Alfonso Goncalves
Production designer: Teresa Mastropierro
Costume designer: Eric Daman
Music: Dickon Hinchliffe
Music supervisor: Susan Jacobs
Sound mixer: Dominick Tavella
Casting: Avy Kaufman, Jordan Beswick
Cast:
Alan: Rip Torn
Michael: Darren Burrows
Shel: Jerry Chipman
Tom Skolnick: Stuart Greer
Sam James: Andrew Henderson
Karin: Charly Kayle
Laura: Dina Korzun
Gina: Mary Jean McAdams
April James: Emily McKenna
Celia: Jenny O'Hara
Betty: Joanne Pankow
Gary: Forrest Pruett
Lonni: Paprika Steen
Barry: John Boyd West
Duigan: Red West
No MPAA rating
Running time -- 107 minutes...
- 1/25/2005
- The Hollywood Reporter - Movie News
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