Luther and Hobbs & Shaw star Idris Elba’s Green Door Pictures and wife Sabrina Elba’s Pink Towel have unveiled plans for Paid in Full: The Battle for Payback, a documentary about the music industry exploiting Black artists, for the BBC and CBC networks.
The three-parter, which will also explore reparations for Black artists, is produced by Zinc Media’s production label Supercollider in association with Canadian indie producer Catalyst.
“This is a story that touches all of us. It’s about the people who created the soundtracks of our lives in popular music and the pain of their exploitation. It’s also about bringing the music industry to account for the injustice inflicted on generations of musical talents who have been deprived of their rightful rewards both financially and in terms of status and respect. At the heart of it is the need to make amends — granting acknowledgement and paying back what is due,...
The three-parter, which will also explore reparations for Black artists, is produced by Zinc Media’s production label Supercollider in association with Canadian indie producer Catalyst.
“This is a story that touches all of us. It’s about the people who created the soundtracks of our lives in popular music and the pain of their exploitation. It’s also about bringing the music industry to account for the injustice inflicted on generations of musical talents who have been deprived of their rightful rewards both financially and in terms of status and respect. At the heart of it is the need to make amends — granting acknowledgement and paying back what is due,...
- 5/22/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Zinc Media label Supercollider has partnered with Idris Elba’s Green Door Pictures and Sabrina Elba’s Pink Towel on documentary series “Paid in Full: The Battle for Payback” (working title) for public broadcasters CBC and BBC.
The series (3 x 60′), produced in association with Catalyst, examines the exploitation of Black artists by the music industry and explores what it would look like for Black artists to receive reparations. It documents the extent of the historic injustice suffered by the music industry’s Black artists, including the disparity of profits received by them, despite having created the records that have driven the fabric and culture of popular music. The series will also look at racial inequality in the music industry both today and in the past.
The series features contributions from author and filmmaker Mk Asante Jr and Lawrence Lartey, director of innovation, industry and enterprise at Ravensbourne University London who...
The series (3 x 60′), produced in association with Catalyst, examines the exploitation of Black artists by the music industry and explores what it would look like for Black artists to receive reparations. It documents the extent of the historic injustice suffered by the music industry’s Black artists, including the disparity of profits received by them, despite having created the records that have driven the fabric and culture of popular music. The series will also look at racial inequality in the music industry both today and in the past.
The series features contributions from author and filmmaker Mk Asante Jr and Lawrence Lartey, director of innovation, industry and enterprise at Ravensbourne University London who...
- 5/22/2023
- by Naman Ramachandran
- Variety Film + TV
“Bridgerton” star Phoebe Dynevor and “Aftersun” writer-director Charlotte Wells are among the emerging talents recognized at the British Independent Film Awards’ (BIFA) New Talent categories.
Dynevor has been longlisted in the Breakthrough Performance category for Sky film “The Colour Room” and Wells twice, in the Debut Director and Debut Screenwriter categories.
In all, 28 fiction and 14 documentary features have been longlisted, including in a new category for BIFA’s 25th year, Best Debut Director – Feature Documentary. Eleven first-time fiction feature directors, 16 first-time documentary feature directors, 14 first-time writers, 20 breakthrough producers and 15 new performers have been recognized by BIFA voters for their achievements.
BIFA’s Springboard scheme will provide a tailored program of continuing professional development, with seven of this year’s longlisted filmmakers joining the cohort of 30 filmmakers on the Film4 supported initiative.
The final five nominations in each category will be announced on Nov. 4 and winners will be revealed at the...
Dynevor has been longlisted in the Breakthrough Performance category for Sky film “The Colour Room” and Wells twice, in the Debut Director and Debut Screenwriter categories.
In all, 28 fiction and 14 documentary features have been longlisted, including in a new category for BIFA’s 25th year, Best Debut Director – Feature Documentary. Eleven first-time fiction feature directors, 16 first-time documentary feature directors, 14 first-time writers, 20 breakthrough producers and 15 new performers have been recognized by BIFA voters for their achievements.
BIFA’s Springboard scheme will provide a tailored program of continuing professional development, with seven of this year’s longlisted filmmakers joining the cohort of 30 filmmakers on the Film4 supported initiative.
The final five nominations in each category will be announced on Nov. 4 and winners will be revealed at the...
- 10/24/2022
- by Naman Ramachandran
- Variety Film + TV
The final five nominations in each category will be announced November 4.
Georgia Oakley’s Blue Jean, Charlotte Wells’ Aftersun and Jono McLeod’s My Old School and are among the titles that have made the new talent longlists for the 2022 British Independent Film Awards (Bifas), with 28 fiction and 14 documentary features longlisted.
Blue Jean has taken the most nominated spots with five – the Douglas Hickox Award for best debut director, as well as best debut screenwriter for Oakley, best breakthrough performance for Lucy Halliday and Screen Star of Tomorrow 2022 Rosy McEwen and best breakthrough producer for Hélène Sifre.
Scroll down for...
Georgia Oakley’s Blue Jean, Charlotte Wells’ Aftersun and Jono McLeod’s My Old School and are among the titles that have made the new talent longlists for the 2022 British Independent Film Awards (Bifas), with 28 fiction and 14 documentary features longlisted.
Blue Jean has taken the most nominated spots with five – the Douglas Hickox Award for best debut director, as well as best debut screenwriter for Oakley, best breakthrough performance for Lucy Halliday and Screen Star of Tomorrow 2022 Rosy McEwen and best breakthrough producer for Hélène Sifre.
Scroll down for...
- 10/24/2022
- by Mona Tabbara
- ScreenDaily
The documentary festival will include 38 world premieres.
The UK’s Sheffield DocFest (June 23-28) has unveiled its 2022 line-up, including the world premiere of Werner Herzog’s The Fire Within: Requiem For Katia And Maurice Krafft.
The documentary festival will host 38 world premieres, 22 international premieres and 11 European premieres.
The Fire Within, which is written, narrated and directed by Herzog, will feature in DocFest’s Memories strand. It chronicles the French volcanologists who died in a volcanic eruption on Japan’s Mount Uzen in 1991, leaving an archive of more than 200 hours of footage that makes up the film.
Herzog previously explored the...
The UK’s Sheffield DocFest (June 23-28) has unveiled its 2022 line-up, including the world premiere of Werner Herzog’s The Fire Within: Requiem For Katia And Maurice Krafft.
The documentary festival will host 38 world premieres, 22 international premieres and 11 European premieres.
The Fire Within, which is written, narrated and directed by Herzog, will feature in DocFest’s Memories strand. It chronicles the French volcanologists who died in a volcanic eruption on Japan’s Mount Uzen in 1991, leaving an archive of more than 200 hours of footage that makes up the film.
Herzog previously explored the...
- 5/31/2022
- by Ellie Calnan
- ScreenDaily
Seven upcoming UK films and immersive works will be presented to buyers and festival programmers.
The BFI London Film Festival is to introduce a new works-in-progress showcase and has selected seven projects for the inaugural edition.
Scroll down for full list of projects
The platform will form part of the Lff’s industry programme and will introduce upcoming UK films, TV series, and immersive projects to international buyers and festival programmers. The first edition will take place entirely online on October 9 and is intended to become an annual event.
Clips will be screened from each of the selected projects – which are all in production,...
The BFI London Film Festival is to introduce a new works-in-progress showcase and has selected seven projects for the inaugural edition.
Scroll down for full list of projects
The platform will form part of the Lff’s industry programme and will introduce upcoming UK films, TV series, and immersive projects to international buyers and festival programmers. The first edition will take place entirely online on October 9 and is intended to become an annual event.
Clips will be screened from each of the selected projects – which are all in production,...
- 9/22/2020
- by Michael Rosser
- ScreenDaily
The BFI London Film Festival (Oct 7-18) is launching a film, TV and immersive content works-in-progress strand as part of its industry program. Scroll down for lineup.
The seven film and immersive projects featured in this year’s lineup are currently in production, post-production or near completion, and will be presented to an invited audience of international buyers and festival programmers. They all come from emerging filmmakers.
The showcase is taking place on 9 October and will be fully online as part of 2020’s virtual and physical hybrid festival. Clips will be screened from each of the selected projects followed by a short Q&a with the director and or the producer. Access will be by invitation only via a secure platform with two repeat screenings to accommodate international time zones.
BFI London Film Festival Director, Tricia Tuttle said: “The Lff has always been a platform for supporting new and emerging...
The seven film and immersive projects featured in this year’s lineup are currently in production, post-production or near completion, and will be presented to an invited audience of international buyers and festival programmers. They all come from emerging filmmakers.
The showcase is taking place on 9 October and will be fully online as part of 2020’s virtual and physical hybrid festival. Clips will be screened from each of the selected projects followed by a short Q&a with the director and or the producer. Access will be by invitation only via a secure platform with two repeat screenings to accommodate international time zones.
BFI London Film Festival Director, Tricia Tuttle said: “The Lff has always been a platform for supporting new and emerging...
- 9/22/2020
- by Andreas Wiseman
- Deadline Film + TV
The BFI London Film Festival has added a new, annual works-in-progress showcase as part of its industry program, and has invited seven projects to participate, including two featuring “Star Wars: Episode IX – The Rise of Skywalker” and “The End of the F***ing World” actor Naomie Ackie and “ZeroZeroZero” actor Andrea Riseborough.
The showcase features works made for cinema, television and immersive platforms by U.K. emerging talent and will be presented to an invited audience of international buyers and festival programmers.
The projects include psychological thriller “Here Before” by Stacey Gregg (“Little Birds”), produced by Sophie Vickers (“Surge”) and Julia Godzinskaya (“The Other Lamb”), starring Riseborough, Martin McCann (“Wildfire”) and Jonjo O’Neill (“Pennyworth”); and heist film “The Score,” directed by Malachi Smyth (“Nocturne”), produced by Matthew James Wilkinson (“Yesterday”), Ben Pullen (“Light of the World), alongside co-producer Isabelle Georgeaux (“Calibre”), starring Johnny Flynn (“Stardust”), Ackie and Will Poulter (“Midsommar”).
Experimental filmmaker Baff Akoto,...
The showcase features works made for cinema, television and immersive platforms by U.K. emerging talent and will be presented to an invited audience of international buyers and festival programmers.
The projects include psychological thriller “Here Before” by Stacey Gregg (“Little Birds”), produced by Sophie Vickers (“Surge”) and Julia Godzinskaya (“The Other Lamb”), starring Riseborough, Martin McCann (“Wildfire”) and Jonjo O’Neill (“Pennyworth”); and heist film “The Score,” directed by Malachi Smyth (“Nocturne”), produced by Matthew James Wilkinson (“Yesterday”), Ben Pullen (“Light of the World), alongside co-producer Isabelle Georgeaux (“Calibre”), starring Johnny Flynn (“Stardust”), Ackie and Will Poulter (“Midsommar”).
Experimental filmmaker Baff Akoto,...
- 9/22/2020
- by Naman Ramachandran
- Variety Film + TV
We need to stop being preoccupied with the awards themselves and join in the decision-making
Two weeks ago I sat at the Royal Television Society's Journalism Awards hoping to win an award. The great and the good from British current affairs were there but it was hardly the Oscars. There was no red carpet and no paparazzi . Probably only readers of the back pages of Media Guardian pay it any attention.
As one of the few black people at an awards ceremony not serving food, the same thoughts kept running through my mind. They range from "Why aren't there more black and Asian people at the ceremony?" to "Were black and Asian people overlooked in the winners and nominees?" I suppose the bigger question underlying all this, of course, is "Are the television and film awards ceremonies racist?"
But, hand on heart, when I looked at the list of nominees...
Two weeks ago I sat at the Royal Television Society's Journalism Awards hoping to win an award. The great and the good from British current affairs were there but it was hardly the Oscars. There was no red carpet and no paparazzi . Probably only readers of the back pages of Media Guardian pay it any attention.
As one of the few black people at an awards ceremony not serving food, the same thoughts kept running through my mind. They range from "Why aren't there more black and Asian people at the ceremony?" to "Were black and Asian people overlooked in the winners and nominees?" I suppose the bigger question underlying all this, of course, is "Are the television and film awards ceremonies racist?"
But, hand on heart, when I looked at the list of nominees...
- 3/8/2010
- The Guardian - Film News
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