The Skip City International D-Cinema Festival 2024 will celebrate its 21st edition from July 13th (Sat) to 21st (Sun), 2024 for 9 days at Skip City, which is an integrated institution for digital cinema production.
(See: https://www.skipcity-dcf.jp/en/)
Submission period: January 31st, 2024 (Wed) – March 1st, 2024 (Fri)
Skip City International D-Cinema Festival remains committed to discovering and nurturing new talent, with the aim of helping these filmmakers seize new business opportunities that have arisen in the changing landscape of the film industry. Now calling for works (60 min. or longer) that have been shot digitally and must be the director's 1st, 2nd, or 3rd feature film from all over the world for the International Competition section.
Call for entries for the International Competition!!
Entry Deadline: Must be received by March 1st, 2024 (Fri)
Submit via FilmFreeway
https://filmfreeway.com/Skipcityinternationald-CinemaFESTIVAL (Online registration / Free)
All nominated films in competition categories are eligible for the Festival Organizers awards.
(See: https://www.skipcity-dcf.jp/en/)
Submission period: January 31st, 2024 (Wed) – March 1st, 2024 (Fri)
Skip City International D-Cinema Festival remains committed to discovering and nurturing new talent, with the aim of helping these filmmakers seize new business opportunities that have arisen in the changing landscape of the film industry. Now calling for works (60 min. or longer) that have been shot digitally and must be the director's 1st, 2nd, or 3rd feature film from all over the world for the International Competition section.
Call for entries for the International Competition!!
Entry Deadline: Must be received by March 1st, 2024 (Fri)
Submit via FilmFreeway
https://filmfreeway.com/Skipcityinternationald-CinemaFESTIVAL (Online registration / Free)
All nominated films in competition categories are eligible for the Festival Organizers awards.
- 2/2/2024
- by Suzie Cho
- AsianMoviePulse
We are happy to announce that the Skip City International D-Cinema Festival 2023 will celebrate its 20th anniversary edition from July 15th (Sat) to 23th (Sun), 2023 for 9 days at Skip City, which is an integrated institution for digital cinema production
(See: https://www.skipcity-dcf.jp/en/)
Submission period: January 25th, 2023 (Wed) – March 1st, 2023 (Wed)
We remain committed to discovering and nurturing new talent, with the aim of helping these filmmakers seize new business opportunities that have arisen in the changing landscape of the film industry. Now we call for works (60 min. or longer) that have been shot digitally and must be the director’s 1st, 2nd, or 3rd feature film from all over the world for the International Competition section.
Call for entries for the International Competition!!
Entry Deadline: Must be received by March 1st, 2023 (Wed)
Submit via FilmFreeway
https://filmfreeway.com/Skipcityinternationald-CinemaFESTIVAL (Online registration / Free)
Our International Competition welcomes you!
(See: https://www.skipcity-dcf.jp/en/)
Submission period: January 25th, 2023 (Wed) – March 1st, 2023 (Wed)
We remain committed to discovering and nurturing new talent, with the aim of helping these filmmakers seize new business opportunities that have arisen in the changing landscape of the film industry. Now we call for works (60 min. or longer) that have been shot digitally and must be the director’s 1st, 2nd, or 3rd feature film from all over the world for the International Competition section.
Call for entries for the International Competition!!
Entry Deadline: Must be received by March 1st, 2023 (Wed)
Submit via FilmFreeway
https://filmfreeway.com/Skipcityinternationald-CinemaFESTIVAL (Online registration / Free)
Our International Competition welcomes you!
- 1/25/2023
- by Panos Kotzathanasis
- AsianMoviePulse
Joachim Trier’s “The Worst Person in the World,” about a young woman figuring out life and love, might have brought Renate Reinsve the best actress award at Cannes, but the two actually started their collaboration in 2011 on “Oslo, August 31st” – Reinsve’s very first film.
“I was an extra with one line,” she said during an online discussion with the director, accompanying a surprise screening of their film at Rotterdam Film Festival. “The Worst Person in the World” was recently shortlisted for Best International Feature Film at the Academy Awards.
“I had nothing to compare it to – it was my first movie set. I thought you guys were just a group of friends having fun and making a movie. I didn’t think acting was supposed to be like that at all. The next movie I did after I worked with you, Joachim, I was in shock.”
Trier, who...
“I was an extra with one line,” she said during an online discussion with the director, accompanying a surprise screening of their film at Rotterdam Film Festival. “The Worst Person in the World” was recently shortlisted for Best International Feature Film at the Academy Awards.
“I had nothing to compare it to – it was my first movie set. I thought you guys were just a group of friends having fun and making a movie. I didn’t think acting was supposed to be like that at all. The next movie I did after I worked with you, Joachim, I was in shock.”
Trier, who...
- 2/6/2022
- by Marta Balaga
- Variety Film + TV
Seven series selected for TV strand.
The Berlin Film Festival (Feb 15-25) has unveiled the seven titles set to be screened in this year’s Berlinale Series programme.
Source: Hulu
The Looming Tower
Opening the festival’s TV strand is Australian series Picnic At Hanging Rock, FremantleMedia’s Natalie Dormer-starring TV adaptation of Joan Lindsay’s 1967 novel, which previously spawned Peter Weir’s Bafta-winning 1975 feature.
The series tells the story of a strict headmistress at a boarding school whose dark past catches up with her after three pupils mysteriously disappear during a school outing.
Also in the selection is Legendary Television and broadcaster Hulu’s The Looming Tower, which is based on Lawrence Wright’s Pulitzer prize-winning book of the same name. Chronicling the lead-up to the 9/11 terrorist attacks, the series stars Jeff Daniels as counter terrorism expert John O’Neill and is being exec produced by Alex Gibney.
Further series in the...
The Berlin Film Festival (Feb 15-25) has unveiled the seven titles set to be screened in this year’s Berlinale Series programme.
Source: Hulu
The Looming Tower
Opening the festival’s TV strand is Australian series Picnic At Hanging Rock, FremantleMedia’s Natalie Dormer-starring TV adaptation of Joan Lindsay’s 1967 novel, which previously spawned Peter Weir’s Bafta-winning 1975 feature.
The series tells the story of a strict headmistress at a boarding school whose dark past catches up with her after three pupils mysteriously disappear during a school outing.
Also in the selection is Legendary Television and broadcaster Hulu’s The Looming Tower, which is based on Lawrence Wright’s Pulitzer prize-winning book of the same name. Chronicling the lead-up to the 9/11 terrorist attacks, the series stars Jeff Daniels as counter terrorism expert John O’Neill and is being exec produced by Alex Gibney.
Further series in the...
- 1/18/2018
- by Tom Grater
- ScreenDaily
Other winners include China’s Van Goghs and The Citizen.
Norwegian filmmaker Arild Andresen’s Handle With Care picked up the Grand Prize at this year’s Skip City International D-Cinema Festival (July 15-23) in Japan.
The film, which premiered at Goteborg film festival this year, follows a Norwegian widower who takes his adopted son back to Colombia to look for his biological mother. Hilde Susan Jaegtnes, who co-write the film with Andresen, was on hand to collect the Grand Prize Sony D-Cinema Award from jury president and leading Japanese filmmaker Kiyoshi Kurosawa.
Skip City’s best director award went to Chinese filmmakers Yu Haibo and Kiki Tianqi Yu for feature-length documentary China’s Van Goghs. The film follows a man who paints replicas of Van Goghs artworks in Shenzhen and travels to Amsterdam to see the originals.
The special jury prize went to Hungarian filmmaker Roland Vranik’s The Citizen, about an African...
Norwegian filmmaker Arild Andresen’s Handle With Care picked up the Grand Prize at this year’s Skip City International D-Cinema Festival (July 15-23) in Japan.
The film, which premiered at Goteborg film festival this year, follows a Norwegian widower who takes his adopted son back to Colombia to look for his biological mother. Hilde Susan Jaegtnes, who co-write the film with Andresen, was on hand to collect the Grand Prize Sony D-Cinema Award from jury president and leading Japanese filmmaker Kiyoshi Kurosawa.
Skip City’s best director award went to Chinese filmmakers Yu Haibo and Kiki Tianqi Yu for feature-length documentary China’s Van Goghs. The film follows a man who paints replicas of Van Goghs artworks in Shenzhen and travels to Amsterdam to see the originals.
The special jury prize went to Hungarian filmmaker Roland Vranik’s The Citizen, about an African...
- 7/24/2017
- ScreenDaily
World premieres include Fanny Ardant’s Stalin’s Couch [pictured], Elisabeth E. Schuch’s The Book Of Birdie, Erlingur Ottar Thoroddsen’s Rift, and Manuel Concha’s Blind Alley.
Goteborg Film Festival has announced its programme of nearly 450 films from 84 countries to screen during the festival’s 40th anniversary edition (Jan 27-Feb 6).
As reported earlier, the festival will kick off with Dome Karukoski’s Tom Of Finland.
The eight films (all world premieres) competing for the Dragon Award for Best Nordic Film – with a prize of $110,500 (Sek 1m) — are as follows:
Tom Of Finland by Dome Karukoski (Finland/Sweden/Denmark/Germany/Us)Beyond Dreams by Rojda Sekersöz (Sweden)The Ex-wife by Katja Wik (Sweden)Heartstone by Gudmundur A. Gudmundsson (Iceland/Denmark)Sámi Blood by Amanda Kernell (Sweden/Denmark/Norway)Little Wing bySelma Vilhunen (Finland)The Man by Charlotte Sieling (Denmark)Handle With Care by Arild Andresen (Norway)
The Nordic documentary competition includes:
Citizen Schein by Maud Nycander, [link...
Goteborg Film Festival has announced its programme of nearly 450 films from 84 countries to screen during the festival’s 40th anniversary edition (Jan 27-Feb 6).
As reported earlier, the festival will kick off with Dome Karukoski’s Tom Of Finland.
The eight films (all world premieres) competing for the Dragon Award for Best Nordic Film – with a prize of $110,500 (Sek 1m) — are as follows:
Tom Of Finland by Dome Karukoski (Finland/Sweden/Denmark/Germany/Us)Beyond Dreams by Rojda Sekersöz (Sweden)The Ex-wife by Katja Wik (Sweden)Heartstone by Gudmundur A. Gudmundsson (Iceland/Denmark)Sámi Blood by Amanda Kernell (Sweden/Denmark/Norway)Little Wing bySelma Vilhunen (Finland)The Man by Charlotte Sieling (Denmark)Handle With Care by Arild Andresen (Norway)
The Nordic documentary competition includes:
Citizen Schein by Maud Nycander, [link...
- 1/11/2017
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The winner of the Eurimages Lab Project Award from Haugesund’s Works In Progress presentations was Katrín Ólafsdóttirs The Wind Blew On from Iceland.
The new prize, worth $56,000 (€50,000) was given to “the most promising cutting-edge film presented as a work in progress”.
The jury was comprised of Norwegian filmmaker Bent Hamer, Dorien van de Pas of the Netherlands Filmfund, and Heidi Zwicker of Sundance.
Head of New Nordic Films Gyda Velvin Myklebust noted that the award was aimed at a film that was “experimental in form or content”.
Of the 20 films presented, industry buzz was highest for pitches including Izer Aliu’s energetic and funny teenage story 12 Dares; Norwegian debut The Tree Feller; Fenar Ahmad’s Danish criminal underworld drama/thriller Darkland, Danish debut Winter Brothers; family animation Richard The Stork (already a hot seller for Global Screen); absurdist Norwegian comedy Lake Over Fire; and Danish drama Mesteren, starring Soren Malling and Jakob Oftebro and directed by [link...
The new prize, worth $56,000 (€50,000) was given to “the most promising cutting-edge film presented as a work in progress”.
The jury was comprised of Norwegian filmmaker Bent Hamer, Dorien van de Pas of the Netherlands Filmfund, and Heidi Zwicker of Sundance.
Head of New Nordic Films Gyda Velvin Myklebust noted that the award was aimed at a film that was “experimental in form or content”.
Of the 20 films presented, industry buzz was highest for pitches including Izer Aliu’s energetic and funny teenage story 12 Dares; Norwegian debut The Tree Feller; Fenar Ahmad’s Danish criminal underworld drama/thriller Darkland, Danish debut Winter Brothers; family animation Richard The Stork (already a hot seller for Global Screen); absurdist Norwegian comedy Lake Over Fire; and Danish drama Mesteren, starring Soren Malling and Jakob Oftebro and directed by [link...
- 8/26/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Last night I had a lovely Scandinavian dinner with friends as we discussed our book club title "The Ice Princess" the latest best seller capitalizing on the super hot Scandinavian crime genre (oh what The Girl With/Who... has wrought!). I didn't like the book at all and the translation seemed clunky (or maybe that was the fault of the original prose?) but I find the whole trend vaguely hilarious since Scandinavian countries, to their vast collective credit, are not exactly known as hotbeds of crime! Returning home, what do I have in my inbox?, but the nominations for Norway's annual "Amanda" Awards. Don't you love unexpected theme days?
Norway had a record breaking year with 34 original films eligible for their own prizes. To give you a very general sense of the amount of films various countries make each year here's a handy graphic AMPAS provided for the films of...
Norway had a record breaking year with 34 original films eligible for their own prizes. To give you a very general sense of the amount of films various countries make each year here's a handy graphic AMPAS provided for the films of...
- 6/23/2011
- by NATHANIEL R
- FilmExperience
The general mood of journalists at the 61st Berlin Film Festival was disappointment: reports generally characterised the selection as dismal. The Independent’s Jonathan Romney explained that the festival tended to ‘test your tolerance for the worthy’, just like every other year. The term ‘worthy’ makes the films sound depressing and dull, but as Romney also observed, the Berlinale had ‘no lemons’: many films looked at real-life problems in a new way and so, for my part, I typically left the cinema feeling stimulated and uplifted rather than sad or irritated.
It seems that the festival juries, too, found plenty to praise: of the nearly 400 films in the festival, 45 won awards. The ceremony for the 61st Berlin Film Festival took place on Saturday, Feburary 19th, and while the full list of awards is too lengthy to summarise in detail, the following should provide you with a nice list of...
It seems that the festival juries, too, found plenty to praise: of the nearly 400 films in the festival, 45 won awards. The ceremony for the 61st Berlin Film Festival took place on Saturday, Feburary 19th, and while the full list of awards is too lengthy to summarise in detail, the following should provide you with a nice list of...
- 2/22/2011
- by Alison Frank
- The Moving Arts Journal
We haven't mentioned the Berlinale at all in the heat of Oscar week. So let's do that, shall we? Better late than never. The festival closes tomorrow but the awards were handed out over the past two days.
"Nader and Simin: A Separation" Golden Bear
Asghar Fahradi, who got a lot of Oscar buzz a couple years back (though no nomination) for About Elly, won this year's Golden Bear for Nader & Simin: A Separation (2011). The Hollywood Reporter explains the film like so.
Farhadi's drama traces the breakup of a Iranian family set against the political tensions in Tehran. While not overtly political, Nader and Simin is starkly critical of conditions in Iran, notably the country's huge class divide. It was widely tipped to win Berlin's top prize, not least because of the current upheaval in the Middle East.
Fahradi dedicated his prize to jailed filmmaker Jafar Panihi who was also...
"Nader and Simin: A Separation" Golden Bear
Asghar Fahradi, who got a lot of Oscar buzz a couple years back (though no nomination) for About Elly, won this year's Golden Bear for Nader & Simin: A Separation (2011). The Hollywood Reporter explains the film like so.
Farhadi's drama traces the breakup of a Iranian family set against the political tensions in Tehran. While not overtly political, Nader and Simin is starkly critical of conditions in Iran, notably the country's huge class divide. It was widely tipped to win Berlin's top prize, not least because of the current upheaval in the Middle East.
Fahradi dedicated his prize to jailed filmmaker Jafar Panihi who was also...
- 2/19/2011
- by NATHANIEL R
- FilmExperience
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