No one really expected this year’s Cannes Film Festival to replicate the stellar showing of last year at the Oscars, when official selections Killers of the Flower Moon, Anatomy of a Fall, and The Zone of Interest took an unprecedented three of the 10 Best Picture nominations and a total of 20 noms and three wins among them. How many times can the French catch lightning in a bottle like that achievement? Who thought 2019 could be equaled or topped, when Parasite became the first Palme d’Or winner to take the Best Picture Oscar since Marty did it in 1955 and where Quentin Tarantino’s Once Upon a Time in Hollywood (also an official selection that year) went on to 10 Oscar nominations and two wins?
Cannes largely had been thought too risky, too early for serious launches of potential Oscar nominees and winners, except for those hoping to land a spot in...
Cannes largely had been thought too risky, too early for serious launches of potential Oscar nominees and winners, except for those hoping to land a spot in...
- 5/28/2024
- by Pete Hammond
- Deadline Film + TV
‘Immaculate’ Director Addresses Criticism of Film’s Dark Visuals on Streaming: “It’s a Real Problem”
The filmmaker behind the recent Sydney Sweeney horror movie Immaculate is addressing criticism about scenes from the film appearing to be overly dark when viewed on certain streaming platforms.
Michael Mohan took to X (formerly Twitter) on Monday after a social media user complained that the Neon film’s visuals were “comically dark” and shared screenshots showing that it was difficult to see what was happening as the movie was streaming. In his response, Mohan made it clear that he empathized with the concerns and had not intended for the film to look so dark.
“I know, man,” Mohan replied. “This was absolutely not done intentionally. We have no control over the compression specs of each platform.”
He continued, “It’s a real problem that truly bums me out, and after comparing them all, iTunes is the closest to what we wanted / brighter than the rest.”
I know, man. This was absolutely not done intentionally.
Michael Mohan took to X (formerly Twitter) on Monday after a social media user complained that the Neon film’s visuals were “comically dark” and shared screenshots showing that it was difficult to see what was happening as the movie was streaming. In his response, Mohan made it clear that he empathized with the concerns and had not intended for the film to look so dark.
“I know, man,” Mohan replied. “This was absolutely not done intentionally. We have no control over the compression specs of each platform.”
He continued, “It’s a real problem that truly bums me out, and after comparing them all, iTunes is the closest to what we wanted / brighter than the rest.”
I know, man. This was absolutely not done intentionally.
- 5/28/2024
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
The big winners out of the 2024 Cannes Film Festival suggest bright times ahead for indie and international moviegoing. Sean Baker’s “Anora” winning the Palme was a kind of apotheosis for the self-made indie filmmaker. And Neon already has the movie for U.S. distribution — the company’s fifth Palme d’Or winner in a row. Meanwhile, other Cannes winners like “Emilia Pérez” (Netflix), “All We Imagine as Light” (Sideshow/Janus), and “The Seed of the Sacred Fig” (Neon) have homes awaiting them on the other side of their journeys out of Cannes and into the world.
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
- 5/28/2024
- by Ryan Lattanzio and David Ehrlich
- Indiewire
Update: Comscore has just released the official box office results for the 4-day Memorial Day holiday weekend, and despite some box office pundits predicting that The Garfield Movie would top Furiosa, in the end the George Miller epic was able to hold on to a narrow lead. Comscore has Furiosa: A Mad Max Saga earning $32 million compared to Garfield‘s $31.1 million. However, it should be noted that The Garfield Movie only cost about a third of what Furiosa did, so it’s unlikely distributor Sony Pictures will chalk up a loss on this one.
Furiosa will depend heavily on foreign receipts if it’s going to break even, with the movie grossing $33 million internationally. Mad Max: Fury Road made a total of $379 million worldwide, a number that the prequel will likely have a hard time equalling unless word of mouth and repeat business are strong. The silver lining for...
Furiosa will depend heavily on foreign receipts if it’s going to break even, with the movie grossing $33 million internationally. Mad Max: Fury Road made a total of $379 million worldwide, a number that the prequel will likely have a hard time equalling unless word of mouth and repeat business are strong. The silver lining for...
- 5/27/2024
- by Chris Bumbray
- JoBlo.com
Warner Bros.’ “Furiosa” pulled out to a narrow lead over Sony/Alcon/Dneg’s “The Garfield Movie,” though that is not much of a victory as the $32 million extended opening earned by the “Mad Max” prequel is part of the worst Memorial Day weekend box office results seen since the 1990s.
“Furiosa” scored the lowest total for a No. 1 Memorial Day film since “Casper” in 1995, while the overall estimated 4-day total of $128 million is a sharp 37% drop from last year’s Memorial Day weekend.
It’s a drop that can be attributed to an industry-wide slump as Hollywood and exhibitors weather weeks of reduced theatrical output due to delays caused by last year’s strikes, including Marvel Studios’ “Deadpool & Wolverine,” which has enjoyed exceptional presales but moved from May to late July and left theaters without their customary comic book film boost to kick off the summer.
As for “Furiosa,...
“Furiosa” scored the lowest total for a No. 1 Memorial Day film since “Casper” in 1995, while the overall estimated 4-day total of $128 million is a sharp 37% drop from last year’s Memorial Day weekend.
It’s a drop that can be attributed to an industry-wide slump as Hollywood and exhibitors weather weeks of reduced theatrical output due to delays caused by last year’s strikes, including Marvel Studios’ “Deadpool & Wolverine,” which has enjoyed exceptional presales but moved from May to late July and left theaters without their customary comic book film boost to kick off the summer.
As for “Furiosa,...
- 5/27/2024
- by Jeremy Fuster
- The Wrap
The Sci-Fi genre consists of some of the most inventive and life-changing films because by the very definition of the word the creators have to invent a fictional future or technology and while some of the films in this genre give us spectacle others give us a story that makes us think about the future and how our world is changing for better or for worse. So, today we thought of listing the best new sci-fi films you can watch at home right now and in this list, we didn’t include any film released before 2023.
The Creator (Hulu & Rent on Prime Video) Credit – 20th Century Fox
The Creator is a sci-fi action film directed by Gareth Edwards from a screenplay co-written by Edwards and Chris Weitz. The 2023 film is set in the year 2055 after an A.I. created by the United States goes rogue and detonates a nuclear warhead...
The Creator (Hulu & Rent on Prime Video) Credit – 20th Century Fox
The Creator is a sci-fi action film directed by Gareth Edwards from a screenplay co-written by Edwards and Chris Weitz. The 2023 film is set in the year 2055 after an A.I. created by the United States goes rogue and detonates a nuclear warhead...
- 5/26/2024
- by Kulwant Singh
- Cinema Blind
As Neon was justly feted this weekend for a fifth consecutive Cannes Palme d’Or winner (Anora), it also had a nice showing at home with a terrific expansion for indie Babes.
The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic box office with an estimated $1.06 million three-day weekend and cume of circa $1.29 million. Over the four days, including the Memorial Day holiday, the gross approaches $1.23 million and the cume $1.46 million.
The film follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau) who grew up together in NYC but are now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their complex friendship faces its greatest challenge. Co-written by Glazer and Josh Rabinowitz.
Noting that Neon’s La Chimera, Alice Rohrwacher...
The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic box office with an estimated $1.06 million three-day weekend and cume of circa $1.29 million. Over the four days, including the Memorial Day holiday, the gross approaches $1.23 million and the cume $1.46 million.
The film follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau) who grew up together in NYC but are now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their complex friendship faces its greatest challenge. Co-written by Glazer and Josh Rabinowitz.
Noting that Neon’s La Chimera, Alice Rohrwacher...
- 5/26/2024
- by Jill Goldsmith
- Deadline Film + TV
Cannes awards have become hugely influential in subsequent awards races, especially the Oscars. The top honor, the Palme d’Or, confers prestige and a stamp of approval — this year from the Competition jury led by multi hyphenate Greta Gerwig — that awards voters take seriously.
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
- 5/26/2024
- by Anne Thompson
- Indiewire
Suppose anyone talks about the hottest actresses working in the industry right? In that case, the name that will frequently come up is Sydney Sweeney and the biggest reason for that is just how freaking gorgeous the actress is, but other than that she has also starred in some films and TV shows that appreciate her beauty on screen. Sweeney has captivated the audience through her Instagram and projects to the point that her fans are excited to see her in anything. So, if you are a fan of Sweeney here are the hottest movies and TV shows of her career.
7. Madame Web (Netflix & Rent on Prime Video) Credit – Sony Pictures
Madame Web the film doesn’t deserve to be on this list and the only reason it is on this list is because of Sydney Sweeney’s looks during its promotion. The Sony Marvel film is the biggest disaster...
7. Madame Web (Netflix & Rent on Prime Video) Credit – Sony Pictures
Madame Web the film doesn’t deserve to be on this list and the only reason it is on this list is because of Sydney Sweeney’s looks during its promotion. The Sony Marvel film is the biggest disaster...
- 5/26/2024
- by Kulwant Singh
- Cinema Blind
It just had to be, didn’t it.
U.S. distributor Neon only had two movies in the Competition: Anora and The Seed of the Sacred Fig. Neither could have fared any better with the critics and both won prizes tonight.
It was Sean Baker’s Anora that stormed to the top prize on the Riviera, making it a remarkable five Palme d’Or wins in a row for Tom Quinn’s outfit Neon.
“The future of cinema is where it started: in a movie theater,” said Baker, accepting his Palme d’Or. You can watch the acceptance speech below.
Justine Triet’s Anatomy Of A Fall won last year, following the US distributor’s previous acquisitions Triangle Of Sadness, Titane and Parasite.
Palme d'Or X five. Merci, Cannes. pic.twitter.com/FimbVR1kUw
— Neon (@neonrated) May 25, 2024
New York-set romantic dramedy Anora is about a stripper from Brooklyn who transforms...
U.S. distributor Neon only had two movies in the Competition: Anora and The Seed of the Sacred Fig. Neither could have fared any better with the critics and both won prizes tonight.
It was Sean Baker’s Anora that stormed to the top prize on the Riviera, making it a remarkable five Palme d’Or wins in a row for Tom Quinn’s outfit Neon.
“The future of cinema is where it started: in a movie theater,” said Baker, accepting his Palme d’Or. You can watch the acceptance speech below.
Justine Triet’s Anatomy Of A Fall won last year, following the US distributor’s previous acquisitions Triangle Of Sadness, Titane and Parasite.
Palme d'Or X five. Merci, Cannes. pic.twitter.com/FimbVR1kUw
— Neon (@neonrated) May 25, 2024
New York-set romantic dramedy Anora is about a stripper from Brooklyn who transforms...
- 5/25/2024
- by Andreas Wiseman
- Deadline Film + TV
Sean Baker’s “Anora” has won the Palme d’Or at the 2024 Cannes Film Festival, a jury headed by Greta Gerwig announced on Saturday.
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”
TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...
- 5/25/2024
- by Steve Pond
- The Wrap
The hype out of the 2024 Cannes Film Festival, for those far-flung and on the ground, tells one story: This was among the weaker lineups in recent memory.
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
Sure, huge stories broke out of the festival, from Francis Ford Coppola’s distribution push for his self-funded, decades-in-the-making passion project “Megalopolis” to Iranian filmmaker Mohammad Rasoulof fleeing his home country after being sentenced to eight years in prison, finally making it to Cannes with his new film “The Seed of the Sacred Fig.” This journey inspired the jury to award him and his film a Special Prize (Prix Spécial).
Elsewhere in the official selection, Un Certain Regard already handed out its prizes on Friday from a jury led by Xavier Dolan and including Maïmouna Doucouré, Asmae El Moudir, Vicky Krieps, and Todd McCarthy. Among the top winners were Roberto Minervini (“The Damned”) and Rungano Nyoni (“On Becoming a Guinea Fowl”) tying for Best Director,...
- 5/25/2024
- by Harrison Richlin
- Indiewire
The Seed of the Sacred Fig, the new film from Iranian dissident director Mohammad Rasoulof, may or may not be honored tonight when the Cannes jury hands out its awards. But at the press conference for the film on Saturday, Rasoulof displayed his own heroism.
The director used his press conference to call out Iran’s authoritarian regime and to rally his fellow filmmakers to resist.
“My only message to Iranian cinema is don’t be afraid of intimidation and censorship in Iran,” said Rasoulof. “[The regime is] afraid. They’re afraid, and they want us to feel afraid; they want to discourage us. But don’t let yourself be intimidated … but don’t fear the authorities. You have to believe in your liberty. We have to fight for a dignified life.”
Rasoulof embodies this fight. The director fled Iran by foot a few weeks ago, escaping after the regime sentenced him to 8 years in prison.
The director used his press conference to call out Iran’s authoritarian regime and to rally his fellow filmmakers to resist.
“My only message to Iranian cinema is don’t be afraid of intimidation and censorship in Iran,” said Rasoulof. “[The regime is] afraid. They’re afraid, and they want us to feel afraid; they want to discourage us. But don’t let yourself be intimidated … but don’t fear the authorities. You have to believe in your liberty. We have to fight for a dignified life.”
Rasoulof embodies this fight. The director fled Iran by foot a few weeks ago, escaping after the regime sentenced him to 8 years in prison.
- 5/25/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The Cannes Film Festival will crown its Competition winners tomorrow night and the consensus seems to be building around a few titles.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
All films have now been seen and it’s fair to say that things really heated up in the back nine. The Competition section took a few days to catch fire sparking rumor that this was unlikely to be a vintage crop of movies but Emilia Perez‘s bow last Saturday finally kicked the contest into another gear and since then multiple films have fared well among critics. There have been some notable highs on trade jury grids. The Palme d’Or winner is often not the movie with the highest final score on such lists but the impressively high numbers reveal a range of critically appreciated movies this edition.
One of the trends to emerge from this year’s lineup is the foregrounded position of women within the most buzzed-about films.
- 5/24/2024
- by Andreas Wiseman
- Deadline Film + TV
Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
“Screen Talk: went live at the American Pavilion in Cannes this year and drew a lively crowd. Anne Thompson raved about one of the big-epic Hollywood titles playing out of competition, George Miller’s prequel “Furiosa” (Warner Bros.), starring Anya Taylor-Joy in the title role, which opens May 14, while both Thompson and cohost Ryan Lattanzio panned Kevin Costner’s old-fashioned three-hour Western “Horizon: An American Saga – Chapter One” (Warner Bros.).
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
- 5/24/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
This afternoon, Iranian filmmaker Mohammad Rasoulof debuted his latest feature, The Seed of the Sacred Fig, in Competition here at the Cannes Film Festival to a nearly 15-minute standing ovation.
The fact that the filmmaker was in attendance is especially poignant after he fled his home country through what he described to Deadline as a “complicated” and “anguishing” journey across Europe to a safe house in Germany. Back in Iran, Rasoulof is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
Emotions running high during ‘Sacred Fig’ ovation #Cannes2024 pic.twitter.com/KvaA2VU9Sk
— Deadline Hollywood (@Deadline) May 24, 2024
Rasoulof appealed his sentence, and during the lengthy legal process put together a plan to flee Iran, which he told us all together took 28 days on the road.
Best known for his forceful,...
The fact that the filmmaker was in attendance is especially poignant after he fled his home country through what he described to Deadline as a “complicated” and “anguishing” journey across Europe to a safe house in Germany. Back in Iran, Rasoulof is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
Emotions running high during ‘Sacred Fig’ ovation #Cannes2024 pic.twitter.com/KvaA2VU9Sk
— Deadline Hollywood (@Deadline) May 24, 2024
Rasoulof appealed his sentence, and during the lengthy legal process put together a plan to flee Iran, which he told us all together took 28 days on the road.
Best known for his forceful,...
- 5/24/2024
- by Nancy Tartaglione
- Deadline Film + TV
Mohammad Rasoulof has arrived. The dissident Iranian director is at the Cannes Film Festival to present his new film, The Seed of the Sacred Fig, in competition, just weeks after he dramatically escaped Iran on foot, fleeing an eight-year prison sentence.
Details of the director’s harrowing escape were made public last week after he was safely away, ensconced in an undisclosed location in Germany. He made the decision to leave, to abandon his homeland and walk across the mountainous borderland after the authorities sentenced him to a lengthy prison term.
His sentence also included a fine, the confiscation of property, and a flogging as punishment for bottles of wine the police discovered during a raid on his apartment.
Rasoulof had been arrested and imprisoned in Tehran’s notorious Evin jail in July 2022 for signing a petition calling on security forces to “Lay Down Your Arms” and exercise restraint in response to street protests.
Details of the director’s harrowing escape were made public last week after he was safely away, ensconced in an undisclosed location in Germany. He made the decision to leave, to abandon his homeland and walk across the mountainous borderland after the authorities sentenced him to a lengthy prison term.
His sentence also included a fine, the confiscation of property, and a flogging as punishment for bottles of wine the police discovered during a raid on his apartment.
Rasoulof had been arrested and imprisoned in Tehran’s notorious Evin jail in July 2022 for signing a petition calling on security forces to “Lay Down Your Arms” and exercise restraint in response to street protests.
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
On Friday Iranian filmmaker Mohammad Rasoulof will debut his latest feature The Seed of the Sacred Fig in Cannes after fleeing his home country through what he described to Deadline as a “complicated” and “anguishing” journey across Europe to a safe house in Germany.
Rasoulof spoke to us this morning on the ground in Cannes, where he covertly arrived earlier this week. Back in Iran, the filmmaker is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
“I was in the middle of shooting The Seed of the Sacred Fig when I found out that my prison sentence was confirmed. I knew I would be arrested and, of course, it’s very hard to go on working when you have this idea in your mind,” Rasoulof told us.
Rasoulof appealed his...
Rasoulof spoke to us this morning on the ground in Cannes, where he covertly arrived earlier this week. Back in Iran, the filmmaker is wanted by authorities who have sentenced him to eight years in prison alongside a series of physical punishments including flogging for “signing statements and making films and documentaries.”
“I was in the middle of shooting The Seed of the Sacred Fig when I found out that my prison sentence was confirmed. I knew I would be arrested and, of course, it’s very hard to go on working when you have this idea in your mind,” Rasoulof told us.
Rasoulof appealed his...
- 5/23/2024
- by Zac Ntim
- Deadline Film + TV
If Mark Eidelstein’s career takes off in Hollywood, he can thank his decision to record a self tape of himself fully naked.
In Sean Baker’s raucous comedy “Anora,” the young Russian actor plays Ivan, the hilariously energetic, fast-living son of an oligarch happily spending his parents’ millions while decamped in their New York mansion who then falls in love with Mikey Madison’s Manhattan sex worker Ani. It’s a wild ride from start to finish, awash in drugs, sex, violence, gangsters, Vegas weddings and a lounge full of expensive ornaments getting smashed to pieces.
Put forward by Yura Borisov, his co-star on on Russian sci-fi “Guest From the Future,” who had just been cast as a reluctant heavy in “Anora,” Eidelstein was sent a script like nothing he’d ever seen before, littered in what he describes as “flash, flash, flash, bam, bam, action, action, action.” It...
In Sean Baker’s raucous comedy “Anora,” the young Russian actor plays Ivan, the hilariously energetic, fast-living son of an oligarch happily spending his parents’ millions while decamped in their New York mansion who then falls in love with Mikey Madison’s Manhattan sex worker Ani. It’s a wild ride from start to finish, awash in drugs, sex, violence, gangsters, Vegas weddings and a lounge full of expensive ornaments getting smashed to pieces.
Put forward by Yura Borisov, his co-star on on Russian sci-fi “Guest From the Future,” who had just been cast as a reluctant heavy in “Anora,” Eidelstein was sent a script like nothing he’d ever seen before, littered in what he describes as “flash, flash, flash, bam, bam, action, action, action.” It...
- 5/22/2024
- by Alex Ritman
- Variety Film + TV
Anora writer-director Sean Baker said sex workers should be decriminalised in a lively press conference on Wednesday.
The American writer-director was talking to reporters after Tuesday’s well-received world premiere of his Competition film starring Mikey Madison as an exotic dancer who falls for the son of a Russian oligarch.
“It’s important to experience what sex work is right now and how it applies to capitalist society,” said Baker. “It’s a career, a job, and one that should be in my opinion respected and at the same time decriminalised and not in any way regulated because it’s...
The American writer-director was talking to reporters after Tuesday’s well-received world premiere of his Competition film starring Mikey Madison as an exotic dancer who falls for the son of a Russian oligarch.
“It’s important to experience what sex work is right now and how it applies to capitalist society,” said Baker. “It’s a career, a job, and one that should be in my opinion respected and at the same time decriminalised and not in any way regulated because it’s...
- 5/22/2024
- ScreenDaily
The previous teasers for The Blackcoat's Daughter director Osgood Perkins' next feature, Longlegs, have been very effective in building an aura of unsettling dread around the mysterious horror flick, but this latest trailer really takes things to another level.
Though the movie is still playing things relatively close to the chest when it comes to revealing specific plot details, this footage does give us a little more to go on, as rookie FBI agent Lee Harker (It Follows star Maika Monroe) becomes obsessed with tracking down a sadistic serial killer (Nicolas Cage) who targets families - and might just have supernatural abilities.
Harker has a personal connection to the killer (did she survive an earlier attack?), which leads her down an even darker path and into the world of the Occult.
Say your prayers, check out the new trailer and poster below along with the initial social media reactions, and...
Though the movie is still playing things relatively close to the chest when it comes to revealing specific plot details, this footage does give us a little more to go on, as rookie FBI agent Lee Harker (It Follows star Maika Monroe) becomes obsessed with tracking down a sadistic serial killer (Nicolas Cage) who targets families - and might just have supernatural abilities.
Harker has a personal connection to the killer (did she survive an earlier attack?), which leads her down an even darker path and into the world of the Occult.
Say your prayers, check out the new trailer and poster below along with the initial social media reactions, and...
- 5/21/2024
- ComicBookMovie.com
Sean Baker returned to the Cannes Film Festival on Tuesday with Anora, his New York-set romantic dramedy about a stripper from Brooklyn who transforms into a modern Cinderella when she meets the son of a Russian oligarch.
The film, playing in the official competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored an 10-minute ovation after the mid-afternoon world premiere screening wrapped at the Palais de Festivals.
The pic centers on Anora, who meets, falls in love with and marries the son of a Russian oligarch. Complications most certainly arise when his parents find out and try to get the marriage annulled.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
Better Things and Scream actress Mikey Madison plays the eponymous Anora alongside Yuriy Borisov, who previously appeared in Cannes pics Petrov’s Flu and Compartment No.6 both in 2021. The cast also includes Mark Eydelshteyn,...
The film, playing in the official competition three years after Baker’s success in Cannes with the Simon Rex-starring Red Rocket, scored an 10-minute ovation after the mid-afternoon world premiere screening wrapped at the Palais de Festivals.
The pic centers on Anora, who meets, falls in love with and marries the son of a Russian oligarch. Complications most certainly arise when his parents find out and try to get the marriage annulled.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
Better Things and Scream actress Mikey Madison plays the eponymous Anora alongside Yuriy Borisov, who previously appeared in Cannes pics Petrov’s Flu and Compartment No.6 both in 2021. The cast also includes Mark Eydelshteyn,...
- 5/21/2024
- by Patrick Hipes and Zac Ntim
- Deadline Film + TV
Sean Baker’s “Anora,” a hilarious yet touching drama in which a sex worker falls in love with the son of a Russian oligarch, energized Cannes Film Festival with a 7.5-minute standing ovation on Tuesday.
As the crowd applauded, the indie maverick director and Cannes darling said into the microphone, “Thank you to the Cannes Film Festival for making dreams come true … And also thank you to all of you for coming out and seeing our film on the best screen in the world. Long live cinema!”
The ovation wasn’t the only chance for applause — the audience erupted into cheers numerous times during the two-hour film, including on several occasions during one wild scene in which the oligarch’s associates raid his son’s mansion.
In the film, Mikey Madison plays Anora, a 23-year-old working at a strip club outside of New York City. Her luck changes when she...
As the crowd applauded, the indie maverick director and Cannes darling said into the microphone, “Thank you to the Cannes Film Festival for making dreams come true … And also thank you to all of you for coming out and seeing our film on the best screen in the world. Long live cinema!”
The ovation wasn’t the only chance for applause — the audience erupted into cheers numerous times during the two-hour film, including on several occasions during one wild scene in which the oligarch’s associates raid his son’s mansion.
In the film, Mikey Madison plays Anora, a 23-year-old working at a strip club outside of New York City. Her luck changes when she...
- 5/21/2024
- by Ellise Shafer and Brent Lang
- Variety Film + TV
Neon has picked up the North American rights to Sentimental Value, the upcoming film from Norwegian director Joachim Trier that reteams him with Renate Reinsve, star of Trier’s 2021 hit The Worst Person in the World.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
Trier and Worst Person in the World co-writer Eskil Vogt penned the screenplay to Sentimental Value, a family drama about two sisters forced to deal with their estranged father after the death of their mother. Sentimental Value is set to begin principal photography in August in Norway and France. Neon is planning a 2025 theatrical release.
Maria Ekerhovd, who made The Hollywood Reporter‘s 2024 list of the 40 most powerful women in international film, is producing Sentimental Value for Mer Film in Norway, alongside Andrea Berentsen Ottmar for Eye Eye Pictures, Lizette Jonjic and Sisse Graum for Zentropa, Juliette Schrameck for Agat Films, Nathanaël Karmitz and Elisha Karmitz for Mk Production and Janine Jackowski and Jonas Dornbach for Komplizen Film.
- 5/21/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Maika Monroe and Nicolas Cage star in summer horror movie Longlegs, and a full trailer for the film has landed. Here…
We reported last week that the full trailer for Osgood Perkins’ Longlegs had emerged in US cinemas and made its way onto social media. Well, US distibutor Neon has now released the full trailer online and it seems to differ from the one that leaked on social media.
Take a look at the full trailer below:
Well, that was rather creepy. Osgood Perkins has been creating a steady reputation as the master of dread with his previous films, but Longlegs looks like it takes that creep-factor to a whole new level.
Nicolas Cage is said to be playing the titular serial killer that Maika Monroe’s FBI agent is hunting and we certainly hear him in the trailer, but we haven’t actually got a look of him yet.
We reported last week that the full trailer for Osgood Perkins’ Longlegs had emerged in US cinemas and made its way onto social media. Well, US distibutor Neon has now released the full trailer online and it seems to differ from the one that leaked on social media.
Take a look at the full trailer below:
Well, that was rather creepy. Osgood Perkins has been creating a steady reputation as the master of dread with his previous films, but Longlegs looks like it takes that creep-factor to a whole new level.
Nicolas Cage is said to be playing the titular serial killer that Maika Monroe’s FBI agent is hunting and we certainly hear him in the trailer, but we haven’t actually got a look of him yet.
- 5/21/2024
- by Simon Brew
- Film Stories
Amid a generally positive market the familiar gripe of high asking prices has sent a clear message that buyers and sellers are finding it increasingly tough to reconcile their respective financial models.
The tension remains particularly acute on A-list market packages, where independent producers have fought (and paid) to attract and hold on to talent in a post-strike world where hefty offers from studios and streamers, driven by talent agents, have been hard to resist.
The ripple effect has forced sales agents to push up their asks in order to recoup financiers’ investments. Sales estimates set more than a year ago,...
The tension remains particularly acute on A-list market packages, where independent producers have fought (and paid) to attract and hold on to talent in a post-strike world where hefty offers from studios and streamers, driven by talent agents, have been hard to resist.
The ripple effect has forced sales agents to push up their asks in order to recoup financiers’ investments. Sales estimates set more than a year ago,...
- 5/21/2024
- ScreenDaily
Nicolas Cage is one of the most respected and talented actors in Hollywood. His works have become ingrained in the very fabric of cinema, establishing him as a true legend. A lot of his success can be credited to his diversity as an actor, being able to star in any genre under the sun. From action to romance, science fiction to drama, no classification is too caging for him.
Nicolas Cage and Pedro Pascal in The Unbearable Weight of Massive Talent
Despite this, there is still one beloved genre the actor has been absent from; horror. While he has been in some memorable films, they always tie in with other genres like comedy or thrillers. Serious supernatural films are rarely seen from Cage. That was, until now.
Nicolas Cage’s New Film Is Bone-Chilling
The trailer for Nicolas Cage’s upcoming film, Longlegs, was recently released, and it is safe...
Nicolas Cage and Pedro Pascal in The Unbearable Weight of Massive Talent
Despite this, there is still one beloved genre the actor has been absent from; horror. While he has been in some memorable films, they always tie in with other genres like comedy or thrillers. Serious supernatural films are rarely seen from Cage. That was, until now.
Nicolas Cage’s New Film Is Bone-Chilling
The trailer for Nicolas Cage’s upcoming film, Longlegs, was recently released, and it is safe...
- 5/20/2024
- by Ananya Godboley
- FandomWire
As far as individual authors go, Stephen King is certainly in the top of the list of authors whose works have been adapted. He is right there with Agatha Christie, Edgar Allan Poe, Arthur Conan Doyle, and other authors whose works have been adapted often and in many forms. But unlike the aforementioned authors, King’s adaptations are usually original, while the other authors have seen their works adapted and remade more than once. In light of that fact, we can confirm that King’s story, “The Monkey,” had been adapted into a film this spring and the movie was presented to buyers at Cannes this year!
Knowing how popular King’s adaptations are, it was a sure thing that someone would buy the movie, and as it happens, Neon managed to nab the distribution rights for the upcoming movie and they have confirmed that a 2025 release date is currently planned.
Knowing how popular King’s adaptations are, it was a sure thing that someone would buy the movie, and as it happens, Neon managed to nab the distribution rights for the upcoming movie and they have confirmed that a 2025 release date is currently planned.
- 5/19/2024
- by Arthur S. Poe
- Fiction Horizon
Mubi has secured a multi-territory deal for Magnus von Horn’s The Girl With The Needle, which premiered in Competition at Cannes earlier this week.
The arthouse distributor, producer and streamer has picked up rights for North America, UK-Ireland, Latin America, Germany, Austria, Italy, Turkey and India. International sales of the film are handled by Mubi-owned The Match Factory, which is working on deals for further territories.
It marks Mubi’s third acquisition of titles competing for this year’s Palme d’Or after picking up worldwide rights to Coralie Fargeat’s body horror The Substance and UK rights to Andrea Arnold’s Bird,...
The arthouse distributor, producer and streamer has picked up rights for North America, UK-Ireland, Latin America, Germany, Austria, Italy, Turkey and India. International sales of the film are handled by Mubi-owned The Match Factory, which is working on deals for further territories.
It marks Mubi’s third acquisition of titles competing for this year’s Palme d’Or after picking up worldwide rights to Coralie Fargeat’s body horror The Substance and UK rights to Andrea Arnold’s Bird,...
- 5/19/2024
- ScreenDaily
Raoul Peck’s life is as fascinating as his films, filled with unexpected twists and turns. From his early stints as a cab driver and journalist, to a minister of culture post in his native Haiti, to teaching, to founding his Velvet Film production shingle to his breakthrough when he earned an Oscar nomination as producer/director with the James Baldwin doc, “I Am Not Your Negro,” the common denominator is Peck’s drive to make life better through his work. “I went into film because there were things I wanted to say, to express or deconstruct,” he explained. “And there is a fight to be had about the state of the world and wherever I’m living.”
On May 20, Peck will have his third Cannes premiere with the Special Screenings doc “Ernest Cole: Lost and Found.” It chronicles the life of a South African photographer — another of Peck’s...
On May 20, Peck will have his third Cannes premiere with the Special Screenings doc “Ernest Cole: Lost and Found.” It chronicles the life of a South African photographer — another of Peck’s...
- 5/19/2024
- by Gregg Goldstein
- Variety Film + TV
The Cannes Market has responded quickly to reports of long lines to access the Palais and brought in measures to alleviate delays.
Organisers have added an extra Fast Track line at the Jetée Albert-Edouard and doubled existing entrance routes at the Main Entrance and Mediterranean Access.
The move comes after market attendees reported long lines and missed meetings during the first four days.
Cannes visitors generally acknowledge that security needs to be tight, but several have voiced their frustrations after lengthy experiences.
Ida Martins of Cologne-based Media Luna said she had “lost a lot of meetings because people cannot come in”. She added,...
Organisers have added an extra Fast Track line at the Jetée Albert-Edouard and doubled existing entrance routes at the Main Entrance and Mediterranean Access.
The move comes after market attendees reported long lines and missed meetings during the first four days.
Cannes visitors generally acknowledge that security needs to be tight, but several have voiced their frustrations after lengthy experiences.
Ida Martins of Cologne-based Media Luna said she had “lost a lot of meetings because people cannot come in”. She added,...
- 5/18/2024
- ScreenDaily
Neon has acquired the North American rights to “The Seed of the Sacred Fig,” directed by Mohammad Rasoulof. The thriller is set to premiere In Competition in Cannes on May 24, and marks Rasoulof’s first return to the Cannes Film Festival, after being barred from traveling. Neon is planning a North American theatrical release later this year.
The film — which stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha AkhshiVardoogh — follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise.
The deal was negotiated by Neon’s VP of Acquisitions Sarah Colvin with Films Boutique / Parallel 45’s Jean-Christophe Simon and Film Boutique’s Julien Razafindranaly on behalf of the filmmakers.
The film — which stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani and Niousha AkhshiVardoogh — follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise.
The deal was negotiated by Neon’s VP of Acquisitions Sarah Colvin with Films Boutique / Parallel 45’s Jean-Christophe Simon and Film Boutique’s Julien Razafindranaly on behalf of the filmmakers.
- 5/18/2024
- by Selena Kuznikov
- Variety Film + TV
Buyers at the Cannes Market were going bananas for Stephen King adaptation The Monkey, with the bidding war eventually being won out by Neon. While no financial details were made available, Deadline reports that the studio is aiming for a 2025 release.
Filming on The Monkey – which was first published in 1980 and subsequently reprinted in the essential King short story collection Skeleton Crew – wrapped in March. Directed by Oz Perkins (son of Anthony and whose Longlegs is also being distributed by Neon), the movie is notably produced by James Wan and features a cast of Theo James, Elijah Wood, Tatiana Maslany, Sarah Levy, Rohan Campbell, Christian Convery, and Colin O’Brien.
For those unfamiliar with Stephen King’s short story, The Monkey has the following plot: “When twin brothers Hal and Bill discover their father’s old monkey toy in the attic, a series of gruesome deaths starts occurring all around them.
Filming on The Monkey – which was first published in 1980 and subsequently reprinted in the essential King short story collection Skeleton Crew – wrapped in March. Directed by Oz Perkins (son of Anthony and whose Longlegs is also being distributed by Neon), the movie is notably produced by James Wan and features a cast of Theo James, Elijah Wood, Tatiana Maslany, Sarah Levy, Rohan Campbell, Christian Convery, and Colin O’Brien.
For those unfamiliar with Stephen King’s short story, The Monkey has the following plot: “When twin brothers Hal and Bill discover their father’s old monkey toy in the attic, a series of gruesome deaths starts occurring all around them.
- 5/18/2024
- by Mathew Plale
- JoBlo.com
Neon has grabbed North American rights to The Seed of the Sacred Fig, the latest film from Iranian filmmaker Mohammad Rasoulof.
The thriller is set to debut in competition in Cannes on May 24 and marks Rasoulof’s first return to Cannes after being barred from traveling to serve on last year’s Un Certain Regard jury by Iranian officials. The film stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani, and Niousha AkhshiVardoogh. Neon has said it is planning a North American theatrical release in 2024.
The Seed of the Sacred Fig follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise. Step by step,...
The thriller is set to debut in competition in Cannes on May 24 and marks Rasoulof’s first return to Cannes after being barred from traveling to serve on last year’s Un Certain Regard jury by Iranian officials. The film stars Setareh Abdolmaleki, Zahra Rostami, Amineh Mazroei Arani, and Niousha AkhshiVardoogh. Neon has said it is planning a North American theatrical release in 2024.
The Seed of the Sacred Fig follows Iman, an investigating judge in the Revolutionary Court in Tehran, who grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife Najmeh and his daughters Rezvan and Sana, he imposes drastic measures at home, causing tensions to rise. Step by step,...
- 5/18/2024
- by Zac Ntim
- Deadline Film + TV
Neon has pounced in Cannes on Stephen King adaptation The Monkey in a US pre-buy based on a promo.
Osgood Perkins directs and adapted horror maestro King’s short story about estranged twin brothers who reunite to destroy a deadly monkey toy discovered in childhood.
Theo James will play the brothers in later years and Christian Convery portrays the young twins. The cast includes Tatiana Maslany and Elijah Wood.
Production recently wrapped and Neon plans a 2025 theatrical release.
James Wan and Michael Clear are peroducing for Atomic Monster, with Dave Caplan for the film’s financier C2 Motion Picture Group,...
Osgood Perkins directs and adapted horror maestro King’s short story about estranged twin brothers who reunite to destroy a deadly monkey toy discovered in childhood.
Theo James will play the brothers in later years and Christian Convery portrays the young twins. The cast includes Tatiana Maslany and Elijah Wood.
Production recently wrapped and Neon plans a 2025 theatrical release.
James Wan and Michael Clear are peroducing for Atomic Monster, with Dave Caplan for the film’s financier C2 Motion Picture Group,...
- 5/18/2024
- ScreenDaily
Exclusive: Following a multi-buyer tug of war, horror movie The Monkey, the adaptation of the Stephen King short story, is heading to Neon for domestic here at the Cannes market.
Theo James (The White Lotus) stars in the movie with Tatiana Maslany (She–Hulk: Attorney at Law), Elijah Wood (The Lord Of The Rings), Christian Convery (Sweet Tooth), Colin O’Brien (Wonka), Rohan Campbell (The Hardy Boys) and Sarah Levy (Schitt’s Creek). Osgood Perkins (Longlegs) directs and adapted the King story.
Multiple U.S. distributors came in hot for the project after its newest promo on the Croisette and we hear a deal settled in the high seven figures.
As we previously reported, the team behind the movie includes genre supremo James Wan, creator of the The Conjuring Universe and co-creator of the Saw and Insidious franchises. Filming wrapped this spring and Neon is planning a theatrical release in 2025.
In The Monkey,...
Theo James (The White Lotus) stars in the movie with Tatiana Maslany (She–Hulk: Attorney at Law), Elijah Wood (The Lord Of The Rings), Christian Convery (Sweet Tooth), Colin O’Brien (Wonka), Rohan Campbell (The Hardy Boys) and Sarah Levy (Schitt’s Creek). Osgood Perkins (Longlegs) directs and adapted the King story.
Multiple U.S. distributors came in hot for the project after its newest promo on the Croisette and we hear a deal settled in the high seven figures.
As we previously reported, the team behind the movie includes genre supremo James Wan, creator of the The Conjuring Universe and co-creator of the Saw and Insidious franchises. Filming wrapped this spring and Neon is planning a theatrical release in 2025.
In The Monkey,...
- 5/18/2024
- by Andreas Wiseman and Diana Lodderhose
- Deadline Film + TV
Babes by Pamela Adlon, co-written and starring Ilana Glazer, debuts in limited release with films by Hang Song-soo and Bertrand Bonello and docs on a controversial Venice Biennale, ground-breaking female clerics, and the Blue Angels Navy Squadron. A trio of festival favorites expand. While eyes now are on fare at Cannes — where Neon has been making high-profile moves — each week Stateside remains a test of indie film’s theatrical boundaries in a post-Covid, streaming-centric marketplace.
There have been notable hits. A24’s I Saw The TV Glow by Jane Schoenbrun is having a nice run so far as is Evil Does Not Exist — Sideshow/Janus Films’ second outing with Ryusuke Hamaguchi after Oscar-winning Drive My Car. (That 2021 Japanese film about a...
There have been notable hits. A24’s I Saw The TV Glow by Jane Schoenbrun is having a nice run so far as is Evil Does Not Exist — Sideshow/Janus Films’ second outing with Ryusuke Hamaguchi after Oscar-winning Drive My Car. (That 2021 Japanese film about a...
- 5/17/2024
- by Jill Goldsmith
- Deadline Film + TV
Léa Seydoux’s latest feature will be distributed by Neon.
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
Seydoux stars in “The Unknown (L’Inconnue),” which will be written and directed by Academy Award-winning “Anatomy of a Fall” screenwriter Arthur Harari. The plot details for the film are still under wraps, with production looking to be completed in early 2026.
Neon will release the film in U.S. and Canadian theaters. “The Unknown” will be produced by Bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
“The Unknown” is the third feature both written and directed by Harari. He previously directed “Onoda: 10,000 Nights in the Jungle,” which opened Un Certain Regard at Cannes and went on to win numerous awards including the Best Original Screenplay César. He also wrote the screenplay for “Sibyl,” which was directed by “Anatomy of a Fall’s” Justine Triet.
The deal for “The Unknown” was negotiated by Neon’s President of...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé which is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has taken North American rights to Arthur Harari’s upcoming French feature The Unknown (L’Inconnue) starring Léa Seydoux and will release the film in the US and Canada in 2026.
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
The film, whose plot is also unknown and being kept under wraps, is produced by France’s bathysphere and co-produced by Pathé who is kicking off international sales in Cannes.
It is the third feature for Harari who is fresh off an Oscar win for co-writing Anatomy Of A Fall with Justine Triet and whose second feature Onoda: 10,000 Nights In The Jungle opened Un Certain Regard at Cannes...
- 5/17/2024
- ScreenDaily
Neon has picked up North American rights to The Unknown, the next feature from Anatomy of a Fall writer Arthur Harari.
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
Léa Seydoux is set to star in the film, which Neon has said it will release in U.S. and Canadian theaters in 2026. Harari also serves as director on the pic, which will be produced by bathysphere, with Pathé co-producing and selling the film internationally in Cannes.
The Unknown is the third feature both written and directed by Harari. His previous feature as writer-director was 2021’s critically acclaimed Onoda: 10,000 Nights in the Jungle which opened Un Certain Regard at Cannes that year and went on to win the Best Original Screenplay César. He wrote the screenplay for Sibyl (2019), directed by Justine Triet, which was in the Official Competition at Cannes that year.
The deal was negotiated by Neon’s President of Acquisitions & Production Jeff Deutchman with producer Nicolas Anthomé...
- 5/17/2024
- by Zac Ntim
- Deadline Film + TV
Neon is plunging into the great unknown with Léa Seydoux and filmmaker Arthur Harari. The indie outfit has landed North American rights to The Unknown, and appropriate for its title, its logline is currently unknown.
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
But Harari’s pedigree may offer some clues. Harari earned acclaim as the screenwriter of Anatomy of a Fall, which Neon landed out of Cannes before it went on to win the Palme d’Or and later the original screenplay Oscar. Harari previously worked with Anatomy Director Justine Triet on the Cannes title Sibyl (2019). As a writer-director, he is also known for Onoda: 10,000 Nights in the Jungle, which opened Un Certain Regard at Cannes in 2021 and went on to win the original screenplay César.
Seydoux is at Cannes with The Second Act and is coming off a role in Dune: Part 2, while Neon is at the fest with Red Rocket director Sean Baker’s latest feature,...
- 5/17/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Neon has done a great job of promoting the upcoming horror film Longlegs while also keeping the story’s secrets concealed. Although multiple teaser trailers and posters have made their way online, we still don’t know a whole lot about this movie, beyond the fact that it’s scheduled to reach theatres on July 12th. But if you want to know exactly how much we do know about it, just keep scrolling down, because we have compiled a list of Everything We Know About Longlegs.
Director
Longlegs, which is said to be “in the vein of classic Hollywood psychological thrillers”, is the latest genre project from director Osgood Perkins – who, yes, is the son of actor Anthony Perkins, best remembered for his performance as Norman Bates in the Alfred Hitchcock classic Psycho. The younger Perkins has been building a solid career of his own, though, with his previous directorial...
Director
Longlegs, which is said to be “in the vein of classic Hollywood psychological thrillers”, is the latest genre project from director Osgood Perkins – who, yes, is the son of actor Anthony Perkins, best remembered for his performance as Norman Bates in the Alfred Hitchcock classic Psycho. The younger Perkins has been building a solid career of his own, though, with his previous directorial...
- 5/16/2024
- by Cody Hamman
- JoBlo.com
In “Babes,” Neon’s raucous comedy about the intricate emotional threads that are tested when best friends become new mothers, there’s a particularly rousing scene where Eden (Ilana Glazer) and Dawn (Michelle Buteau) lose their minds on mushrooms. In need of a night away from their troubles, the lifelong pals hole up in Eden’s Queens apartment to let loose a little — Ok, to let loose a lot — and it’s up to director Pamela Adlon to capture it all.
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
“So it’s 2:30 in the morning and they’re screaming,” Adlon said. “Michelle’s like, ‘Fuck yeah!’ Milk is squirting out of her tits. People are just screaming. Then, all of a sudden, I hear another scream and I’m like, ‘That’s not them.’ And I turn around and there’s a woman from the building in the apartment going, ‘Shut the fuck up! It’s 2:30 in the morning!
- 5/16/2024
- by Ben Travers
- Indiewire
Following reports that James Gunn is eyeing the Emmy-nominated filmmaker Craig Gillespie for one of the highly anticipated films in the new DC Universe, Supergirl: Woman of Tomorrow, recent updates have confirmed Gillespie’s official signing onto the project. Additionally, the studio has also announced a release date for the film, starring Milly Alcock in the titular role.
Supergirl: Woman of Tomorrow | Credit: DC
However, despite the filmmaker having a track record of significant female-led hits, some of the fans have raised concern over a male filmmaker leading the project, arguing that a female director would have potentially been more suitable to bring Kara Zor-el’s adventures to life on screen.
James Gunn’s Supergirl: Woman of Tomorrow Gets Exciting Updates
DC Studios has recently shared some exciting updates regarding Supergirl: Woman of Tomorrow, from its release date to its director and filming schedule. According to The Hollywood Reporter, Craig...
Supergirl: Woman of Tomorrow | Credit: DC
However, despite the filmmaker having a track record of significant female-led hits, some of the fans have raised concern over a male filmmaker leading the project, arguing that a female director would have potentially been more suitable to bring Kara Zor-el’s adventures to life on screen.
James Gunn’s Supergirl: Woman of Tomorrow Gets Exciting Updates
DC Studios has recently shared some exciting updates regarding Supergirl: Woman of Tomorrow, from its release date to its director and filming schedule. According to The Hollywood Reporter, Craig...
- 5/15/2024
- by Laxmi Rajput
- FandomWire
Neon Promotes Elissa Federoff to Chief Distribution Officer, Ryan Friscia to Chief Financial Officer
Neon, the indie studio behind “Anatomy of a Fall” and “Parasite,” has made a pair of key promotions.
Elissa Federoff has been named chief distribution officer, having previously served as president of distribution, while Ryan Friscia has been upped to chief financial officer, having previously served as the company’s EVP of finance and business development.
Federoff has been with Neon since its inception in 2017. In her new role, she will continue to oversee the company’s release strategy across all its titles. Recent Neon releases include Michael Mohan’s “Immaculate,” starring Sydney Sweeney, which has grossed more than $16 million; Wim Wenders’ “Perfect Days,” which earned an Oscar nomination for best international feature; and “Anatomy of a Fall,” which was nominated for best picture at the Academy Awards and won the Oscar for original screenplay.
Friscia joined Neon in 2020, helping to guide the company’s financial and operational strategy, which...
Elissa Federoff has been named chief distribution officer, having previously served as president of distribution, while Ryan Friscia has been upped to chief financial officer, having previously served as the company’s EVP of finance and business development.
Federoff has been with Neon since its inception in 2017. In her new role, she will continue to oversee the company’s release strategy across all its titles. Recent Neon releases include Michael Mohan’s “Immaculate,” starring Sydney Sweeney, which has grossed more than $16 million; Wim Wenders’ “Perfect Days,” which earned an Oscar nomination for best international feature; and “Anatomy of a Fall,” which was nominated for best picture at the Academy Awards and won the Oscar for original screenplay.
Friscia joined Neon in 2020, helping to guide the company’s financial and operational strategy, which...
- 5/15/2024
- by Brent Lang
- Variety Film + TV
Neon is here to crawl into your Tuesday and make it creepy. A new Longlegs trailer is perplexing horror fans today with a cryptic and extended look at Osgood Perkins’s bizarre-looking serial killer film. The theatrical cut of the “Dirty” and “Sweet” teasers explore two main characters of the film: FBI Agent Harker (Maika Monroe) and the serial killer, Longlegs, played by Nicolas Cage.
In the Longlegs trailer, Perkins fills the screen with disturbing imagery and perplexing prose, teasing events from a bizarre trip into the heart of darkness.
Longlegs follows FBI agent Lee Harker, “a gifted new recruit assigned to the unsolved case of an elusive serial killer. As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.”
Last week, the...
In the Longlegs trailer, Perkins fills the screen with disturbing imagery and perplexing prose, teasing events from a bizarre trip into the heart of darkness.
Longlegs follows FBI agent Lee Harker, “a gifted new recruit assigned to the unsolved case of an elusive serial killer. As the case takes complex turns, unearthing evidence of the occult, Harker discovers a personal connection to the merciless killer and must race against time to stop him before he claims the lives of another innocent family.”
Last week, the...
- 5/14/2024
- by Steve Seigh
- JoBlo.com
Exclusive: Thriving U.S. indie producer-distributor Neon is no stranger to the Cannes Film Festival with the Tom Quinn-founded banner having acquired a historic four consecutive Palme d’Or wins, thus earning them the nickname “the Palme d’Or whisperers”. This year, while the company has Sean Baker’s new rom-com Anora playing in Competition, it’s also descending upon the Croisette in a new capacity with its recently-launched international sales strand, led by seasoned sales exec and Sierra/Affinity veteran Kristen Figeroid.
International buyers will be hard pressed not to notice the new Neon banner right on the Croisette this year, as the company launches sales on Osgood Perkins’ next genre movie Keeper, starring Tatiana Maslany and Rossif Sutherland. Neon is already set to distribute the title in the U.S. (Elevation...
International buyers will be hard pressed not to notice the new Neon banner right on the Croisette this year, as the company launches sales on Osgood Perkins’ next genre movie Keeper, starring Tatiana Maslany and Rossif Sutherland. Neon is already set to distribute the title in the U.S. (Elevation...
- 5/14/2024
- by Diana Lodderhose
- Deadline Film + TV
Neon, the Oscar-winning distributor of “Parasite,” is getting back in business with “Titane” director Julia Ducournau.
In one of the first big rights deals of this year’s Cannes Film Festival, the studio announced it has acquired North American territories for Ducournau’s “Alpha.” Plot details were not immediately disclosed, except that the film will be “genre-defying.” Neon previously released Ducournau’s acclaimed “Titane,” which won Cannes’ highest honor, the Palme d’Or, in 2021. She is only the second woman director to do so, following Jane Campion for “The Piano.”
“Alpha” will star Golshifteh Farahani and Tahar Rahim.
Producers are Jean des Forêts and Amelie Jacquis of Petit Film, and Eric and Nicolas Altmayer of Mandarin & Compagnie. Frakas Productions is co-producing. Charades and FilmNation Entertainment are handling global sales. The Neon deal was negotiated by its president of acquisitions and production Jeff Deutchman, with Charades’ Carole Baraton and FilmNation...
In one of the first big rights deals of this year’s Cannes Film Festival, the studio announced it has acquired North American territories for Ducournau’s “Alpha.” Plot details were not immediately disclosed, except that the film will be “genre-defying.” Neon previously released Ducournau’s acclaimed “Titane,” which won Cannes’ highest honor, the Palme d’Or, in 2021. She is only the second woman director to do so, following Jane Campion for “The Piano.”
“Alpha” will star Golshifteh Farahani and Tahar Rahim.
Producers are Jean des Forêts and Amelie Jacquis of Petit Film, and Eric and Nicolas Altmayer of Mandarin & Compagnie. Frakas Productions is co-producing. Charades and FilmNation Entertainment are handling global sales. The Neon deal was negotiated by its president of acquisitions and production Jeff Deutchman, with Charades’ Carole Baraton and FilmNation...
- 5/14/2024
- by Matt Donnelly
- Variety Film + TV
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