One of the most recent trends of indie cinema, in its ever ending effort for more intense realism, are stories about people who are not exactly good or likable, more “grayish” if you prefer. Despite the somewhat misleading title, Yusuke Noro actually directs a social movie in the aforementioned form, whose dialogue-heavy approach results in a series of very interesting comments.
“We’re Dead” is screening at Skip City International D-Cinema Festival
Reiji, an unsuccessful comedian who is still trying to make it as a duo with his partner, lives with Nanase, a company employee. However, he actually wants to break up with her, but in his immaturity, instead of just telling her, he is trying to make her break up with him. Nanase feels that something is wrong but is not exactly willing to face the issue in her hands, as her discussions with a colleague on the rooftop of their office building reveal.
“We’re Dead” is screening at Skip City International D-Cinema Festival
Reiji, an unsuccessful comedian who is still trying to make it as a duo with his partner, lives with Nanase, a company employee. However, he actually wants to break up with her, but in his immaturity, instead of just telling her, he is trying to make her break up with him. Nanase feels that something is wrong but is not exactly willing to face the issue in her hands, as her discussions with a colleague on the rooftop of their office building reveal.
- 7/19/2022
- by Panos Kotzathanasis
- AsianMoviePulse
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