Tracy Hurley Martin, who worked as a comedy booking agent, film producer and publicist for such artists as Prince, George Michael, Depeche Mode, Bush and The Cure, among many others, has died after a two-year cancer battle. She was 53.
She also represented Goosebumps and the Mary-Kate and Ashley Olsen brand – two of the biggest children’s properties of all-time. Several films she produced were accepted into and screened at the Tribeca and Edinborough film festivals and aired on PBS and the IFC channel.
In addition to her 30 years in the entertainment industry, she was a cofounder and CEO of the Morbid Anatomy Museum and a leading advocate for the Death Positive movement.
She organized and hosted lectures, workshops, exhibitions and seminars at the Museum, from taxidermy to sword swallowing and beyond.
Survivors include her husband of twenty years, Depeche Mode, Yaz and Erasure founder Vince Clarke; a son, Oscar; a niece,...
She also represented Goosebumps and the Mary-Kate and Ashley Olsen brand – two of the biggest children’s properties of all-time. Several films she produced were accepted into and screened at the Tribeca and Edinborough film festivals and aired on PBS and the IFC channel.
In addition to her 30 years in the entertainment industry, she was a cofounder and CEO of the Morbid Anatomy Museum and a leading advocate for the Death Positive movement.
She organized and hosted lectures, workshops, exhibitions and seminars at the Museum, from taxidermy to sword swallowing and beyond.
Survivors include her husband of twenty years, Depeche Mode, Yaz and Erasure founder Vince Clarke; a son, Oscar; a niece,...
- 1/11/2024
- by Bruce Haring
- Deadline Film + TV
From Beyoncé’s Black Is King and the Hulu adaptation of Octavia Butler’s Kindred to the Black Panther films, Black science fiction — what scholars have coined Black Speculative Thought or Afrofuturism — has seen a steady rise over the past few decades. The latest entry, Netflix’s new animated series My Dad the Bounty Hunter, now streaming, brings outer space and Black familyhood to the forefront, staying true to the genre’s core mission: telling relatable and futuristic stories that center Black characters while expanding the audience’s imagination.
“A...
“A...
- 2/14/2023
- by Meagan Jordan
- Rollingstone.com
In an uncertain world, cinema has chosen to look inwards. Perhaps there’s a dose of narcissism there. But so many of this year’s films have been propelled by natural, vulnerable impulses: to return home, to think back on youth, to reconsider art’s purpose. They’re present in James Gray’s autobiographical Armageddon Time, Alejandro González Iñárritu’s self-reflective Bardo, the dark comedy The Banshees of Inisherin, and Noah Baumbach’s adaptation of Don DeLillo’s White Noise. Even the biggest blockbusters, Top Gun: Maverick and Black Panther: Wakanda Forever, seem weighted with self-reflection. My own favourite 15 films, all released in the UK over the past year, have each themselves proven that the medium still has the power to heal the soul.
15. Happening
Audrey Diwan’s Happening tore into cinemas this April on the back of an oracle’s cry. The film follows Anne (Anamaria Vartolomei), a student...
15. Happening
Audrey Diwan’s Happening tore into cinemas this April on the back of an oracle’s cry. The film follows Anne (Anamaria Vartolomei), a student...
- 12/5/2022
- by Clarisse Loughrey
- The Independent - Film
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