In Chiara Malta and Sébastien Laudenbach’s Chicken for Linda!, Paulette (Clotilde Hesme) feels guilty about punishing her eight-year-old daughter, Linda (Mélinée Leclerc), for something she didn’t do. To make things up to Linda, Paulette agrees to prepare the dish that was her late husband’s specialty: chicken with peppers. The day of the dinner, though, coincides with a widespread strike, closing all the grocery stores across town and forcing Paulette, with Linda in tow, to improvise. What follows is a charming, madcap race to the dinner table that manages to rope in bumbling cops, a determined older sister, and live poultry.
Chicken for Linda! is beautifully animated in a style that has its roots in the hand-painted aesthetic of Laudenbach’s 2016 film The Girl Without Hands, though it feels completely distinctive. The characters are given cartoonish features through prominent black lines and single colors to distinguish them; Linda...
Chicken for Linda! is beautifully animated in a style that has its roots in the hand-painted aesthetic of Laudenbach’s 2016 film The Girl Without Hands, though it feels completely distinctive. The characters are given cartoonish features through prominent black lines and single colors to distinguish them; Linda...
- 3/31/2024
- by Steven Scaife
- Slant Magazine
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Actors (Betsey Brown)
With its central storyline revolving around a male actor (Peter Vack) adopting a phony trans identity in order to secure roles, Betsey Brown’s Actors is engineered to court controversy. But the film is more than empty provocation. Actors is about the inherent vulnerability it takes to be a working actor, and we catch glimpses of the ceaseless cycle of auditions and self-tapes listed as private on Vimeo. This includes one very funny early sequence in which Brown’s mother and father (played by her actual parents) walk her through a self-tape for a lewd part. It’s a role Brown knows she has little chance at landing, so why go through with the humiliation? Because born performers have no choice.
Actors (Betsey Brown)
With its central storyline revolving around a male actor (Peter Vack) adopting a phony trans identity in order to secure roles, Betsey Brown’s Actors is engineered to court controversy. But the film is more than empty provocation. Actors is about the inherent vulnerability it takes to be a working actor, and we catch glimpses of the ceaseless cycle of auditions and self-tapes listed as private on Vimeo. This includes one very funny early sequence in which Brown’s mother and father (played by her actual parents) walk her through a self-tape for a lewd part. It’s a role Brown knows she has little chance at landing, so why go through with the humiliation? Because born performers have no choice.
- 3/8/2024
- by Jordan Raup
- The Film Stage
Mubi has unveiled next’s streaming lineup, featuring notable new releases, including Felipe Gálvez’s The Settlers, Éric Gravel’s Full Time, C.J. Obasi’s Mami Wata, and Benjamin Mullinkosson’s The Last Year of Darkness.
This March also brings Elaine May’s Ishtar, four features by Mia Hansen-Løve, and a collection of films shot by women cinematographers, with Claire Denis’ Bastards, shot by Agnès Godard, and more. Next month’s collection also features retrospectives of radical German director Margarethe Von Trotta, experimental animator Suzan Pitt, and additions to their continuing retrospective of Takeshi Kitano.
Check out the lineup below, and get 30 days free here.
March 1st
The German Sisters, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Second Awakening of Christa Klages, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Promise, directed by Margarethe von Trotta | Radical Intimacy: Three...
This March also brings Elaine May’s Ishtar, four features by Mia Hansen-Løve, and a collection of films shot by women cinematographers, with Claire Denis’ Bastards, shot by Agnès Godard, and more. Next month’s collection also features retrospectives of radical German director Margarethe Von Trotta, experimental animator Suzan Pitt, and additions to their continuing retrospective of Takeshi Kitano.
Check out the lineup below, and get 30 days free here.
March 1st
The German Sisters, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Second Awakening of Christa Klages, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Promise, directed by Margarethe von Trotta | Radical Intimacy: Three...
- 2/22/2024
- by Leonard Pearce
- The Film Stage
One of our favorite traditions in best-of-the-year festivities is a lineup that tends to find a more interesting path than any guilds or critics groups. The wonderfully eccentric John Waters, whose tastes always includes a mix of the unexpected and underseen, hasn’t let us down with his top 10 films of 2023.
Published at Vulture, where one should click over to read thoughts on each, his top 10 is capped by Ari Aster’s Beau Is Afraid. Other selections include Paul Schrader’s Master Gardener, Christopher Nolan’s Oppenheimer, plus the latest from Pedro Almodóvar, Aki Kaurismäki, Radu Jude, and Catherine Breillat, as well as the overlooked Full Time.
Check out the list below, along with our reviews where available.
1. Beau Is Afraid (Ari Aster)
2. A Prince (Pierre Creton)
3. Master Gardener (Paul Schrader)
4. Full Time (Éric Gravel)
5. Last Summer (Catherine Breillat)
6. Sparta (Ulrich Seidl)
7. Fallen Leaves (Aki Kaurismäki)
8. Strange Way of Life...
Published at Vulture, where one should click over to read thoughts on each, his top 10 is capped by Ari Aster’s Beau Is Afraid. Other selections include Paul Schrader’s Master Gardener, Christopher Nolan’s Oppenheimer, plus the latest from Pedro Almodóvar, Aki Kaurismäki, Radu Jude, and Catherine Breillat, as well as the overlooked Full Time.
Check out the list below, along with our reviews where available.
1. Beau Is Afraid (Ari Aster)
2. A Prince (Pierre Creton)
3. Master Gardener (Paul Schrader)
4. Full Time (Éric Gravel)
5. Last Summer (Catherine Breillat)
6. Sparta (Ulrich Seidl)
7. Fallen Leaves (Aki Kaurismäki)
8. Strange Way of Life...
- 12/7/2023
- by Leonard Pearce
- The Film Stage
Board makes “difficult decision” ahead of October event.
The ongoing Hollywood strikes have struck again, this time forcing the Franco-American Cultural Fund (Facf) to cancel its Los Angeles event the American French Film Festival.
The Facf, which brings together the DGA, MPA, WGA and France’s authors’ rights organisation Sacem, said its board members made the “difficult decision” this week to cancel, explaining that it was “not possible to continue with business as usual”.
The group said it was “keenly aware of the impact of this decision on the filmmakers, actors, producers, and distributors of the films and series that were due to be featured,...
The ongoing Hollywood strikes have struck again, this time forcing the Franco-American Cultural Fund (Facf) to cancel its Los Angeles event the American French Film Festival.
The Facf, which brings together the DGA, MPA, WGA and France’s authors’ rights organisation Sacem, said its board members made the “difficult decision” this week to cancel, explaining that it was “not possible to continue with business as usual”.
The group said it was “keenly aware of the impact of this decision on the filmmakers, actors, producers, and distributors of the films and series that were due to be featured,...
- 9/21/2023
- by Rebecca Leffler
- ScreenDaily
The live-action remake made a total of £6.9m including bank holiday Monday
RankFilm (distributor)Three-day gross (May 19-May 21)Total gross to date Week 1. The Little Mermaid (Disney) £5m £5m 1 2. Fast X (Universal) £2.2m £10.9m 2 3. Guardians Of The Galaxy Vol. 3 (Disney) £1.6m £32.3m 4 4. The Super Mario Bros. Movie (Universal) £290,897 £52.4 8 5. Hypnotic (Warner Bros) £187,503 £238,150 1
Disney’s The Little Mermaid topped the UK-Ireland box office this weekend, opening with just under £5m.
The live-action remake took in another £1.9m on bank holiday Monday to bring its total to £6.9m. Directed by Rob Marshall and starring Halle Bailey, The Little Mermaid opened in 732 locations...
RankFilm (distributor)Three-day gross (May 19-May 21)Total gross to date Week 1. The Little Mermaid (Disney) £5m £5m 1 2. Fast X (Universal) £2.2m £10.9m 2 3. Guardians Of The Galaxy Vol. 3 (Disney) £1.6m £32.3m 4 4. The Super Mario Bros. Movie (Universal) £290,897 £52.4 8 5. Hypnotic (Warner Bros) £187,503 £238,150 1
Disney’s The Little Mermaid topped the UK-Ireland box office this weekend, opening with just under £5m.
The live-action remake took in another £1.9m on bank holiday Monday to bring its total to £6.9m. Directed by Rob Marshall and starring Halle Bailey, The Little Mermaid opened in 732 locations...
- 5/30/2023
- by Ellie Calnan
- ScreenDaily
Also opening this weekend is ‘Hypnotic’, ‘Sisu’, ‘Full Time’ and ‘Master Gardener’.
Disney’s The Little Mermaid is aiming to make a splash in cinemas this weekend as the live-action remake opens in 732 locations.
Halle Bailey stars as a young mermaid desperate to experience life above water. The Little Mermaid was directed by Rob Marshall while Melissa McCarthy, Jonah Hauer-King, Davey Diggs and Javier Bardem round off the rest of the cast.
Marshall directed 2018 Disney remake Mary Poppins Returns which scored an impressive £8.2m in the UK’s widest-ever opening at the time, with 740 locations. The 1989 animated version of The...
Disney’s The Little Mermaid is aiming to make a splash in cinemas this weekend as the live-action remake opens in 732 locations.
Halle Bailey stars as a young mermaid desperate to experience life above water. The Little Mermaid was directed by Rob Marshall while Melissa McCarthy, Jonah Hauer-King, Davey Diggs and Javier Bardem round off the rest of the cast.
Marshall directed 2018 Disney remake Mary Poppins Returns which scored an impressive £8.2m in the UK’s widest-ever opening at the time, with 740 locations. The 1989 animated version of The...
- 5/26/2023
- by Ellie Calnan
- ScreenDaily
Laure Calamy plays a woman forever racing between maternal and work duties in an acutely relatable story that grips
Anyone who has ever broken into a sweaty panicked run to make it in time for school pick-up will instantly get why the French Canadian director Eric Gravel has chosen to shoot this film about motherhood frazzle as a gripping thriller. I was on the edge of my seat in one scene, watching to see if a woman running to catch her commuter train home makes it. Her name is Julie, and she’s a divorced mum of two who’s feeling the grind: work, kids, mortgage arrears, crappy ex. It’s such an authentic and relatable film – so meticulously observed, in fact, that to be perfectly honest, I assumed it had been made by a woman.
Laure Calamy plays Julie; she’s in her early 40s, with a couple of children under eight.
Anyone who has ever broken into a sweaty panicked run to make it in time for school pick-up will instantly get why the French Canadian director Eric Gravel has chosen to shoot this film about motherhood frazzle as a gripping thriller. I was on the edge of my seat in one scene, watching to see if a woman running to catch her commuter train home makes it. Her name is Julie, and she’s a divorced mum of two who’s feeling the grind: work, kids, mortgage arrears, crappy ex. It’s such an authentic and relatable film – so meticulously observed, in fact, that to be perfectly honest, I assumed it had been made by a woman.
Laure Calamy plays Julie; she’s in her early 40s, with a couple of children under eight.
- 5/24/2023
- by Cath Clarke
- The Guardian - Film News
Music Box Films has picked up the U.S. rights to The Crime Is Mine, the post #MeToo comedy from French director François Ozon and which stars Rebecca Marder, Nadia Tereszkiewicz and Isabelle Huppert.
A theatrical release is planned for later this year for the period film, with a home entertainment release to follow, the distributor said in an announcement timed for the start of the Cannes Film Festival.
Fabrice Luchini, Dany Boon, and André Dussolier round out the ensemble cast for The Crime is Mine, which follows struggling actress Madeleine, played by Tereszkiewicz, and her best friend and roommate Pauline (Rebecca Marder), an unemployed lawyer in 1930s Paris.
Madeleine secures fame after standing trial for the murder of a lascivious movie producer, with Pauline serving as defense counsel and media circus ringmaster. The Crime is Mine is adapted from a 1934 play by Georges Berr and Louis Verneuil.
Music Box...
A theatrical release is planned for later this year for the period film, with a home entertainment release to follow, the distributor said in an announcement timed for the start of the Cannes Film Festival.
Fabrice Luchini, Dany Boon, and André Dussolier round out the ensemble cast for The Crime is Mine, which follows struggling actress Madeleine, played by Tereszkiewicz, and her best friend and roommate Pauline (Rebecca Marder), an unemployed lawyer in 1930s Paris.
Madeleine secures fame after standing trial for the murder of a lascivious movie producer, with Pauline serving as defense counsel and media circus ringmaster. The Crime is Mine is adapted from a 1934 play by Georges Berr and Louis Verneuil.
Music Box...
- 5/17/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Music Box Films has acquired North American rights to Babak Jalali’a immigrant drama Fremont, which premiered to acclaim at this year’s Sundance Film Festival before moving on to SXSW, slating it for release in theaters later in the year, with a home entertainment bow to follow.
Starring real-life refugee Anaita Wali Zada, Fremont centers on mid-20s Afghan refugee Donya (Zada), whose complicated feelings about her prior work as a translator for the U.S. military have left her troubled and unable to sleep. Drifting through her uninspired routine in Fremont, California, which comprises her work at a fortune cookie factory and her lonely dinners at a local restaurant, Donya struggles to connect with the culture and people of her new, unfamiliar surroundings. That is, until an unexpected revelation prompts Donya to use her cookies to build a bridge to the outside world.
Gregg Turkington and Jeremy Allen...
Starring real-life refugee Anaita Wali Zada, Fremont centers on mid-20s Afghan refugee Donya (Zada), whose complicated feelings about her prior work as a translator for the U.S. military have left her troubled and unable to sleep. Drifting through her uninspired routine in Fremont, California, which comprises her work at a fortune cookie factory and her lonely dinners at a local restaurant, Donya struggles to connect with the culture and people of her new, unfamiliar surroundings. That is, until an unexpected revelation prompts Donya to use her cookies to build a bridge to the outside world.
Gregg Turkington and Jeremy Allen...
- 5/2/2023
- by Matt Grobar
- Deadline Film + TV
Dominik Moll’s investigative drama earns awards in Paris for best film, director, adapted screenplay and more.
Dominik Moll’s investigative drama The Night Of The 12th enjoyed a big night at France’s 48th annual César Awards, picking up six awards including best film of the year at a starry ceremony at Paris concert hall l’Olympia on Friday night.
The film, which started the night on 10 nominations, prevailed in a competitive category alongside Louis Garrel’s crime-infused romantic comedy The Innocent, Cédric Klapisch’s dance drama Rise, Albert Serra’s political thriller Pacifiction, and Valeria Bruni-Tedeschi’s coming-of-age tale Forever Young.
Dominik Moll’s investigative drama The Night Of The 12th enjoyed a big night at France’s 48th annual César Awards, picking up six awards including best film of the year at a starry ceremony at Paris concert hall l’Olympia on Friday night.
The film, which started the night on 10 nominations, prevailed in a competitive category alongside Louis Garrel’s crime-infused romantic comedy The Innocent, Cédric Klapisch’s dance drama Rise, Albert Serra’s political thriller Pacifiction, and Valeria Bruni-Tedeschi’s coming-of-age tale Forever Young.
- 2/25/2023
- by Rebecca Leffler
- ScreenDaily
Update, writethru: Dominik Moll’s The Night Of The 12th swept the board at the 48th edition of France’s César awards in Paris on Friday evening.
The film, which was nominated in 10 categories, also won best male newcomer for its star Bastien Bouillon, best-supporting actor for Belgian actor Bouli Lanners as well as best sound and adapted screenplay.
The investigative drama world premiered in Cannes’ non-competitive Cannes Première section last May.
Bouillon plays a police detective who becomes obsessed with a case involving a complex female murder victim in a small town close to the city of Grenoble in the foothills of the French Alps.
Louis Garrel’s comedy The Innocent, which led the nominations making it into 11 categories, won best original screenplay for the director and co-writers Tanguy Viel and Naïla Guiguet as well as best supporting actress for Tár star Noemie Merlant.
Brad Pitt & Virginie Efira presented...
The film, which was nominated in 10 categories, also won best male newcomer for its star Bastien Bouillon, best-supporting actor for Belgian actor Bouli Lanners as well as best sound and adapted screenplay.
The investigative drama world premiered in Cannes’ non-competitive Cannes Première section last May.
Bouillon plays a police detective who becomes obsessed with a case involving a complex female murder victim in a small town close to the city of Grenoble in the foothills of the French Alps.
Louis Garrel’s comedy The Innocent, which led the nominations making it into 11 categories, won best original screenplay for the director and co-writers Tanguy Viel and Naïla Guiguet as well as best supporting actress for Tár star Noemie Merlant.
Brad Pitt & Virginie Efira presented...
- 2/24/2023
- by Melanie Goodfellow
- Deadline Film + TV
The 46th César Awards, France’s top film honors, have been handed out in Paris, with Dominik Moll’s crime thriller The Night of the 12th winning the best picture trophy.
Moll’s The Night of the 12th, which premiered in Cannes last year, scored 10 César noms coming into the awards show, just behind Louis Garrel’s The Innocent, which picked up 11 nominations. Moll also won for best director, and Bouli Lanners earned the best supporting actor trophy for his performance in The Night of the 12th.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, was up for 9 Césars, as was Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family...
Moll’s The Night of the 12th, which premiered in Cannes last year, scored 10 César noms coming into the awards show, just behind Louis Garrel’s The Innocent, which picked up 11 nominations. Moll also won for best director, and Bouli Lanners earned the best supporting actor trophy for his performance in The Night of the 12th.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, was up for 9 Césars, as was Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family...
- 2/24/2023
- by Scott Roxborough and Etan Vlessing
- The Hollywood Reporter - Movie News
“Lie With Me,” a romance drama headlined by French stars Guillaume de Tonquebec and Victor Belmondo, has lured a raft of theatrical distributors at the Berlinale’s EFM.
Represented in international markets by Be For Films and directed by Olivier Peyon, the movie is based on Philippe Besson’s book “Arrête avec tes mensonges.” The autobiographical novel was originally published in France by Editions Julliard in 2017 and won pair of awards including the Maison de la Presse prize in 2017.
After selling several key territories earlier this year, Be For Films has now closed deals for the U.S. (Cinephobia Realising), Germany/Austria (24 Bilder), Brazil (Imovision), Poland (Tongariro), Greece (Cinobo) and Turkey (Bir Films).
“Lie With Me” stars de Tonquebec as a prominent novelist Stéphane Belcourt who becomes the brand ambassador for a famous cognac celebrating their bicentennial. The gig leads him to return to his hometown for the first time in many years.
Represented in international markets by Be For Films and directed by Olivier Peyon, the movie is based on Philippe Besson’s book “Arrête avec tes mensonges.” The autobiographical novel was originally published in France by Editions Julliard in 2017 and won pair of awards including the Maison de la Presse prize in 2017.
After selling several key territories earlier this year, Be For Films has now closed deals for the U.S. (Cinephobia Realising), Germany/Austria (24 Bilder), Brazil (Imovision), Poland (Tongariro), Greece (Cinobo) and Turkey (Bir Films).
“Lie With Me” stars de Tonquebec as a prominent novelist Stéphane Belcourt who becomes the brand ambassador for a famous cognac celebrating their bicentennial. The gig leads him to return to his hometown for the first time in many years.
- 2/21/2023
- by Elsa Keslassy
- Variety Film + TV
Railway strikes, needy kids, a birthday party to plan, a job in Paris (a long commute away), interviews for another job (which demand sneaking away from work), and a babysitter who is increasingly over it: The deck of Julie Roy’s life is full, and because that life is happening fast, Éric Gravel’s César-nominated Full Time establishes much of this fullness within only 15 minutes.
The movie does not waste time: Julie, played by Laure Calamy (Call My Agent!), doesn’t have any. The railway strikes make it harder and...
The movie does not waste time: Julie, played by Laure Calamy (Call My Agent!), doesn’t have any. The railway strikes make it harder and...
- 2/4/2023
- by K. Austin Collins
- Rollingstone.com
Animated fairy tale The Amazing Maurice voiced by Emilia Clarke, Hugh Laurie, David Thewlish, Gemma Arterton and Himesh Patel, jumps from Sundance to 1,700 screens via Viva Pictures, the distributor’s widest release to date and a big one for any independently produced animated film.
And Civil War drama Freedom’s Path starring Gerran Howell, Rj Cyler, and Ewen Bremner, debuts at 128 AMC and Regal Cinemas. In limited release, Let It Be Morning by the director of The Band’s Visit resurfaces, Kit Harrington is back in Baby Ruby and Call My Agent’s Laure Calamy stars in Full Time.
Maurice, directed by Toby Genken and written by Terry Rossio, a family action/comedy from the U.K., follows a streetwise cat and his gang of rats who come up with a perfect moneymaking scheme. Based on the novel The Amazing Maurice and His Educated Rodents by Sir Terry Pratchett, it’s produced by Emely Christians,...
And Civil War drama Freedom’s Path starring Gerran Howell, Rj Cyler, and Ewen Bremner, debuts at 128 AMC and Regal Cinemas. In limited release, Let It Be Morning by the director of The Band’s Visit resurfaces, Kit Harrington is back in Baby Ruby and Call My Agent’s Laure Calamy stars in Full Time.
Maurice, directed by Toby Genken and written by Terry Rossio, a family action/comedy from the U.K., follows a streetwise cat and his gang of rats who come up with a perfect moneymaking scheme. Based on the novel The Amazing Maurice and His Educated Rodents by Sir Terry Pratchett, it’s produced by Emely Christians,...
- 2/3/2023
- by Jill Goldsmith
- Deadline Film + TV
Julie (Laure Calamy) is on the move. From the moment her alarm clock disturbs her sleeping breath, she’s in constant state of harried, frantic motion—making breakfast, tinkering with the boiler, dropping her kids off at an elderly neighbor’s house while it’s still dark out, running to catch a train, changing into her hotel maid uniform, smoothing sheets, hosing excrement from the walls, and battling her way back home to do it all over again, all too soon.
“Full Time,” written and directed by Eric Gravel, depicts the never-ending sprint that is Julie’s life as a struggling single mom, rendering this social-realist drama as a gritty, heart-pounding thriller, with breathless, naturalistic handheld cinematography by Victor Seguin and an adrenaline-pounding electronic score by Irène Drésel.
There’s something radical about turning a very bad week in the life of a single mom into an action thriller, and...
“Full Time,” written and directed by Eric Gravel, depicts the never-ending sprint that is Julie’s life as a struggling single mom, rendering this social-realist drama as a gritty, heart-pounding thriller, with breathless, naturalistic handheld cinematography by Victor Seguin and an adrenaline-pounding electronic score by Irène Drésel.
There’s something radical about turning a very bad week in the life of a single mom into an action thriller, and...
- 2/2/2023
- by Katie Walsh
- The Wrap
It’s a fair cop: Roschdy Zem and Louise Garrel received acting nods in Garrel’s comedy The Innocent Photo: UniFrance
After the Oscars it’s the turn of the French César Academy to reveal the list of nominations today, ahead of the 48th ceremony, which is scheduled for 24 February at the fabled Parisian music hall, the Olympia.
Dominik Moll’s taut thriller The Night Of The 12th leads the fray alongside Louis Garrel’s police comedy The Innocent which he directs and co-stars in with Noémie Merlant, followed closely by Cédric Klapisch’s dance extravaganza Rise/En Corps; Albert Serra’s Pacifiction; Valéria Bruni Tedeschi’s Forever Young/Les Amandines; Cédric Jimenez’s Bataclan police drama November; Eric Gravel’s Full Time/A Plein Temps, and Alice Diop’s Saint Omer. The latter has been much favoured by international critics but did not make the final round for Oscars for best foreign film.
After the Oscars it’s the turn of the French César Academy to reveal the list of nominations today, ahead of the 48th ceremony, which is scheduled for 24 February at the fabled Parisian music hall, the Olympia.
Dominik Moll’s taut thriller The Night Of The 12th leads the fray alongside Louis Garrel’s police comedy The Innocent which he directs and co-stars in with Noémie Merlant, followed closely by Cédric Klapisch’s dance extravaganza Rise/En Corps; Albert Serra’s Pacifiction; Valéria Bruni Tedeschi’s Forever Young/Les Amandines; Cédric Jimenez’s Bataclan police drama November; Eric Gravel’s Full Time/A Plein Temps, and Alice Diop’s Saint Omer. The latter has been much favoured by international critics but did not make the final round for Oscars for best foreign film.
- 1/25/2023
- by Richard Mowe
- eyeforfilm.co.uk
Louis Garrel’s heist comedy The Innocent and the Dominik Moll-directed procedural The Night of the 12th are the films to beat at this year’s César Awards, France’s top film prize.
The Innocent, in which Garrel co-stars, alongside Tár actress Noemie Merlant and Roschdy Zem, picked up 11 César nominations, including for best film and best director.
Moll’s The Night of the 12th, which, like The Innocent, premiered in Cannes last year, scored 10 César noms, including for best film.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, picked up 9 César nominations, as did Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family drama Full Time and Alice Diop...
The Innocent, in which Garrel co-stars, alongside Tár actress Noemie Merlant and Roschdy Zem, picked up 11 César nominations, including for best film and best director.
Moll’s The Night of the 12th, which, like The Innocent, premiered in Cannes last year, scored 10 César noms, including for best film.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, picked up 9 César nominations, as did Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family drama Full Time and Alice Diop...
- 1/25/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Louis Garrel’s “The Innocent” and Dominik Moll’s thriller “The Night of the 12th” are leading the race at the 48th Cesar Awards, France’s equivalent to the Oscars.
Nominated for 11 Cesar nominations, “The Innocent” is a heist romantic comedy starring Garrel, Roschdy Zem and Noemie Merlant, who previously starred in “Portrait of a Lady on Fire” and most recently in “Tár.” Produced by Anne-Dominique Toussaint at Les Films des Tournelles, the crowdpleaser world premiered out of competition at Cannes for the 75th anniversary of the festival.
“The Night of the 12th,” meanwhile, is in the running for 10 Cesar awards. The brooding topical procedural, which also opened as part of Cannes’ Premiere section, stars Bastien Bouillon and Bouli Lanners as two cops trying to solve a gruesome murder. The movie, produced by Haut et Court (“The Class”), delves into issues of gender and violence.
Other top Cesar contenders include Cedric Klapisch’s dance-filled “Rise,...
Nominated for 11 Cesar nominations, “The Innocent” is a heist romantic comedy starring Garrel, Roschdy Zem and Noemie Merlant, who previously starred in “Portrait of a Lady on Fire” and most recently in “Tár.” Produced by Anne-Dominique Toussaint at Les Films des Tournelles, the crowdpleaser world premiered out of competition at Cannes for the 75th anniversary of the festival.
“The Night of the 12th,” meanwhile, is in the running for 10 Cesar awards. The brooding topical procedural, which also opened as part of Cannes’ Premiere section, stars Bastien Bouillon and Bouli Lanners as two cops trying to solve a gruesome murder. The movie, produced by Haut et Court (“The Class”), delves into issues of gender and violence.
Other top Cesar contenders include Cedric Klapisch’s dance-filled “Rise,...
- 1/25/2023
- by Elsa Keslassy
- Variety Film + TV
Brussels-based sales company Be For Films has closed a raft of pre-sales on Julien Carpentier’s feature debut “La vie de ma mère,” a mother-and-son dramedy, starring Agnès Jaoui and William Lebghil.
Now in post, the heartwarming film follows Julien, a successful 33-year-old florist whose life is turned upside down when his mother Judith, whom he hasn’t seen for two years, reappears. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: Send her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever. Alison Wheeler and Salif Cissé complete the cast. Kmbo will distribute the film in France.
“La vie de ma mere” is produced by Silex Films, the banner behind “Rose,...
Now in post, the heartwarming film follows Julien, a successful 33-year-old florist whose life is turned upside down when his mother Judith, whom he hasn’t seen for two years, reappears. Mercurial and extravagant, she suffers from bipolar disorder and has recently escaped from a clinic. Pierre has only one idea in mind: Send her back as quickly as possible so his life can get back on track. But nothing happens as he hoped for. Their unexpected reunion, as funny and explosive as it is heart-wrenching, will transform Pierre and Judith forever. Alison Wheeler and Salif Cissé complete the cast. Kmbo will distribute the film in France.
“La vie de ma mere” is produced by Silex Films, the banner behind “Rose,...
- 1/16/2023
- by Elsa Keslassy
- Variety Film + TV
Brussels-based Be For Films has closed a raft of deals on “Lie With Me,” Olivier Peyon’s romance drama starring well-known French actors including Guillaume de Tonquebec and Victor Belmondo.
The movie is based on Philippe Besson’s book “Arrête avec tes mensonges.” The autobiographical novel was originally published in France by Editions Julliard in 2017 and won pair of awards including the Maison de la Presse prize in 2017.
“Lie With Me” stars de Tonquebec as a prominent novelist Stéphane Belcourt who becomes the brand ambassador for a famous cognac celebrating their bicentennial. The gig leads him to return to his hometown for the first time in many years. Once there, he meets Lucas, the son of a man he loved passionately when he was 17. Memories of this first love come rushing back to Stephane and he and Lucas embark on an impossible love affair.
Be For Films is hosting a...
The movie is based on Philippe Besson’s book “Arrête avec tes mensonges.” The autobiographical novel was originally published in France by Editions Julliard in 2017 and won pair of awards including the Maison de la Presse prize in 2017.
“Lie With Me” stars de Tonquebec as a prominent novelist Stéphane Belcourt who becomes the brand ambassador for a famous cognac celebrating their bicentennial. The gig leads him to return to his hometown for the first time in many years. Once there, he meets Lucas, the son of a man he loved passionately when he was 17. Memories of this first love come rushing back to Stephane and he and Lucas embark on an impossible love affair.
Be For Films is hosting a...
- 1/12/2023
- by Elsa Keslassy
- Variety Film + TV
Full Time Trailer — Éric Gravel‘s Full Time (2021) movie trailer has been released by Music Box Films. The Full Time trailer stars Laure Calamy. Crew Éric Gravel wrote the screenplay for Full Time. Poster Full Time Movie Poster Plot Synopsis Full Time‘s plot synopsis: “Julie (Laure Calamy) can’t catch a break. For a single mother raising two children in [...]
Continue reading: Full Time (2021) Movie Trailer: Single Mom Laure Calamy Reaches Her Breaking Point in Éric Gravel’s Thriller...
Continue reading: Full Time (2021) Movie Trailer: Single Mom Laure Calamy Reaches Her Breaking Point in Éric Gravel’s Thriller...
- 1/8/2023
- by Rollo Tomasi
- Film-Book
’Saint Omer’, ‘Other People’s Children’ and ’Pacifiction’ also receive multiple nods.
Dominik Moll’s police procedural The Night Of The 12th tops the nominations for the 28th annual Lumière Awards.
France’s version of The Golden Globes, the Lumière Awards are voted on by international correspondents from 36 countries.
The Night Of The 12th leads with six nominations, just ahead of Albert Serra’s political thriller Pacifiction with five. Rebecca Zlotowski’s Other People’s Children and Alice Diop’s Saint Omer tie on four nods each. The films will vie for the Best Film prize alongside Alice Winocour’s Paris Memories.
Dominik Moll’s police procedural The Night Of The 12th tops the nominations for the 28th annual Lumière Awards.
France’s version of The Golden Globes, the Lumière Awards are voted on by international correspondents from 36 countries.
The Night Of The 12th leads with six nominations, just ahead of Albert Serra’s political thriller Pacifiction with five. Rebecca Zlotowski’s Other People’s Children and Alice Diop’s Saint Omer tie on four nods each. The films will vie for the Best Film prize alongside Alice Winocour’s Paris Memories.
- 12/15/2022
- by Rebecca Leffler
- ScreenDaily
Unifrance, the prolific French and TV promotion org, has launched a bureau in Tokyo to spearhead industry events across Asia, including in Japan, South Korea, Southeast Asia and India.
Emmanuel Pisarra, who has been appointed to lead the new office, pointed the creation of this bureau came at the right time. “While we haven’t been on the ground for the last two years due to the pandemic, Japan remains the forth biggest overseas B.O. market for French movies, said Pisarra, who added that Korea and Southeast Asia are also becoming key markets. The org already has an office coordinating events in China, Hong Kong and Taiwan which is headed by Isabelle Glachant.
Unifrance will be hosting the 30th edition of its French film festival in Japan, in the city of Yokohama, on Dec.1-4. The festival will kick off with “Eiffel,” Martin Bourboulon’s period drama starring Romain Duris...
Emmanuel Pisarra, who has been appointed to lead the new office, pointed the creation of this bureau came at the right time. “While we haven’t been on the ground for the last two years due to the pandemic, Japan remains the forth biggest overseas B.O. market for French movies, said Pisarra, who added that Korea and Southeast Asia are also becoming key markets. The org already has an office coordinating events in China, Hong Kong and Taiwan which is headed by Isabelle Glachant.
Unifrance will be hosting the 30th edition of its French film festival in Japan, in the city of Yokohama, on Dec.1-4. The festival will kick off with “Eiffel,” Martin Bourboulon’s period drama starring Romain Duris...
- 11/8/2022
- by Elsa Keslassy
- Variety Film + TV
Former Heyday President Tom Winchester’s Pure Fiction Staffs Up
Former Heyday Television President Tom Winchester’s fledgling See-Saw Films-backed indie Pure Fiction Television has signed Euston Films and Urban Myths Films execs in its first major play. Euston’s Laura Klimke joins as Executive Producer and former Urban Myth Development Exec Yolanda Lee becomes Development Executive. Past credits for the pair include ITV’s The Sister, BBC Three’s Wreck and War of the Worlds. Pure Fiction has also hired Development Coordinator Musanna Ahmed. The trio will work on a slate focused on “prestige commercial content,” seeking IP and original ideas. The company was launched earlier this year by Winchester, backed by Power of the Dog producer See-Saw and talent agency Hamilton Hodell. Winchester spent three-and-a-half years as President of David Heyman’s Heyday, overseeing the likes of Netflix’s Clickbait and hiring teams in London and LA.
Former Heyday Television President Tom Winchester’s fledgling See-Saw Films-backed indie Pure Fiction Television has signed Euston Films and Urban Myths Films execs in its first major play. Euston’s Laura Klimke joins as Executive Producer and former Urban Myth Development Exec Yolanda Lee becomes Development Executive. Past credits for the pair include ITV’s The Sister, BBC Three’s Wreck and War of the Worlds. Pure Fiction has also hired Development Coordinator Musanna Ahmed. The trio will work on a slate focused on “prestige commercial content,” seeking IP and original ideas. The company was launched earlier this year by Winchester, backed by Power of the Dog producer See-Saw and talent agency Hamilton Hodell. Winchester spent three-and-a-half years as President of David Heyman’s Heyday, overseeing the likes of Netflix’s Clickbait and hiring teams in London and LA.
- 11/3/2022
- by Max Goldbart, Zac Ntim and Melanie Goodfellow
- Deadline Film + TV
Click here to read the full article.
For France’s premiere film and television trade industry publication, it wasn’t a good look.
The cover photo of the Sept. 30 issue of Le Film Français, a must-read for Gallic filmmakers, featured seven men — Pathé President Jérome Seydoux, surrounded by actors Vincent Cassel, Pierre Niney, François Civil and Pio Marmaï, and actor-directors Guillaume Canet and Danny Boon —under the headline “Objective: Reconquest.”
The backlash was immediate.
“No women, no diversity. Classy!” tweeted French actress Alexandra Lamy (You Choose!). Audrey Diwan, director of Venice Film Festival winner Happening, added ironically, “If we’re bothering you guys, just let us know.”
The magazine quickly apologized, but for many, the incident was illustrative of how far the French industry still has to go.
Si on vous gêne, n’hésitez pas à le dire pic.twitter.com/e0fEZwuGrb
— Audrey Diwan (@AudreyDiwan) September 30, 2022
“The Film Français...
For France’s premiere film and television trade industry publication, it wasn’t a good look.
The cover photo of the Sept. 30 issue of Le Film Français, a must-read for Gallic filmmakers, featured seven men — Pathé President Jérome Seydoux, surrounded by actors Vincent Cassel, Pierre Niney, François Civil and Pio Marmaï, and actor-directors Guillaume Canet and Danny Boon —under the headline “Objective: Reconquest.”
The backlash was immediate.
“No women, no diversity. Classy!” tweeted French actress Alexandra Lamy (You Choose!). Audrey Diwan, director of Venice Film Festival winner Happening, added ironically, “If we’re bothering you guys, just let us know.”
The magazine quickly apologized, but for many, the incident was illustrative of how far the French industry still has to go.
Si on vous gêne, n’hésitez pas à le dire pic.twitter.com/e0fEZwuGrb
— Audrey Diwan (@AudreyDiwan) September 30, 2022
“The Film Français...
- 11/2/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Patrice Leconte will present Maigret Photo: Courtesy of Fantasia International Film Festival The French Film Festival UK has announced its programme for its 30th anniversary edition, which will run at venues across the UK in November and December this year.
The festival will open with Eric Gravel's race-against-time drama Full Time at London's Cine Lumiere on November 2, with the director in attendance for a Q&a.
Other key films in this year's programme include Lukas Dhont's Close, which won the Cannes Grand Prix this year and Patrice Leconte's Maigret, starring Gerard Depardieu. Leconte will present the film in London on November 10 and in Edinburgh on November 11. Wilfried Méance and Olivier Ducray will also present their comedy Two Of A Kind in Aberdeen, Edinburgh and Chichester on November 16, 17 and 18 respectively. Other guests are scheduled to include Charlotte Gainsbourg and Blandine Lenoir.
In a statement the festival said: "For three decades...
The festival will open with Eric Gravel's race-against-time drama Full Time at London's Cine Lumiere on November 2, with the director in attendance for a Q&a.
Other key films in this year's programme include Lukas Dhont's Close, which won the Cannes Grand Prix this year and Patrice Leconte's Maigret, starring Gerard Depardieu. Leconte will present the film in London on November 10 and in Edinburgh on November 11. Wilfried Méance and Olivier Ducray will also present their comedy Two Of A Kind in Aberdeen, Edinburgh and Chichester on November 16, 17 and 18 respectively. Other guests are scheduled to include Charlotte Gainsbourg and Blandine Lenoir.
In a statement the festival said: "For three decades...
- 10/24/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
’The Worst Person In The World’, ’Everything Everywhere All At Once’ among international selections.
Joachim Trier’s The Worst Person In The World and Daniel Kwan and Daniel Scheinert’s Everything Everywhere All At Once are among the titles in the 17-strong longlist for best international independent film at the 2022 British Independent Film Awards (Bifa).
Laura Poitras’ Venice Golden Lion winner All The Beauty And The Bloodshed also made the longlist. As did Park Chan-Wook’s Decision To Leave; Colm Bairead’s The Quiet Girl; Lukas Dhont’s Close; Carla Simon’s Alcarras; and Santiago Mitre’s Argentina, 1985.
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Joachim Trier’s The Worst Person In The World and Daniel Kwan and Daniel Scheinert’s Everything Everywhere All At Once are among the titles in the 17-strong longlist for best international independent film at the 2022 British Independent Film Awards (Bifa).
Laura Poitras’ Venice Golden Lion winner All The Beauty And The Bloodshed also made the longlist. As did Park Chan-Wook’s Decision To Leave; Colm Bairead’s The Quiet Girl; Lukas Dhont’s Close; Carla Simon’s Alcarras; and Santiago Mitre’s Argentina, 1985.
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- 10/21/2022
- by Ellie Calnan
- ScreenDaily
The British Independent Film Awards (BIFAs) have revealed the nomination longlists for Best Feature Documentary and Best International Independent Film categories. In addition, BIFA’s Raindance Discovery Award longlist has also been unveiled.
Of the 15 films longlisted for Best Feature Documentary, eight are directed by women. The 17 films longlisted for Best International Independent Film have already won top prizes from this year’s premier international festivals.
The final five nominations in each category will be announced in early November and winners will be revealed at the 25th annual BIFA ceremony on Dec. 4.
Best International Independent Film Sponsored By Champagne Taittinger
“Alcarràs” – Carla Simón, María Zamora, Stefan Schmitz, Tono Folguera, Sergi Moreno
“All The Beauty And The Bloodshed” – Laura Poitras, Howard Gertler, Nan Goldin, Yoni Golijov, John S. Lyons
“Argentina, 1985” – Santiago Mitre, Mariano Llinás, Axel Kuschevatzky, Federico Posternak, Agustina Llambi Campbell, Ricardo Darín, Santiago Carabante, Chino Darín, Victoria Alonso
“Broker” – Kore-eda Hirokazu,...
Of the 15 films longlisted for Best Feature Documentary, eight are directed by women. The 17 films longlisted for Best International Independent Film have already won top prizes from this year’s premier international festivals.
The final five nominations in each category will be announced in early November and winners will be revealed at the 25th annual BIFA ceremony on Dec. 4.
Best International Independent Film Sponsored By Champagne Taittinger
“Alcarràs” – Carla Simón, María Zamora, Stefan Schmitz, Tono Folguera, Sergi Moreno
“All The Beauty And The Bloodshed” – Laura Poitras, Howard Gertler, Nan Goldin, Yoni Golijov, John S. Lyons
“Argentina, 1985” – Santiago Mitre, Mariano Llinás, Axel Kuschevatzky, Federico Posternak, Agustina Llambi Campbell, Ricardo Darín, Santiago Carabante, Chino Darín, Victoria Alonso
“Broker” – Kore-eda Hirokazu,...
- 10/21/2022
- by Naman Ramachandran
- Variety Film + TV
IFC Films has bought North American rights to Sebastien Marnier’s thriller “The Origin of Evil” starring “Call My Agent!” star Laure Calamy. The film world premiered at the Venice Film Festival and had its North American premiere at Toronto.
The suspense-filled ensemble film also stars Doria Tillier (“La belle époque”), Suzanne Clément (“Mommy”), Dominique Blanc (“Indochine”) and Jacques Weber (“En thérapie”).
Marnier’s follow up to “Faultless”and “School’s Out,” “The Origin of Evil” was produced by Caroline Bonmarchand with Kim McCraw and Luc Déry of mirco_scope with Avenue B Productions executive producing. IFC Films will release the film in 2023.
“The Origin of Evil” follows Stéphane (Calamy), a working class woman whose living situation takes a turn for the worse, prompting her to reconnect with her estranged father, Serge (Weber), who after abandoning her and her mother years earlier, has become incredibly wealthy with a massive estate.
The suspense-filled ensemble film also stars Doria Tillier (“La belle époque”), Suzanne Clément (“Mommy”), Dominique Blanc (“Indochine”) and Jacques Weber (“En thérapie”).
Marnier’s follow up to “Faultless”and “School’s Out,” “The Origin of Evil” was produced by Caroline Bonmarchand with Kim McCraw and Luc Déry of mirco_scope with Avenue B Productions executive producing. IFC Films will release the film in 2023.
“The Origin of Evil” follows Stéphane (Calamy), a working class woman whose living situation takes a turn for the worse, prompting her to reconnect with her estranged father, Serge (Weber), who after abandoning her and her mother years earlier, has become incredibly wealthy with a massive estate.
- 9/28/2022
- by Elsa Keslassy
- Variety Film + TV
France’s pick to represent the country at the Oscars is in, but Music Box Films had gone ahead and landed the well-received Venice title from ’21 nonetheless. Eric Gravel’s À plein temps (aka Full Time) landed the Best Director and Best Actress awards in the Horizons section and further cemented that Laure Calamy is having a definite turning moment in her career. The distrib are planning a 2023 release. Calamy just returned from the same Venice sidebar with The Origin of Evil – which also preemed in Toronto.
This is about a single mother (Calamy) who goes to great lengths to raise her two children in the suburbs while holding down a demanding job as head chambermaid in a Parisian luxury hotel.…...
This is about a single mother (Calamy) who goes to great lengths to raise her two children in the suburbs while holding down a demanding job as head chambermaid in a Parisian luxury hotel.…...
- 9/26/2022
- by Eric Lavallée
- IONCINEMA.com
Click here to read the full article.
France has picked Alice Diop’s courtroom drama Saint Omer as its contender for the 2023 Oscar race in the best international feature category.
Diop’s first narrative feature (her previous films, including Berlin Festival Encounters winner We (2021) were documentaries), Saint Omer is a dramatization of the 2016 real-life trial of Fabienne Kanou, a Franco-Senegalese mother with a genius-level Iq accused of committing infanticide.
Saint Omer heads into awards season after an impressive bow at the Venice Film Festival, where it won Diop the Grand Jury prize as well as the trophy for best debut feature. Neon is releasing the film stateside via its Super label.
Saint Omer beat out the other four shortlisted candidates selected by France’s national cinema body, the Cnc for their Oscar potential: One Fine Morning by Mia Hansen-Løve, the Éric Gravel-directed Full Time, Alice Winocour’s Paris Memories and The Worst Ones,...
France has picked Alice Diop’s courtroom drama Saint Omer as its contender for the 2023 Oscar race in the best international feature category.
Diop’s first narrative feature (her previous films, including Berlin Festival Encounters winner We (2021) were documentaries), Saint Omer is a dramatization of the 2016 real-life trial of Fabienne Kanou, a Franco-Senegalese mother with a genius-level Iq accused of committing infanticide.
Saint Omer heads into awards season after an impressive bow at the Venice Film Festival, where it won Diop the Grand Jury prize as well as the trophy for best debut feature. Neon is releasing the film stateside via its Super label.
Saint Omer beat out the other four shortlisted candidates selected by France’s national cinema body, the Cnc for their Oscar potential: One Fine Morning by Mia Hansen-Løve, the Éric Gravel-directed Full Time, Alice Winocour’s Paris Memories and The Worst Ones,...
- 9/23/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Music Box Films has acquired U.S. rights to “Full Time,” Eric Gravel’s visceral social thriller which is one of the five finalists for France’s official submission to the 95th Academy Awards.
Represented in international markets by Be For Films, “Full Time” world premiered at last year’s Venice festival in the Horizons sections and won a pair of awards for Laure Calamy (“Call My Agent!”) and Gravel. The critically acclaimed film went on to made its U.S. debut at New Directors/New Films.
Music Box Films will release “Full Time” in cinemas and on home entertainment platforms in 2023.
Calamy, one of France’s top actors, stars as a single mother who goes to great lengths to raise her two children in the suburbs while holding down a demanding job as head chambermaid in a Parisian luxury hotel. When she finally gets a job interview for another...
Represented in international markets by Be For Films, “Full Time” world premiered at last year’s Venice festival in the Horizons sections and won a pair of awards for Laure Calamy (“Call My Agent!”) and Gravel. The critically acclaimed film went on to made its U.S. debut at New Directors/New Films.
Music Box Films will release “Full Time” in cinemas and on home entertainment platforms in 2023.
Calamy, one of France’s top actors, stars as a single mother who goes to great lengths to raise her two children in the suburbs while holding down a demanding job as head chambermaid in a Parisian luxury hotel. When she finally gets a job interview for another...
- 9/21/2022
- by Elsa Keslassy
- Variety Film + TV
When France announced its shortlist of five films it will consider for its international Oscar submission this week, it was the start of a new chapter in the country’s efforts to win the prize. With the backlash still simmering from last year, when the subversive Palme d’Or winner “Titane” got the slot over emotional crowdpleaser “Happening,” the country has revised its approach in an attempt to support films more likely to secure the nomination.
This year’s selection has no obligatory entry from the official Cannes competition, which reflects the decision to remove festival head Thierry Fremaux from his influential spot on the committee after more than a decade of wielding influence there. Additionally, the one possible entry from a veteran French auteur was snubbed as Claire Denis’ romantic drama “Both Sides of the Blade,” which won Best Director at the Berlinale, did not make the cut.
Instead,...
This year’s selection has no obligatory entry from the official Cannes competition, which reflects the decision to remove festival head Thierry Fremaux from his influential spot on the committee after more than a decade of wielding influence there. Additionally, the one possible entry from a veteran French auteur was snubbed as Claire Denis’ romantic drama “Both Sides of the Blade,” which won Best Director at the Berlinale, did not make the cut.
Instead,...
- 9/15/2022
- by Eric Kohn
- Indiewire
Click here to read the full article.
France on Thursday named the shortlist of five films in contention to be the country’s submission for the 2023 Oscars in the best international feature category.
France’s national cinema body, the Cnc, picked Alice Diop’s Saint Omer, One Fine Morning by Mia Hansen-Løve, the Éric Gravel-directed Full Time, Alice Winocour’s Paris Memories, and The Worst Ones, by directors Lise Akoka and Romane Gueret.
A commission will meet on Sept. 23 with the producers, international sales agents and, where applicable, the U.S. distributor of the five shortlisted films to decide which title has the best chances of Oscar glory. After the meetings, the commission will make its final Oscar selection.
France completely overhauled its selection process this year after an exceptionally long Oscar drought. Of the last 10 French international Oscar submissions, only four made the final shortlist, and just two...
France on Thursday named the shortlist of five films in contention to be the country’s submission for the 2023 Oscars in the best international feature category.
France’s national cinema body, the Cnc, picked Alice Diop’s Saint Omer, One Fine Morning by Mia Hansen-Løve, the Éric Gravel-directed Full Time, Alice Winocour’s Paris Memories, and The Worst Ones, by directors Lise Akoka and Romane Gueret.
A commission will meet on Sept. 23 with the producers, international sales agents and, where applicable, the U.S. distributor of the five shortlisted films to decide which title has the best chances of Oscar glory. After the meetings, the commission will make its final Oscar selection.
France completely overhauled its selection process this year after an exceptionally long Oscar drought. Of the last 10 French international Oscar submissions, only four made the final shortlist, and just two...
- 9/15/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
France’s new Oscar committee has pre-selected five films to represent the country in the international feature film race.
The five films are Alice Diop’s “Saint-Omer,” which just won Venice’s Silver Lion and Lion of the Future; Eric Gravel’s drama “Full Time” starring “Call My Agent!” star Laure Calamy; Lise Akoka and Romane Gueret’s “The Worst Ones,” about the moral dilemma of shooting of a film with young non-professionals in a working-class town; Alice Winocour’s “Revoir Paris” starring Virginie Efira as a survivor of the Paris attacks in 2015; and Mia Hansen-Love’s “One Fine Morning” starring Lea Seydoux as a single mother who embarks on a romance with an emotionally unavailable man.
This year’s committee includes international sales agents Hengameh Panahi, Grégoire Melin, producers Philippe Rousselet (“Coda”), Didar Domehri (“Girls of the Sun”), and directors Jacques Audiard (“A Prophet”) and Michel Gondry (“L’ecûme des jours...
The five films are Alice Diop’s “Saint-Omer,” which just won Venice’s Silver Lion and Lion of the Future; Eric Gravel’s drama “Full Time” starring “Call My Agent!” star Laure Calamy; Lise Akoka and Romane Gueret’s “The Worst Ones,” about the moral dilemma of shooting of a film with young non-professionals in a working-class town; Alice Winocour’s “Revoir Paris” starring Virginie Efira as a survivor of the Paris attacks in 2015; and Mia Hansen-Love’s “One Fine Morning” starring Lea Seydoux as a single mother who embarks on a romance with an emotionally unavailable man.
This year’s committee includes international sales agents Hengameh Panahi, Grégoire Melin, producers Philippe Rousselet (“Coda”), Didar Domehri (“Girls of the Sun”), and directors Jacques Audiard (“A Prophet”) and Michel Gondry (“L’ecûme des jours...
- 9/15/2022
- by Elsa Keslassy
- Variety Film + TV
The shortlist is the product of France’s new-look Oscar committee.
Alice Diop’s Saint Omer and Mia Hansen-Love’s One Fine Morning are among five films on the shortlist for France’s submission to the 2023 best international feature Oscar.
The shortlist, which was chosen today by a new-look French Oscar commission, also includes Eric Gravel’s Full Time, Lise Akoka and Romane Gueret’s The Worst Ones, and Alice Winocour’s terrorist attack drama Paris Memories.
The committee will meet the producers, sales representatives and – where applicable - US distributor of each film on September 23, to make the...
Alice Diop’s Saint Omer and Mia Hansen-Love’s One Fine Morning are among five films on the shortlist for France’s submission to the 2023 best international feature Oscar.
The shortlist, which was chosen today by a new-look French Oscar commission, also includes Eric Gravel’s Full Time, Lise Akoka and Romane Gueret’s The Worst Ones, and Alice Winocour’s terrorist attack drama Paris Memories.
The committee will meet the producers, sales representatives and – where applicable - US distributor of each film on September 23, to make the...
- 9/15/2022
- by Ben Dalton
- ScreenDaily
France has unveiled the five pre-selected feature films in the running to be the country’s Oscar submission.
They are:
Full Time by Eric Gravel (int’l sales. B For Film) The Worst Ones by Lise Asoka and Romane Gueret Paris Memories by Alice Winocour Saint-Omer By Alice Diop One Fine Morning by Mia Hansen-Love
This year’s selection committee, overseen by the National Cinema Centre (Cnc), comprises international sales agents Hengameh Panahi, Grégoire Melin, producers Philippe Rousselet, Didar Domehri, directors Jacques Audiard and Michel Gondry and veteran Gaumont executive Ariane Toscan du Plantier.
It marks the first selection round since the overhaul of France’s selection committee over the summer to end the automatic involvement of the heads of the Cannes Film Festival, export agency Unifrance and the César Academy.
They are:
Full Time by Eric Gravel (int’l sales. B For Film) The Worst Ones by Lise Asoka and Romane Gueret Paris Memories by Alice Winocour Saint-Omer By Alice Diop One Fine Morning by Mia Hansen-Love
This year’s selection committee, overseen by the National Cinema Centre (Cnc), comprises international sales agents Hengameh Panahi, Grégoire Melin, producers Philippe Rousselet, Didar Domehri, directors Jacques Audiard and Michel Gondry and veteran Gaumont executive Ariane Toscan du Plantier.
It marks the first selection round since the overhaul of France’s selection committee over the summer to end the automatic involvement of the heads of the Cannes Film Festival, export agency Unifrance and the César Academy.
- 9/15/2022
- by Melanie Goodfellow
- Deadline Film + TV
After triumphing at last year’s Venice Film Festival, the U.K. and Irish rights to Eric Gravel’s race-against-time social drama “Full Time” (À plein temps) have been snapped up by Parkland Entertainment.
It is set to be released in the U.K. and Ireland in early 2023.
The film, which stars “Call My Agent’s” Laure Calamy, had its world premiere at last year’s festival in the Orizzonti section before going on to win prizes for both Calamy, for best actress, and Gravel, for best director.
In “Full Time,” Calamy stars as Julie, a maid in a luxury Parisian hotel while simultaneously carting for her two children in the French countryside. One day, she finally gets a break when she is offered an interview for a long-hoped for job. But, as luck would have it, the interview is on the same day as a national strike, which shuts down the city’s transport.
It is set to be released in the U.K. and Ireland in early 2023.
The film, which stars “Call My Agent’s” Laure Calamy, had its world premiere at last year’s festival in the Orizzonti section before going on to win prizes for both Calamy, for best actress, and Gravel, for best director.
In “Full Time,” Calamy stars as Julie, a maid in a luxury Parisian hotel while simultaneously carting for her two children in the French countryside. One day, she finally gets a break when she is offered an interview for a long-hoped for job. But, as luck would have it, the interview is on the same day as a national strike, which shuts down the city’s transport.
- 9/13/2022
- by K.J. Yossman
- Variety Film + TV
Best-known for her role as Noemie in the hit French series “Call My Agent!,” Laure Calamy has emerged in recent years as one of France’s biggest stars and most versatile actors. After a busy career in theater and many notable supporting roles, she finally got a shot at leading roles, and kudos have followed, for Caroline Vignal’s romantic comedy “My Donkey, My Lover and I,” which was part of Cannes’ Official Selection and earned her a Cesar award, and Eric Gravel’s social drama “A Plein Temps,” for which she won best actress at Venice in the Horizons section.
Calamy is now on a roll and she’s shown that she can play anything. Case in point: Over this summer, she was at Locarno to present Blandine Lenoir’s period drama “Angry Annie,” in which she plays a working mother who joins the Movement for the Liberation of...
Calamy is now on a roll and she’s shown that she can play anything. Case in point: Over this summer, she was at Locarno to present Blandine Lenoir’s period drama “Angry Annie,” in which she plays a working mother who joins the Movement for the Liberation of...
- 9/4/2022
- by Elsa Keslassy
- Variety Film + TV
Full list of winners revealed at the festival in South Korea.
Canadian documentary Geographies Of Solitude and Korean drama Jeong-sun were awarded the top prizes at South Korea’s Jeonju International Film Festival on Wednesday (May 4).
At the 23rd edition of the festival, which returned as a fully-fledged physical event for the first time since 2019, Jacquelyn Mill’s Geographies Of Solitude received the grand prize in the international competition and a KW20m cash prize.
A jury comprising director Chang, critic Joo Jin-sook, actress Park Haseon, curator Andrei Tanasescu and director Clarisa Navas unanimously decided on the nature documentary because...
Canadian documentary Geographies Of Solitude and Korean drama Jeong-sun were awarded the top prizes at South Korea’s Jeonju International Film Festival on Wednesday (May 4).
At the 23rd edition of the festival, which returned as a fully-fledged physical event for the first time since 2019, Jacquelyn Mill’s Geographies Of Solitude received the grand prize in the international competition and a KW20m cash prize.
A jury comprising director Chang, critic Joo Jin-sook, actress Park Haseon, curator Andrei Tanasescu and director Clarisa Navas unanimously decided on the nature documentary because...
- 5/4/2022
- by Jean Noh
- ScreenDaily
More than 200 films selected for first in-person festival since the start of the pandemic.
South Korea’s Jeonju International Film Festival (April 28-May 7) has unveiled a line-up of 217 films from 56 countries for its first fully-fledged physical edition since start of the Covid-19 pandemic.
A special programme curated by Train To Busan director Yeon Sang-ho is among the selection for the festival’s 23rd edition, which was announced at back-to-back press conferences in Jeonju and Seoul today (March 31).
The 10-day event will include an awards ceremony on May 4 while the Jeonju Project industry programme will run May 1-3.
This year’s...
South Korea’s Jeonju International Film Festival (April 28-May 7) has unveiled a line-up of 217 films from 56 countries for its first fully-fledged physical edition since start of the Covid-19 pandemic.
A special programme curated by Train To Busan director Yeon Sang-ho is among the selection for the festival’s 23rd edition, which was announced at back-to-back press conferences in Jeonju and Seoul today (March 31).
The 10-day event will include an awards ceremony on May 4 while the Jeonju Project industry programme will run May 1-3.
This year’s...
- 3/31/2022
- by Jean Noh
- ScreenDaily
“Call My Agent!,” the hit French show set at a Parisian talent agency, is set for a number of international adaptations with remakes in the works at top streamers and broadcasters in South Korea, Indonesia, the Middle East, Philippines, Malaysia and Poland.
Co-represented by France Televisions Distribution and Newen Connect’s TF1 Studio, the show was previously adapted in India, Canada and Turkey. A U.K. remake with BAFTA award winner John Morton as head writer and director of the first two episodes will soon launch on Amazon U.K. and Sundance Now in the U.S. In Italy, the remake is being produced by Mediawan-owned Palomar for Sky with German filmmaker Oliver Hirschbiegel on board.
In The Philippines, the show is being adapted by Erik Matti, the critically acclaimed director of “On The Job,” who will serve as director and showrunner. Dondon Monteverde is executive producer. The writing...
Co-represented by France Televisions Distribution and Newen Connect’s TF1 Studio, the show was previously adapted in India, Canada and Turkey. A U.K. remake with BAFTA award winner John Morton as head writer and director of the first two episodes will soon launch on Amazon U.K. and Sundance Now in the U.S. In Italy, the remake is being produced by Mediawan-owned Palomar for Sky with German filmmaker Oliver Hirschbiegel on board.
In The Philippines, the show is being adapted by Erik Matti, the critically acclaimed director of “On The Job,” who will serve as director and showrunner. Dondon Monteverde is executive producer. The writing...
- 1/11/2022
- by Elsa Keslassy
- Variety Film + TV
Peter Kerekes’s “107 Mothers,” a Slovak drama about women living and working in a Ukrainian prison, won the Crystal Arrow Award at the 13th edition of Les Arcs European Film Festival.
The festival, which wrapped on Dec. 18, took place as an-person event with “The Artist” director Michel Hazanavicius presiding over the jury which also included actors Laetitia Dosch and Sidse Babett Knudsen, author Tania de Montaigne and actor-director Éric Judor. The selection was curated by Frederic Boyer, the artistic director of both Les Arcs and Tribeca.
Represented in international markets by Films Boutique, “107 Mothers” world premiered at Venice in the horizons section and revolves around the relationship between Leysa (Maryna Klimova), a new inmate who gives birth in prison, and Iryna (Iryna Kiryazeva), the prison’s ward.
The Grand Jury Price was awarded to “Kapitan Volkonogov,” a Russian historical thriller directed by Natasha Merkulova and Aleksey Chupov. The movie,...
The festival, which wrapped on Dec. 18, took place as an-person event with “The Artist” director Michel Hazanavicius presiding over the jury which also included actors Laetitia Dosch and Sidse Babett Knudsen, author Tania de Montaigne and actor-director Éric Judor. The selection was curated by Frederic Boyer, the artistic director of both Les Arcs and Tribeca.
Represented in international markets by Films Boutique, “107 Mothers” world premiered at Venice in the horizons section and revolves around the relationship between Leysa (Maryna Klimova), a new inmate who gives birth in prison, and Iryna (Iryna Kiryazeva), the prison’s ward.
The Grand Jury Price was awarded to “Kapitan Volkonogov,” a Russian historical thriller directed by Natasha Merkulova and Aleksey Chupov. The movie,...
- 12/19/2021
- by Elsa Keslassy
- Variety Film + TV
Race-against-time social drama “Full Time” (À plein temps), which won the best actress prize for “Call My Agent” star Laure Calamy and the best director award for Eric Gravel in the Horizons section of the Venice Film Festival, has scored multiple territory deals for Brussels-based sales company Be For Films.
The territories sold on the French-language film are Benelux (Athena Films), Switzerland (Xenix Filmdistribution), Italy (I Wonder), Spain (Festival Films), Greece (Cinobo), Norway (Arthaus), Canada (Axia Films), Australia/New Zealand (Palace Entertainment), China (Huanxi), Taiwan (Hooray Films), South Korea (Choix Pictures), and Indonesia (Falcon).
Discussions are ongoing with buyers in the U.S., the U.K., Japan, Israel and Poland.
Haut et Court will release the film in France on March 9.
Pamela Leu, the film’s sales agent at Be For Films, said: “After the premiere on the Lido, I was thrilled to discover with emotion so many people could...
The territories sold on the French-language film are Benelux (Athena Films), Switzerland (Xenix Filmdistribution), Italy (I Wonder), Spain (Festival Films), Greece (Cinobo), Norway (Arthaus), Canada (Axia Films), Australia/New Zealand (Palace Entertainment), China (Huanxi), Taiwan (Hooray Films), South Korea (Choix Pictures), and Indonesia (Falcon).
Discussions are ongoing with buyers in the U.S., the U.K., Japan, Israel and Poland.
Haut et Court will release the film in France on March 9.
Pamela Leu, the film’s sales agent at Be For Films, said: “After the premiere on the Lido, I was thrilled to discover with emotion so many people could...
- 10/7/2021
- by Leo Barraclough and Elsa Keslassy
- Variety Film + TV
Updated with full winners list: French-Lebanese filmmaker Audrey Diwan has become the sixth female director to win the Venice Film Festival’s top prize, the Golden Lion, with her 1963-set abortion drama L’Evénement (Happening). She’s also the second in a row after Chloé Zhao took last year’s Lion with Nomadland.
An emotional Diwan said Saturday: “I did this movie with anger. I did it with desire, also my heart and my head. I wanted Happening to be an experience, a journey in the skin of this young woman.”
In the film, Anne (Anamaria Vartolomei) is a bright young student with a promising future ahead of her. But when she becomes pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain,...
An emotional Diwan said Saturday: “I did this movie with anger. I did it with desire, also my heart and my head. I wanted Happening to be an experience, a journey in the skin of this young woman.”
In the film, Anne (Anamaria Vartolomei) is a bright young student with a promising future ahead of her. But when she becomes pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her belly growing, Anne resolves to act, even if she has to confront shame and pain,...
- 9/11/2021
- by Nancy Tartaglione
- Deadline Film + TV
The Venice Film Festival unveiled its award winners on Saturday night, and Jane Campion, Penélope Cruz and Maggie Gyllenhaal are among the award winners for the top prizes.
“Happening,” a French abortion drama from director Audrey Diwan, won the Golden Lion, and Paolo Sorrentino’s film “The Hand of God” won the second place prize, or the Silver Lion.
In the acting categories, Penélope Cruz won Best Actress for Pedro Almodovar’s “Parallel Mothers,” and John Arcilla won Best Actor for “On the Job: The Missing 8.” Jane Campion won the Silver Lion for Best Director for her film “The Power of the Dog.”
Among some of the other winners, Maggie Gyllenhaal won Best Screenplay for her adaptation of the Elena Ferrante novel “The Lost Daughter.” Gyllenhaal praised Campion and spoke about how watching “The Piano” inspired her as a storyteller. “The Hand of God” star Filippo Scotti also won the...
“Happening,” a French abortion drama from director Audrey Diwan, won the Golden Lion, and Paolo Sorrentino’s film “The Hand of God” won the second place prize, or the Silver Lion.
In the acting categories, Penélope Cruz won Best Actress for Pedro Almodovar’s “Parallel Mothers,” and John Arcilla won Best Actor for “On the Job: The Missing 8.” Jane Campion won the Silver Lion for Best Director for her film “The Power of the Dog.”
Among some of the other winners, Maggie Gyllenhaal won Best Screenplay for her adaptation of the Elena Ferrante novel “The Lost Daughter.” Gyllenhaal praised Campion and spoke about how watching “The Piano” inspired her as a storyteller. “The Hand of God” star Filippo Scotti also won the...
- 9/11/2021
- by Brian Welk
- The Wrap
On a strong night for female filmmakers and Netflix releases, the Venice Film Festival has come to a close with a curveball, as breakout French director Audrey Diwan’s powerful abortion drama “Happening” beat big-name competition to the Golden Lion for best film. Diwan received the award from a jury presided over by Oscar-winning filmmaker Bong Joon-ho.
Also on the jury, significantly, was last year’s Golden Lion champ, “Nomadland” director Chloé Zhao. Diwan is only the sixth woman ever to take the festival’s top award; never before has the prize gone to female directors two years in a row. Coming on the heels of her compatriot Julia Ducournau’s groundbreaking Palme d’Or win at Cannes for “Titane,” Diwan’s triumph further points to an exciting new generation of female auteurs seizing the spotlight.
Among the films Diwan’s film beat to the punch were Netflix’s three big hopefuls from the competition,...
Also on the jury, significantly, was last year’s Golden Lion champ, “Nomadland” director Chloé Zhao. Diwan is only the sixth woman ever to take the festival’s top award; never before has the prize gone to female directors two years in a row. Coming on the heels of her compatriot Julia Ducournau’s groundbreaking Palme d’Or win at Cannes for “Titane,” Diwan’s triumph further points to an exciting new generation of female auteurs seizing the spotlight.
Among the films Diwan’s film beat to the punch were Netflix’s three big hopefuls from the competition,...
- 9/11/2021
- by Guy Lodge
- Variety Film + TV
You have expression in English, 'When it rains, it pours'. And I think that's the kind of situation she's in. We all live out at one point in our life, this kind of situation. Full Time follows a handful of days in the life of single mum Julie (Laure Calamy), who finds herself at the centre of a perfect storm of mini-crises. She's living in the countryside with two young children and travelling up to Paris for her job as head chambermaid at a posh hotel every day, while hoping an interview for a job more suited to her skills will come off. Everything is complicated by logistical problems caused by a transport strike and protests - deliberately reminiscent of the gilet jaunes/yellow vests - and cash flow problems because her ex has missed his alimony payments. French-Canadian director Eric Gravel's drama grips from the start as we...
- 9/7/2021
- by Amber Wilkinson
- eyeforfilm.co.uk
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