A Prince, the second narrative feature from French director Pierre Creton, is rather strange. There is a chorus of narrators for a quiet film. This movie is obsessed with sex, yet almost frighteningly unsexy. A Prince defies comprehensible storytelling and the laws of nature. And despite all of Creton’s formal efforts to make this film nearly unwatchable, A Prince is also quite beautiful.
As much as A Prince is about anything, it is about various residents in a rural French village. We open on Françoise (Manon Schaap), the woman in charge of the local trade school. Françoise speaks mostly about her adoptive son, Kutta, whose existence dangles enigmatically over the entire narrative. (Her narration is voiced by Françoise Lebru.) This isn’t really Françoise or Kutta’s story, though––at least the film doesn’t focus on them. It focuses primarily on Pierre-Jean (played mostly by Antoine Pirotte), who...
As much as A Prince is about anything, it is about various residents in a rural French village. We open on Françoise (Manon Schaap), the woman in charge of the local trade school. Françoise speaks mostly about her adoptive son, Kutta, whose existence dangles enigmatically over the entire narrative. (Her narration is voiced by Françoise Lebru.) This isn’t really Françoise or Kutta’s story, though––at least the film doesn’t focus on them. It focuses primarily on Pierre-Jean (played mostly by Antoine Pirotte), who...
- 9/29/2023
- by Lena Wilson
- The Film Stage
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