Chicago – For film lovers unable to attend international film festivals, “Paris, je t’aime” provided an irresistible glimpse at world cinema. Eighteen celebrated filmmakers were each recruited to make a short subject set in the City of Love, thus allowing audiences to view the same town from different cultural perspectives. Some shorts worked better than others, but the resounding majority of them were utterly captivating.
It’s great to see this cinematic experiment continue with “New York, I Love You,” despite the fact that it isn’t anywhere near as artistically stimulating or dramatically satisfying as its predecessor. There’s only ten filmmakers this time, excluding Randy Balsmeyer, who handles the transitions. While “Paris” included Gus Van Sant, Alfonso Cuaron and the Coen brothers, “New York” offers directors like Shekhar Kapur (“Elizabeth”), Allen Hughes (“The Book of Eli”) and Brett Ratner (“Rush Hour”), whose very name inspires derisive laughter amongst film purists.
It’s great to see this cinematic experiment continue with “New York, I Love You,” despite the fact that it isn’t anywhere near as artistically stimulating or dramatically satisfying as its predecessor. There’s only ten filmmakers this time, excluding Randy Balsmeyer, who handles the transitions. While “Paris” included Gus Van Sant, Alfonso Cuaron and the Coen brothers, “New York” offers directors like Shekhar Kapur (“Elizabeth”), Allen Hughes (“The Book of Eli”) and Brett Ratner (“Rush Hour”), whose very name inspires derisive laughter amongst film purists.
- 2/5/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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