Fear City
Written by Nicholas St. John
Directed by Abel Ferrara
USA, 1984
New York City holds a large cinematic history of being a hotspot for noirish sleaze, a stage for a morally ambiguous society held together by a justice system without empathy or remorse. The playground was manifested in Martin Scorsese’s Taxi Driver as a window to the subversive end to the American Dream, a place underneath the hopeful symbols of the Empire State Building and the Statue of Liberty. The apocalyptic mood of Scorsese’s revelation was transplanted into the works of Abel Ferrara, a Bronx-born local whose early focus on the deep evils of his immediate landscape labeled him a mainstay in exploitative film. After The Driller Killer (1979) and Ms. 45 (1981), Ferrara continued his narrative strength of depicting the consequences of homicidal justice-seekers with Fear City, regarded as a relative failure due to its mainstream compromises without mainstream appeal.
Written by Nicholas St. John
Directed by Abel Ferrara
USA, 1984
New York City holds a large cinematic history of being a hotspot for noirish sleaze, a stage for a morally ambiguous society held together by a justice system without empathy or remorse. The playground was manifested in Martin Scorsese’s Taxi Driver as a window to the subversive end to the American Dream, a place underneath the hopeful symbols of the Empire State Building and the Statue of Liberty. The apocalyptic mood of Scorsese’s revelation was transplanted into the works of Abel Ferrara, a Bronx-born local whose early focus on the deep evils of his immediate landscape labeled him a mainstay in exploitative film. After The Driller Killer (1979) and Ms. 45 (1981), Ferrara continued his narrative strength of depicting the consequences of homicidal justice-seekers with Fear City, regarded as a relative failure due to its mainstream compromises without mainstream appeal.
- 1/23/2014
- by Zach Lewis
- SoundOnSight
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