Martin Connor has won best editing in a feature film award at the Australian Screen Editors Awards held over the weekend.
Connor won for his work on Burning Man, directed by Jonathan Teplitzky. The film is constructed with a non-linear storyline.
Connor and Burning Man beat Jill Bilcock for Mental, Dany Cooper for The Sapphires and Jason Ballantine for Wish You Were Here. Read the full list of nominees.
Roberta Horslie was honoured with a lifetime membership, while Sally Fryer and Lawrence Silvstrin were both accredited with Ase titles.
In the advertising category, Drew Thompson won for his edit of the Volkswagen Tiguan’s commercial, Cross Country.
Full list of winners:
Best Editing, Open Content
Event Zero – Episode 4, Julian Harvey
Best Editing in a Short Film
The Wilding, Anthony Cox
Best Editing in a Music Video
‘Bird on the Buffalo’ – Angus Stone, Peter Barton
Best Editing in a Commercial
Volkswagen...
Connor won for his work on Burning Man, directed by Jonathan Teplitzky. The film is constructed with a non-linear storyline.
Connor and Burning Man beat Jill Bilcock for Mental, Dany Cooper for The Sapphires and Jason Ballantine for Wish You Were Here. Read the full list of nominees.
Roberta Horslie was honoured with a lifetime membership, while Sally Fryer and Lawrence Silvstrin were both accredited with Ase titles.
In the advertising category, Drew Thompson won for his edit of the Volkswagen Tiguan’s commercial, Cross Country.
Full list of winners:
Best Editing, Open Content
Event Zero – Episode 4, Julian Harvey
Best Editing in a Short Film
The Wilding, Anthony Cox
Best Editing in a Music Video
‘Bird on the Buffalo’ – Angus Stone, Peter Barton
Best Editing in a Commercial
Volkswagen...
- 12/10/2012
- by Colin Delaney
- Encore Magazine
The Australian Screen Editors’ Guild has added a new category to include online and new content streams to its awards night and announced the nominees for the 2012 Ase Awards.
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
The announcement:
The Australian Screen Editors’ (Ase) Guild is dedicated to the pursuit and recognition of excellence in screen editing across all its forms. It aims to highlight the often invisible art of editing to the public while supporting the people who construct our screen narratives frame by frame.
In 2012 the Ase expanded its activities by opening a new Committee in Brisbane, growing the membership base already established in Sydney, Melbourne, Perth and Adelaide, and expanding its year-round program of seminars, screenings, masterclasses, training days and mentorships. This year the Ase also celebrated its 10th anniversary of Accreditation, the highest honour the Guild can bestow on an editor.
The culmination of the Guild’s year happens at the annual Ase Awards,...
- 11/14/2012
- by Colin Delaney
- Encore Magazine
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