DC Studios and Fathom Events are collaborating on the theatrical release of the acclaimed documentary “Super/Man: The Christopher Reeve Story.” The film, which DC Studios, HBO Documentary Films and CNN Films acquired out of the Sundance Film Festival this year, will debut in cinemas across the U.S. on Saturday, September 21, 2024.
There will be an encore presentation on September 25, Reeve’s birthday. Visit Fathom Events for further information and participating theaters. The film’s international theatrical rollout will follow.
Jeff Goldstein, President of Domestic Distribution, Warner Bros. Pictures, stated, “On behalf of not only Warner Bros., but also my colleagues at DC, HBO and CNN, it’s an honor to be a part of bringing Christopher Reeve and his singular legacy to audiences again. It was at this very studio where he made us all believe a man could fly, and this documentary reveals what made him a true hero,...
There will be an encore presentation on September 25, Reeve’s birthday. Visit Fathom Events for further information and participating theaters. The film’s international theatrical rollout will follow.
Jeff Goldstein, President of Domestic Distribution, Warner Bros. Pictures, stated, “On behalf of not only Warner Bros., but also my colleagues at DC, HBO and CNN, it’s an honor to be a part of bringing Christopher Reeve and his singular legacy to audiences again. It was at this very studio where he made us all believe a man could fly, and this documentary reveals what made him a true hero,...
- 5/20/2024
- by Michelle McCue
- WeAreMovieGeeks.com
DC Studios co-head Peter Safran told CinemaCon attendees Tuesday that Warner Bros’ Sundance acquisition Super/Man: The Christopher Reeve Story is getting a September theatrical release.
No exact date was specified.
Safran showed a moving trailer involving Reeve’s son’s distress after the horse accident that left the actor paralyzed, the actor’s connection to pal Robin Williams, and his prep for his role as the Man of Steel in the 1978 Richard Donner classic Superman.
Warners snapped up the documentary for $15 million out of Park City festival as Deadline first told you.
Super/Man is directed by Ian Bonhote and Peter Ettedgui; they also co-wrote it with Otto Burnham. The film is backed by Words + Pictures (a North Road company), Passion Pictures and Misfits Entertainment.
The docu features never-before-seen home movies and personal archives to reveal how Reeve went from unknown actor to iconic movie star as the ultimate screen superhero.
No exact date was specified.
Safran showed a moving trailer involving Reeve’s son’s distress after the horse accident that left the actor paralyzed, the actor’s connection to pal Robin Williams, and his prep for his role as the Man of Steel in the 1978 Richard Donner classic Superman.
Warners snapped up the documentary for $15 million out of Park City festival as Deadline first told you.
Super/Man is directed by Ian Bonhote and Peter Ettedgui; they also co-wrote it with Otto Burnham. The film is backed by Words + Pictures (a North Road company), Passion Pictures and Misfits Entertainment.
The docu features never-before-seen home movies and personal archives to reveal how Reeve went from unknown actor to iconic movie star as the ultimate screen superhero.
- 4/9/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Less than a week after we reported on Warner Bros. Discovery’s circling of buzzy Sundance documentary Super/Man: The Christopher Reeve Story, the studio has closed the deal valued at $15M, Deadline has learned, acquiring worldwide rights to the pic, which was one of the most buzzed-about titles of this year’s festival.
Wbd’s DC Studios, Warner Bros. Motion Pictures, HBO, CNN Films and Max jointly sought out the project and will collaborate on the film’s global release across theatrical and home viewing release windows. Super/Man‘s deal with the studio was natural given that it’s the home of the Superman films, which shot Reeve to stardom, before the tragic horse riding accident that left him a quadriplegic dependent on a ventilator to breathe.
“Everyone at Warner Bros. Discovery is incredibly proud to come together as one company to partner with Christopher Reeve’s family and...
Wbd’s DC Studios, Warner Bros. Motion Pictures, HBO, CNN Films and Max jointly sought out the project and will collaborate on the film’s global release across theatrical and home viewing release windows. Super/Man‘s deal with the studio was natural given that it’s the home of the Superman films, which shot Reeve to stardom, before the tragic horse riding accident that left him a quadriplegic dependent on a ventilator to breathe.
“Everyone at Warner Bros. Discovery is incredibly proud to come together as one company to partner with Christopher Reeve’s family and...
- 2/2/2024
- by Matt Grobar
- Deadline Film + TV
Exclusive: In a deal that when closed will be worth $15 million, Warner Bros Discovery has emerged as frontrunner to land the Sundance buzz title documentary Super/Man: The Christopher Reeve Story, sources said. The inspirational film is about the late actor best known for playing the Man of Steel. Docu’s focus is on how he found strength and purpose through activism after he was paralyzed in an equestrian accident. I believe that puts the film in precedent setting territory for a docu launched at Sundance. Numerous bidders have been in the mix, but I hear it’s likely to land at the home of the Superman film franchise.
The Sundance docu category is on fire, as numerous bidders also chase Will & Harper, the road trip between Will Ferrell and Harper Steele, after the latter surprised his pal he’d come out as a trans woman.
Super/Man is directed by Ian Bonhote,...
The Sundance docu category is on fire, as numerous bidders also chase Will & Harper, the road trip between Will Ferrell and Harper Steele, after the latter surprised his pal he’d come out as a trans woman.
Super/Man is directed by Ian Bonhote,...
- 1/27/2024
- by Mike Fleming Jr
- Deadline Film + TV
We look at famous actors as role models, tending to see their personal lives as soap opera, as projection, as aspiration. But the story of Christopher Reeve is different. His life became a parable. It began with the fact that he was Superman — and I don’t just mean that he played Superman. For millions, he fused with that role in a special way. After nearly five decades of comic-book movies, Reeve’s Man of Steel — the chiseled handsome-hawk profile, the fleet muscularity, the helmet of black hair with its forehead curl just so, the true-blue nobility of his eyes — made him the only actor I’ve ever seen play a superhero who truly seemed like a pop god who’d just stepped out of the comic books. He was so perfect that he could have been drawn by Roy Lichtenstein.
It was, in part, because Reeve’s Superman was so indelible,...
It was, in part, because Reeve’s Superman was so indelible,...
- 1/23/2024
- by Owen Gleiberman
- Variety Film + TV
Archival footage and previously unseen home movies lend a new perspective of Christopher Reeve’s rise to stardom in Super/Man: The Christopher Reeve Story. Editor Otto Burnham shares his approach to cutting Ian Bonhôte and Peter Ettedgui’s doc, which makes it Sundance 2024 debut in the festival’s Premieres section. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Burnham: I was rollerblading badly in East London on a bright, chilly January […]
The post “How You Bring a Story to Life Is Just a Question of Your Imagination”: Editor Otto Burnham on Super/Man: The Christopher Reeve Story first appeared on Filmmaker Magazine.
The post “How You Bring a Story to Life Is Just a Question of Your Imagination”: Editor Otto Burnham on Super/Man: The Christopher Reeve Story first appeared on Filmmaker Magazine.
- 1/23/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Archival footage and previously unseen home movies lend a new perspective of Christopher Reeve’s rise to stardom in Super/Man: The Christopher Reeve Story. Editor Otto Burnham shares his approach to cutting Ian Bonhôte and Peter Ettedgui’s doc, which makes it Sundance 2024 debut in the festival’s Premieres section. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Burnham: I was rollerblading badly in East London on a bright, chilly January […]
The post “How You Bring a Story to Life Is Just a Question of Your Imagination”: Editor Otto Burnham on Super/Man: The Christopher Reeve Story first appeared on Filmmaker Magazine.
The post “How You Bring a Story to Life Is Just a Question of Your Imagination”: Editor Otto Burnham on Super/Man: The Christopher Reeve Story first appeared on Filmmaker Magazine.
- 1/23/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Underdog “King Richard” (Warner Bros.) beat the higher profile “Dune” (Warner Bros.) and “The Power of the Dog” (Netflix) for drama film editing honors at the 72nd Annual Ace Eddie Awards. The live ceremony was held Saturday at the Ace Hotel. Likewise, “Tick Tick Boom” (Netflix) prevailed over the favored “Don’t Look Up” (Netflix) in the film comedy category. Other winners included Oscar favorites “Encanto” (Disney) and “Summer of Soul” (Searchlight Pictures) for animated feature and documentary, and “Oslo” (HBO Films) for non-theatrical feature.
On the TV side, “Succession” (HBO), “Mare of Easttown” (HBO), “The Beatles: Get Back” (Disney+), “Kevin Can F**k Himself” (AMC), “Hacks” (HBO Max), and “Bob’s Burgers” (Fox) were the big winners for drama, limited series, documentary non-theatrical, multi-camera and single-camera comedy series, and non-theatrical animation, respectively. Editors Lillian E. Benson (“Eyes on the Prize”), the first woman of color to join the American Cinema Editors Society,...
On the TV side, “Succession” (HBO), “Mare of Easttown” (HBO), “The Beatles: Get Back” (Disney+), “Kevin Can F**k Himself” (AMC), “Hacks” (HBO Max), and “Bob’s Burgers” (Fox) were the big winners for drama, limited series, documentary non-theatrical, multi-camera and single-camera comedy series, and non-theatrical animation, respectively. Editors Lillian E. Benson (“Eyes on the Prize”), the first woman of color to join the American Cinema Editors Society,...
- 3/6/2022
- by Bill Desowitz
- Indiewire
“King Richard” editor Pamela Martin topped the dramatic feature editing category at the American Cinema Editors 72nd Ace Eddie Awards, while “Tick, Tick … Boom!’s” Myron Kerstein and Andrew Weisblum won the category for best edited comedic feature during Saturday’s in-person ceremony at the Ace Hotel in Los Angeles.
“It’s a great honor to be recognized by my peers, most importantly,” Martin told Variety before the ceremony. “I’m over the moon and I’m so grateful to be in such wonderful, talented company from the other nominees.”
Michelle Statter accepted the prestigious Ace Golden Eddie Award — recognizing an artist or company for distinguished achievement in film — on behalf of The Sundance Institute. Film editors Lillian E. Benson, ACE and Richard Chew, ACE received Career Achievement Awards for their outstanding contributions to film editing. The event was hosted by DJ Lance Rock and presided over by ACE President Kevin Tent,...
“It’s a great honor to be recognized by my peers, most importantly,” Martin told Variety before the ceremony. “I’m over the moon and I’m so grateful to be in such wonderful, talented company from the other nominees.”
Michelle Statter accepted the prestigious Ace Golden Eddie Award — recognizing an artist or company for distinguished achievement in film — on behalf of The Sundance Institute. Film editors Lillian E. Benson, ACE and Richard Chew, ACE received Career Achievement Awards for their outstanding contributions to film editing. The event was hosted by DJ Lance Rock and presided over by ACE President Kevin Tent,...
- 3/6/2022
- by Jazz Tangcay
- Variety Film + TV
“King Richard” and “tick, tick…Boom!” have been named the best-edited feature films of 2021 by the American Cinema Editors, which held its annual Ace-Eddie Awards on Saturday at, appropriately enough, the Ace Hotel in downtown Los Angeles.
“King Richard” beat fellow Oscar nominees “Dune” (the presumed favorite) and “The Power of the Dog” to win in the drama category, while “tick, tick…Boom!” beat the Oscar-nominated “Don’t Look Up” in the comedy category.
In the 22 years since Ace split its film award into separate drama and comedy categories, one of its winners has gone on to win the Oscar for Best Film Editing 15 times. All but one of those wins have come in the drama category. Last year’s winner, “The Trial of the Chicago 7,” lost the Oscar to “Sound of Metal.”
In the documentary categories, music docs ruled, with “Summer of Soul” taking the prize for documentary feature...
“King Richard” beat fellow Oscar nominees “Dune” (the presumed favorite) and “The Power of the Dog” to win in the drama category, while “tick, tick…Boom!” beat the Oscar-nominated “Don’t Look Up” in the comedy category.
In the 22 years since Ace split its film award into separate drama and comedy categories, one of its winners has gone on to win the Oscar for Best Film Editing 15 times. All but one of those wins have come in the drama category. Last year’s winner, “The Trial of the Chicago 7,” lost the Oscar to “Sound of Metal.”
In the documentary categories, music docs ruled, with “Summer of Soul” taking the prize for documentary feature...
- 3/6/2022
- by Steve Pond
- The Wrap
The American Cinema Editors (Ace) has nominated “Belfast,” “Dune,” “King Richard,” “No Time to Die” and “The Power of the Dog” in the category of feature film drama at the 72nd annual Ace Eddie Awards.
In the best edited comedic feature category, “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “Tick, Tick…Boom!” all received nominations.
Among the animated features nominated were “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.” The TV nominees include “Succession” and “The White Lotus.”
The Eddies are considered a precursor for the best picture and best editing categories at the Oscars. Five of the past 11 winners for best edited drama feature went on to win the film editing Oscar.
Since 1961, only 10 women have won in the best edited drama feature category. This year, there are two women who made the cut: Pamela Martin (“King Richard”) and...
In the best edited comedic feature category, “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “Tick, Tick…Boom!” all received nominations.
Among the animated features nominated were “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.” The TV nominees include “Succession” and “The White Lotus.”
The Eddies are considered a precursor for the best picture and best editing categories at the Oscars. Five of the past 11 winners for best edited drama feature went on to win the film editing Oscar.
Since 1961, only 10 women have won in the best edited drama feature category. This year, there are two women who made the cut: Pamela Martin (“King Richard”) and...
- 1/27/2022
- by Jazz Tangcay
- Variety Film + TV
The American Cinema Editors has spliced together the nominees for its 72nd annual Ace Eddie Awards.
The editors behind Belfast, Dune, King Richard, No Time to Die and The Power of the Dog will compete for Best Edited Dramatic Feature Film. Up for Comedy Feature are Cruella, Don’t Look Up, The French Dispatch, Licorice Pizza and tick, tick…Boom! The Animated Feature race will be among Encanto, Luca, The Mitchells vs. the Machines, Raya and the Last Dragon
and Sing 2.
Vying in the Documentary Feature competition are Flee, The Rescue, Summer of Soul, Val and The Velvet Underground. See the full list of the Eddie Award nominations below.
Trophies will be presented during the guild’s awards ceremony on March 5 at the Theatre at the Ace Hotel in Los Angeles. The half-capacity show originally was set for February 26.
A highlight on the TV side is Kevin Can F**k Himself,...
The editors behind Belfast, Dune, King Richard, No Time to Die and The Power of the Dog will compete for Best Edited Dramatic Feature Film. Up for Comedy Feature are Cruella, Don’t Look Up, The French Dispatch, Licorice Pizza and tick, tick…Boom! The Animated Feature race will be among Encanto, Luca, The Mitchells vs. the Machines, Raya and the Last Dragon
and Sing 2.
Vying in the Documentary Feature competition are Flee, The Rescue, Summer of Soul, Val and The Velvet Underground. See the full list of the Eddie Award nominations below.
Trophies will be presented during the guild’s awards ceremony on March 5 at the Theatre at the Ace Hotel in Los Angeles. The half-capacity show originally was set for February 26.
A highlight on the TV side is Kevin Can F**k Himself,...
- 1/27/2022
- by Erik Pedersen
- Deadline Film + TV
Beginning not least with the cancellation of the Olympic Games in Japan, 2020 has been a year unprecedentedly devoid of sporting events. Though there’s been a slow return to normal there’s still no live audience, stadiums are mostly empty, and many athletes were left to hang up hopes after endless training. Enter “Rising Phoenix,” “McQueen” team Ian Bonhôte and Peter Ettedgui’s . While it doesn’t capture the same excitement of a live competition, the filmmakers damn well try, intercutting intelligently art-designed interviews with flashy visual symbolism, ethereal reenactments, and frequently nail-shredding archival footage from Paralympic Games of the past.
Narrated by Paralympics advocate Prince Harry, “Rising Phoenix” will probably introduce you to some of the Paralympics’ most famous figures, and the disabilities that have become a tremendous asset in their respective fields, from skiing while blind and fencing in a wheelchair. You may recognize Tatyana McFadden, a Russian-American Paralympic celebrity who,...
Narrated by Paralympics advocate Prince Harry, “Rising Phoenix” will probably introduce you to some of the Paralympics’ most famous figures, and the disabilities that have become a tremendous asset in their respective fields, from skiing while blind and fencing in a wheelchair. You may recognize Tatyana McFadden, a Russian-American Paralympic celebrity who,...
- 8/27/2020
- by Ryan Lattanzio
- Indiewire
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