The editor-in-chief at GQ who was involved in the decision to pull an article critical about Warner Bros. Discovery CEO David Zaslav is also producing a movie at Warner Bros. Pictures, according to a new report by Variety.
On Monday, GQ ran a story by freelance film critic Jason Bailey titled “How Warner Bros. Discovery CEO David Zaslav Became Public Enemy Number One in Hollywood.” As The Washington Post detailed earlier today, the article was edited from its original version and later pulled after Bailey asked for his byline to be removed from it. The Post reported that the decision to edit the piece came after individuals at Warner Bros. Discovery complained to the magazine about the story, which in its original version compared Zaslav to “Succession” character Logan Roy and to Richard Gere’s businessman character in “Pretty Woman.”
However, as Variety reported, one of the individuals contacted was reportedly GQ Editor-in-Chief Will Welch,...
On Monday, GQ ran a story by freelance film critic Jason Bailey titled “How Warner Bros. Discovery CEO David Zaslav Became Public Enemy Number One in Hollywood.” As The Washington Post detailed earlier today, the article was edited from its original version and later pulled after Bailey asked for his byline to be removed from it. The Post reported that the decision to edit the piece came after individuals at Warner Bros. Discovery complained to the magazine about the story, which in its original version compared Zaslav to “Succession” character Logan Roy and to Richard Gere’s businessman character in “Pretty Woman.”
However, as Variety reported, one of the individuals contacted was reportedly GQ Editor-in-Chief Will Welch,...
- 7/5/2023
- by Brian Welk
- Indiewire
On July 3, GQ.com rolled out a hot-take story titled “How Warner Bros. Discovery CEO David Zaslav Became Public Enemy Number One in Hollywood.” The piece, which was written by freelance film critic Jason Bailey and slammed Zaslav as a Logan Roy-esque mogul, quickly disappeared from GQ’s website, while a new, more friendly version popped up with a separate URL. That version, too, vanished not long after, leaving readers puzzled.
But did a GQ editor’s relationship with Warner Bros. play a role in the softening and ultimate removal of the story?
GQ editor-in-chief Will Welch is producing a movie at Warner Bros. titled “The Great Chinese Art Heist,” which is based on a 2018 GQ article by Alex W. Palmer. Jon M. Chu (“Crazy Rich Asians”) is attached to direct and produce the film, which chronicles an audacious European museum crime wave that targeted Chinese antiquities. The project already...
But did a GQ editor’s relationship with Warner Bros. play a role in the softening and ultimate removal of the story?
GQ editor-in-chief Will Welch is producing a movie at Warner Bros. titled “The Great Chinese Art Heist,” which is based on a 2018 GQ article by Alex W. Palmer. Jon M. Chu (“Crazy Rich Asians”) is attached to direct and produce the film, which chronicles an audacious European museum crime wave that targeted Chinese antiquities. The project already...
- 7/5/2023
- by Tatiana Siegel
- Variety Film + TV
Stars: Jo Koy, Lydia Gaston, Brandon Wardell, Eva Noblezada, Carly Pope | Written by Kate Angelo, Ken Cheng | Directed by Jay Chandrasekhar
A man returns home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to the Filipino-American community.
Jay Chandrasekhar‘s Easter Sunday is definitely a promising step forward when it comes to significant diversity in the film industry, but that’s almost everything it has going for it. This is an extremely slow-paced and outrageously unfunny comedy that fails at its number one goal – making audiences laugh.
This is a film that prides itself on being an incredibly upbeat, feel-good comedy that’ll inspire you to be closer to your family and love one another. Maybe some viewers will leave the theatre feeling more appreciation for their loved ones, but more than likely, most audiences are just going to leave the...
A man returns home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to the Filipino-American community.
Jay Chandrasekhar‘s Easter Sunday is definitely a promising step forward when it comes to significant diversity in the film industry, but that’s almost everything it has going for it. This is an extremely slow-paced and outrageously unfunny comedy that fails at its number one goal – making audiences laugh.
This is a film that prides itself on being an incredibly upbeat, feel-good comedy that’ll inspire you to be closer to your family and love one another. Maybe some viewers will leave the theatre feeling more appreciation for their loved ones, but more than likely, most audiences are just going to leave the...
- 8/25/2022
- by Caillou Pettis
- Nerdly
Click here to read the full article.
When Easter Sunday writer Ken Cheng recalls how the Universal film got to the big screen, the story feels oddly similar to the movie itself: celebrity cameos, narrative turns and lots of food.
“The movie’s origin story starts at a very Asian place — around food. Jo Koy and Dan Lin, the primary producer on the movie, just randomly met at a sushi bar, struck up a conversation and decided they would love to work together,” Cheng tells The Hollywood Reporter. “Sort of simultaneous to that, Steven Spielberg while on break from shooting West Side Story, is just hanging out in his trailer and turns on Jo Koy’s Netflix comedy special and falls in love with it.”
The screenwriter says that soon after, Spielberg emailed the entire Amblin partners and family entertainment staff, expressing his desire to work with Koy, resulting in a meeting between the three.
When Easter Sunday writer Ken Cheng recalls how the Universal film got to the big screen, the story feels oddly similar to the movie itself: celebrity cameos, narrative turns and lots of food.
“The movie’s origin story starts at a very Asian place — around food. Jo Koy and Dan Lin, the primary producer on the movie, just randomly met at a sushi bar, struck up a conversation and decided they would love to work together,” Cheng tells The Hollywood Reporter. “Sort of simultaneous to that, Steven Spielberg while on break from shooting West Side Story, is just hanging out in his trailer and turns on Jo Koy’s Netflix comedy special and falls in love with it.”
The screenwriter says that soon after, Spielberg emailed the entire Amblin partners and family entertainment staff, expressing his desire to work with Koy, resulting in a meeting between the three.
- 8/20/2022
- by Abbey White
- The Hollywood Reporter - Movie News
Click here to read the full article.
On Aug. 2, hours after Janet Yang was elected as the new president of the Film Academy — becoming the first Asian person to hold the position — Universal hosted the premiere for Jo Koy’s Filipino American family comedy, Easter Sunday, where insiders cheered the historic news.
“I’m so proud of her,” producer Dan Lin told THR of his friend, who was honored at the Academy Museum with a pillar dedication in June. “It is historic on so many levels, but I think she’s a fantastic choice given all of the turmoil that the Academy’s gone through. She’s the leader we need.”
Yang, whose producing credits include The Joy Luck Club and The People vs. Larry Flynt, is known as a godmother to Asian Americans working in Hollywood. Easter Sunday writer and EP Ken Cheng reported that he experienced it firsthand.
On Aug. 2, hours after Janet Yang was elected as the new president of the Film Academy — becoming the first Asian person to hold the position — Universal hosted the premiere for Jo Koy’s Filipino American family comedy, Easter Sunday, where insiders cheered the historic news.
“I’m so proud of her,” producer Dan Lin told THR of his friend, who was honored at the Academy Museum with a pillar dedication in June. “It is historic on so many levels, but I think she’s a fantastic choice given all of the turmoil that the Academy’s gone through. She’s the leader we need.”
Yang, whose producing credits include The Joy Luck Club and The People vs. Larry Flynt, is known as a godmother to Asian Americans working in Hollywood. Easter Sunday writer and EP Ken Cheng reported that he experienced it firsthand.
- 8/11/2022
- by Kirsten Chuba
- The Hollywood Reporter - Movie News
One of the most successful stand-ups in the country with multiple Netflix specials to his name, Jo Koy has entertained millions with tales of his Filipino upbringing. He regales sold-out crowds with stories of his delightful, somewhat overbearing mother, unpacks the intricacies of Filipino food and lifestyle, and analyzes the differences between various Asian cultures.
Now, he has lent his perspective to “Easter Sunday,” a new comedy starring Koy as Joe Valencia, a version of himself, who returns to the Bay Area for the eponymous holiday to deal with his extended Filipino family. It’s the first major studio comedy about a Filipino-American family featuring a nearly-all Filipino cast, and was shepherded to the screen with the help of Steven Spielberg, an avowed fan of Koy’s, whose DreamWorks Pictures co-produced the film.
Billed as a “love letter to the Filipino-American community,” “Easter Sunday” certainly earns its bona fides for...
Now, he has lent his perspective to “Easter Sunday,” a new comedy starring Koy as Joe Valencia, a version of himself, who returns to the Bay Area for the eponymous holiday to deal with his extended Filipino family. It’s the first major studio comedy about a Filipino-American family featuring a nearly-all Filipino cast, and was shepherded to the screen with the help of Steven Spielberg, an avowed fan of Koy’s, whose DreamWorks Pictures co-produced the film.
Billed as a “love letter to the Filipino-American community,” “Easter Sunday” certainly earns its bona fides for...
- 8/4/2022
- by Vikram Murthi
- Indiewire
Jo Koy can be hilarious, riotously so at times. He has no trouble filling auditoriums with his spot-on standup act. Much of what makes him so funny are his observations about his Filipino American family: his aunts, his uncles, his cousins, his sisters and, most of all, his mom. Koy’s gift for deft comedy is too easily forgotten watching the well-intentioned but underwhelming “Easter Sunday,” his first starring vehicle.
Koy plays actor Joe Valencia. Living in Los Angeles, Joe is starting to feel he’s dancing on the razor’s edge between success or failure. He’s got an agent, portrayed by the movie’s director Jay Chandrasekhar. He’s got a beer commercial with a sticky tagline — “Let’s get this party started, baybay!” — that long ago became an albatross. Strangers in stores and family members quote it at him.
When we meet him, Joe has an important audition for a TV show,...
Koy plays actor Joe Valencia. Living in Los Angeles, Joe is starting to feel he’s dancing on the razor’s edge between success or failure. He’s got an agent, portrayed by the movie’s director Jay Chandrasekhar. He’s got a beer commercial with a sticky tagline — “Let’s get this party started, baybay!” — that long ago became an albatross. Strangers in stores and family members quote it at him.
When we meet him, Joe has an important audition for a TV show,...
- 8/4/2022
- by Lisa Kennedy
- Variety Film + TV
Inside the corny chaos of the going-back-home lark “Easter Sunday,” starring comedian Jo Koy, is the point that families are messy. Of course, one doesn’t need to belong to a big Filipino clan like the movie’s onscreen Valencias to grasp that, and it’s almost quaint how that message is articulated for us at the end as some fresh bit of wisdom when, since scene one, relatives in various states of bickering aggravation have been the comedy’s go-to note.
A more lasting takeaway from “Easter Sunday” about what’s messy has to do with vehicles for stand-ups trying to break into movies. Koy, who’s been packing arenas for years with his rabbity energy and humorous windows into family eccentricities and Filipino culture, seemed as natural a fit as any to get some of his act’s lasting characters into a movie. Steven Spielberg certainly thought so...
A more lasting takeaway from “Easter Sunday” about what’s messy has to do with vehicles for stand-ups trying to break into movies. Koy, who’s been packing arenas for years with his rabbity energy and humorous windows into family eccentricities and Filipino culture, seemed as natural a fit as any to get some of his act’s lasting characters into a movie. Steven Spielberg certainly thought so...
- 8/4/2022
- by Robert Abele
- The Wrap
Click here to read the full article.
Filipino Americans receive welcome screen representation in stand-up comedian Jo Koy’s starring cinematic debut about a family holiday celebration. As well they should, since similar films have revolved around Jewish, Black, Chinese, Japanese, Greek, Italian and families of virtually every other group you can imagine. It seems only fair that Easter Sunday should provide them the opportunity to take center stage in the sort of chaotic-family-gathering comedy that simultaneously inspires howls of recognition and cringes of embarrassment.
The film, directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), revolves around Koy’s character, Joe Valencia, a struggling L.A.-based actor who’s managed to score at least one success, becoming known for the catchphrase, “Let’s get this party started!” in a beer commercial that everyone seems to have seen. Joe is now up for a starring role in a sitcom,...
Filipino Americans receive welcome screen representation in stand-up comedian Jo Koy’s starring cinematic debut about a family holiday celebration. As well they should, since similar films have revolved around Jewish, Black, Chinese, Japanese, Greek, Italian and families of virtually every other group you can imagine. It seems only fair that Easter Sunday should provide them the opportunity to take center stage in the sort of chaotic-family-gathering comedy that simultaneously inspires howls of recognition and cringes of embarrassment.
The film, directed by Jay Chandrasekhar (Super Troopers, The Dukes of Hazzard), revolves around Koy’s character, Joe Valencia, a struggling L.A.-based actor who’s managed to score at least one success, becoming known for the catchphrase, “Let’s get this party started!” in a beer commercial that everyone seems to have seen. Joe is now up for a starring role in a sitcom,...
- 8/4/2022
- by Frank Scheck
- The Hollywood Reporter - Movie News
This is it. This is pretty much the end of summer.
Sony is pulling in Bullet Train, the last big tentpole of a summer that has grossed 2.9 billion domestic through the end of July per Comscore, +142 from the same pandemic period a year ago, but off 17 from the May-July summer frame in 2019. July alone clocked 1.1 billion, the first billion dollar-plus grossing month since December 2019. However, after Bullet Train‘s start, get ready for a two-and-half month dry period that’s greatly lacking mass-appealing films, but crowded with adult counter-programming. Worldwide estimates for Bullet Train are at 60M with at least 30M stateside for the Brad Pitt starring, David Leitch directed R-rated 87 North film.
Even though the Rotten Tomatoes’ critics score is low on the film at 58, the hope is that good word of mouth off the Rt audience score will trigger an overindexing here for the feature take of Kōtarō Isaka’s 2010 thriller novel.
Sony is pulling in Bullet Train, the last big tentpole of a summer that has grossed 2.9 billion domestic through the end of July per Comscore, +142 from the same pandemic period a year ago, but off 17 from the May-July summer frame in 2019. July alone clocked 1.1 billion, the first billion dollar-plus grossing month since December 2019. However, after Bullet Train‘s start, get ready for a two-and-half month dry period that’s greatly lacking mass-appealing films, but crowded with adult counter-programming. Worldwide estimates for Bullet Train are at 60M with at least 30M stateside for the Brad Pitt starring, David Leitch directed R-rated 87 North film.
Even though the Rotten Tomatoes’ critics score is low on the film at 58, the hope is that good word of mouth off the Rt audience score will trigger an overindexing here for the feature take of Kōtarō Isaka’s 2010 thriller novel.
- 8/3/2022
- by Anthony D'Alessandro and Nancy Tartaglione
- Deadline Film + TV
He Has One Day To Keep The Family Together… Without Falling Apart! Universal Pictures Presents Acclaimed Comedian Jo Koy In Easter Sunday. Rated PG-13. Only In Theaters August 5th.
Wamg is giving away 2 free passes to the St. Louis advance screening of Easter Sunday
Date And Time:
Tues, Aug 2nd 7pm at The AMC Esquire 7
The screening will be filled on a first come first served basis, so we encourage you to arrive early. Seats will not be guaranteed. Rated R.
Enter at the link below. Winners will be selected on July 31
Sweepstakes Link: http://gofobo.com/Reccf31974
https://www.eastersundaymovie.com
Stand-up comedy sensation Jo Koy stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community.
Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere,...
Wamg is giving away 2 free passes to the St. Louis advance screening of Easter Sunday
Date And Time:
Tues, Aug 2nd 7pm at The AMC Esquire 7
The screening will be filled on a first come first served basis, so we encourage you to arrive early. Seats will not be guaranteed. Rated R.
Enter at the link below. Winners will be selected on July 31
Sweepstakes Link: http://gofobo.com/Reccf31974
https://www.eastersundaymovie.com
Stand-up comedy sensation Jo Koy stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-American community.
Easter Sunday features an all-star comedic cast that includes Jimmy O. Yang (Silicon Valley series), Tia Carrere,...
- 7/29/2022
- by Movie Geeks
- WeAreMovieGeeks.com
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