Craig Bingham’s intense short Ironstone imagines a world where to be accepted, you must take the place of someone else. It begins with us closely witnessing a young man as he psyches himself up for an unknown challenge. Bingham captures his shifting emotional state in a single take as the reality of the situation around him slowly unfolds. It’s a brooding and thrilling short film that boasts deft technical skills and equally impressive performances from Frankie Wilson (of The Souvenir and Against the Ice fame) and the rabble of baying onlookers that surround his character. You can watch Bingham’s film below and follow it up with our conversation with the director about the Yorkshire tale that inspired his film, the logistical challenge of creating an enormous hole in the ground, and the draining emotional and psychical experience of shooting the film in a single shot.
What was...
What was...
- 11/16/2022
- by James Maitre
- Directors Notes
Exclusive: Eternals and American Animals star Barry Keoghan is set to lead new UK drama-thriller Sapphire, from writer-directors Daniel and Matthew Wolfe, and Small Axe and Benediction producer Mike Elliott.
Rising Irish actor Keoghan will play a world-champion snooker player plagued by gambling addiction who escapes to China in search of a fresh start only to become indebted to illegal bookmakers and forced into a mortal dilemma; throw the biggest match of his life or save his soul.
The film is currently in pre-production with filming scheduled for fall 2021 in Taiwan. Bankside Films will launch sales at the upcoming virtual EFM.
Sapphire will mark Daniel Wolfe’s second feature after his 2014 directorial debut Catch Me Daddy, which premiered in Directors’ Fortnight at the Cannes Film Festival. The drama scored five BIFA nominations and won the Best Newcomer Award at the London Film Festival. Wolfe is also well known for his...
Rising Irish actor Keoghan will play a world-champion snooker player plagued by gambling addiction who escapes to China in search of a fresh start only to become indebted to illegal bookmakers and forced into a mortal dilemma; throw the biggest match of his life or save his soul.
The film is currently in pre-production with filming scheduled for fall 2021 in Taiwan. Bankside Films will launch sales at the upcoming virtual EFM.
Sapphire will mark Daniel Wolfe’s second feature after his 2014 directorial debut Catch Me Daddy, which premiered in Directors’ Fortnight at the Cannes Film Festival. The drama scored five BIFA nominations and won the Best Newcomer Award at the London Film Festival. Wolfe is also well known for his...
- 2/19/2021
- by Andreas Wiseman
- Deadline Film + TV
The title is well-worn, as is pretty much everything else — save for the fresh face of young, compelling lead Yiğit Ege Yazar — in “Brothers,” Turkish writer-director Ömür Atay’s cautious but finely buffed debut feature. Following a reticent teenager as he’s released from juvenile detention into a fraught, not fully welcoming family environment, Atay’s film combines familiar beats from sundry coming-of-age and life-on-the-outside dramas, though it does so with sensitivity and crisp sensory detail. Where it stumbles is in fashioning itself as a mystery of sorts, withholding the story behind the protagonist’s incarceration well past the point where it will have become obvious to most culturally attuned viewers.
Nevertheless, the topicality of that reveal — flipping the perspective of such works as Daniel Wolfe’s “Catch Me Daddy” — combined with the confident formal polish of Atay’s filmmaking should secure “Brothers” a long run of festival berths following...
Nevertheless, the topicality of that reveal — flipping the perspective of such works as Daniel Wolfe’s “Catch Me Daddy” — combined with the confident formal polish of Atay’s filmmaking should secure “Brothers” a long run of festival berths following...
- 7/4/2018
- by Guy Lodge
- Variety Film + TV
Ubisoft have released a new live action trailer, entitled “I Am”, for Assassin’s Creed Origins, directed by Daniel Wolfe. Set to Nicholas Britell‘s The Middle of the World, the trailer sets up the game, telling the story the birth of a myth, of an idea transcending men, armies and countries…
Ancient Egypt, a land of majesty and intrigue, is disappearing in a ruthless fight for power. Unveil dark secrets and forgotten myths as you go back to the one founding moment: The Origins of the Assassin’s Brotherhood. Start here, at the very beginning, with the never-before-told origin story of Assassin’s Creed. You are Bayek, protector of Egypt, whose personal story will lead to the creation of the Assassin’s Brotherhood. Uncover lost tombs and explore the pyramids. Discover the secrets of the ancient mummies, Egyptian gods, and the last pharaohs.
Assassin’s Creed Origins will be...
Ancient Egypt, a land of majesty and intrigue, is disappearing in a ruthless fight for power. Unveil dark secrets and forgotten myths as you go back to the one founding moment: The Origins of the Assassin’s Brotherhood. Start here, at the very beginning, with the never-before-told origin story of Assassin’s Creed. You are Bayek, protector of Egypt, whose personal story will lead to the creation of the Assassin’s Brotherhood. Uncover lost tombs and explore the pyramids. Discover the secrets of the ancient mummies, Egyptian gods, and the last pharaohs.
Assassin’s Creed Origins will be...
- 10/18/2017
- by Phil Wheat
- Nerdly
Titles backed by Film4 this year have a total of 15 Oscar nominations including a Best Picture and Best Director nomination and three of the five Oscar Best Actress Nominees: Cate Blanchett, Brie Larson, Charlotte Rampling. The total tally of Film4’s awards nominations and wins across the Academy, BAFTA, critics groups, guilds, etc. in 2015 to date is: 181 wins out of a total 581 nominations (95% of which were in the U.S.) across 11 films - “Room”, “Carol”, “Suffragette”, “Youth”, “The Lobster", "Ex Machina", "45 Years”, “Amy”, “Macbeth”, “Slow West”, and “Dark Horse”.
Film4 has already had two Academy Best Picture wins in recent years with "Slumdog Millionaire" and "12 Years A Slave" amid other Academy Award nominations, so we can declare they are a force to be reckoned with.
This year again they have more nominations than most Hollywood Studios! The New York based Distribution and Production Company A24 has seven nominations, and people are talking about them as serious players in the Oscar race, so let’s talk about Film4.
Film4 is known for working with the most distinctive and innovative, both new and established, talent. It develops and co-finances films and is well known for its involvement with “The Last King of Scotland” (2006), “Slumdog Millionaire” (2008), “This is England” (2006), “Seven Psychopaths” (2012), “12 Years a Slave” (2013) as well as its most recent crop of successes in the current awards season which has also already garnered a record number of BAFTA nominations this year - 22 in all.
Sue Bruce Smith is the head of distribution and brand strategy at Channel 4’s feature film division, Film4. She supports the building and financing of projects from the U.K. broadcaster. She works in some capacity across most of the Film4 slate but has been particularly associated with films like “Room”, “The Lobster”, “Slumdog Millionaire”, “The Last King of Scotland”, “Tyrannosaur”, “The Imposter” and “Le Weekend”,
Sue has been at Film4 over 12 years. Prior to this she has worked variously in U.K. distribution, broadcaster investment in film, international sales and independent production at Palace Pictures, BBC Films, Littlebird and Film4.
Sl: Can you define what exactly you do at Film4?
Sue Bruce Smith: What I do varies quite a bit from film to film. Some of the seasoned producers are more adept at finding partners and don’t need much in the way of help putting their finance together. However, we also work with emerging producers and directors who require more guidance so I am on hand to help them access the right co-production or distribution partners to ensure the film is built in the best possible way. Once the film is completed, I again get involved in the strategy for the launch of the film and I oversee the distribution activity. Protecting and maximizing the strength of our Film4 brand is a key consideration in everything I do. We are also the only free-to-air channel dedicated to film in the U.K. so this really helps define our strong brand.
Sl: How are productions greenlit at Film4?
Sue Bruce Smith:The creative and commercial team within Film4 will guide a project through development to final greenlight. David Kosse, Director of Film4 is a key part of the whole progression of the film and his final decision, based very much on the soundings he gets from his senior team, also obviously draws heavily on his valuable experience and understanding of film investment and the international marketplace. The Film4 team is a very inclusive team of about 23 people working across development, production, finance and distribution. it is also able to draw upon additional resources within the Channel4, most specifically in marketing and press.
Sl: Do you do co-productions?
Sue Bruce Smith: If you mean financial co-productions, yes lots. These tend to be U.S. set financial co-productions or they might come out of Europe. But official co-productions are relatively rare as it is more difficult and takes longer to set up. “Room”, however, was an official co-production with Telefilm Canada and “The Lobster” was the result of a wonderful collaboration of over five different European co-producers.
Sl: What sort of budget parameters do you work with?
Sue Bruce Smith: We span from the very low to sometimes quite high. We try not to limit ourselves and allow the project to find its optimum level. When we developed “Billy Lynn's Long Halftime Walk” with Ink Factory, in the course of looking for partners we found a fan in Tom Rothman who at that time was in the process of rebuilding production at TriStar and we have ended up, as a result, being involved in an Ang Lee film! However these are the exceptions and the range is usually between Us $3m to Us$15m.
Going forward, we are keen to be bolder in how Film4 invests especially when we feel a film is a potential break out. We operate a cross subsidy model where the bigger, more commercial investments allow us to generate revenue that then supports the new emerging talent. It is worth noting that absolutely everything we earn from our films goes straight back into more development and film investment.
Sl: Do you have special “strands” for particular types of films?
Sue Bruce Smith: We don’t really distinguish films in strands we just work across many levels and genres. First time filmmakers tend to have smaller budgets - around Us$3m and they are built in a slightly different way. For our larger projects I’d say our sweet spot is $10 – 15 million.
Sl: How do you find projects?
Sue Bruce Smith:: We are constantly scouting for interesting new talent, watching shorts like “Robots of Brixton” where we found Kibwe Tavares, culling talent from our TV arm (like Yann Demange who worked with us on the TV series “Top Boy” before making “'71”) from theater (Lucy Kirkwood who we are making a short film with and developing a feature), the arts (which is where Steve McQueen originated and is still very active) and writing (Alex Garland who adapted “Never Let Me Go” for us and went on to make his striking debut “Ex Machina”)
Sl: I notice you don’t do international sales like you used to in the 80s.
Sue Bruce Smith: Yes we shed the international sales division and the U.K. Distribution arm back in 2002 and brought the focus back to our core development and co-financing activities. We currently work with a wide range of sales agents like Protagonist, Hanway, Cornerstone, FilmNation, Westend, Pathe, Studio Canal, Independent and others.
Sl: In the early days in the 1980s operations were different.
Sue Bruce Smith: David Rose, in 1982, was the real visionary behind Film4. He decided Channel4 would be different from all other TV channels. Channel4 was the first U.K. broadcaster, through its film arm, Film on Four, to develop and co-finance films and, crucially, to allow these films to play in cinemas before their television transmission on Channel4. Our theatrical model became Film on Four and HBO, Sbs and Arte followed this lead. “Walter” by Stephen Frears followed this route in 1982. Frear's next film “My Beautiful Laundrette” followed shortly after in 1985
(An aside here by Sydney Levine):
If my readers will indulge me for a little history lesson in how films change with technological change, I want to point out that in the early days of home video, in 1985, Sue and I (a couple of the pioneer women in the modern business) shared in the good fortune resulting from the shift in the movie and TV business.
Working for the biggest TV production house in U.S. in the days of “Dallas”, I came to Lorimar to buy for home video, the fastest growing new technological distribution tool yet. We put up $175,000 advance to acquire home video rights to the Film4 feature “My Beautiful Laundrette” for U.S. $75,000 of that was to be used as P&A by theatrical distributor Orion Pictures Classics’ platform theatrical release – to platform first in N.Y. and L.A for critical reviews, and then, if profitable, to expand across the nation. It was the first British film to come to U.S. in many a year (except of course for the James Bond franchise). Orion Classics was headed by Michael Barker, Tom Bernard and Donna Gigliotti who paid no advance but used the P&A allotment wisely and well. It was a happy association that we shared a couple of more times before they moved on to form Sony Pictures Classics and I moved on to Republic Pictures, reconstructed by Cnb’s Russell Goldsmith, former CEO of Lorimar. This Film4 picture, “My Beautiful Laundrette” was by complete unknowns in the U.S. and was a first for us all. We did not know it would go on to gross $7 million at the box office (a huge amount at that time for an independent film) and would sell 75,000 video units (at $50 wholesale a piece = $3,750,000). We at Lorimar made a $1 million profit and overages of $1 million went to Channel 4 and $1 million went to Working Title. I got a $100 bonus, and we were all delighted. My association with Film4 was followed by many loyal and loving years and reunions, but that is another lesson.
To quote Adam P. Davies, the writer of the U.K. Film Finance Handbook 2005/6: How to Fund Your Film:
Stephen Frears’s 1985 “My Beautiful Laundrette” signalled a change in direction for the industry in that TV backed film investment started to feed local productions. The Channel4 film encouraged the broadcasters to increase investment in filmmaking over the late 80s and also launched Working Title, initially run by Tim Bevan and Sarah Radcliffe (who left in 1992 to run her own company) and later Eric Fellner, with whom Bevan runs the company today [in a longstanding deal with Universal-Focus]. Video distributor and producer Palace Pictures, run by Nik Powell and Stephen Woolley, followed the success in 1985 of Neil Jordan’s “Company of Wolves” with “Mona Lisa” in 1986. The British Film Commission launched in 1992 [when “The Crying Game” had its world success].
Sue was at Palace Productions when I was at Lorimar and Republic and our paths crossed many times and so I was quite eager to share the latest good fortune of the 2016 Academy Awards at a time when the Academy is being besieged by negative publicity. At that time, back in ’85, I suggested to Michael and Tom that they put up Daniel Day Lewis for Best Actor Nomination and as I recall, they told me British films or British actors in British films were not acceptable to the Academy, and so neither he nor the film was put up for nomination.
“My Beautiful Laundrette” obviously had Asian actors; it was about a gay skinhead and a Pakistani. Diversity was at its core, but it did not get past the British line of demarcation the Academy had drawn in ’85. Its ethnic boundaries might have existed if anyone had tried to test them but that was not even an issue in 1985. “Diversity” in those days did not exist as a word one used and the very idea of diversity was even more limited than today.
Film4 has had a key role in proactively promoting different voices and stories since the 1980s. And today diversity is a crucial consideration in the decisions Film4 makes about its developments and productions with the aim of increasing diversity across all areas of the business. They have several films currently in development with Bame writers and directors and are successfully working with many female directors such as Andrea Arnold, Debbie Tucker Green, Susanna White, Clio Bernard, Sarah Gavron and Lynne Ramsay.
In January last year parent company Channel4 launched the 360 Degree Diversity Charter which is all about a commitment to implementing diversity on and off screen and to measuring its progress. It is tied to Project Diamond, an industry-wide diversity monitoring system. Its results will be published in the next few months.
Film4 has developed and co-financed many of the most successful U.K. films of recent years, Academy Award-winners such as Steve McQueen’s "12 Years a Slave", Danny Boyle’s "Slumdog Millionaire", Phyllida Lloyd’s "The Iron Lady” and Martin McDonagh’s "In Bruges" in addition to critically-acclaimed award-winners such as Mike Leigh’s "Mr. Turner", Chris Morris’ "Four Lions", Shane Meadows’ "This is England", Ben Wheatley’s “Sightseers", Clio Barnard’s "The Selfish Giant" Jonathan Glazer’s "Under the Skin" and David Mackenzie’s "Starred Up".
Film4’s recent releases include; Lenny Abrahamson’s “Room", Todd Haynes’ “Carol", Sarah Gavron’s “Suffragette", Justin Kurzel’s “Macbeth", Yorgos Lanthimos’ "The Lobster", Asif Kapadia’s box office record breaking documentary “Amy", Andrew Haigh’s "45 Years", Alex Garland’s "Ex Machina", Paolo Sorrentino’s “Youth", Peter Strickland’s "The Duke of Burgundy", Daniel Wolfe’s "Catch Me Daddy" and John Maclean’s "Slow West".
Forthcoming releases include; Ben Wheatley’s "High-Rise" and "Free Fire", Ang Lee’s "Billy Lynn’s Long Halftime Walk", Benedict Andrews’ “Una" and Andrea Arnold’s "American Honey".
For further information visit www.film4.com/productions, but for now, here is the Cheat Sheet on Film4’s 2016 Total Oscar Nominations numbering 15. It will be at my side as I watch the Awards on February. Parenthetically, I am also looking forward to watching the fashions before the show, and inside the show, to catching that one loose cannon who will deliver the only inspirational speech in a rather inspirationless, basically boring, but still worthy traditional show.
3 of 5 Oscar Best Actress Nominees – Cate Blanchett, Brie Larson, Charlotte Rampling
Nomination tally by film:
“Room” – 4 - Picture, Actress, Director, Best Adapted Screenplay
“Carol” – 6 –Actress, Supporting Actress, Adapted Screenplay, Cinematography, Costume Design, Original Score
“Ex Machina” – 2 –Original screenplay, Visual Effects
“Amy” – 1 – Documentary Feature
“45 Years” – 1 – Actress
“Youth” – 1 – Original Song
Film4-backed films Oscar® nominations in full:
“Carol”
Actress in a Leading Role: Cate Blanchett
Actress in a Supporting Role: Rooney Mara
Adapted Screenplay: Phyllis Nagy
Achievement in Cinematography: Ed Lachman
Achievement in Music Written for Motion Pictures (Original score): Carter Burwell
Achievement in Costume Design: Sandy Powell
“Room”
Best Motion Picture of the Year: Ed Guiney
Achievement in Directing: Lenny Abrahamson
Actress in a Leading Role: Brie Larson
Adapted Screenplay: Emma Donoghue
“Ex Machina”
Original Screenplay: Alex Garland
Achievement in Visual Effects: Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
“45 Years”:
Actress in a Leading Role: Charlotte Rampling
“Youth”
Achievement in Music Written for Motion Pictures (Original song): Simple Song # 3, music and lyrics by David Lang
“Amy”
Best Documentary Feature: Asif Kapadia, James Gay-Rees...
Film4 has already had two Academy Best Picture wins in recent years with "Slumdog Millionaire" and "12 Years A Slave" amid other Academy Award nominations, so we can declare they are a force to be reckoned with.
This year again they have more nominations than most Hollywood Studios! The New York based Distribution and Production Company A24 has seven nominations, and people are talking about them as serious players in the Oscar race, so let’s talk about Film4.
Film4 is known for working with the most distinctive and innovative, both new and established, talent. It develops and co-finances films and is well known for its involvement with “The Last King of Scotland” (2006), “Slumdog Millionaire” (2008), “This is England” (2006), “Seven Psychopaths” (2012), “12 Years a Slave” (2013) as well as its most recent crop of successes in the current awards season which has also already garnered a record number of BAFTA nominations this year - 22 in all.
Sue Bruce Smith is the head of distribution and brand strategy at Channel 4’s feature film division, Film4. She supports the building and financing of projects from the U.K. broadcaster. She works in some capacity across most of the Film4 slate but has been particularly associated with films like “Room”, “The Lobster”, “Slumdog Millionaire”, “The Last King of Scotland”, “Tyrannosaur”, “The Imposter” and “Le Weekend”,
Sue has been at Film4 over 12 years. Prior to this she has worked variously in U.K. distribution, broadcaster investment in film, international sales and independent production at Palace Pictures, BBC Films, Littlebird and Film4.
Sl: Can you define what exactly you do at Film4?
Sue Bruce Smith: What I do varies quite a bit from film to film. Some of the seasoned producers are more adept at finding partners and don’t need much in the way of help putting their finance together. However, we also work with emerging producers and directors who require more guidance so I am on hand to help them access the right co-production or distribution partners to ensure the film is built in the best possible way. Once the film is completed, I again get involved in the strategy for the launch of the film and I oversee the distribution activity. Protecting and maximizing the strength of our Film4 brand is a key consideration in everything I do. We are also the only free-to-air channel dedicated to film in the U.K. so this really helps define our strong brand.
Sl: How are productions greenlit at Film4?
Sue Bruce Smith:The creative and commercial team within Film4 will guide a project through development to final greenlight. David Kosse, Director of Film4 is a key part of the whole progression of the film and his final decision, based very much on the soundings he gets from his senior team, also obviously draws heavily on his valuable experience and understanding of film investment and the international marketplace. The Film4 team is a very inclusive team of about 23 people working across development, production, finance and distribution. it is also able to draw upon additional resources within the Channel4, most specifically in marketing and press.
Sl: Do you do co-productions?
Sue Bruce Smith: If you mean financial co-productions, yes lots. These tend to be U.S. set financial co-productions or they might come out of Europe. But official co-productions are relatively rare as it is more difficult and takes longer to set up. “Room”, however, was an official co-production with Telefilm Canada and “The Lobster” was the result of a wonderful collaboration of over five different European co-producers.
Sl: What sort of budget parameters do you work with?
Sue Bruce Smith: We span from the very low to sometimes quite high. We try not to limit ourselves and allow the project to find its optimum level. When we developed “Billy Lynn's Long Halftime Walk” with Ink Factory, in the course of looking for partners we found a fan in Tom Rothman who at that time was in the process of rebuilding production at TriStar and we have ended up, as a result, being involved in an Ang Lee film! However these are the exceptions and the range is usually between Us $3m to Us$15m.
Going forward, we are keen to be bolder in how Film4 invests especially when we feel a film is a potential break out. We operate a cross subsidy model where the bigger, more commercial investments allow us to generate revenue that then supports the new emerging talent. It is worth noting that absolutely everything we earn from our films goes straight back into more development and film investment.
Sl: Do you have special “strands” for particular types of films?
Sue Bruce Smith: We don’t really distinguish films in strands we just work across many levels and genres. First time filmmakers tend to have smaller budgets - around Us$3m and they are built in a slightly different way. For our larger projects I’d say our sweet spot is $10 – 15 million.
Sl: How do you find projects?
Sue Bruce Smith:: We are constantly scouting for interesting new talent, watching shorts like “Robots of Brixton” where we found Kibwe Tavares, culling talent from our TV arm (like Yann Demange who worked with us on the TV series “Top Boy” before making “'71”) from theater (Lucy Kirkwood who we are making a short film with and developing a feature), the arts (which is where Steve McQueen originated and is still very active) and writing (Alex Garland who adapted “Never Let Me Go” for us and went on to make his striking debut “Ex Machina”)
Sl: I notice you don’t do international sales like you used to in the 80s.
Sue Bruce Smith: Yes we shed the international sales division and the U.K. Distribution arm back in 2002 and brought the focus back to our core development and co-financing activities. We currently work with a wide range of sales agents like Protagonist, Hanway, Cornerstone, FilmNation, Westend, Pathe, Studio Canal, Independent and others.
Sl: In the early days in the 1980s operations were different.
Sue Bruce Smith: David Rose, in 1982, was the real visionary behind Film4. He decided Channel4 would be different from all other TV channels. Channel4 was the first U.K. broadcaster, through its film arm, Film on Four, to develop and co-finance films and, crucially, to allow these films to play in cinemas before their television transmission on Channel4. Our theatrical model became Film on Four and HBO, Sbs and Arte followed this lead. “Walter” by Stephen Frears followed this route in 1982. Frear's next film “My Beautiful Laundrette” followed shortly after in 1985
(An aside here by Sydney Levine):
If my readers will indulge me for a little history lesson in how films change with technological change, I want to point out that in the early days of home video, in 1985, Sue and I (a couple of the pioneer women in the modern business) shared in the good fortune resulting from the shift in the movie and TV business.
Working for the biggest TV production house in U.S. in the days of “Dallas”, I came to Lorimar to buy for home video, the fastest growing new technological distribution tool yet. We put up $175,000 advance to acquire home video rights to the Film4 feature “My Beautiful Laundrette” for U.S. $75,000 of that was to be used as P&A by theatrical distributor Orion Pictures Classics’ platform theatrical release – to platform first in N.Y. and L.A for critical reviews, and then, if profitable, to expand across the nation. It was the first British film to come to U.S. in many a year (except of course for the James Bond franchise). Orion Classics was headed by Michael Barker, Tom Bernard and Donna Gigliotti who paid no advance but used the P&A allotment wisely and well. It was a happy association that we shared a couple of more times before they moved on to form Sony Pictures Classics and I moved on to Republic Pictures, reconstructed by Cnb’s Russell Goldsmith, former CEO of Lorimar. This Film4 picture, “My Beautiful Laundrette” was by complete unknowns in the U.S. and was a first for us all. We did not know it would go on to gross $7 million at the box office (a huge amount at that time for an independent film) and would sell 75,000 video units (at $50 wholesale a piece = $3,750,000). We at Lorimar made a $1 million profit and overages of $1 million went to Channel 4 and $1 million went to Working Title. I got a $100 bonus, and we were all delighted. My association with Film4 was followed by many loyal and loving years and reunions, but that is another lesson.
To quote Adam P. Davies, the writer of the U.K. Film Finance Handbook 2005/6: How to Fund Your Film:
Stephen Frears’s 1985 “My Beautiful Laundrette” signalled a change in direction for the industry in that TV backed film investment started to feed local productions. The Channel4 film encouraged the broadcasters to increase investment in filmmaking over the late 80s and also launched Working Title, initially run by Tim Bevan and Sarah Radcliffe (who left in 1992 to run her own company) and later Eric Fellner, with whom Bevan runs the company today [in a longstanding deal with Universal-Focus]. Video distributor and producer Palace Pictures, run by Nik Powell and Stephen Woolley, followed the success in 1985 of Neil Jordan’s “Company of Wolves” with “Mona Lisa” in 1986. The British Film Commission launched in 1992 [when “The Crying Game” had its world success].
Sue was at Palace Productions when I was at Lorimar and Republic and our paths crossed many times and so I was quite eager to share the latest good fortune of the 2016 Academy Awards at a time when the Academy is being besieged by negative publicity. At that time, back in ’85, I suggested to Michael and Tom that they put up Daniel Day Lewis for Best Actor Nomination and as I recall, they told me British films or British actors in British films were not acceptable to the Academy, and so neither he nor the film was put up for nomination.
“My Beautiful Laundrette” obviously had Asian actors; it was about a gay skinhead and a Pakistani. Diversity was at its core, but it did not get past the British line of demarcation the Academy had drawn in ’85. Its ethnic boundaries might have existed if anyone had tried to test them but that was not even an issue in 1985. “Diversity” in those days did not exist as a word one used and the very idea of diversity was even more limited than today.
Film4 has had a key role in proactively promoting different voices and stories since the 1980s. And today diversity is a crucial consideration in the decisions Film4 makes about its developments and productions with the aim of increasing diversity across all areas of the business. They have several films currently in development with Bame writers and directors and are successfully working with many female directors such as Andrea Arnold, Debbie Tucker Green, Susanna White, Clio Bernard, Sarah Gavron and Lynne Ramsay.
In January last year parent company Channel4 launched the 360 Degree Diversity Charter which is all about a commitment to implementing diversity on and off screen and to measuring its progress. It is tied to Project Diamond, an industry-wide diversity monitoring system. Its results will be published in the next few months.
Film4 has developed and co-financed many of the most successful U.K. films of recent years, Academy Award-winners such as Steve McQueen’s "12 Years a Slave", Danny Boyle’s "Slumdog Millionaire", Phyllida Lloyd’s "The Iron Lady” and Martin McDonagh’s "In Bruges" in addition to critically-acclaimed award-winners such as Mike Leigh’s "Mr. Turner", Chris Morris’ "Four Lions", Shane Meadows’ "This is England", Ben Wheatley’s “Sightseers", Clio Barnard’s "The Selfish Giant" Jonathan Glazer’s "Under the Skin" and David Mackenzie’s "Starred Up".
Film4’s recent releases include; Lenny Abrahamson’s “Room", Todd Haynes’ “Carol", Sarah Gavron’s “Suffragette", Justin Kurzel’s “Macbeth", Yorgos Lanthimos’ "The Lobster", Asif Kapadia’s box office record breaking documentary “Amy", Andrew Haigh’s "45 Years", Alex Garland’s "Ex Machina", Paolo Sorrentino’s “Youth", Peter Strickland’s "The Duke of Burgundy", Daniel Wolfe’s "Catch Me Daddy" and John Maclean’s "Slow West".
Forthcoming releases include; Ben Wheatley’s "High-Rise" and "Free Fire", Ang Lee’s "Billy Lynn’s Long Halftime Walk", Benedict Andrews’ “Una" and Andrea Arnold’s "American Honey".
For further information visit www.film4.com/productions, but for now, here is the Cheat Sheet on Film4’s 2016 Total Oscar Nominations numbering 15. It will be at my side as I watch the Awards on February. Parenthetically, I am also looking forward to watching the fashions before the show, and inside the show, to catching that one loose cannon who will deliver the only inspirational speech in a rather inspirationless, basically boring, but still worthy traditional show.
3 of 5 Oscar Best Actress Nominees – Cate Blanchett, Brie Larson, Charlotte Rampling
Nomination tally by film:
“Room” – 4 - Picture, Actress, Director, Best Adapted Screenplay
“Carol” – 6 –Actress, Supporting Actress, Adapted Screenplay, Cinematography, Costume Design, Original Score
“Ex Machina” – 2 –Original screenplay, Visual Effects
“Amy” – 1 – Documentary Feature
“45 Years” – 1 – Actress
“Youth” – 1 – Original Song
Film4-backed films Oscar® nominations in full:
“Carol”
Actress in a Leading Role: Cate Blanchett
Actress in a Supporting Role: Rooney Mara
Adapted Screenplay: Phyllis Nagy
Achievement in Cinematography: Ed Lachman
Achievement in Music Written for Motion Pictures (Original score): Carter Burwell
Achievement in Costume Design: Sandy Powell
“Room”
Best Motion Picture of the Year: Ed Guiney
Achievement in Directing: Lenny Abrahamson
Actress in a Leading Role: Brie Larson
Adapted Screenplay: Emma Donoghue
“Ex Machina”
Original Screenplay: Alex Garland
Achievement in Visual Effects: Andrew Whitehurst, Paul Norris, Mark Ardington and Sara Bennett
“45 Years”:
Actress in a Leading Role: Charlotte Rampling
“Youth”
Achievement in Music Written for Motion Pictures (Original song): Simple Song # 3, music and lyrics by David Lang
“Amy”
Best Documentary Feature: Asif Kapadia, James Gay-Rees...
- 2/10/2016
- by Sydney Levine
- Sydney's Buzz
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon Instant Video, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Ant-Man (Peyton Reed)
Having continually proven that they can repackage the same general structure and archetypes into their cinematic universe for increasing box-office returns, Marvel’s impetus to think completely outside the box is not strong. With varying creative results, Guardians of the Galaxy proved that the right ingredients in the formula can result in an entertaining ride, while the over-stuffed Age of Ultron did little more then exhaust.
Ant-Man (Peyton Reed)
Having continually proven that they can repackage the same general structure and archetypes into their cinematic universe for increasing box-office returns, Marvel’s impetus to think completely outside the box is not strong. With varying creative results, Guardians of the Galaxy proved that the right ingredients in the formula can result in an entertaining ride, while the over-stuffed Age of Ultron did little more then exhaust.
- 11/20/2015
- by TFS Staff
- The Film Stage
★★★★☆ The feature debut of British director Daniel Wolfe (co-written and co-shot with his brother Matt), Catch Me Daddy (2014) is a small film that has made an impressively big noise wherever it has featured. Making an impression on its world premiere 2014 Cannes Film Festival, its star Sameena Jabeen Ahmed won an award at last year's BFI London Film Festival for her portrayal of Laila, a young girl hiding out in a small Yorkshire town with her boyfriend (Connor McCarron).
- 10/6/2015
- by CineVue UK
- CineVue
Family Matters: Wolfe’s Unsettling Debut a Thriller with a Mean Streak
Premiering in the Directors’ Fortnight sidebar at the 2014 Cannes Film Festival, director Daniel Wolfe’s directorial debut, Catch Me Daddy, is most likely to inspire awe or ire as a denuded genre thriller, pared down to the barest essentials of abject miserabilism. There’s no one to innately empathize with, beyond being exposed to a central victim whom we must logically root for given her ambitious rebellion against the patriarchal straightjacket she was weaned from. Unfolding with methodical calm, the first time filmmaker manages to instill a mounting dread thanks to surprising, even shocking moments of gruesome violence, and that’s despite its lack of emotional posturing. Down and out working class folks thrust into dire straits is the name of the game here, and though a bit of additional context would’ve enhanced the basic premise,...
Premiering in the Directors’ Fortnight sidebar at the 2014 Cannes Film Festival, director Daniel Wolfe’s directorial debut, Catch Me Daddy, is most likely to inspire awe or ire as a denuded genre thriller, pared down to the barest essentials of abject miserabilism. There’s no one to innately empathize with, beyond being exposed to a central victim whom we must logically root for given her ambitious rebellion against the patriarchal straightjacket she was weaned from. Unfolding with methodical calm, the first time filmmaker manages to instill a mounting dread thanks to surprising, even shocking moments of gruesome violence, and that’s despite its lack of emotional posturing. Down and out working class folks thrust into dire straits is the name of the game here, and though a bit of additional context would’ve enhanced the basic premise,...
- 8/7/2015
- by Nicholas Bell
- IONCINEMA.com
Even though he’s absent until the film’s final sequence because the estranged daughter he’s hired bounty hunters to find is foremost in our attention, director Daniel Wolfe‘s quote explaining his story as “a man imprisoned by his own narrative” couldn’t be truer. Pakistani mobster—the only label befitting him after experiencing the violence wrought in his […]...
- 8/6/2015
- by Jared Mobarak
- The Film Stage
Director Daniel Wolfe came into recognition with his awesome music video Time To Dance for the band The Shoes. The clip featured a disturbed psychopath, played by Jake Gyllenhaal, who, essentially, murdered hipsters who could not dance. This tongue-in-cheek idea was not played for laughs, however, and the results proved both strangely beautiful and troubling, the murders as visceral as anything a music video has produced, and the editing a bizarre, quick pace of reality and delusion.This year, Wolfe premiered his debut feature, Catch Me Daddy, at Cannes. The film contains his signature style; searing violence, cool pacing, and the majority of elements found in his music work, from the roving camera and cluttered interiors to beautiful exteriors. Together, these components craft a truly disturbing screen...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 8/6/2015
- Screen Anarchy
Read More: The 10 Films That Might Surprise or Shock Us at the 2014 Cannes Film Festival Daniel Wolfe's feature directorial debut "Catch Me Daddy," a collaboration with his brother Matthew, will be released in theaters and on VOD next month through Oscilloscope Laboratories. "Catch Me Daddy" follows Laila, a teenager from a notorious criminal family, who runs away with her boyfriend Aaron despite her family's disapproval of their religious differences. As the two hide out, Laila's brother and a group of hired thugs hunt to find them. The film stars Sameena Jabeen Ahmed, Conor McCarron and Gary Lewis. Oscilloscope will release the film in U.S. theaters on August 7, followed by a digital release on September 1. Read More: Watch Jake Gyllenhaal Slit Throats and Do Cocaine in This Music Video Directed by Cannes Newbie Daniel Wolfe...
- 7/27/2015
- by Kaeli Van Cott
- Indiewire
Catch me Daddy
Written by Daniel and Matthew Wolfe
Directed by Daniel Wolfe
UK, 2014
Pink hair, silver nails, green eyes. Smoke rises from a rolled cigarette and from nearby work in the field. These impressions, whispers of a time and a place, fuel Catch Me Daddy the debut feature of Daniel Wolfe. The film is undeniably beautiful, a minimalist ode to the underside of Yorkshire life. The surfaces of image, sound and performance craft a poetic illusion that is impenetrable thematically and emotionally. The overall experience is frustrating and empty.
The story itself is straightforward. Laila(Sameena Jabeen Ahmed), in the throes of adolescent rebellion, has left her family and lives in a run down trailer with her boyfriend, Aaron (Conor McCarron). Her ailing father is desperate for her return and offers a reward to two groups of low-end criminals to retrieve his daughter. Motives remain estranged for the most...
Written by Daniel and Matthew Wolfe
Directed by Daniel Wolfe
UK, 2014
Pink hair, silver nails, green eyes. Smoke rises from a rolled cigarette and from nearby work in the field. These impressions, whispers of a time and a place, fuel Catch Me Daddy the debut feature of Daniel Wolfe. The film is undeniably beautiful, a minimalist ode to the underside of Yorkshire life. The surfaces of image, sound and performance craft a poetic illusion that is impenetrable thematically and emotionally. The overall experience is frustrating and empty.
The story itself is straightforward. Laila(Sameena Jabeen Ahmed), in the throes of adolescent rebellion, has left her family and lives in a run down trailer with her boyfriend, Aaron (Conor McCarron). Her ailing father is desperate for her return and offers a reward to two groups of low-end criminals to retrieve his daughter. Motives remain estranged for the most...
- 7/17/2015
- by Justine Smith
- SoundOnSight
This is a reprint of our review from the 2014 Cannes Film Festival. Though appearances in main Competition tend to be restricted to the Loaches and Leighs of the world, the British film industry has done well by the sidebars at Cannes in recent years. Films like "Hunger," "Sightseers" and "The Selfish Giant" all premiered in Un Certain Regard or Directors' Fortnight, and number among the very best films to come out of the U.K. in recent years. This year, along with Andrew Hulme's "Snow In Paradise," the hopes of Britannia rest on "Catch Me Daddy," screening at the Cannes Directors' Fortnight. The film marks the feature directorial debut of music video helmer Daniel Wolfe (who also co-wrote with his brother, Matthew, who in turn also scores the film, a close enough collaboration that the credits introduce the picture as "A Film By Daniel & Matthew Wolfe"), best known for...
- 7/15/2015
- by Oliver Lyttelton
- The Playlist
My original plan was to publish a list of my ten most anticipated films screening at the Fantasia Film Festival but considering the incredible line-up this year, I find it near impossible to narrow it down to only ten. So instead I’ve decided to select one movie a day, or better yet, the movie that you should choose if you only had time for one.
Day 1. Tangerine
Christmas Eve in Tinseltown!
If you’re not familiar with director Sean Baker start taking notes. The man is a genius and one of the best indie American filmmakers working today. In Starlet, Baker spun an unlikely friendship between a young porn actress and an old lady in the San Fernando Valley. In Prince of Broadway, he chronicled the struggles of a hustler balancing fatherhood while working in New York’s wholesale district. Baker’s work avoids labels by refusing to adhere...
Day 1. Tangerine
Christmas Eve in Tinseltown!
If you’re not familiar with director Sean Baker start taking notes. The man is a genius and one of the best indie American filmmakers working today. In Starlet, Baker spun an unlikely friendship between a young porn actress and an old lady in the San Fernando Valley. In Prince of Broadway, he chronicled the struggles of a hustler balancing fatherhood while working in New York’s wholesale district. Baker’s work avoids labels by refusing to adhere...
- 7/10/2015
- by Ricky
- SoundOnSight
Montreal’s genre film festival to showcase 135 features and almost 300 shorts across its three-week run from July 14-Aug 4.Scroll down for line-up
Fantasia International Film Festival has unveiled its full line-up for its upcoming 19th edition which kicks off next Tuesday [July 14].
Over its three-week run, the Montreal-based genre film festival will showcase 135 features, including 22 world, 13 international premieres and 21 North American premieres, and almost 300 short films.
Shinji Higuchi’s Attack on Titan will receive its Canadian premiere as the closing film of this year’s edition on Aug 4. The live-action film is based on Hajime Isyama’s steampunk fantasy war opera manga series.
Additional highlights of the final wave of titles include the world premieres of Malik Bader’s thriller Cash Only and Ken Ochiai’s Ninja the Monster, as well as the Canadian premiere of Jonathan Milott & Cary Murnion’s horror comedy Cooties starring Elijah Wood.
A trio of Sion Sono films will also be shown at this...
Fantasia International Film Festival has unveiled its full line-up for its upcoming 19th edition which kicks off next Tuesday [July 14].
Over its three-week run, the Montreal-based genre film festival will showcase 135 features, including 22 world, 13 international premieres and 21 North American premieres, and almost 300 short films.
Shinji Higuchi’s Attack on Titan will receive its Canadian premiere as the closing film of this year’s edition on Aug 4. The live-action film is based on Hajime Isyama’s steampunk fantasy war opera manga series.
Additional highlights of the final wave of titles include the world premieres of Malik Bader’s thriller Cash Only and Ken Ochiai’s Ninja the Monster, as well as the Canadian premiere of Jonathan Milott & Cary Murnion’s horror comedy Cooties starring Elijah Wood.
A trio of Sion Sono films will also be shown at this...
- 7/7/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
The 19th Annual Fantasia Film Festival is only a week away, beginning July 14 and running through August 4. And as promised for today, they’ve revealed their full line-up of films screening at 2015’s festival in Montreal.
This year’s line-up boasts 22 World Premieres, 13 International Premieres, and 21 North American Premieres. Both Marvel’s Ant-Man and the animated Miss Hokusai were previously announced, but now they’ve added the much anticipated Attack on Titan movie as their closing night film. Other highlights include the Sundance darlings Cooties, starring Elijah Wood and Rainn Wilson, Cop Car, starring Kevin Bacon and directed by the upcoming Spider-man director Jon Watts, and a trio of films from horror auteur Sion Sono.
See the full line-up announcement of films below via Fantasia’s Facebook page, and be sure to check out their website at fantasiafestival.com for additional information.
****
Fantasia 2015:
36 Countries, 135 Features, and Nearly 300 Short Films
- Including 22 World Premieres,...
This year’s line-up boasts 22 World Premieres, 13 International Premieres, and 21 North American Premieres. Both Marvel’s Ant-Man and the animated Miss Hokusai were previously announced, but now they’ve added the much anticipated Attack on Titan movie as their closing night film. Other highlights include the Sundance darlings Cooties, starring Elijah Wood and Rainn Wilson, Cop Car, starring Kevin Bacon and directed by the upcoming Spider-man director Jon Watts, and a trio of films from horror auteur Sion Sono.
See the full line-up announcement of films below via Fantasia’s Facebook page, and be sure to check out their website at fantasiafestival.com for additional information.
****
Fantasia 2015:
36 Countries, 135 Features, and Nearly 300 Short Films
- Including 22 World Premieres,...
- 7/7/2015
- by Brian Welk
- SoundOnSight
Round-up: CBS Films has acquired Us rights to David Mackenzie’s action heist thriller starring Jeff Bridges, Chris Pine and Ben Foster. Sierra/Affinity commences sales in Cannes.
Sidney Kimmel Entertainment developed the project with Film 44 and will co-produce and co-finance with Odd Lot, which has come on board.
Principal photography is set to begin on May 26 in New Mexico on Comancheria, about a Texas Ranger in pursuit of bank robber brothers. Red-hot Sicario screenwriter Taylor Sheridan wrote the screenplay.
Kimmel, Peter Berg and Julie Yorn produce while Carla Hacken and Gigi Pritzker serve as executive producers.
CBS Films brokered the deal with Wme Global and UTA.
Oscilloscope Laboratories has acquired two Cannes 2014 titles, taking Us rights to Alice Rohrwacher’s Grand Prix winner The Wonders from The Match Factory and North America on Daniel Wolfe’s Directors’ Fortnight entry Catch Me Daddy from Altitude Film Sales. O-Scope plans to release both films this year.
Shout...
Sidney Kimmel Entertainment developed the project with Film 44 and will co-produce and co-finance with Odd Lot, which has come on board.
Principal photography is set to begin on May 26 in New Mexico on Comancheria, about a Texas Ranger in pursuit of bank robber brothers. Red-hot Sicario screenwriter Taylor Sheridan wrote the screenplay.
Kimmel, Peter Berg and Julie Yorn produce while Carla Hacken and Gigi Pritzker serve as executive producers.
CBS Films brokered the deal with Wme Global and UTA.
Oscilloscope Laboratories has acquired two Cannes 2014 titles, taking Us rights to Alice Rohrwacher’s Grand Prix winner The Wonders from The Match Factory and North America on Daniel Wolfe’s Directors’ Fortnight entry Catch Me Daddy from Altitude Film Sales. O-Scope plans to release both films this year.
Shout...
- 5/4/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Oscilloscope Laboratories have made a pre-Cannes double deal. Slightly misleading, they’ve actually picked up a pair that had not yet to be picked up since they had their premieres at the 2014 edition of the festival. O-scope have landed Alice Rohrwacher’s Grand Prix winning (2nd place award after the Palme d’Or) The Wonders which was high up on several Best undistributed films of ’14, while Daniel Wolfe’s directorial debut Catch Me Daddy was a Directors’ Fortnight entry that had it’s supporters. O-Scope will release both films later this year. Additionally, they’ve landed one of the better undiscoverd gems from the Toronto Int. Film Fest last fall in Javier Fuentes-León‘s The Vanished Elephant.
Gist: Rohrwacher’s sophomore film is set at the end of summer and follows Gelsomina and her three younger sisters. She is the designated heir of the strange, secluded kingdom that her...
Gist: Rohrwacher’s sophomore film is set at the end of summer and follows Gelsomina and her three younger sisters. She is the designated heir of the strange, secluded kingdom that her...
- 5/4/2015
- by Eric Lavallee
- IONCINEMA.com
Read More: Meet the Faces of SXSW 2015: Sally Field, Nick Kroll, Jason Schwartzman and More Unable to make it to the 2015 SXSW Film Festival and feeling left out? Luckily for all of us who couldn't make it down to Austin, Texas for the fest, Vimeo is bringing SXSW straight to our computers, thanks to a collection of 20 of the festival's best short films. From visually striking music videos to whip smart shorts featuring A-list talent like Kirsten Dunst (see above), the collection proves that cinematic ambition is alive and well in movies well under the 5-minute mark. Check out the entire SXSW Vimeo shorts catalog here, and watch some of our favorite entries below: "Hudson and Troop - Frameless," Andrew Goldsmith & Darcy Prendergast "Bottom Feeders," Matt Reynolds "Duke Dumont - Won't Look Back," Tim Main (Tim & Joe) "Paolo Nutini 'Iron Sky,'" Daniel Wolfe Read More: SXSW: Complete...
- 3/18/2015
- by Zack Sharf
- Indiewire
The winners of this year’s jury and special awards were revealed tonight [March 17] at the ceremony hosted by Vanessa Bayer.
SXSW has announced the winners of this year’s Jury and Special Awards.
Trey Edward Shults’ Krisha, expanded from his award-winning short of the same name, was named the Grand Jury winner of the Narrative Feature Competition, with Special Jury Recognition for Visual Excellence going to Creative Control director Benjamin Dickinson.
Grand Jury winner of the Documentary Feature Competition went to Scott Christopherson & Brad Barber’s Peace Officer, with Special Jury Recognition for Directing going to A Woman Like Me directors Alex Sichel and Elizabeth Giamatti.
Twinsters directors Samantha Futerman and Ryan Miyamoto were awarded Special Jury Recognition for Editing.
Kyle Buchanan, Wesley Morris and Krista Smith made up the Narrative Feature Competition jury, while the Documentary Feature Competition jury consisted of Tabitha Jackson, Jason Spingarn-Koff and Alison Willmore.
Short Film Jury Awards went to the likes...
SXSW has announced the winners of this year’s Jury and Special Awards.
Trey Edward Shults’ Krisha, expanded from his award-winning short of the same name, was named the Grand Jury winner of the Narrative Feature Competition, with Special Jury Recognition for Visual Excellence going to Creative Control director Benjamin Dickinson.
Grand Jury winner of the Documentary Feature Competition went to Scott Christopherson & Brad Barber’s Peace Officer, with Special Jury Recognition for Directing going to A Woman Like Me directors Alex Sichel and Elizabeth Giamatti.
Twinsters directors Samantha Futerman and Ryan Miyamoto were awarded Special Jury Recognition for Editing.
Kyle Buchanan, Wesley Morris and Krista Smith made up the Narrative Feature Competition jury, while the Documentary Feature Competition jury consisted of Tabitha Jackson, Jason Spingarn-Koff and Alison Willmore.
Short Film Jury Awards went to the likes...
- 3/18/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
A lurid meatgrinder of a movie in which the young-woman protagonist is reduced to a passive object of male rage, greed, and possessiveness. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
Laila (newcomer Sameena Jabeen Ahmed, whom I hope we see more of) has pink hair and painted nails and is living with her white boyfriend, Aaron (Connor McCarron), in a rundown camper outside a small rural Yorkshire town. She is not, we can see, a “good” Pakistani girl, and though life is hard and jobs are scarce and money is tight, she seems relatively happy. Until her brother, Zaheer (Ali Ahmad), shows up with two carloads of bounty hunters — and a trunk lined with plastic sheeting — to drag her home to their furious father in order to fix the “shame” she has brought the family with her deplorable self-determination.
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
Laila (newcomer Sameena Jabeen Ahmed, whom I hope we see more of) has pink hair and painted nails and is living with her white boyfriend, Aaron (Connor McCarron), in a rundown camper outside a small rural Yorkshire town. She is not, we can see, a “good” Pakistani girl, and though life is hard and jobs are scarce and money is tight, she seems relatively happy. Until her brother, Zaheer (Ali Ahmad), shows up with two carloads of bounty hunters — and a trunk lined with plastic sheeting — to drag her home to their furious father in order to fix the “shame” she has brought the family with her deplorable self-determination.
- 2/27/2015
- by MaryAnn Johanson
- www.flickfilosopher.com
If you were looking for a primer on Jean-Luc Godard, you couldn't do much better than J. Hoberman's latest piece for the Nation. Also in today's roundup of news and views: Matthew Asprey Gear on the conspiracy thriller Orson Welles never got around to making, Imogen Sara Smith on Jacques Tati's Playtime, Julien Allen on Michael Powell and Emeric Pressburger's A Matter of Life and Death, Adam Nayman on George Stevens’s Shane, Robert Cashill on Richard Fleischer's Che!, Christopher Sharrett on Roger Corman's Bloody Mama, Leonard Quart on Nicholas Ray's The Lusty Men, interviews with Martín Rejtman, Andrei Zvyagintsev, Matt Porterfield, David Robert Mitchell (It Follows), Daniel Wolfe (Catch Me Daddy)—and much more. » - David Hudson...
- 2/27/2015
- Keyframe
If you were looking for a primer on Jean-Luc Godard, you couldn't do much better than J. Hoberman's latest piece for the Nation. Also in today's roundup of news and views: Matthew Asprey Gear on the conspiracy thriller Orson Welles never got around to making, Imogen Sara Smith on Jacques Tati's Playtime, Julien Allen on Michael Powell and Emeric Pressburger's A Matter of Life and Death, Adam Nayman on George Stevens’s Shane, Robert Cashill on Richard Fleischer's Che!, Christopher Sharrett on Roger Corman's Bloody Mama, Leonard Quart on Nicholas Ray's The Lusty Men, interviews with Martín Rejtman, Andrei Zvyagintsev, Matt Porterfield, David Robert Mitchell (It Follows), Daniel Wolfe (Catch Me Daddy)—and much more. » - David Hudson...
- 2/27/2015
- Fandor: Keyframe
In this excerpt from the Guardian Film Show Henry Barnes, Peter Bradshaw and Andrew Pulver review director
Daniel Wolfe's thriller about a young Pakistani woman being chased by her father after running off with her boyfriend. The film, which stars Sameena Jabeen Ahmed, sees a family feud play out across the stark and beautiful Yorkshire moors. Catch Me Daddy is in UK cinemas now Continue reading...
Daniel Wolfe's thriller about a young Pakistani woman being chased by her father after running off with her boyfriend. The film, which stars Sameena Jabeen Ahmed, sees a family feud play out across the stark and beautiful Yorkshire moors. Catch Me Daddy is in UK cinemas now Continue reading...
- 2/27/2015
- by Henry Barnes, Peter Bradshaw, Andrew Pulver, Tom Silverstone, Mona Mahmood and Andrea Salvatici
- The Guardian - Film News
This flawed but ambitious film about a British Pakistani family who hire a posse of thugs to hunt down their errant daughter is a tough look at contemporary gender politics
Daniel Wolfe’s debut movie arrives in the UK after its premiere at Cannes last year: a tough drama about contemporary Britain’s tribal and gender politics. This is ambitious work from a promising talent. There are big scenes, bold ideas and great images – created with Robbie Ryan’s tremendous cinematography. It is based on the murderous phenomenon of “honour killing” in British Pakistani communities. When Laila (Sameena Jabeen Ahmed) runs away to be with her white boyfriend, Aaron (Conor McCarron), her family hires a posse of tough guys to get her back, a little like John Ford’s The Searchers.
Continue reading...
Daniel Wolfe’s debut movie arrives in the UK after its premiere at Cannes last year: a tough drama about contemporary Britain’s tribal and gender politics. This is ambitious work from a promising talent. There are big scenes, bold ideas and great images – created with Robbie Ryan’s tremendous cinematography. It is based on the murderous phenomenon of “honour killing” in British Pakistani communities. When Laila (Sameena Jabeen Ahmed) runs away to be with her white boyfriend, Aaron (Conor McCarron), her family hires a posse of tough guys to get her back, a little like John Ford’s The Searchers.
Continue reading...
- 2/26/2015
- by Peter Bradshaw
- The Guardian - Film News
Prolific music video director Daniel Wolfe made the sort of splash with his debut feature, Catch Me Daddy, that most can only dream of. Following a premiere in Cannes the film went on to a lengthy festival run that included A-list stops in Karlovy Vary, Rio, Morelia, London and Rotterdam and with the film's public release now around the corner in the UK the first teaser has arrived.Laila, a girl on the run from her family is hiding out in West Yorkshire with her drifter boyfriend Aaron. When her brother arrives in town with a gang of thugs in tow, she is forced to flee for her life and faces her darkest night.Gritty and stylish, this looks pretty fantastic. Take a look below....
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 2/25/2015
- Screen Anarchy
Daniel Wolfe established himself as one of the brightest directorial talents in Britain with his music videos. His promo for "Time to Dance", a song by French dance outfit The Shoes, featured Brokeback Mountain star Jake Gyllenhaal as a serial killer slaughtering hipsters in Dalston. The collaboration came about because Gyllenhaal voiced a desire to work with the British director after seeing the videos he made for the rapper Plan B.
- 2/23/2015
- The Independent - Film
Originally screening at last year’s Cannes Film Festival, Daniel Wolfe’s first full-length feature debut Catch Me Daddy is landing in U.K. theaters shortly and the first trailer has now arrived. Directed and co-written by Wolfe (along with Matthew Wolfe), the thriller follows Laila, played by Sameena Jabeen Ahmed (who won Best Newcomer at the British Independent Film Awards), […]...
- 2/23/2015
- by Jason Michael
- The Film Stage
★★★☆☆ If Clio Barnard's The Selfish Giant (2013) was a fairytale set in 'It's grim up north' territory, this year's Glasgow Film Festival offers up a Yorkshire western in Daniel Wolfe's bleak, windswept thriller Catch Me Daddy (2014), which unexpectedly broods over the multicultural integration of northern Britain. British-Pakistani Laila, played with conviction by non-professional actress Sameena Jabeen Ahmed, and Aaron (Canor McCarron), are two teenagers in hiding. They live in a trailer park out of town, arguing about whether they can go out at night. Laila wants to meet her mate from work at a local nightclub, but Aaron barks urgently at her not to because it's too dangerous. He's right to be worried.
- 2/22/2015
- by CineVue UK
- CineVue
Following the recent announcement of their full film lineup that includes Trainwreck, Get Hard, and Spy, South by Southwest has revealed their lineup of Midnight movies and short films to screen during the festival. Chief among them is the Sundance 2015 hit Turbo Kid (read our review here) and the Sundance ’15 winner of the Short Film Prize World of Tomorrow. SXSW runs from March 13-21. View the full Midnighters and Shorts lineup below via the SXSW website.
****
Midnighters
The Corpse of Anna Fritz (Spain)
Director: Hèctor Hernández Vicens, Screenwriters: Hèctor Hernándes Vicens, Isaac P. Creus
Anna Fritz, a famous and beautiful actress, has died recently. Three young men sneak into the morgue to see her naked. Fascinated by her beauty, they decide to become the last people to have sex with her. Cast: Alba Ribas, Cristian Valencia, Bernat Saumell, Albert Carbó. (World Premiere)
Deathgasm (New Zealand)
Director/Screenwriter: Jason Lei Howden...
****
Midnighters
The Corpse of Anna Fritz (Spain)
Director: Hèctor Hernández Vicens, Screenwriters: Hèctor Hernándes Vicens, Isaac P. Creus
Anna Fritz, a famous and beautiful actress, has died recently. Three young men sneak into the morgue to see her naked. Fascinated by her beauty, they decide to become the last people to have sex with her. Cast: Alba Ribas, Cristian Valencia, Bernat Saumell, Albert Carbó. (World Premiere)
Deathgasm (New Zealand)
Director/Screenwriter: Jason Lei Howden...
- 2/10/2015
- by Brian Welk
- SoundOnSight
Gemma Jones, Daniel Wolfe and Peter Mullan among guests to attend upcoming 11th Glasgow Film Festival.
Glasgow Film Festival (Gff) has announced the next wave of guests set to attend its upcoming 11th edition, taking place Feb 18-March 1.
Veteran actors Gemma Jones and Richard Johnson will attend in support of Tom Browne’s debut Radiator which is nominated for the inaugural Audience Award, while Catch Me Daddy director Daniel Wolfe and the film’s stars Conor McCarron and Gary Lewis will also be in Glasgow.
Peter Mullan and Morvern Christie are both set to take part in masterclasses on editing and casting as part of the Behind the Scenes programme strand at this year’s festival.
The festival’s FrightFest guests include director April Mullen and writer Tom Doiron for 88, director Hans Herbot for The Treatment, director Russell Gomm for The Woods Movie and director Matt Winn for The Hoarder.
Other guests...
Glasgow Film Festival (Gff) has announced the next wave of guests set to attend its upcoming 11th edition, taking place Feb 18-March 1.
Veteran actors Gemma Jones and Richard Johnson will attend in support of Tom Browne’s debut Radiator which is nominated for the inaugural Audience Award, while Catch Me Daddy director Daniel Wolfe and the film’s stars Conor McCarron and Gary Lewis will also be in Glasgow.
Peter Mullan and Morvern Christie are both set to take part in masterclasses on editing and casting as part of the Behind the Scenes programme strand at this year’s festival.
The festival’s FrightFest guests include director April Mullen and writer Tom Doiron for 88, director Hans Herbot for The Treatment, director Russell Gomm for The Woods Movie and director Matt Winn for The Hoarder.
Other guests...
- 2/6/2015
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Arriving with a truckload of praise and one or two awards for lead Sameena Jabeen Ahmed, Catch Me Daddy is shaping up to be one of the more promising British dramas to happen along for a while. The trailer is now online via StudioCanal.Directed by Daniel Wolfe and based on the script he wrote with brother Matthew, Catch Me Daddy finds Ahmed as Laila, a girl on the run from her family who is hiding out in West Yorkshire with her drifter boyfriend Aaron (Conor McCarron). When her brother arrives in town with a gang of thugs in tow, she is forced to flee for her life and faces her darkest night.Ahmed has already scored Most Promising Newcomer at the British Independent Film Awards, and both she and the team were nominated for several others, including the Golden Camera at last year’s Cannes. With the likes of...
- 1/22/2015
- EmpireOnline
Catch Me Daddy – which premiered at Cannes last year – is the debut feature of music-video director Daniel Wolfe. Sameena Jabeen Ahmed, who won best newcomer at the London film festival, stars as Laila, in hiding from her own family and living with her boyfriend on the Yorkshire moors. When her brother and a group of thugs hired by her father turn up in town she is forced to flee for her life
• Catch Me Daddy opens in the UK on 27 February Continue reading...
• Catch Me Daddy opens in the UK on 27 February Continue reading...
- 1/22/2015
- by Guardian Staff
- The Guardian - Film News
Iffr reveals Big Screen Awards nominees and the complete line-up for its Bright Future and Spectrum strands, including world premieres from the Us, China and the Netherlands.
Second Coming, starring Idris Elba and Nadine Marshall, has been named as one of 10 films up for the Big Screen Award at the International Film Festival Rotterdam (Iffr) (Jan 21 - Feb 1).
The UK film, written and directed by Debbie Tucker Green, will be vying for a prize of €10,000 ($12,000) awarded specifically to support theatrical distribution of the film in The Netherlands
The 10 nominees are from Iffr’s Bright Future and Spectrum programmes with the winner chosen by a specially selected audience jury. Other titles include Lisandro Alonso’s Cannes Fipresci winner Jauja and Carlos Vermut’s San Sebastian winner Magical Girl.
The nominees are:
I Swear I’ll Leave This Town, Danial AragãoJauja, Lisandro AlonsoKey House Mirror, Michael NoerThe Lesson, Kristina Grozeva, Petar ValchanovMagical Girl, Carlos VermutA...
Second Coming, starring Idris Elba and Nadine Marshall, has been named as one of 10 films up for the Big Screen Award at the International Film Festival Rotterdam (Iffr) (Jan 21 - Feb 1).
The UK film, written and directed by Debbie Tucker Green, will be vying for a prize of €10,000 ($12,000) awarded specifically to support theatrical distribution of the film in The Netherlands
The 10 nominees are from Iffr’s Bright Future and Spectrum programmes with the winner chosen by a specially selected audience jury. Other titles include Lisandro Alonso’s Cannes Fipresci winner Jauja and Carlos Vermut’s San Sebastian winner Magical Girl.
The nominees are:
I Swear I’ll Leave This Town, Danial AragãoJauja, Lisandro AlonsoKey House Mirror, Michael NoerThe Lesson, Kristina Grozeva, Petar ValchanovMagical Girl, Carlos VermutA...
- 1/7/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Pride has emerged as the big winner at the Moët British Independent Film Awards.
The gay activist drama took home three gongs at last night's Old Billingsgate ceremony, picking up Best British Independent Film, Best Supporting Actress for Imelda Staunton and Best Supporting Actor for Andrew Scott.
'71's Yann Demange bagged the Best Director prize, Gugu Mbatha-Raw won Best Actress for Belle and Brendan Gleeson took home Best Actor for Calvary.
Elsewhere, special prizes were handed out to Emma Thompson (Richard Harris Award), John Boorman (Special Jury Prize) and Benedict Cumberbatch (Variety Award).
The full list of winners at the Moët British Independent Film Awards is as follows:
Best British Independent Film
'71
Calvary
Mr Turner
Pride - Winner!
The Imitation Game
Best Director
John Michael McDonagh – Calvary
Lenny Abrahamson – Frank
Matthew Warchus – Pride
Mike Leigh – Mr Turner
Yann Demange – '71 - Winner!
The Douglas Hickox Award for Best Debut Director
Daniel Wolfe,...
The gay activist drama took home three gongs at last night's Old Billingsgate ceremony, picking up Best British Independent Film, Best Supporting Actress for Imelda Staunton and Best Supporting Actor for Andrew Scott.
'71's Yann Demange bagged the Best Director prize, Gugu Mbatha-Raw won Best Actress for Belle and Brendan Gleeson took home Best Actor for Calvary.
Elsewhere, special prizes were handed out to Emma Thompson (Richard Harris Award), John Boorman (Special Jury Prize) and Benedict Cumberbatch (Variety Award).
The full list of winners at the Moët British Independent Film Awards is as follows:
Best British Independent Film
'71
Calvary
Mr Turner
Pride - Winner!
The Imitation Game
Best Director
John Michael McDonagh – Calvary
Lenny Abrahamson – Frank
Matthew Warchus – Pride
Mike Leigh – Mr Turner
Yann Demange – '71 - Winner!
The Douglas Hickox Award for Best Debut Director
Daniel Wolfe,...
- 12/8/2014
- Digital Spy
A glittering array of talent turned out this evening for the 17th Moët British Independent Film Awards. The winners were announced at the star-studded ceremony, held at Old Billingsgate, which was hosted by The Inbetweeners star, Simon Bird.
The lucky winners took home the iconic award designed by Fredrikson Stallard and created by Swarovski as well as a personalised, Swarovski crystal encrusted magnum of Moët & Chandon.
Best British Independent Film was won by Pride. Yann Demange won Best Director for ’71, Gugu Mbatha-Raw won Best Actress for Belle and Brendan Gleeson won Best Actor for Calvary. Andrew Scott collected his award for Best Supporting Actor for Pride and Imelda Staunton took home her award for Best Supporting Actress also for her role in Pride.
Pride won the most awards on the night, picking up Best British Independent Film, Best Supporting Actress and Best Supporting Actor.
As previously announced, Emma Thompson was...
The lucky winners took home the iconic award designed by Fredrikson Stallard and created by Swarovski as well as a personalised, Swarovski crystal encrusted magnum of Moët & Chandon.
Best British Independent Film was won by Pride. Yann Demange won Best Director for ’71, Gugu Mbatha-Raw won Best Actress for Belle and Brendan Gleeson won Best Actor for Calvary. Andrew Scott collected his award for Best Supporting Actor for Pride and Imelda Staunton took home her award for Best Supporting Actress also for her role in Pride.
Pride won the most awards on the night, picking up Best British Independent Film, Best Supporting Actress and Best Supporting Actor.
As previously announced, Emma Thompson was...
- 12/7/2014
- by Michelle McCue
- WeAreMovieGeeks.com
Jack O'Connell is breaking out something fierce this year. He's of course starring in Angelina Jolie's "Unbroken" and on the indie scene in "Starred Up," for which he was nominated last year at the British Independent Film Awards. Well, he's back for more of this this time around with "'71," Yann Demange's brilliant Belfast thriller, which scored the lion's share of nominations today with nine. Matthew Warchus' ensemble dramedy "Pride," about gay activists working to help miners during the 1984 UK mineworkers strike, was a few steps behind with seven mentions. Mike Leigh's "Mr. Turner" rounded up five nods, while "Calvary" and "The Imitation Game" picked up four apiece. The international category was mostly populated with American entries: "The Babadook," "Blue Ruin," "Boyhood" and "Fruitvale Station." Though Poland's "Ida" also made a show. Check out the full list of nominees below. The 17th annual British Independent Film...
- 12/3/2014
- by Kristopher Tapley
- Hitfix
The nominations for the 17th annual Moët British Independent Film Awards were announced recently, at St Martins Lane, London by actor Jared Harris .
Joint Directors, The Moët British Independent Film Awards’ Johanna von Fischer & Tessa Collinson said: "This has been a record year for Mbifa with over 250 films submitted giving our dedicated members their toughest challenge to date. Hugely impressed by the quality of films and performances across all categories the shortlist demonstrates how the standard of creativity in British independent filmmaking continues to flourish year on year. The decision of who will walk away with one of the iconic Mbifa trophies* is now in the hands of our distinguished independent jury announced today. We are looking forward to seeing as many of the nominees as possible at the Awards on 7th December, to celebrate their incredible achievements. It will be a very personal celebration for us also, as the last in a wonderful 9 Award Ceremonies as Joint Directors of Bifa.”
The highest number of nominations this year goes to "‘71" with nine nominations including Best British Independent Film; Best Director and Debut Director for Yann Demange; Best Screenplay for Gregory Burke; Best Actor for Jack O’Connell and Best Supporting Actor for Sean Harris. "Pride" picked up seven nominations and "Catch me Daddy,""Frank," and "Mr Turner" picked up five nominations each.
Nominations for Best Actress go to Alicia Vikander for "Testament of Youth;" Cheng Pei Pei for "Lilting;" Gugu Mbatha-Raw for "Belle;" Keira Knightley for "The Imitation Game" and Sameena Jabeen Ahmed for "Catch Me Daddy." Leading men hoping to take home the Best Actor award include Asa Butterfield for "X+Y;" Benedict Cumberbatch for "The Imitation Game"; Brendan Gleeson for "Calvary"; Jack O’Connell for "’71" and Timothy Spall for "Mr Turner."
Best Supporting Actor nominations go to Andrew Scott and Ben Schnetzer, both for "Pride;" Michael Fassbender for "Frank;" Rafe Spall for "X+Y" and Sean Harris for"’71."
Dorothy Atkinson for "Mr Turner;" Imelda Staunton for "Pride;" Maggie Gyllenhaal for "Frank;" Sally Hawkins for "X+Y"and Sienna Guillory for "The Goob" are all nominated for the Best Supporting Actress Award.
Directors who have delivered dynamic debuts this year and are fighting for the Douglas Hickox Award are Daniel Wolfe and Matthew Wolfe for "Catch Me Daddy;" Hong Khaou for "Lilting;" Iain Forsyth and Jane Pollard for "20,000 Days on Earth;" Morgan Matthews for "X+Y" and Yann Demange for "’71."
The Raindance Award nominees for 2014 include: "Flim: The Movie;" "Gregor;" "Luna;" "Keeping Rosy"and "The Beat Beneath My Feet." This award honours exceptional achievement for filmmakers working against the odds, often with little or no industry support. Elliot Grove, Founder of Raindance Film Festival and Moët British Independent Film Awards added: "The breadth and quality of the British films selected this year suggests a bumper year for British films. Raindance congratulates all the talented filmmakers whose wonderful films make up this year's Mbifa nominations.”
The Pre-Selection Committee of over 70 members viewed a record breaking 250 plus films this year, out of which they selected the nominations, which were decided by ballot.
The winners of The Moët British Independent Film Awards are decided by an independent jury comprised of leading professionals and talent from the British film industry.
It was also announced that the Oscar® and BAFTA - winning Director Tom Hopper, whose film "The King’s Speech" picked up five awards, including Best British Independent Film at the 2010 Moët British Independent Film Awards, will chair the Jury who will decide the winners of the 2014 awards.
Hooper commented: "I am honoured to preside over the Moët Bifa jury this year. It has been an extremely strong year for filmmaking here in Britain and I am looking forward to helping the very best of this year's independent films, get the recognition they deserve."
The Jury for 2014 includes: Jury Chair – Tom Hooper (Director), Jonathan Romney (Writer, Director), Jon S. Baird (Writer, Director), Luke Treadaway (Actor), Mary Burke (Producer), Sean Ellis (Writer, Director), Shira Macleod (Film Programming Consultant), Stanley Tucci (Actor, Director), Thea Sharrock (Director), Tinge Krishnan (Director) Tracy O’Riordan (Producer) and Zawe Ashton (Actor, Director).
Elsa Corbineau, Marketing Director Moët & Chandon, commented: “The pool of talents recognized by the Moët British Independent Film Awards has continuously inspired us with the richness it represents. With Moët & Chandon being the champagne of choice for celebration at international film festivals and award ceremonies, we are delighted to toast to the success of all nominees, including those for the ‘Best British Independent Film’ award sponsored by Moët & Chandon.”
The winners will be announced at the much anticipated 17th awards ceremony on Sunday 7 December at the impressive Old Billingsgate in London.
The Moët British Independent Film Awards is proud to announce the following nominees for this year’s awards:
Best British Independent Film
Sponsored by Moët & Chandon
"'71"
"Calvary"
"Mr Turner"
"Pride"
"The Imitation Game"
Best Director
Sponsored by AllCity & Intermission
John Michael McDonagh – "Calvary"
Lenny Abrahamson – "Frank"
Matthew Warchus – "Pride"
Mike Leigh – "Mr Turner"
Yann Demange – "'71"
The Douglas Hickox Award [Best Debut Director]
Sponsored by 3 Mills Studios
Daniel Wolfe, Matthew Wolfe – "Catch Me Daddy"
Hong Khaou – "Lilting"
Iain Forsyth, Jane Pollard – "20,000 Days on Earth"
Morgan Matthews – "X+Y"
Yann Demange – "'71"
Best Screenplay
Sponsored by BBC Films
Graham Moore – "The Imitation Game"
Gregory Burke – "'71"
John Michael McDonagh – "Calvary"
Jon Ronson, Peter Straughan – "Frank"
Stephen Beresford – "Pride"
Best Actress
Sponsored by M.A.C Cosmetics
Alicia Vikander – "Testament of Youth"
Cheng Pei Pei – "Lilting"
Gugu Mbatha-Raw – "Belle"
Keira Knightley – "The Imitation Game"
Sameena Jabeen Ahmed – "Catch Me Daddy"
Best Actor
Sponsored by Movado
Asa Butterfield – "X+Y"
Benedict Cumberbatch – "The Imitation Game"
Brendan Gleeson – "Calvary"
Jack O'Connell – "'71"
Timothy Spall – "Mr Turner"
Best Supporting Actress
Dorothy Atkinson – "Mr Turner"
Imelda Staunton – "Pride"
Maggie Gyllenhaal – "Frank"
Sally Hawkins –"X+Y"
Sienna Guillory – "The Goob"
Best Supporting Actor
Sponsored by St Martins Lane
Andrew Scott – "Pride"
Ben Schnetzer – "Pride"
Michael Fassbender – "Frank"
Rafe Spall – "X+Y"
Sean Harris – "‘71"
Most Promising Newcomer
Ben Schnetzer – "Pride"
Cara Delevingne – "The Face of An Angel"
Gugu Mbatha-Raw – "Belle"
Liam Walpole – "The Goob"
Sameena Jabeen Ahmed – "Catch Me Daddy"
Best Achievement In Production
"'71"
"20,000 Days on Earth"
"Catch Me Daddy"
"Lilting"
"The Goob"
Best Technical Achievement
Chris Wyatt - Editing - "'71"
Dick Pope - Cinematography -"Mr Turner"
Robbie Ryan - Cinematography - "Catch Me Daddy"
Stephen Rennicks - Music – "Frank"
Tat Radcliffe - Cinematography - "'71"
Best DocumentarY
"20,000 Days on Earth"
"Next Goal Wins"
"Night Will Fall"
"The Possibilities Are Endless"
"Virunga"
Best British Short
"Crocodile"
"Emotional Fusebox"
"Keeping Up With The Joneses"
"Slap"
"The Kármán Line"
Best International Independent Film
"Blue Ruin"
"Boyhood"
"Fruitvale Station"
"Ida"
"The Badadook"
The Raindance Award
"Flim: The Movie..".
"Gregor"
"Luna"
"Keeping Rosy"
"The Beat Beneath My Feet"
The Richard Harris Award (for outstanding contribution by an actor to British Film)
To Be Announced
The Variety Award
To Be Announced
The Special Jury Prize
Announced at the Moët British Independent Film Awards on Sunday 7th December
Now in its 17th year, the Awards were created by Raindance in 1998 and set out to celebrate merit and achievement in independently funded British filmmaking, to honour new talent, and to promote British films and filmmaking to a wider public.
Previous winners of the prestigious Best British Independent Film Award include "Metro Manila," "Tyrannosaur," "The King's Speech," "Moon," "Control," "Slumdog Millionaire," "The Constant Gardener" and "This is England"
Proud supporters and patrons of The Moët British Independent Film Awards include Mike Figgis, Tom Hollander, Adrian Lester, Ken Loach, Ewan McGregor, Helen Mirren, Samantha Morton, James Nesbitt, Michael Sheen, Trudie Styler, Tilda Swinton, Meera Syal, David Thewlis, Ray Winstone and Michael Winterbottom.
The Moët British Independent Film Awards would like to thank all its supporters, especially: Moët & Chandon, 3 Mills Studios, BBC Films, M.A.C Cosmetics, Movado, Raindance, St Martins Lane, Soho House, Swarovski, Variety, AllCity, Intermission.
Joint Directors, The Moët British Independent Film Awards’ Johanna von Fischer & Tessa Collinson said: "This has been a record year for Mbifa with over 250 films submitted giving our dedicated members their toughest challenge to date. Hugely impressed by the quality of films and performances across all categories the shortlist demonstrates how the standard of creativity in British independent filmmaking continues to flourish year on year. The decision of who will walk away with one of the iconic Mbifa trophies* is now in the hands of our distinguished independent jury announced today. We are looking forward to seeing as many of the nominees as possible at the Awards on 7th December, to celebrate their incredible achievements. It will be a very personal celebration for us also, as the last in a wonderful 9 Award Ceremonies as Joint Directors of Bifa.”
The highest number of nominations this year goes to "‘71" with nine nominations including Best British Independent Film; Best Director and Debut Director for Yann Demange; Best Screenplay for Gregory Burke; Best Actor for Jack O’Connell and Best Supporting Actor for Sean Harris. "Pride" picked up seven nominations and "Catch me Daddy,""Frank," and "Mr Turner" picked up five nominations each.
Nominations for Best Actress go to Alicia Vikander for "Testament of Youth;" Cheng Pei Pei for "Lilting;" Gugu Mbatha-Raw for "Belle;" Keira Knightley for "The Imitation Game" and Sameena Jabeen Ahmed for "Catch Me Daddy." Leading men hoping to take home the Best Actor award include Asa Butterfield for "X+Y;" Benedict Cumberbatch for "The Imitation Game"; Brendan Gleeson for "Calvary"; Jack O’Connell for "’71" and Timothy Spall for "Mr Turner."
Best Supporting Actor nominations go to Andrew Scott and Ben Schnetzer, both for "Pride;" Michael Fassbender for "Frank;" Rafe Spall for "X+Y" and Sean Harris for"’71."
Dorothy Atkinson for "Mr Turner;" Imelda Staunton for "Pride;" Maggie Gyllenhaal for "Frank;" Sally Hawkins for "X+Y"and Sienna Guillory for "The Goob" are all nominated for the Best Supporting Actress Award.
Directors who have delivered dynamic debuts this year and are fighting for the Douglas Hickox Award are Daniel Wolfe and Matthew Wolfe for "Catch Me Daddy;" Hong Khaou for "Lilting;" Iain Forsyth and Jane Pollard for "20,000 Days on Earth;" Morgan Matthews for "X+Y" and Yann Demange for "’71."
The Raindance Award nominees for 2014 include: "Flim: The Movie;" "Gregor;" "Luna;" "Keeping Rosy"and "The Beat Beneath My Feet." This award honours exceptional achievement for filmmakers working against the odds, often with little or no industry support. Elliot Grove, Founder of Raindance Film Festival and Moët British Independent Film Awards added: "The breadth and quality of the British films selected this year suggests a bumper year for British films. Raindance congratulates all the talented filmmakers whose wonderful films make up this year's Mbifa nominations.”
The Pre-Selection Committee of over 70 members viewed a record breaking 250 plus films this year, out of which they selected the nominations, which were decided by ballot.
The winners of The Moët British Independent Film Awards are decided by an independent jury comprised of leading professionals and talent from the British film industry.
It was also announced that the Oscar® and BAFTA - winning Director Tom Hopper, whose film "The King’s Speech" picked up five awards, including Best British Independent Film at the 2010 Moët British Independent Film Awards, will chair the Jury who will decide the winners of the 2014 awards.
Hooper commented: "I am honoured to preside over the Moët Bifa jury this year. It has been an extremely strong year for filmmaking here in Britain and I am looking forward to helping the very best of this year's independent films, get the recognition they deserve."
The Jury for 2014 includes: Jury Chair – Tom Hooper (Director), Jonathan Romney (Writer, Director), Jon S. Baird (Writer, Director), Luke Treadaway (Actor), Mary Burke (Producer), Sean Ellis (Writer, Director), Shira Macleod (Film Programming Consultant), Stanley Tucci (Actor, Director), Thea Sharrock (Director), Tinge Krishnan (Director) Tracy O’Riordan (Producer) and Zawe Ashton (Actor, Director).
Elsa Corbineau, Marketing Director Moët & Chandon, commented: “The pool of talents recognized by the Moët British Independent Film Awards has continuously inspired us with the richness it represents. With Moët & Chandon being the champagne of choice for celebration at international film festivals and award ceremonies, we are delighted to toast to the success of all nominees, including those for the ‘Best British Independent Film’ award sponsored by Moët & Chandon.”
The winners will be announced at the much anticipated 17th awards ceremony on Sunday 7 December at the impressive Old Billingsgate in London.
The Moët British Independent Film Awards is proud to announce the following nominees for this year’s awards:
Best British Independent Film
Sponsored by Moët & Chandon
"'71"
"Calvary"
"Mr Turner"
"Pride"
"The Imitation Game"
Best Director
Sponsored by AllCity & Intermission
John Michael McDonagh – "Calvary"
Lenny Abrahamson – "Frank"
Matthew Warchus – "Pride"
Mike Leigh – "Mr Turner"
Yann Demange – "'71"
The Douglas Hickox Award [Best Debut Director]
Sponsored by 3 Mills Studios
Daniel Wolfe, Matthew Wolfe – "Catch Me Daddy"
Hong Khaou – "Lilting"
Iain Forsyth, Jane Pollard – "20,000 Days on Earth"
Morgan Matthews – "X+Y"
Yann Demange – "'71"
Best Screenplay
Sponsored by BBC Films
Graham Moore – "The Imitation Game"
Gregory Burke – "'71"
John Michael McDonagh – "Calvary"
Jon Ronson, Peter Straughan – "Frank"
Stephen Beresford – "Pride"
Best Actress
Sponsored by M.A.C Cosmetics
Alicia Vikander – "Testament of Youth"
Cheng Pei Pei – "Lilting"
Gugu Mbatha-Raw – "Belle"
Keira Knightley – "The Imitation Game"
Sameena Jabeen Ahmed – "Catch Me Daddy"
Best Actor
Sponsored by Movado
Asa Butterfield – "X+Y"
Benedict Cumberbatch – "The Imitation Game"
Brendan Gleeson – "Calvary"
Jack O'Connell – "'71"
Timothy Spall – "Mr Turner"
Best Supporting Actress
Dorothy Atkinson – "Mr Turner"
Imelda Staunton – "Pride"
Maggie Gyllenhaal – "Frank"
Sally Hawkins –"X+Y"
Sienna Guillory – "The Goob"
Best Supporting Actor
Sponsored by St Martins Lane
Andrew Scott – "Pride"
Ben Schnetzer – "Pride"
Michael Fassbender – "Frank"
Rafe Spall – "X+Y"
Sean Harris – "‘71"
Most Promising Newcomer
Ben Schnetzer – "Pride"
Cara Delevingne – "The Face of An Angel"
Gugu Mbatha-Raw – "Belle"
Liam Walpole – "The Goob"
Sameena Jabeen Ahmed – "Catch Me Daddy"
Best Achievement In Production
"'71"
"20,000 Days on Earth"
"Catch Me Daddy"
"Lilting"
"The Goob"
Best Technical Achievement
Chris Wyatt - Editing - "'71"
Dick Pope - Cinematography -"Mr Turner"
Robbie Ryan - Cinematography - "Catch Me Daddy"
Stephen Rennicks - Music – "Frank"
Tat Radcliffe - Cinematography - "'71"
Best DocumentarY
"20,000 Days on Earth"
"Next Goal Wins"
"Night Will Fall"
"The Possibilities Are Endless"
"Virunga"
Best British Short
"Crocodile"
"Emotional Fusebox"
"Keeping Up With The Joneses"
"Slap"
"The Kármán Line"
Best International Independent Film
"Blue Ruin"
"Boyhood"
"Fruitvale Station"
"Ida"
"The Badadook"
The Raindance Award
"Flim: The Movie..".
"Gregor"
"Luna"
"Keeping Rosy"
"The Beat Beneath My Feet"
The Richard Harris Award (for outstanding contribution by an actor to British Film)
To Be Announced
The Variety Award
To Be Announced
The Special Jury Prize
Announced at the Moët British Independent Film Awards on Sunday 7th December
Now in its 17th year, the Awards were created by Raindance in 1998 and set out to celebrate merit and achievement in independently funded British filmmaking, to honour new talent, and to promote British films and filmmaking to a wider public.
Previous winners of the prestigious Best British Independent Film Award include "Metro Manila," "Tyrannosaur," "The King's Speech," "Moon," "Control," "Slumdog Millionaire," "The Constant Gardener" and "This is England"
Proud supporters and patrons of The Moët British Independent Film Awards include Mike Figgis, Tom Hollander, Adrian Lester, Ken Loach, Ewan McGregor, Helen Mirren, Samantha Morton, James Nesbitt, Michael Sheen, Trudie Styler, Tilda Swinton, Meera Syal, David Thewlis, Ray Winstone and Michael Winterbottom.
The Moët British Independent Film Awards would like to thank all its supporters, especially: Moët & Chandon, 3 Mills Studios, BBC Films, M.A.C Cosmetics, Movado, Raindance, St Martins Lane, Soho House, Swarovski, Variety, AllCity, Intermission.
- 11/10/2014
- by Sydney Levine
- Sydney's Buzz
While the 17th British Independent Film Awards have little if any bearing on the Oscars, for the cinephile it offers a nicer shorthand of U.K. movies worth keeping an eye on. And the recently announced list of nominees is led by one movie we haven't stopped talking about since we caught it at the Berlin Film Festival. The Troubles drama " '71" (read our review) starring Jack O'Connell leads the pack with nine nominations, covering pretty much every category you can imagine. We can't say we're surprised, but this is a nice boost for O'Connell, if only get the conversation around his turn in Angelina Jolie's "Unbroken" buzzing a bit more. The workers rights dramedy "Pride" (read our review) wasn't far behind with seven nods, while Daniel Wolfe’s "Catch Me Daddy" (our review), Lenny Abrahamson’s underrated and slept on "Frank" (our review), and Mike Leigh’s artist...
- 11/3/2014
- by Kevin Jagernauth
- The Playlist
The edge-of-your seat thriller that was all the talk at this year’s Berlin Film Festival (that momentum was carried over into Telluride and Tiff during the fall) leads all noms for the 17th edition of the 2014 British Independent Film Awards. Landing nine nominations in all, Yann Demange’s ’71 might lead the pack, but I’d argue that despite all the fanfare, remains an underdog in most categories. Going up against The Imitation Game (which failed to score Morten Tyldum a Best Director nod but managed to get Best Screenplay and Best Film consideration) and Mike Leigh’s Mr Turner, there might be plenty of gift-giving for several films on December 7th, with Matthew Warchus’ Pride also in the mix with a whopping seven noms (mostly in the acting categories). The much deserving Cannes played Catch Me Daddy and Venice Film Fest included The Goob thankfully didn’t go unnoticed,...
- 11/3/2014
- by Eric Lavallee
- IONCINEMA.com
The British Independent Film Awards announced its nominees this Monday morning and it was good news for films that may not have the muscle to break into the Academy Awards contest. The Irish political thriller “’71” and “Pride,” the story of gay activism and mineworker strikes that fits snuggly the time-honored British sociopolitical dramedy genre, earned the most nominations. In honors that will likely replicate themselves stateside, “Imitation Game” also earned a Best British Independent Film nod, with stars Benedict Cumberbatch and Keira Knightley finding love in the Best Actor and Actress categories, respectively. Other Best British Independent Film nominees include Mike Leigh’s “Mr. Turner” and John Michael McDonagh’s “Calvary.” Picking up multiple nominations were Lenny Abrahamson’s “Frank,” documentarian Morgan Matthews’ narrative debut “X+Y,” and the Nick Cave documentary “20,000 Days on Earth.” There’s little conformity to the British Independent Film Awards. Compared to previous years, the 2014 nominations are downright populist.
- 11/3/2014
- by Matt Patches
- Hitfix
Yann Demange’s anti-war parable ’71 has scored a leading nine nominations for the 17th Moët British Independent Film Awards. The director’s debut feature, which premiered in Berlin last February, is named in the major categories and also scooped a Best Actor mention for Jack O’Connell who’s next up in Angelina Jolie’s Unbroken. Directors’ Fortnight closer and crowd-pleaser Pride, helmed by Matthew Warchus, was next with seven nominations while festival favorites Daniel Wolfe’s Catch Me Daddy, Lenny Abrahamson’s Frank and Mike Leigh’s Mr Turner each scored five nods. Along with ’71, Pride and Mr Turner, the titles competing in the Best British Independent Film race are John Michael McDonagh’s Calvary and Morten Tyldum’s The Imitation Game. Oscar hopeful, The Imitation Game’s Benedict Cumberbatch and Keira Knightley also scored acting noms. (See full list of nominees below.)
Winners are decided by an independent...
Winners are decided by an independent...
- 11/3/2014
- by Nancy Tartaglione
- Deadline
Pride, Catch Me Daddy, Frank and Mr Turner also score multiple nominations at the British Independent Film Awards, where Benedict Cumberbatch and Timothy Spall will compete for best actor. The King’s Speech director Tom Hooper to chair jury.Scroll down for full list of nominees
Yann Demange’s ‘71 leads the nominations for the 17th Moët British Independent Film Awards, announced today in London by actor Jared Harris.
The thriller, about a British soldier on the run through the dangerous streets of 1971 Belfast, scored nine nominations including: Best British Independent Film; Best Director and Debut Director for Demange; Best Screenplay for Gregory Burke; Best Actor for Jack O’Connell and Best Supporting Actor for Sean Harris.
The film first launched at Berlin in February and won the Golden Athena at the Athens International Film Festival in September.
‘71 will go up against Calvary, Mr Turner, Pride and The Imitation Game for the top prize.
Matthew Warchus’s gay activist...
Yann Demange’s ‘71 leads the nominations for the 17th Moët British Independent Film Awards, announced today in London by actor Jared Harris.
The thriller, about a British soldier on the run through the dangerous streets of 1971 Belfast, scored nine nominations including: Best British Independent Film; Best Director and Debut Director for Demange; Best Screenplay for Gregory Burke; Best Actor for Jack O’Connell and Best Supporting Actor for Sean Harris.
The film first launched at Berlin in February and won the Golden Athena at the Athens International Film Festival in September.
‘71 will go up against Calvary, Mr Turner, Pride and The Imitation Game for the top prize.
Matthew Warchus’s gay activist...
- 11/3/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
With a total of nine, Yann Demange's ’71 leads the nominations for the 17th Moet British Independent Film Awards. Matthew Warchus’s Pride follows with seven, while Daniel Wolfe's Catch Me Daddy, Lenny Abrahamson's Frank and Mike Leigh's Mr. Turner each score five. Also nominated for Best British Independent Film are John Michael McDonagh's Calvary and Morten Tyldum's The Imitation Game. Tom Hooper is heading up the jury and the awards will be presented on December 7 in London. » - David Hudson...
- 11/3/2014
- Fandor: Keyframe
With a total of nine, Yann Demange's ’71 leads the nominations for the 17th Moet British Independent Film Awards. Matthew Warchus’s Pride follows with seven, while Daniel Wolfe's Catch Me Daddy, Lenny Abrahamson's Frank and Mike Leigh's Mr. Turner each score five. Also nominated for Best British Independent Film are John Michael McDonagh's Calvary and Morten Tyldum's The Imitation Game. Tom Hooper is heading up the jury and the awards will be presented on December 7 in London. » - David Hudson...
- 11/3/2014
- Keyframe
Other winners include The Tribe, a documentary about Syria and Catch Me Daddy actress Sameena Jabeen Ahmed.
Andrey Zvyagintsev’s Leviathan has been crowned Best Film at the 58th BFI London Film Festival (Oct 8-19).
It saw off competition from the likes of Peter Strickland’s The Duke of Burgundy, François Ozon’s The New Girlfriend and Julius Avery’s Son of a Gun, starring Ewan McGregor (click here for full list).
Leviathan tells the tragic tale of conflict between an individual and a corrupt system in a small Russian town.
It marks the fourth feature from Zvyagintsev and is Russia’s submission for the Best Foreign-Language Oscar. The film debuted at the Cannes Film Festival in May, where many expected it to win the Palme d’Or, instead winning Best Screenplay.
It will be released in the UK by Curzon.
The award was announced at a glitzy ceremony held in London’s Banqueting Hall, Whitehall, and hosted...
Andrey Zvyagintsev’s Leviathan has been crowned Best Film at the 58th BFI London Film Festival (Oct 8-19).
It saw off competition from the likes of Peter Strickland’s The Duke of Burgundy, François Ozon’s The New Girlfriend and Julius Avery’s Son of a Gun, starring Ewan McGregor (click here for full list).
Leviathan tells the tragic tale of conflict between an individual and a corrupt system in a small Russian town.
It marks the fourth feature from Zvyagintsev and is Russia’s submission for the Best Foreign-Language Oscar. The film debuted at the Cannes Film Festival in May, where many expected it to win the Palme d’Or, instead winning Best Screenplay.
It will be released in the UK by Curzon.
The award was announced at a glitzy ceremony held in London’s Banqueting Hall, Whitehall, and hosted...
- 10/18/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The festival’s 25th edition will feature a contribution from Ai Weiwei and competition titles including Whiplash, Nightcrawler and Foxcatcher.
The Stockholm International Film Festival (Nov 5-16) is to present its Achievement Award to Us actress Uma Thurman.
The Kill Bill star will will visit Stockholm to receive the prestigious Bronze Horse and meet the audience during an exclusive “Face2Face”.
Thurman will also take part in the inauguration ceremony, which will include the unveiling of an ice sculpture by Chinese artist Ai Weiwei.
Weiwei was a Stockholm jury member last year but since he wasn’t allowed to leave China, he sent an empty chair named ”The Chair for Non-attendance” as symbol of his absence.
He is still not allowed to leave China so will send a design that will be portrayed in the form of a large ice sculpture symbolising this years’ Spotlight theme - Hope.
Brazil
The festival will focus this year on Brazil...
The Stockholm International Film Festival (Nov 5-16) is to present its Achievement Award to Us actress Uma Thurman.
The Kill Bill star will will visit Stockholm to receive the prestigious Bronze Horse and meet the audience during an exclusive “Face2Face”.
Thurman will also take part in the inauguration ceremony, which will include the unveiling of an ice sculpture by Chinese artist Ai Weiwei.
Weiwei was a Stockholm jury member last year but since he wasn’t allowed to leave China, he sent an empty chair named ”The Chair for Non-attendance” as symbol of his absence.
He is still not allowed to leave China so will send a design that will be portrayed in the form of a large ice sculpture symbolising this years’ Spotlight theme - Hope.
Brazil
The festival will focus this year on Brazil...
- 10/16/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Other prize winners include ‘71, Catch Me Daddy and Lilting.
The 25th anniversary of Brittany’s Dinard British Film Festival gave its top prize, the Golden Hitchcock, to Guy Myhill’s The Goob. The prize comes with distribution assistance and direct support to the director, and promotion on the Cine + channels.
The jury was led by Catherine Deneuve and also included Emilia Fox, Jodie Whittaker, Kevin Macdonald, Penny Woolcock, Amira Casar, Rémy Bezançon, Jean-Pierre Daroussin, Suzanne Clément, Léa Drucker and Alexandre Mallet-Guy. A special mention went to Lenny Abrahamson’s Frank.
The Award for Best Cinematography, sponsored by Technicolor, went to Daniel Wolfe’s Catch Me Daddy, which also won the Allianz Award for best screenplay.
Hong Khaou’s Lilting won the Heartbeat Award Le Prix Coup de Coeur, awarded by l’association La Règle du Jeu.
The Audience Award, sponsored by Première, was awarded to Yann Demange’s ‘71.
The Best Short Film Award, chosen from submissions...
The 25th anniversary of Brittany’s Dinard British Film Festival gave its top prize, the Golden Hitchcock, to Guy Myhill’s The Goob. The prize comes with distribution assistance and direct support to the director, and promotion on the Cine + channels.
The jury was led by Catherine Deneuve and also included Emilia Fox, Jodie Whittaker, Kevin Macdonald, Penny Woolcock, Amira Casar, Rémy Bezançon, Jean-Pierre Daroussin, Suzanne Clément, Léa Drucker and Alexandre Mallet-Guy. A special mention went to Lenny Abrahamson’s Frank.
The Award for Best Cinematography, sponsored by Technicolor, went to Daniel Wolfe’s Catch Me Daddy, which also won the Allianz Award for best screenplay.
Hong Khaou’s Lilting won the Heartbeat Award Le Prix Coup de Coeur, awarded by l’association La Règle du Jeu.
The Audience Award, sponsored by Première, was awarded to Yann Demange’s ‘71.
The Best Short Film Award, chosen from submissions...
- 10/12/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Turning an ageless 37, the Mill Valley Film Festival, which open tomorrow (runs until October. 14th), continues to beat to a tune of its own. With the four members of Metallica serving as the Artists in Residence, thematically this year is “heavy” on award season content. While Telluride, Tiff, Nyff serve as major fall season tastemakers, Mvff is the most important one in the Bay Area in terms of visibility and campaigning due to the number of Academy members living in Northern California. And while Tommy Lee Jones’ The Homesman starring Hillary Swank paired with Jones and Jason Reitman’s Men, Women & Children are receiving spotlight showings, it’s titles such as Morten Tyldum’s The Imitation Game, Jean Marc Vallee’s Wild, Bennett Miller’s Foxcatcher, James Marsh’s The Theory of Everything, Theodore Melfi’s St.Vincent, Dan Gilroy’s Nightcrawler and Damian Chazelle’s Whiplash that are receiving further traction.
- 10/1/2014
- by Yama Rahimi
- IONCINEMA.com
This October the London Film Festival brings a wonderful, eclectic mix of films, shorts and events to the capital once again. Firmly establishing itself as a people’s festival (it being the best of the other festivals, Clare Stewart and her team acknowledging they can’t compete on world premieres), it will look to build on last year’s impressive new direction.
From the opening night fun with The Imitation Game to the final push of Brad Pitt’s Fury there will be a number of essential films to catch. The HeyUGuys team have chosen their favourites from among the hundreds playing.
You can find everything you need to book tickets and find out more information right here.
Here are the films you need to see next month.
The Tribe
There is nothing more exciting than a filmmaker attempting to push the boundaries; to shatter audiences expectations of what is...
From the opening night fun with The Imitation Game to the final push of Brad Pitt’s Fury there will be a number of essential films to catch. The HeyUGuys team have chosen their favourites from among the hundreds playing.
You can find everything you need to book tickets and find out more information right here.
Here are the films you need to see next month.
The Tribe
There is nothing more exciting than a filmmaker attempting to push the boundaries; to shatter audiences expectations of what is...
- 9/5/2014
- by Jon Lyus
- HeyUGuys.co.uk
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