3. Eyes Without a Face
Written by Georges Franju, Jean Redon, Pierre Boileau, Thomas Narcejac, and Claude Sautet
Directed by Georges Franju
France and Italy, 1960
The idea of what a quintessential French horror film might be, especially in the middle of the last century, would be a conflicting concept, the French being culturally revered as the custodians of the high-brow, the poetically human, and the avant-garde (we even import the word in its French form); horror is a genre maintained to provoke the base and primal, better left to B-movie thrills. Enter Georges Franju, a co-founder of the Cinémathèque Française, to helm Eyes Without a Face, a work to arrive with scorn from both French and Anglophone audiences as it had not been crafted to either of their palettes, but rather an amalgamation of tastes and something completely new.
When Dr. Génessier (Pierre Brasseur) identifies the body of his daughter Christiane...
Written by Georges Franju, Jean Redon, Pierre Boileau, Thomas Narcejac, and Claude Sautet
Directed by Georges Franju
France and Italy, 1960
The idea of what a quintessential French horror film might be, especially in the middle of the last century, would be a conflicting concept, the French being culturally revered as the custodians of the high-brow, the poetically human, and the avant-garde (we even import the word in its French form); horror is a genre maintained to provoke the base and primal, better left to B-movie thrills. Enter Georges Franju, a co-founder of the Cinémathèque Française, to helm Eyes Without a Face, a work to arrive with scorn from both French and Anglophone audiences as it had not been crafted to either of their palettes, but rather an amalgamation of tastes and something completely new.
When Dr. Génessier (Pierre Brasseur) identifies the body of his daughter Christiane...
- 10/31/2013
- by Zach Lewis
- SoundOnSight
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