Brett Morgen's award-winning body of work includes documentaries on The Rolling Stones, Kurt Cobain and dashing movie producer Robert Evans. It may come as a surprise, then, to see him focus his latest film on Jane Goodall, a woman not identified with Hollywood glamour or ear-blasting rock n' roll. In fact her greatest satisfactions–to judge from his latest, Jane—seem to have come spending quiet hours on end in punishing heat, sketchbook in hand, observing the behavior of…...
- 11/6/2017
- Deadline
Brett Ratner is suing a woman who claims the director raped her in L.A. over a decade ago ... calling the allegations a total lie. According to the suit ... Melanie Kohler claimed in an October 20 Facebook post, "Brett Ratner raped me" and continued by calling him "a rapist on at least one night in Hollywood about 12 years ago." She claimed he "preyed on me as a drunk girl [and] forced himself upon me" ... according to the docs.
- 11/2/2017
- by TMZ Staff
- TMZ
Like director Brett Morgen‘s “The Kids Stays in the Picture” with Robert Evans and “Cobain: Montage of Heck” with Kurt Cobain, “Jane” is a portrait of a single, singular figure who had an enormous impact on culture: Jane Goodall. This wildly entertaining documentary combines over 100 hours of unearthed footage from the 1960s with current interviews and voiceover from the primatologist to create a film that is simultaneously full of both emotion and intelligence.
Continue reading Brett Morgen’s ‘Jane’ Is One Of 2017’s Best Documentaries [Review] at The Playlist.
Continue reading Brett Morgen’s ‘Jane’ Is One Of 2017’s Best Documentaries [Review] at The Playlist.
- 10/20/2017
- by Kimber Myers
- The Playlist
Long before he became acquainted with the subject of his documentary Jane, Brett Morgen assumed that the primatologist Jane Goodall was a "goody two-shoe[s]." The filmmaker was used to tackling figures with pronounced dark sides like Hollywood producer Robert Evans and Nirvana frontman Kurt Cobain, not the type of scientific icons children study in grade school. "You were like Mother Teresa," he says, addressing Goodall, sitting on the couch beside him. She shoots back: "You didn't know me then."
Goodall, 83, may have a wry deadpan wit and seems to delight in skewering Morgen,...
Goodall, 83, may have a wry deadpan wit and seems to delight in skewering Morgen,...
- 10/20/2017
- Rollingstone.com
In launching a committee of governors to redefine "What is a movie?", the Motion Picture Academy recognizes the dimming line between film, TV and streaming. The growing resources of Netflix and its appetite for awards recognition underscores the need for new standards and definitions. Should extended play at theaters be a requirement for Oscar recognition? Robert Evans also joins our podcast, commenting on the surprises of his long career, the forces that triggered…...
- 10/20/2017
- Deadline
Chris Evans by Uinterview Christopher Robert “Chris” Evans was born in Boston on June 13, 1981 (age 36) and raised in Sudbury, Massachusetts. His mother, Lisa (née Capuano), is an artistic director at the Concord Youth Theater and his father, Robert Evans, is a dentist. Evans has two sisters, Carly and Shanna, and a younger brother, Scott, who appeared on the ABC soap […]
Source: uInterview
The post Chris Evans Bio: In His Own Words – Video Exclusive, News, Photos appeared first on uInterview.
Source: uInterview
The post Chris Evans Bio: In His Own Words – Video Exclusive, News, Photos appeared first on uInterview.
- 10/14/2017
- by Pablo Mena
- Uinterview
Remember Anwar Congo, the aging mass-murderer profiled in Joshua Oppenheimer’s “The Act of Killing?” Well, imagine if that guy had been born in the United States instead of Indonesia, and had become a children’s tennis coach instead of the genocidal leader of a North Sumatran death squad, and you’ll have a pretty good idea of who Nick Bollettieri is and what he’s all about.
Of course, that’s not at all to suggest that these men are equally evil — one slaughtered untold numbers of innocent people, the other just ruined Andre Agassi’s chances of winning the 1989 French Open — but rather to say that both of them personify the same type of narcissistic madness. It’s not a rare condition; we all know people like them: people who dehumanize the rest of us as a defense mechanism. People who pretend that the past can’t hurt them.
Of course, that’s not at all to suggest that these men are equally evil — one slaughtered untold numbers of innocent people, the other just ruined Andre Agassi’s chances of winning the 1989 French Open — but rather to say that both of them personify the same type of narcissistic madness. It’s not a rare condition; we all know people like them: people who dehumanize the rest of us as a defense mechanism. People who pretend that the past can’t hurt them.
- 9/9/2017
- by David Ehrlich
- Indiewire
Jenelle Evans is unflinchingly opening old wounds — and how they fed her own demons — in her new memoir.
The Teen Mom 2 star writes in Read Between the Lines: From the Diary of a Teenage Mom that her early years were marred by the dysfunctional relationship between and with her parents, who split when she was 3 years old.
Calling her father Robert Evans Jr. a “a notoriously mean drunk,” Evans said his behavior when under the influence “ruined his marriage and pretty much his life.” (When reached for a response Robert told People, “No comment.”)
Jenelle claims exposure to this...
The Teen Mom 2 star writes in Read Between the Lines: From the Diary of a Teenage Mom that her early years were marred by the dysfunctional relationship between and with her parents, who split when she was 3 years old.
Calling her father Robert Evans Jr. a “a notoriously mean drunk,” Evans said his behavior when under the influence “ruined his marriage and pretty much his life.” (When reached for a response Robert told People, “No comment.”)
Jenelle claims exposure to this...
- 7/28/2017
- by Alexia Fernandez
- PEOPLE.com
Girl Talk is a weekly look at women in film — past, present, and future.
When the “Star Wars” universe imploded earlier this week with the surprising news that Han Solo standalone filmmakers Phil Lord and Chris Miller were leaving the project after completing nearly 75% of principal photography, initial reports immediately fixated on the most likely culprit for the split: disagreements with Lucasfilm head and “Star Wars” super-producer Kathleen Kennedy. While it seems unlikely that the “real” story of what went down behind the scenes — a true “three sides to every story” situation, as producer Robert Evans was fond of saying — will ever come out, Kennedy is at the center of reports about wild demands and on-set clashes.
One thing is clear, however — whatever Lord and Miller were envisioning for their “Star Wars” debut is not what Kennedy had in mind, and while we’re still mourning the “Star Wars” film that will never be, the veteran producer deserves all of the respect that goes with her decision. She’s the one in charge of maintaining the “Star Wars” legacy, and with good reason.
Read More: Ron Howard’s ‘Star Wars’: We Debate the New Choice For Lucasfilm’s Han Solo Movie
As the head of a massive studio and a high-powered producer with a slew of huge credits under her belt (“Indiana Jones” to “Star Wars,” “Lincoln” to “The Diving Bell and the Butterfly,” and that’s only scraping the top of a stuffed resume), Kennedy is in a rarefied position. That she’s a woman is even more unique, a gate-crasher who has earned her stripes over decades in the business, only to emerge as the principal brain behind the world’s biggest franchise.
Kennedy first entered the entertainment world in a roundabout way, infamously serving as director John Milius’ assistant after she graduated college and putting in some serious time producing a small local TV talk show in her native Northern California. At the time, Milius was producing Steven Spielberg’s “1941,” and Spielberg soon poached her to be his own secretary, a job she was apparently not great at (as it turns out, she couldn’t really type).
But from the start, Kennedy had a lot of compelling ideas, and Spielberg eventually brought her on as a producer. Just two years after their initial introduction, Kennedy co-founded Spielberg’s Amblin Entertainment alongside her future husband Frank Marshall. Kennedy’s intelligence was remarkable, and so were her leadership skills, and she was soon named president of Amblin.
Plenty more big gigs followed, including the launching of The Kennedy/Marshall Company with her husband, big-time producing credits on a number of films (a number of which were directed by Spielberg), and her eventual role as co-chair of Lucasfilm alongside George Lucas. Kennedy’s track record is awe-inspiring, including over 92 film and television credits (an intriguing mix of blockbusters and prestige pictures) and eight Oscar nominations for Best Picture. In terms of pure money-making power alone, she’s behind only Spielberg and Marvel mastermind Stan Lee for domestic box office take (nearly $7 billion as of this writing).
After Disney purchased Lucasfilm in 2012, she became both president and brand manager. If it’s “Star Wars,” it goes through her. The homogenization of franchise films is certainly an issue in an industry increasingly interested in churning out tentpoles, but a dedication to cohesion and a larger sense of story are essential elements for such wide-ranging series. That’s what Kennedy is tasked with overseeing, and it’s not always easy.
The Han Solo situation remains a weird outlier in an industry that has seen plenty of strange stuff go down; Kennedy and her cohorts are in mostly uncharted waters, though a similar situation did unspool over at Marvel in 2015. When Edgar Wright left his long-gestating “Ant-Man” after nearly a decade of work on the project, Marvel Studios president Kevin Feige was believed to have balked at Wright’s burgeoning vision, one that didn’t align with the larger aims of the McU. As with Lord and Miller, Wright left the project due to “creative differences.”
Feige later explained to The Guardian why he made that tough choice: “We sat round a table and we realized it was not working. A part of me wishes we could have figured that out in the eight years we were working on it. But better for us and for Edgar that we figure it out then, and not move it through production.” Feige’s choice was hard enough; Kennedy is almost unfathomable.
As IndieWire’s Anne Thompson noted earlier this week, “Kennedy’s purpose is to stay on course — as Kevin Feige does with Marvel — and keep the ‘Star Wars’ universe humming and intact as it spins into many orbits. She can take responsibility for miscasting in this case, because Lord and Miller are who they are and, once hired, should be able to do what they do.”
She has excelled at that, and while the Lord and Miller exit seems indicative of major behind-the-scenes drama, it may actually point in the opposite direction: that Kennedy is so compelled to do right by the brand that she’ll make a huge change in order to reach the necessary end goal.
Kennedy does still have plenty to learn about navigating the ever-changing waters of franchise filmmaking, in ways that extend beyond whatever led to the Han Solo fallout.
In November of last year, she drew ire over comments about the lack of women directors on “Star Wars” projects. Kennedy explained that, while finding a female director for a “Star Wars” film was a priority, they just hadn’t found someone with the right level of experience just yet — seemingly forgetting how many male directors they’ve employed who also haven’t come to the table with built-in blockbuster credits. At the time, Kennedy said, “We want to make sure that when we bring a female director in to do ‘Star Wars,’ they’re set up for success. They’re gigantic films, and you can’t come into them with essentially no experience.”
Read More: Han Solo Upheaval: Here’s Everything You Need to Know About Phil Lord and Chris Miller’s ‘Star Wars’ Exit
Later, she attempted to clarify her comments, responding to a question at the “Rogue One” press conference. “That quote was taken out of context,” she said. “As you can imagine, I have every intention of giving somebody an opportunity. So, if somebody actually moves through the process of making movies and wants to make a ‘Star Wars’ movie, and shows that they have actually stepped into the role on that level, of course we’re going to consider a woman. That goes without saying.” Kennedy’s criteria for a “Star Wars” filmmaker still seemed dead-set on only pursuing filmmakers who meet a criteria that sounds reliant on resume credits over passion and skill.
But Kennedy has both — an enviable track record and an obvious affection for the massive series she’s in charge of shepherding through impossible decisions. She’s already installed Ron Howard as the film’s finishing director, and every press release has insisted that the film will come out on time. Will it be worth it? We’ll have to see, but it’s clear that Kennedy will be front and center for whatever the final product looks like. After all, it’s her franchise.
Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Related storiesRian Johnson and Ana Lily Amirpour Talk 'Star Wars,' 'The Bad Batch' and Cinematic Boners -- ListenHan Solo Firing Proves Studios' Franchises Don't Want Directors To Be Storytellers'Star Wars' and Lucasfilm Have Lost Their Sense of Humor, and Firing Lord and Miller is Only One Example...
When the “Star Wars” universe imploded earlier this week with the surprising news that Han Solo standalone filmmakers Phil Lord and Chris Miller were leaving the project after completing nearly 75% of principal photography, initial reports immediately fixated on the most likely culprit for the split: disagreements with Lucasfilm head and “Star Wars” super-producer Kathleen Kennedy. While it seems unlikely that the “real” story of what went down behind the scenes — a true “three sides to every story” situation, as producer Robert Evans was fond of saying — will ever come out, Kennedy is at the center of reports about wild demands and on-set clashes.
One thing is clear, however — whatever Lord and Miller were envisioning for their “Star Wars” debut is not what Kennedy had in mind, and while we’re still mourning the “Star Wars” film that will never be, the veteran producer deserves all of the respect that goes with her decision. She’s the one in charge of maintaining the “Star Wars” legacy, and with good reason.
Read More: Ron Howard’s ‘Star Wars’: We Debate the New Choice For Lucasfilm’s Han Solo Movie
As the head of a massive studio and a high-powered producer with a slew of huge credits under her belt (“Indiana Jones” to “Star Wars,” “Lincoln” to “The Diving Bell and the Butterfly,” and that’s only scraping the top of a stuffed resume), Kennedy is in a rarefied position. That she’s a woman is even more unique, a gate-crasher who has earned her stripes over decades in the business, only to emerge as the principal brain behind the world’s biggest franchise.
Kennedy first entered the entertainment world in a roundabout way, infamously serving as director John Milius’ assistant after she graduated college and putting in some serious time producing a small local TV talk show in her native Northern California. At the time, Milius was producing Steven Spielberg’s “1941,” and Spielberg soon poached her to be his own secretary, a job she was apparently not great at (as it turns out, she couldn’t really type).
But from the start, Kennedy had a lot of compelling ideas, and Spielberg eventually brought her on as a producer. Just two years after their initial introduction, Kennedy co-founded Spielberg’s Amblin Entertainment alongside her future husband Frank Marshall. Kennedy’s intelligence was remarkable, and so were her leadership skills, and she was soon named president of Amblin.
Plenty more big gigs followed, including the launching of The Kennedy/Marshall Company with her husband, big-time producing credits on a number of films (a number of which were directed by Spielberg), and her eventual role as co-chair of Lucasfilm alongside George Lucas. Kennedy’s track record is awe-inspiring, including over 92 film and television credits (an intriguing mix of blockbusters and prestige pictures) and eight Oscar nominations for Best Picture. In terms of pure money-making power alone, she’s behind only Spielberg and Marvel mastermind Stan Lee for domestic box office take (nearly $7 billion as of this writing).
After Disney purchased Lucasfilm in 2012, she became both president and brand manager. If it’s “Star Wars,” it goes through her. The homogenization of franchise films is certainly an issue in an industry increasingly interested in churning out tentpoles, but a dedication to cohesion and a larger sense of story are essential elements for such wide-ranging series. That’s what Kennedy is tasked with overseeing, and it’s not always easy.
The Han Solo situation remains a weird outlier in an industry that has seen plenty of strange stuff go down; Kennedy and her cohorts are in mostly uncharted waters, though a similar situation did unspool over at Marvel in 2015. When Edgar Wright left his long-gestating “Ant-Man” after nearly a decade of work on the project, Marvel Studios president Kevin Feige was believed to have balked at Wright’s burgeoning vision, one that didn’t align with the larger aims of the McU. As with Lord and Miller, Wright left the project due to “creative differences.”
Feige later explained to The Guardian why he made that tough choice: “We sat round a table and we realized it was not working. A part of me wishes we could have figured that out in the eight years we were working on it. But better for us and for Edgar that we figure it out then, and not move it through production.” Feige’s choice was hard enough; Kennedy is almost unfathomable.
As IndieWire’s Anne Thompson noted earlier this week, “Kennedy’s purpose is to stay on course — as Kevin Feige does with Marvel — and keep the ‘Star Wars’ universe humming and intact as it spins into many orbits. She can take responsibility for miscasting in this case, because Lord and Miller are who they are and, once hired, should be able to do what they do.”
She has excelled at that, and while the Lord and Miller exit seems indicative of major behind-the-scenes drama, it may actually point in the opposite direction: that Kennedy is so compelled to do right by the brand that she’ll make a huge change in order to reach the necessary end goal.
Kennedy does still have plenty to learn about navigating the ever-changing waters of franchise filmmaking, in ways that extend beyond whatever led to the Han Solo fallout.
In November of last year, she drew ire over comments about the lack of women directors on “Star Wars” projects. Kennedy explained that, while finding a female director for a “Star Wars” film was a priority, they just hadn’t found someone with the right level of experience just yet — seemingly forgetting how many male directors they’ve employed who also haven’t come to the table with built-in blockbuster credits. At the time, Kennedy said, “We want to make sure that when we bring a female director in to do ‘Star Wars,’ they’re set up for success. They’re gigantic films, and you can’t come into them with essentially no experience.”
Read More: Han Solo Upheaval: Here’s Everything You Need to Know About Phil Lord and Chris Miller’s ‘Star Wars’ Exit
Later, she attempted to clarify her comments, responding to a question at the “Rogue One” press conference. “That quote was taken out of context,” she said. “As you can imagine, I have every intention of giving somebody an opportunity. So, if somebody actually moves through the process of making movies and wants to make a ‘Star Wars’ movie, and shows that they have actually stepped into the role on that level, of course we’re going to consider a woman. That goes without saying.” Kennedy’s criteria for a “Star Wars” filmmaker still seemed dead-set on only pursuing filmmakers who meet a criteria that sounds reliant on resume credits over passion and skill.
But Kennedy has both — an enviable track record and an obvious affection for the massive series she’s in charge of shepherding through impossible decisions. She’s already installed Ron Howard as the film’s finishing director, and every press release has insisted that the film will come out on time. Will it be worth it? We’ll have to see, but it’s clear that Kennedy will be front and center for whatever the final product looks like. After all, it’s her franchise.
Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Related storiesRian Johnson and Ana Lily Amirpour Talk 'Star Wars,' 'The Bad Batch' and Cinematic Boners -- ListenHan Solo Firing Proves Studios' Franchises Don't Want Directors To Be Storytellers'Star Wars' and Lucasfilm Have Lost Their Sense of Humor, and Firing Lord and Miller is Only One Example...
- 6/23/2017
- by Kate Erbland
- Indiewire
Jenelle Evans‘ father was only in her life for a brief period of time during her childhood, but she still considered herself to be “daddy’s little girl.”
Come July 25, Evans, 25, who has long had a tense relationship with her mother, Barbara Evans, will open up about her estranged relationship with her father in her soon-to-be released memoir, Read Between the Lines: From the Diary of a Teenage Mom.
“Robert Evans was only in my life for a little while. For that short and glorious time, I was daddy’s little girl,” Evans writes in Read Between the Lines, according to E!
Come July 25, Evans, 25, who has long had a tense relationship with her mother, Barbara Evans, will open up about her estranged relationship with her father in her soon-to-be released memoir, Read Between the Lines: From the Diary of a Teenage Mom.
“Robert Evans was only in my life for a little while. For that short and glorious time, I was daddy’s little girl,” Evans writes in Read Between the Lines, according to E!
- 6/9/2017
- by Natalie Stone
- PEOPLE.com
Jenelle Evans is proving once again that she is an open book. While fans may know the Teen Mom 2 star's relationship with her mom and children, many don't know the bond—or lack thereof—surrounding Jenelle and her father Robert Evans. As the countdown begins for the release of Jenelle's new memoir, E! News has exclusively obtained a first look of the book that is proving to be filled with "raw emotional stories." Topic No. 1? Her dad. "Robert Evans was only in my life for a little while. For that short and glorious time, I was daddy's little girl," Jenelle wrote in Read Between the Lines: From the Diary of a Teenage Mom. "I loved and admired...
- 6/9/2017
- E! Online
Martin Scorsese, Jim Gianopulos, Ava DuVernay among well-wishers.
Hollywood is paying its respects to the former Paramount chairman and CEO Brad Grey, who died unexpectedly on Sunday from cancer at the age of 59.
Martin Scorsese issued a statement that read: “Brad Grey was a true friend, and he genuinely loved movies. Our professional relationship started with The Departed, which he basically shepherded into existence – sadly, he is uncredited as a producer on that picture, but that’s the title he deserved.
“He and I worked together on every picture I made since – all the way through Silence, and he was always extremely protective of the creative process, very careful to keep it separate from all infighting and financial entanglements — in other words, the business. Like so many of Brad’s friends, I’m in a state of shock.”
Jim Gianopulos, who recently replaced Grey as Paramount chairman and CEO, said: “All of us at Paramount are deeply...
Hollywood is paying its respects to the former Paramount chairman and CEO Brad Grey, who died unexpectedly on Sunday from cancer at the age of 59.
Martin Scorsese issued a statement that read: “Brad Grey was a true friend, and he genuinely loved movies. Our professional relationship started with The Departed, which he basically shepherded into existence – sadly, he is uncredited as a producer on that picture, but that’s the title he deserved.
“He and I worked together on every picture I made since – all the way through Silence, and he was always extremely protective of the creative process, very careful to keep it separate from all infighting and financial entanglements — in other words, the business. Like so many of Brad’s friends, I’m in a state of shock.”
Jim Gianopulos, who recently replaced Grey as Paramount chairman and CEO, said: “All of us at Paramount are deeply...
- 5/15/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Martin Scorsese, Jim Gianopulos, Ava DuVernay among well-wishers.
Hollywood is paying its respects to the former Paramount chairman and CEO Brad Grey, who died unexpectedly on Sunday from cancer at the age of 59.
Martin Scorsese issued a statement that read: “Brad Grey was a true friend, and he genuinely loved movies. Our professional relationship started with The Departed, which he basically shepherded into existence – sadly, he is uncredited as a producer on that picture, but that’s the title he deserved.
“He and I worked together on every picture I made since – all the way through Silence, and he was always extremely protective of the creative process, very careful to keep it separate from all infighting and financial entanglements — in other words, the business. Like so many of Brad’s friends, I’m in a state of shock.”
Jim Gianopulos, who recently replaced Grey as Paramount chairman and CEO, said: “All of us at Paramount are deeply...
Hollywood is paying its respects to the former Paramount chairman and CEO Brad Grey, who died unexpectedly on Sunday from cancer at the age of 59.
Martin Scorsese issued a statement that read: “Brad Grey was a true friend, and he genuinely loved movies. Our professional relationship started with The Departed, which he basically shepherded into existence – sadly, he is uncredited as a producer on that picture, but that’s the title he deserved.
“He and I worked together on every picture I made since – all the way through Silence, and he was always extremely protective of the creative process, very careful to keep it separate from all infighting and financial entanglements — in other words, the business. Like so many of Brad’s friends, I’m in a state of shock.”
Jim Gianopulos, who recently replaced Grey as Paramount chairman and CEO, said: “All of us at Paramount are deeply...
- 5/15/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
New Hampshire authorities believe a drifter who died in 2010 while serving a life sentence for his wife’s murder possibly killed six other people including his own daughter, People confirms.
New Hampshire Attorney General Joseph Foster said at a Thursday press conference that among the victims of a man known as Robert Evans — who went by several other aliases — was his ex-girlfriend Denise Beaudin, a New Hampshire mother who has been missing since 1981 whose remains have never been recovered.
Foster said it is possible Beaudin could be alive, but based on what detectives have learned about Evans, Foster believes it...
New Hampshire Attorney General Joseph Foster said at a Thursday press conference that among the victims of a man known as Robert Evans — who went by several other aliases — was his ex-girlfriend Denise Beaudin, a New Hampshire mother who has been missing since 1981 whose remains have never been recovered.
Foster said it is possible Beaudin could be alive, but based on what detectives have learned about Evans, Foster believes it...
- 1/26/2017
- by chrisharristimeinc
- PEOPLE.com
New Hampshire authorities say they have developed new information about the 1981 disappearance of a Manchester woman, revealing they believe she vanished under suspicious circumstances — and prompting officials to file a missing person report nearly four decades later.
State and local investigators are asking for the public’s assistance in solving the 35-year-old mystery, People confirms.
Denise Beaudin was last seen on Thanksgiving in 1981, when she and her 37-year-old boyfriend, Robert Evans spent the holiday with her family in Goffstown, New Hampshire.
According to relatives, neither Beaudin nor Bob mentioned they were planning to leave the area at that time.
When...
State and local investigators are asking for the public’s assistance in solving the 35-year-old mystery, People confirms.
Denise Beaudin was last seen on Thanksgiving in 1981, when she and her 37-year-old boyfriend, Robert Evans spent the holiday with her family in Goffstown, New Hampshire.
According to relatives, neither Beaudin nor Bob mentioned they were planning to leave the area at that time.
When...
- 12/29/2016
- by chrisharristimeinc
- PEOPLE.com
The film that is possibly too European for Americans but not too beautiful for bloodshed, is now available on Blu-ray, thanks to Chad Armstrong at Lc Films, who engineered the project for LeglessCorpse: The website for True Independent Horror.
His team has manufactured this wonderful product to satisfy collectors' demands, with breathtaking scans of the original elements, to bring you a movie viewing experience with crystal clarity, for a completely gratifying 98 minute thrill-ride of gory ballerina mayhem. Digitally remastered in stunning High Definition.
The disc has extras that aren't included on the DVD, including the never-before-seen audition videos, where desperate young thespians bare their acting chops…. And much much more - to be an onscreen ballerina! A few very rare cassette tapes of the music from the motion picture soundtrack will also me included for some lucky buyers.
The BluRay can be purchased here for a mere 10 dollars here.
Ain’t It Cool News says…...
His team has manufactured this wonderful product to satisfy collectors' demands, with breathtaking scans of the original elements, to bring you a movie viewing experience with crystal clarity, for a completely gratifying 98 minute thrill-ride of gory ballerina mayhem. Digitally remastered in stunning High Definition.
The disc has extras that aren't included on the DVD, including the never-before-seen audition videos, where desperate young thespians bare their acting chops…. And much much more - to be an onscreen ballerina! A few very rare cassette tapes of the music from the motion picture soundtrack will also me included for some lucky buyers.
The BluRay can be purchased here for a mere 10 dollars here.
Ain’t It Cool News says…...
- 6/25/2016
- by admin
- MoreHorror
By Scott Feinberg
The Hollywood Reporter
In a year without a clear frontrunner, the distributors of an unusually big number of films feel that awards recognition is within their reach — and they aren’t leaving anything on the table when it comes to promotional opportunities.
Already this season, the pre-Thanksgiving flurry of Q&As, lunches, dinners and cocktail parties has hit a fever pitch. Among the hotter invites: a screening of the doc short The Tuskegee Airmen: Sacrifice and Triumph at the home of Lionel Richie on Oct. 5 (it still was left off the Academy’s shortlist on Oct. 26); a party for Brett Morgen‘s doc feature Cobain: Montage of Heck at Robert Evans‘ home Nov. 5; and a hangout at Adam Levine‘s house for The End of the Tour‘s Jason Segel on Nov. 8. The list goes on.
Read the rest of this entry…...
The Hollywood Reporter
In a year without a clear frontrunner, the distributors of an unusually big number of films feel that awards recognition is within their reach — and they aren’t leaving anything on the table when it comes to promotional opportunities.
Already this season, the pre-Thanksgiving flurry of Q&As, lunches, dinners and cocktail parties has hit a fever pitch. Among the hotter invites: a screening of the doc short The Tuskegee Airmen: Sacrifice and Triumph at the home of Lionel Richie on Oct. 5 (it still was left off the Academy’s shortlist on Oct. 26); a party for Brett Morgen‘s doc feature Cobain: Montage of Heck at Robert Evans‘ home Nov. 5; and a hangout at Adam Levine‘s house for The End of the Tour‘s Jason Segel on Nov. 8. The list goes on.
Read the rest of this entry…...
- 11/11/2015
- by Patrick Shanley
- Scott Feinberg
by Gerald Beanery
MoreHorror.com
You can expect another three films from Hollywood’s youngest auteur, Jared Masters. He’s already made 9 features and the fact that he’s making another three for next year is not surprising. Some have called him the Prince of Horror Erotica or the Woody Allen of Horror, but his nickname is unimportant, the fact that cult film goddess Bouvier is coming back to the silver screen in Blood Tulip is important! She’ll star as Starla, a beautiful artist and model that must save her twin sister, who got kidnapped and sold into the Holland sex trade. She’ll also have to recover her uncle’s stolen 17th century painting.
It’s a picture bringing awareness to human trafficking and how horrible the holocaust was. The film also features Dawna Lee Heising and Anthony Usewicz. Plus, rumored to be featured are; Art Roberts, LeJon,...
MoreHorror.com
You can expect another three films from Hollywood’s youngest auteur, Jared Masters. He’s already made 9 features and the fact that he’s making another three for next year is not surprising. Some have called him the Prince of Horror Erotica or the Woody Allen of Horror, but his nickname is unimportant, the fact that cult film goddess Bouvier is coming back to the silver screen in Blood Tulip is important! She’ll star as Starla, a beautiful artist and model that must save her twin sister, who got kidnapped and sold into the Holland sex trade. She’ll also have to recover her uncle’s stolen 17th century painting.
It’s a picture bringing awareness to human trafficking and how horrible the holocaust was. The film also features Dawna Lee Heising and Anthony Usewicz. Plus, rumored to be featured are; Art Roberts, LeJon,...
- 8/3/2015
- by admin
- MoreHorror
Brett Morgen has been called the Mad Scientist of the documentary world with his latest film, the long-awaited Kurt Cobain biography “Montage of Heck.” Morgen certainly lives up to that billing, creating an explosive and totally unique visual and cinematic experiences out of the fallen rock god’s various creations. I have known Brett since we were both 14 years old, having gone to high school and then college together, where we were in roommates. Since the first days of our acquaintance, I have never known anyone with such a firm sense of who he was and what he wanted to do, and that has only strengthened over the years. However, what astonished me seeing “Montage” for the first time was how much his creative skills have grown as a director, so that wild, unstoppable sense of Brettism is now married to awe-inspiring technical superpowers, that have enabled him to produce what in my very-biased mind,...
- 5/1/2015
- by Richard Rushfield
- Hitfix
Retro-active: The Best From Cinema Retro's Archives
By Lee Pfeiffer
Paramount has released a 2 disc special edition of the 1968 comedy classic The Odd Couple as part of the studio's Centennial Collection. The film retains all of its initial appeal, despite the fact that virtually every baby boomer has committed the scenes and dialogue to memory. Although most people regard this as the first historic pairing of Jack Lemmon and Walter Matthau, in fact, that occurred with Billy Wilder's 1965 gem The Fortune Cookie which saw Matthau winning the Oscar for supporting actor. The genius behind the story, of course, is Neil Simon, who adapted his smash hit Broadway play for the film. The part of Felix Unger was originally played on Broadway by the great Art Carney, but Lemmon was a much hotter box-office property and got the role in the feature film. The film is creative in the ways...
By Lee Pfeiffer
Paramount has released a 2 disc special edition of the 1968 comedy classic The Odd Couple as part of the studio's Centennial Collection. The film retains all of its initial appeal, despite the fact that virtually every baby boomer has committed the scenes and dialogue to memory. Although most people regard this as the first historic pairing of Jack Lemmon and Walter Matthau, in fact, that occurred with Billy Wilder's 1965 gem The Fortune Cookie which saw Matthau winning the Oscar for supporting actor. The genius behind the story, of course, is Neil Simon, who adapted his smash hit Broadway play for the film. The part of Felix Unger was originally played on Broadway by the great Art Carney, but Lemmon was a much hotter box-office property and got the role in the feature film. The film is creative in the ways...
- 1/2/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The Producers Guild of America (PGA) announced Saturday, January 23, 2016 as the date for its 27th Annual Producers Guild Awards, which will be presented at the landmark Hyatt Regency Century Plaza hotel in Los Angeles. The 2016 date marks the second consecutive year the Guild will have hosted the awards at the historic location, as the 26th Annual Producers Guild Awards are already set for early next year on January 24, 2015.
Last year 12 Years A Slave and Gravity took home top honors becoming the first ever tie in PGA history.
“Every year at the Producers Guild Awards, we strive to honor all of our industry’s hardworking producers and seat as many members and guests as possible. We are thrilled to establish a continuing relationship with the Century Plaza, which has the quality, services, facilities and most importantly — space — to accommodate our rapidly growing membership,” said Vance Van Petten, National Executive Director of the PGA.
Last year 12 Years A Slave and Gravity took home top honors becoming the first ever tie in PGA history.
“Every year at the Producers Guild Awards, we strive to honor all of our industry’s hardworking producers and seat as many members and guests as possible. We are thrilled to establish a continuing relationship with the Century Plaza, which has the quality, services, facilities and most importantly — space — to accommodate our rapidly growing membership,” said Vance Van Petten, National Executive Director of the PGA.
- 11/14/2014
- by Michelle McCue
- WeAreMovieGeeks.com
James Franco has posted an Instagram photo of himself shooting his film adaptation of the novel "Zeroville" alongside cast mates Seth Rogen and Will Ferrell. Rogen plays Viking Man, a character who is a thinly-disguised take on legendary writer/director John Milius. Ferrell's role is unknown, but he looks kind of like he's doing a take on producer Robert Evans.
"Voltage Pictures has scored international rights to Ken Sanzel's action title "Blunt Force Trauma". The story is set in the world of underground gunfights in South America and Ryan Kwanten plays a young man and Freida Pinto a vengeful woman who meet on their quest to locate the clandestine scene's elusive champion..." (full details)
"Starz has scored the North American rights to the action-adventure film "Northmen: A Viking Saga" starring Tom Hopper, Ryan Kwanten, Anatole Taubman, Charlie Murphy, James Norton and Ed Skrein. The story follows a gang of...
"Voltage Pictures has scored international rights to Ken Sanzel's action title "Blunt Force Trauma". The story is set in the world of underground gunfights in South America and Ryan Kwanten plays a young man and Freida Pinto a vengeful woman who meet on their quest to locate the clandestine scene's elusive champion..." (full details)
"Starz has scored the North American rights to the action-adventure film "Northmen: A Viking Saga" starring Tom Hopper, Ryan Kwanten, Anatole Taubman, Charlie Murphy, James Norton and Ed Skrein. The story follows a gang of...
- 11/1/2014
- by Garth Franklin
- Dark Horizons
Got 47 minutes? Good, because you’ll want to watch this documentary from the Criterion Collection about the making of Roman Polanski’s rightly beloved Rosemary’s Baby. Present and accounted for are producer Robert Evans, with his legendary voice still intact, star Mia Farrow and Polanski himself, who recounts how Evans got in touch with him to consider directing Downhill Racer (which became Michael Ritchie’s feature debut) and sent over that script and a galley of Rosemary’s Baby, which the producer asked him to look at first. While the director initially thought it was a “kitchen melodrama for television,” Polanski got sucked […]...
- 9/23/2014
- by Vadim Rizov
- Filmmaker Magazine-Director Interviews
Got 47 minutes? Good, because you’ll want to watch this documentary from the Criterion Collection about the making of Roman Polanski’s rightly beloved Rosemary’s Baby. Present and accounted for are producer Robert Evans, with his legendary voice still intact, star Mia Farrow and Polanski himself, who recounts how Evans got in touch with him to consider directing Downhill Racer (which became Michael Ritchie’s feature debut) and sent over that script and a galley of Rosemary’s Baby, which the producer asked him to look at first. While the director initially thought it was a “kitchen melodrama for television,” Polanski got sucked […]...
- 9/23/2014
- by Vadim Rizov
- Filmmaker Magazine - Blog
During this recently-produced documentary about the making of “Rosemary’s Baby," legendary producer, and proud wearer of oversized glasses, Robert Evans describes this seminal horror masterpiece as, “Not a horror film, but was." This assertion is key in fully appreciating "Rosemary’s Baby" during our current period of Adhd-addled horror cinema, where the target audience checks out if there isn’t a cheap jump scare at least twice a minute. "Rosemary’s Baby" relies on an ever-escalating atmosphere of fear and unease as director Roman Polanski pulls the audience into the world of the film and the collapsing mind of its protagonist so patiently and assuredly that by the time we reach the insane climax, it all feels oddly familiar, which is where its true terror derives from. Before its release in 1968, audiences could build a mental wall between the obviously fantastical locations and schlocky characters of a horror film and their own lives.
- 9/15/2014
- by Oktay Ege Kozak
- The Playlist
The first sign there is something seriously wrong with “The Bag Man” is the poster. In the same size font, we see the names of the film’s three stars: John Cusack, Rebecca Da Costa, and Robert De Niro. Equal billing for Cusack, De Niro, and … Da Costa? Who is Rebecca De Costa? Why is her name given equal status? And for that matter, why does De Niro look like Bernie Madoff playing Robert Evans, or vice versa? And why does Cusack look more like Richard Nixon here than he did playing Nixon in “Lee Daniels’ The Butler”? And what to make of the writing underneath the title “The Bag Man”? It reads: “The Cat’S In The Bag,” followed by “Inspired By The Story ‘The Cat’ By Marie-louise Von Franz”? What the hell is happening here?! The movie itself is equally confounding and wildly off-putting. It is, I think,...
- 2/28/2014
- by Christopher Schobert
- The Playlist
Hollywood luminaries of all stripes expressed their admiration for Tom Sherak, the longtime studio executive and former president of the Academy who died Tuesday after a long fight with prostate cancer. Words like integrity, mentor and champion were passed around to describe the former Fox and Paramount executive. “He singularly raised the bar of integrity with those of us who were lucky enough to know him,” iconic producer Robert Evans tweeted, while Henry Winkler added this: “If you needed him…Tom was always there. Tom we are so happy you were in our lives .. Our thoughts go to all the Sheraks.
- 1/29/2014
- by Lucas Shaw
- The Wrap
A demonic baby returns to the big screen today with the found footage film Devil’s Due, which quite frankly makes this week the absolute perfect time to go back and revisit devil baby flicks from the past. Though movies like It’s Alive and Grace should by all means be on any given list of films that fall into that category, there’s one that they owe it all to, and only one that did it better than any other; Rosemary’s Baby.
Proving that the story is as powerful, effective and relevant today as it was when the film was released in 1968, Rosemary’s Baby is in the midst of being turned into a four-hour long miniseries for NBC, which is another reason why now’s the perfect time to either discover or rediscover the classic horror film. So before you go see Devil’s Due this weekend,...
Proving that the story is as powerful, effective and relevant today as it was when the film was released in 1968, Rosemary’s Baby is in the midst of being turned into a four-hour long miniseries for NBC, which is another reason why now’s the perfect time to either discover or rediscover the classic horror film. So before you go see Devil’s Due this weekend,...
- 1/17/2014
- by John Squires
- FEARnet
Mia Farrow owes her career to Robert Evans — and he’s not shy about saying so. During a recent Producers Guild of American event, Evans told the story about how, shortly after he took over as president of production at Paramount, he persuaded director Roman Polanski to cast Farrow as the star of “Rosemary’s Baby.” Farrow was a relative unknown at the time, and the movie would not only earn her a Golden Globe nomination but launch a career that spanned four decades. It would also end her marriage to Frank Sinatra. The legendary singer pressured Farrow to quit the film.
- 11/15/2013
- by Lucas Shaw
- The Wrap
Welcome to this weeks WWE Smackdown review and overview.
The show opens this week with Big Show making his way to the ring as the announcers sell how much he’s been through in the last few weeks. Big show reads from a piece of paper about how he did a bad job on Raw and apologises to Triple H and the other wrestlers. It’s obviously done to put Show over as a conflicted babyface who’s being forced to do things against his will by his tyrannical bosses. Triple H makes his way to the ring to a loud heel reaction. Hunter thanks Big Show for his apology and tells him that he isn’t picking on him, he’s just being a business man. Triple H is excellent in this role, I must say. Show sells frustration and anger in the ring as Triple H suspends him without pay for the night,...
The show opens this week with Big Show making his way to the ring as the announcers sell how much he’s been through in the last few weeks. Big show reads from a piece of paper about how he did a bad job on Raw and apologises to Triple H and the other wrestlers. It’s obviously done to put Show over as a conflicted babyface who’s being forced to do things against his will by his tyrannical bosses. Triple H makes his way to the ring to a loud heel reaction. Hunter thanks Big Show for his apology and tells him that he isn’t picking on him, he’s just being a business man. Triple H is excellent in this role, I must say. Show sells frustration and anger in the ring as Triple H suspends him without pay for the night,...
- 9/14/2013
- by Chris Cummings
- Nerdly
Spin-off! Is there any word more thrilling to the human soul? AMC clearly hopes not. The network just greenlit a Breaking Bad spin-off focusing on comic-relief lawyer Saul Goodman. Hopes are high for the show — currently untitled, although everyone on Twitter has made an executive decision to call it Better Call Saul. Executive producer Vince Gilligan and star Bob Odenkirk are trustworthy, eccentric creative types who will guarantee this isn’t just Breaking Bad’s version of Joey. The worst-case scenario is that it turns out like Gilligan’s last spin-off, The Lone Gunmen, a gonzo-goofball misadventure that is also...
- 9/12/2013
- by Darren Franich
- EW.com - PopWatch
White Heat
Written by Ivan Goff and Robert Evans
Directed by Raoul Walsh
U.S.A., 1949
Where would people be without their mothers? Whether by birth, adoption or simply maternal figures, these great dames have, since time immemorial, commanded love, admiration, respect and devotion from their children. Codes of conduct, signs of affection, life lessons, mothers are so often considered the obvious heart and soul of one’s family, the father more commonly seen as the backbone. Appreciation for one’s own mother and, at the very least, respect for another’s mother are understood as basic concepts that, if challenged, speak gravely ill of the offending party. Sometimes the devotion stretches too far, venturing into eerie symbiosis, as was the case with poor Norman Bates in Alfred Hitchock’s Psycho (1960). While James Cagney’s Arthur ‘Cody’ Jarrett in White Heat does not belong in quite the same category as Bates,...
Written by Ivan Goff and Robert Evans
Directed by Raoul Walsh
U.S.A., 1949
Where would people be without their mothers? Whether by birth, adoption or simply maternal figures, these great dames have, since time immemorial, commanded love, admiration, respect and devotion from their children. Codes of conduct, signs of affection, life lessons, mothers are so often considered the obvious heart and soul of one’s family, the father more commonly seen as the backbone. Appreciation for one’s own mother and, at the very least, respect for another’s mother are understood as basic concepts that, if challenged, speak gravely ill of the offending party. Sometimes the devotion stretches too far, venturing into eerie symbiosis, as was the case with poor Norman Bates in Alfred Hitchock’s Psycho (1960). While James Cagney’s Arthur ‘Cody’ Jarrett in White Heat does not belong in quite the same category as Bates,...
- 6/14/2013
- by Edgar Chaput
- SoundOnSight
New York — F. Scott Fitzgerald's "The Great Gatsby" is short, almost novella size. It features larger-than-life characters, glamorous extravagance and dramatic demises. On its surface, it's the most Hollywood-friendly of the great American novels.
But "Gatsby" remains elusive, its poetry largely locked on the page despite a century of attempted adaptations. Since it was published (to an initially cold response) in 1925, it has spawned four previous films (including a 1926 silent movie that's since been lost) and numerous stage productions. The folly of transferring the novel to other media was even parodied in an 8-bit Nintendo-style video game where Nick Carraway must evade cocktail-dispensing butlers and Charleston-dancing flappers.
On Friday, Baz Luhrmann tosses his garish hat into the "Gatsby" ring. His is a 3-D blockbuster spectacle with a star-studded cast (Leonardo DiCaprio, Tobey Maguire, Carey Mulligan) and a contemporary soundtrack (Jay-z, Jack White) that hopes to finally crack the cinematic code of Fitzgerald's novel.
But "Gatsby" remains elusive, its poetry largely locked on the page despite a century of attempted adaptations. Since it was published (to an initially cold response) in 1925, it has spawned four previous films (including a 1926 silent movie that's since been lost) and numerous stage productions. The folly of transferring the novel to other media was even parodied in an 8-bit Nintendo-style video game where Nick Carraway must evade cocktail-dispensing butlers and Charleston-dancing flappers.
On Friday, Baz Luhrmann tosses his garish hat into the "Gatsby" ring. His is a 3-D blockbuster spectacle with a star-studded cast (Leonardo DiCaprio, Tobey Maguire, Carey Mulligan) and a contemporary soundtrack (Jay-z, Jack White) that hopes to finally crack the cinematic code of Fitzgerald's novel.
- 5/8/2013
- by AP
- Huffington Post
At the foot of a sweeping grand staircase in the foyer of an imposing early 20th century mansion, Famke Janssen is stoically explaining what's going to happen next to Bill Skarsgard as he fights back tears.
The two are filming a scene of "Hemlock Grove," the epic new Netflix series helmed by horror-master Eli Roth. The show is based on Brian McGreevy's novel of the same name, and follows two teenage boys (Skarsgard and "Degrassi" alum Landon Liboiron) at the center of a murder mystery in a creepy small town full of supernatural elements.
Its horror-esque approach and broad mix of supernatural beings may sound a lot like "True Blood" (which stars Skarsgard's older brother Alexander), but "Hemlock" is carving its own path. "We started by casting an entirely different Skarsgard," jokes McGreevy, who serves as an executive producer on the show.
Janssen plays Skarsgard's mother, the matriarch of...
The two are filming a scene of "Hemlock Grove," the epic new Netflix series helmed by horror-master Eli Roth. The show is based on Brian McGreevy's novel of the same name, and follows two teenage boys (Skarsgard and "Degrassi" alum Landon Liboiron) at the center of a murder mystery in a creepy small town full of supernatural elements.
Its horror-esque approach and broad mix of supernatural beings may sound a lot like "True Blood" (which stars Skarsgard's older brother Alexander), but "Hemlock" is carving its own path. "We started by casting an entirely different Skarsgard," jokes McGreevy, who serves as an executive producer on the show.
Janssen plays Skarsgard's mother, the matriarch of...
- 4/18/2013
- by Chris Jancelewicz
- Huffington Post
A slew of Hollywood bigwigs turned out Tuesday night to celebrate the opening of the Sumner M. Redstone Production Building at USC's School of Cinematic Arts. George Lucas, Steven Spielberg, Brad Grey, Brian Grazer, Jim Wiatt, Les Moonves and Robert Evans were among those who attended the gala reception in Viacom and CBS Corp. chairman Sumner Redstone's honor. Photos: THR's Top 25 Film Schools List Revealed USC president C. L. Max Nikias, Sca Board of Councilors chairman Frank Price and School of Cinematic Arts dean Elizabeth M. Daley also were present for the dedication of the state-of-the-art
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- 2/7/2013
- by THR Staff
- The Hollywood Reporter - Movie News
Ben Affleck's smart comedy about a bogus film shoot cooked up by the CIA to rescue Americans trapped in Tehran takes an unfortunate last turn
Ben Affleck's new movie as a director is an amazing real-life caper straight out of Ripley's Believe It or Not! It tells the true story of some imaginative derring-do on the part of a brilliant and unorthodox CIA agent called Tony Mendez. This is a watchable, enjoyable film, with some hilarious and nail-biting moments, but it sets its face disconcertingly against satire and mischief with a final lurch into schmaltzy, liberal-patriot piety. It is as if Aaron Sorkin, in his most solemn mood, had suddenly taken over screenwriting duties for the final 10 minutes.
The movie is, in effect, based on Mendez's own testimony; as with all spies' tales, we're entitled to our pinch of salt, but his story is just so incredible it...
Ben Affleck's new movie as a director is an amazing real-life caper straight out of Ripley's Believe It or Not! It tells the true story of some imaginative derring-do on the part of a brilliant and unorthodox CIA agent called Tony Mendez. This is a watchable, enjoyable film, with some hilarious and nail-biting moments, but it sets its face disconcertingly against satire and mischief with a final lurch into schmaltzy, liberal-patriot piety. It is as if Aaron Sorkin, in his most solemn mood, had suddenly taken over screenwriting duties for the final 10 minutes.
The movie is, in effect, based on Mendez's own testimony; as with all spies' tales, we're entitled to our pinch of salt, but his story is just so incredible it...
- 11/9/2012
- by Peter Bradshaw
- The Guardian - Film News
Just in time for Halloween, Criterion has remastered what’s long been culturally considered one of the most notable pieces of horror film making in cinematic history, the eerie classic, Rosemary’s Baby. Standing as not only the first adaptation of someone else’s material for auteur Roman Polanski, this would mark his first foray into Hollywood, and his final product still stands as template of the film industry’s far-reaching allure to achieve a European arthouse aesthetic successfully melded with mainstream pulp.
Still, to approach this classic title, (that’s become so deeply ingrained in our cultural syntax that nearly everyone knows what the titular baby is really synonymous with), as purely a genre exercise modulated simply to invoke fear and unease, would be a mistake. What makes the film transcend showy thrills is how it plunders into our more collectively subconscious fears, giving us a kitchen sink melodrama...
Still, to approach this classic title, (that’s become so deeply ingrained in our cultural syntax that nearly everyone knows what the titular baby is really synonymous with), as purely a genre exercise modulated simply to invoke fear and unease, would be a mistake. What makes the film transcend showy thrills is how it plunders into our more collectively subconscious fears, giving us a kitchen sink melodrama...
- 10/30/2012
- by Nicholas Bell
- IONCINEMA.com
Los Angeles, Oct 17: Supermodel Tyra Banks says she is ready to have children.
"There's been a lot of rumours that I've been dating certain people. Young boys. Ain't true. I ain't a cougar," she said at the show, reports digitalspy.co.uk.
Banks, 38, is rumoured to have dated 25-year-old musician Drake and "America's Next Top Model" co-star Robert Evans, 24.
"Really, I am ready to have some babies. Yeah! I want babies. I've always wanted them, but I've been saying 'I want babies in three years' since I was like, 27," she said.
Ians...
"There's been a lot of rumours that I've been dating certain people. Young boys. Ain't true. I ain't a cougar," she said at the show, reports digitalspy.co.uk.
Banks, 38, is rumoured to have dated 25-year-old musician Drake and "America's Next Top Model" co-star Robert Evans, 24.
"Really, I am ready to have some babies. Yeah! I want babies. I've always wanted them, but I've been saying 'I want babies in three years' since I was like, 27," she said.
Ians...
- 10/17/2012
- by Amith Ostwal
- RealBollywood.com
Tyra Banks has said that she wants to start a family. The 38-year-old model and talk show host denied being a 'cougar' - an older woman who prefers to date considerably younger men - during a forthcoming chatshow appearance, and admitted that she is ready to have children. She told TV host Steve Harvey: "There's been a lot of rumors that I've been dating certain people. Young boys. Ain't true. I ain't a cougar." Banks is rumored to have been romanced by 25-year-old musician Drake, and America's Next Top Model co-star Robert Evans, who is 24 (more)...
- 10/17/2012
- by By Leah Simpson
- Digital Spy
Tyra Banks helped strip her new "America's Next Top Model" costar Robert Evans of his clothes today on "Good Morning America" -- but is she doing the same in real life too?!Rumors started spreading that the two were hooking up when the 38-year-old supermodel posted a photo of her and the much-younger Rob in Jamaica together earlier this summer.Though the two have some good chemistry together and she clearly likes taking his clothes off, they swear they're just friends.See what they had to say about the rumors this morning on "Gma" -- plus see video of Rob's strip show:24-year-old Evans is only one of the new faces this season on the show.With Nigel Barker, J. Alexander and Jay Manuel all gone, Evans and PR guru Kelly Curtone join Tyra on the judging panel. Stylist Johnny Wujek was tapped to replace Manuel.The new season kicks off tonight on The CW.
- 8/24/2012
- by tooFab Staff
- TooFab
Rosemary’S Baby is coming to Blu-Ray on October 30th, just in time for Halloween, in prime Criterion Collection form! The classic Roman Polanski film, with Mia Farrow and John Cassavetes , can finally be yours. Take a look at the slick special features below: New high-definition digital restoration, approved by director Roman Polanski, with uncompressed monaural soundtrack on the Blu-ray edition New interviews with Polanski, actor Mia Farrow, and producer Robert Evans Komeda, Komeda, a feature-length documentary on the life and work of jazz musician and composer Krzysztof Komeda, who wrote the score for Rosemary’s Baby 1997 radio interview with author Ira Levin from Leonard Lopate’s Wnyc program New York and Company on the 1967 novel, the sequel, and the film Plus: A booklet featuring an essay by critic Ed Park and Levin’s afterword for the 2003 New American Library edition of his novel, in which he discusses its and...
- 7/20/2012
- by Andy Greene
- FamousMonsters of Filmland
Rosemary’s Baby is one of those films that I just love. Since it was one of my mother’s favorite films and she had it on DVD, I always watched her copy. However, since I have been on my own for sometime now, I realized this was one movie that I didn’t have on DVD and it has been Out of Print for sometime now. I figured a new DVD release would happen eventually so I held out. Earlier this year, Criterion released drawings that hinted to releases for 2012. One image seemed like a dead giveaway but also seemed right. DVD Active has confirmed that everyone’s suspicion was correct.
The Criterion Collection will be releasing Rosemary’s Baby on Blu-Ray and DVD on October 30, 2012 just in time for Halloween. Read below for all the details.
Release Date: 30 October 2012
Srp: $39.95
Synopsis: Terrifying and darkly comic, Rosemary’s Baby...
The Criterion Collection will be releasing Rosemary’s Baby on Blu-Ray and DVD on October 30, 2012 just in time for Halloween. Read below for all the details.
Release Date: 30 October 2012
Srp: $39.95
Synopsis: Terrifying and darkly comic, Rosemary’s Baby...
- 7/18/2012
- by Andy Triefenbach
- Destroy the Brain
It has been announced that Criterion will be giving Rosemary’s Baby a Blu-ray release just in time for Halloween. The film is due out on DVD and Blu-ray October 30th, and includes a new HD digital restoration that was approved by director Roman Polanski.
“Terrifying and darkly comic, Rosemary’s Baby marked the Hollywood debut of Roman Polanski. This wildly entertaining nightmare, faithfully adapted from Ira Levin’s best seller, stars a revelatory Mia Farrow as a young mother-to-be who grows increasingly suspicious that her overfriendly elderly neighbors, played by Sidney Blackmer and an Oscar-winning Ruth Gordon, and self-involved husband (John Cassavetes) are hatching a satanic plot against her and her baby. In the decades of occult cinema Polanski’s ungodly masterpiece has spawned, it’s never been outdone for sheer psychological terror.”
Director-approved Special Edition:
New high-definition digital restoration, approved by director Roman Polanski, with uncompressed monaural soundtrack...
“Terrifying and darkly comic, Rosemary’s Baby marked the Hollywood debut of Roman Polanski. This wildly entertaining nightmare, faithfully adapted from Ira Levin’s best seller, stars a revelatory Mia Farrow as a young mother-to-be who grows increasingly suspicious that her overfriendly elderly neighbors, played by Sidney Blackmer and an Oscar-winning Ruth Gordon, and self-involved husband (John Cassavetes) are hatching a satanic plot against her and her baby. In the decades of occult cinema Polanski’s ungodly masterpiece has spawned, it’s never been outdone for sheer psychological terror.”
Director-approved Special Edition:
New high-definition digital restoration, approved by director Roman Polanski, with uncompressed monaural soundtrack...
- 7/17/2012
- by Jonathan James
- DailyDead
Slash has been honoured with a star on the Hollywood Walk of Fame. The former Guns N' Roses guitarist attended a ceremony outside the Hard Rock Cafe in Los Angeles on Tuesday (10.07.12) for the unveiling of the 2,473rd star where he was feted by friends including Charlie Sheen, music producer Robert Evans and radio host Jim Ladd. The London-born musician said: ''I've been a part of the Hollywood fabric for a long time and to actually be appreciated by the city of Hollywood is a huge, huge honour. And so I want to thank everybody for this; it's unbelievable. ''This is...
- 7/11/2012
- Virgin Media - Celebrity
Slash has been honoured with a star on the Hollywood Walk of Fame. The former Guns N' Roses guitarist attended a ceremony outside the Hard Rock Cafe in Los Angeles on Tuesday (10.07.12) for the unveiling of the 2,473rd star where he was feted by friends including Charlie Sheen, music producer Robert Evans and radio host Jim Ladd. The London-born musician said: 'I've been a part of the Hollywood fabric for a long time and to actually be appreciated by the city of Hollywood is a huge, huge honour. And so I want to thank everybody for this; it's unbelievable. 'This is a really special acknowledgement ... it's the coolest thing you could ever get.
- 7/11/2012
- Monsters and Critics
Slash is winning in Charlie Sheen's book. The Anger Management star turned up to pay tribute to his longtime friend and former Guns N' Roses axe man, who was honored today with the 2,473rd star on Hollywood's Walk of Fame. Sheen couldn't resist taking a shot at Slash's estranged bandmate, Axl Rose. "You know, it's quite fitting, I think, that Slash is getting a star on the very street that Axl Rose will one day be sleeping on," the actor cracked to fans gathered in front of the Hard Rock Café on Hollywood Boulevard. Other speakers on hand included legendary movie producer Robert Evans, whose 2002 documentary on his life in Tinseltown, The Kid Stays in the...
- 7/10/2012
- E! Online
Charlie Sheen will pay tribute to Slash at the guitarist's Hollywood Walk of Fame induction ceremony later today (June 10). The Anger Management star will be on hand to share his favorite memories from his long friendship with the legendary guitarist at the Hard Rock Café on Hollywood Boulevard. Movie producer Robert Evans will also attend Slash's induction ceremony, as will hard rock singer Myles Kennedy. Slash is to follow up the induction gala with a special acoustic performance for the fans in attendance. (more)...
- 7/10/2012
- by By Justin Harp
- Digital Spy
Ri Ri covers Harper's Bazaar Us August, and here's the cover! [The Fashion Spot]
Sorry if I have to annoy you one more time with Kristen Stewart's shit. But the Twilight actress looks like a mannequin on Balenciaga's new fragrance ad — but I mean, she's just being herself, so I guess it's not that big of a deal. [Refinery 29]
Dkny's PR Girl Aliza Licht, whose witty and informative tweets have won Donna Karen International the Fashion 2.0 Awards for Best Twitter and Best Blog by a Fashion Brand, sat down with Fashionista and talked about her seven packing essentials — Licht is great, but I still love you, Erika Bearman!
1. The Dkny Cozy (linen version)- it’s my blanket on the plane, a wrap for cool nights and it can triple as a sarong at the pool. Not to mention after all that I would still have 9 other ways to wear it.
2.Makeup bag:...
Sorry if I have to annoy you one more time with Kristen Stewart's shit. But the Twilight actress looks like a mannequin on Balenciaga's new fragrance ad — but I mean, she's just being herself, so I guess it's not that big of a deal. [Refinery 29]
Dkny's PR Girl Aliza Licht, whose witty and informative tweets have won Donna Karen International the Fashion 2.0 Awards for Best Twitter and Best Blog by a Fashion Brand, sat down with Fashionista and talked about her seven packing essentials — Licht is great, but I still love you, Erika Bearman!
1. The Dkny Cozy (linen version)- it’s my blanket on the plane, a wrap for cool nights and it can triple as a sarong at the pool. Not to mention after all that I would still have 9 other ways to wear it.
2.Makeup bag:...
- 7/2/2012
- by Clare Ngai
- Celebsology
Guns N' Roses rocker Slash is to be honored with a star on the Hollywood Walk of Fame. The 46-year-old guitarist will receive the 2,473rd star on the landmark, which features stars honouring hundreds of Hollywood icons. Charlie Sheen and movie producer Robert Evans have also been tipped to attend the unveiling ceremony, which will take place on July 10 in front of the Los Angeles Hard Rock Cafe. Ana Martinez, producer of the Hollywood Walk of Fame ceremonies, told WENN of the coming event: "We are proud to place [Slash's] (more)...
- 6/12/2012
- by By Zeba Blay
- Digital Spy
Los Angeles, June 9: Super model Tyra Banks is reportedly dating former boxer Robert Evans, who is 14 years younger to her.
The 38-year-old has been going around with Evans, 24, for about a month. The latter will judge Banks' reality show -- "America's Next Top Model".
They were seen enjoying cocktails at the Palihouse here and later left for Evans's hotel room, reports femalefirst.co.uk.
"He put his arm around her as they walked to the elevator," said a source.
After.
The 38-year-old has been going around with Evans, 24, for about a month. The latter will judge Banks' reality show -- "America's Next Top Model".
They were seen enjoying cocktails at the Palihouse here and later left for Evans's hotel room, reports femalefirst.co.uk.
"He put his arm around her as they walked to the elevator," said a source.
After.
- 6/8/2012
- by Machan Kumar
- RealBollywood.com
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