The lineup for Docu Talents From the East – a showcase of standout documentary films from Central and Eastern Europe that are in post-production – has been unveiled.
Eight documentary projects will be presented on Aug. 13 at Sarajevo Film Festival. The event is part of CineLink Industry Day, the festival’s program for film and TV professionals.
The most promising project will receive the Docu Talent Award in cooperation with Current Time TV. The award is accompanied by a cash prize of $5,000. The DAFilms.com Distribution Award will cover services worth €3,000, including an international VOD release on DAFilms.com for two years. The awards ceremony will take place on Aug. 13 at Sarajevo Producers’ Hub.
Marek Hovorka, director of the Ji.hlava Documentary Film Festival, which organizes and curates Docu Talents, said: “The protagonists of the presented films are exploring their family roots and cultural background, striving for a fairer and more open world,...
Eight documentary projects will be presented on Aug. 13 at Sarajevo Film Festival. The event is part of CineLink Industry Day, the festival’s program for film and TV professionals.
The most promising project will receive the Docu Talent Award in cooperation with Current Time TV. The award is accompanied by a cash prize of $5,000. The DAFilms.com Distribution Award will cover services worth €3,000, including an international VOD release on DAFilms.com for two years. The awards ceremony will take place on Aug. 13 at Sarajevo Producers’ Hub.
Marek Hovorka, director of the Ji.hlava Documentary Film Festival, which organizes and curates Docu Talents, said: “The protagonists of the presented films are exploring their family roots and cultural background, striving for a fairer and more open world,...
- 8/7/2023
- by Leo Barraclough
- Variety Film + TV
The Intl. Emerging Film Talent Assn. returns to Cannes for the 13th year with a series of events to showcase new faces from underrepresented regions. The lineup will include screenings of films centering on refugees, a cash award for a documentary and spotlights on Arab and Sudanese cinema.
For the sixth year, Iefta is collaborating with the United Nations Refugee Agency (Unhcr) at the Marche du Film. The program presents filmmakers — a number of them refugees themselves — who are documenting the experiences of those forced to flee from violence, famine or political oppression.
The Un agency and Iefta provide filmmaking tools and training to those affected. Refugees speak out about loss and desperation, but also resilience and hope.
“Refugee Voices in Films” this year features films from the Sudan Workshop focusing on the Horn of Africa. The Sudan Workshop is part of Unhcr’s developmental program with refugee filmmakers.
This...
For the sixth year, Iefta is collaborating with the United Nations Refugee Agency (Unhcr) at the Marche du Film. The program presents filmmakers — a number of them refugees themselves — who are documenting the experiences of those forced to flee from violence, famine or political oppression.
The Un agency and Iefta provide filmmaking tools and training to those affected. Refugees speak out about loss and desperation, but also resilience and hope.
“Refugee Voices in Films” this year features films from the Sudan Workshop focusing on the Horn of Africa. The Sudan Workshop is part of Unhcr’s developmental program with refugee filmmakers.
This...
- 5/17/2023
- by Tim Gray
- Variety Film + TV
Now in its 18th year, the San Diego Intl. Film Festival, produced by the nonprofit San Diego Film Foundation, once again steals the movie glamour spotlight from its neighbor to the north, combining major regional premieres with a focus on social and environmental issues.
Running Oct. 15-20, the festival received more than 3,000 submissions from 68 countries, including feature films, shorts and documentaries. The result is a lineup that includes 107 films, with five in the narrative spotlight competition, 20 in the narrative contest, nine in the doc competition and 66 short films, says Tonya Mantooth, CEO and artistic director.
Opening night at the historic Balboa Theatre will see the premiere of “Jojo Rabbit,” a World War II black comedy written and directed by Taika Waititi. Martin Scorsese’s “The Irishman,” starring Robert De Niro, opens the screenings at the ArcLight Cinema La Jolla on Oct. 17. “A Hidden Life,” a drama set during WWII, written and directed by Terrence Malick,...
Running Oct. 15-20, the festival received more than 3,000 submissions from 68 countries, including feature films, shorts and documentaries. The result is a lineup that includes 107 films, with five in the narrative spotlight competition, 20 in the narrative contest, nine in the doc competition and 66 short films, says Tonya Mantooth, CEO and artistic director.
Opening night at the historic Balboa Theatre will see the premiere of “Jojo Rabbit,” a World War II black comedy written and directed by Taika Waititi. Martin Scorsese’s “The Irishman,” starring Robert De Niro, opens the screenings at the ArcLight Cinema La Jolla on Oct. 17. “A Hidden Life,” a drama set during WWII, written and directed by Terrence Malick,...
- 10/15/2019
- by Iain Blair
- Variety Film + TV
“Abstract: The Art of Design” is not necessarily a show we’d recommend for binge-viewing. The new Netflix series, streaming now following its Sundance 2017 premiere, is far from bad. Executive produced by Morgan Neville, the documentarians assembled to capture the spotlighted subjects have done a masterful job, by and large, of highlighting the unique sort of artistry at work here. However, episode by episode, every installment strikes such a similar tone and mood that to truly appreciate the difference in aethestics and disciplines on display, you’ll want to space them out.
You might also favor certain installments over others, whether it be because of subject matter or the execution itself. We reviewed the first two installments last month, finding it to be a fascinating approach to the importance of design we might otherwise take for granted. But now that we’ve been able to see all eight episodes, we have our favorites.
You might also favor certain installments over others, whether it be because of subject matter or the execution itself. We reviewed the first two installments last month, finding it to be a fascinating approach to the importance of design we might otherwise take for granted. But now that we’ve been able to see all eight episodes, we have our favorites.
- 2/11/2017
- by Liz Shannon Miller
- Indiewire
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