Exclusive: Shortlist features six former Screen Stars Of Tomorrow.
Lady Macbeth backer Creative England has revealed the eight projects and filmmaking teams from iFeatures’ fourth development slate shortlisted to be taken forward to the full development phase.
Three of these films will be selected to go into production in 2017.
The final eight films and filmmaker teams are:
· Make Up – writer/director Claire Oakley, producer Emily Morgan. Set in Cornwall.
· Sleeping City – writer/directors Manjeet Gill, Andrew Walker and Matthew Carter, producer Emily Morgan. Set in Birmingham.
· Seaholme - writer/director Rob Savage, writer David Sugarman, producers Rob Watson and Paul Van Carter. Set in Mersea Island, Essex.
· The Premises – writer/director Rose Glass, producer Oliver Kassman. Set in the Lake District.
· Retreat – director Ted Evans, writer E.V Crowe, producers Michelle Eastwood and Alex Usborne. Set in and around Bristol.
· Blow Up Dolls – director Carolina Giammetta, writer Joy Wilkinson, producer Jude Goldrei. Set in Burnley...
Lady Macbeth backer Creative England has revealed the eight projects and filmmaking teams from iFeatures’ fourth development slate shortlisted to be taken forward to the full development phase.
Three of these films will be selected to go into production in 2017.
The final eight films and filmmaker teams are:
· Make Up – writer/director Claire Oakley, producer Emily Morgan. Set in Cornwall.
· Sleeping City – writer/directors Manjeet Gill, Andrew Walker and Matthew Carter, producer Emily Morgan. Set in Birmingham.
· Seaholme - writer/director Rob Savage, writer David Sugarman, producers Rob Watson and Paul Van Carter. Set in Mersea Island, Essex.
· The Premises – writer/director Rose Glass, producer Oliver Kassman. Set in the Lake District.
· Retreat – director Ted Evans, writer E.V Crowe, producers Michelle Eastwood and Alex Usborne. Set in and around Bristol.
· Blow Up Dolls – director Carolina Giammetta, writer Joy Wilkinson, producer Jude Goldrei. Set in Burnley...
- 11/10/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Three films from 12 teams will be greenlit for production.Scroll down for full list of projects
UK film-making initiative iFeatures has revealed the teams and projects that will make up its fourth development slate.
Twelve teams and projects have been selected, of which three will be greenlit for production in 2017, each with a budget of £350,000 ($455,000).
The scheme, which has previously produced regional productions such as Guy Myhill’s award-winning The Goob, is overseen by Creative England with partners the BFI Film Fund, BBC Films and Creative Skillset.
The selected teams include Screen International Stars of Tomorrow Rob Savage, Emily Morgan and Joy Wilkinson; Sundance Fellowship winner Naz Sadoughi; and Ted Evans, one of the UK’s leading deaf filmmakers who directed and co-wrote the Paralympic Opening Ceremony film Look Up.
Between them the chosen teams have made films which have screened at Toronto, London and Sundance film festivals as well as FrightFest.
The selected...
UK film-making initiative iFeatures has revealed the teams and projects that will make up its fourth development slate.
Twelve teams and projects have been selected, of which three will be greenlit for production in 2017, each with a budget of £350,000 ($455,000).
The scheme, which has previously produced regional productions such as Guy Myhill’s award-winning The Goob, is overseen by Creative England with partners the BFI Film Fund, BBC Films and Creative Skillset.
The selected teams include Screen International Stars of Tomorrow Rob Savage, Emily Morgan and Joy Wilkinson; Sundance Fellowship winner Naz Sadoughi; and Ted Evans, one of the UK’s leading deaf filmmakers who directed and co-wrote the Paralympic Opening Ceremony film Look Up.
Between them the chosen teams have made films which have screened at Toronto, London and Sundance film festivals as well as FrightFest.
The selected...
- 7/6/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Look, the Coldplay halftime performance was terrible. We all know it! Never before or since has the main act felt so shoehorned into their own show, and no amount of Day Glo colors and wild stage-spinning by Chris Martin could make up for that (though in fairness, no one could really be expected to compete with Beyonce). And yet it still wasn't as bad as the 1995 Super Bowl halftime show, a mega-extravaganza produced by Disney to promote their forthcoming Indiana Jones Adventure ride at Disneyland. Cue Halloween Store Indy, a Marion Ravenwood who's been transformed into a shrieking, one-note damsel in distress ("Indyyyyyyy!" she exclaims over and over and over again), drummers wearing snake costumes made out of cardboard, Patti Labelle doing some of the worst lip-syncing I've ever seen, a thematically-incongruous Lion King song and that riveting, showstopping force of nature Tony Bennett injecting some of his famed high-energy theatrics into the mix.
- 2/8/2016
- by Chris Eggertsen
- Hitfix
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