A couple months ago, we learned that The Devil’s Bath – the latest genre movie from Veronika Franz and Severin Fiala, the directing duo behind the disturbing horror films Goodnight Mommy (the original, not the Naomi Watts remake) and The Lodge – had been acquired by Shudder, with the streaming service planning to release it in North America, the U.K., Ireland, Australia, and New Zealand sometime this summer. Now we know the exact release date. The Devil’s Bath will be available to stream on Shudder as of June 28th.
The Devil’s Bath – which has been described as “utterly harrowing”, “chilling”, and “impactful” – is a German-language film that is set in 1750 Austria, at a time when villages were surrounded by deep forests. There, a deeply religious woman has married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day,...
The Devil’s Bath – which has been described as “utterly harrowing”, “chilling”, and “impactful” – is a German-language film that is set in 1750 Austria, at a time when villages were surrounded by deep forests. There, a deeply religious woman has married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day,...
- 4/18/2024
- by Cody Hamman
- JoBlo.com
Austrian filmmakers Veronika Franz and Severin Fiala are back with new horror movie The Devil’s Bath, and it’s coming to Shudder this summer.
The Devil’s Bath debuts on Shudder June 28, Variety reports today.
The film makes its North American premiere at the Tribeca Film Festival in June.
Here’s the official plot synopsis for the German-language horror movie: “In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison.”
Anja Plaschg, David Scheid, Maria Hofstätter, Camilla Schielin, and Lorenz Tröbinger star. You can check out a first look image above. Expect...
The Devil’s Bath debuts on Shudder June 28, Variety reports today.
The film makes its North American premiere at the Tribeca Film Festival in June.
Here’s the official plot synopsis for the German-language horror movie: “In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison.”
Anja Plaschg, David Scheid, Maria Hofstätter, Camilla Schielin, and Lorenz Tröbinger star. You can check out a first look image above. Expect...
- 4/18/2024
- by John Squires
- bloody-disgusting.com
The Tribeca Film Festival 2024, presented by Okx, today announced its full lineup of feature narrative, documentary, and animated films. This year’s Festival, which takes place June 5-16 in New York City showcases the best emerging talent from across the globe alongside established names.
Of particular note to horror fans, Tribeca Midnight is the “surprising, shocking, frightening, and thrilling” destination for the best in horror and more for late night audiences. Look for buzzy titles like The Devil’s Bath, from filmmakers Veronika Franz and Severin Fiala. But the horror extends beyond the Midnight section, including the premiere of Amfad: All My Friends Are Dead.
Read on for the genre titles scheduled to premiere at Tribeca:
Spotlight Narrative
A launching pad for the most buzzworthy new films, Tribeca’s Spotlight section brings audiences anticipated premieres from acclaimed filmmakers and star performers.
The Damned, – World Premiere. When a ship sinks near her isolated fishing post,...
Of particular note to horror fans, Tribeca Midnight is the “surprising, shocking, frightening, and thrilling” destination for the best in horror and more for late night audiences. Look for buzzy titles like The Devil’s Bath, from filmmakers Veronika Franz and Severin Fiala. But the horror extends beyond the Midnight section, including the premiere of Amfad: All My Friends Are Dead.
Read on for the genre titles scheduled to premiere at Tribeca:
Spotlight Narrative
A launching pad for the most buzzworthy new films, Tribeca’s Spotlight section brings audiences anticipated premieres from acclaimed filmmakers and star performers.
The Damned, – World Premiere. When a ship sinks near her isolated fishing post,...
- 4/17/2024
- by Meagan Navarro
- bloody-disgusting.com
Early Modern times were messy: Europe was finding its footing in rationalism, seeking independence from the centuries-long spiritual yoke of Catholicism and Protestantism. Shedding the skin of the past seems, at least from our standpoint today, the best thing that could have happened to modern man. Preempting industrialization and a desire-fulfilling capitalist society, the journey towards Enlightenment positioned its preceding times as “The Dark Ages.” But the freedom to live or die was certainly a luxury for many––especially women caught in the patriarchal webs of rural life. Ewa Lizlfellner was one such woman who didn’t want to live, but to die.
In the 18th-century common beliefs, “the devil’s bath” figured as a metaphor for depression and suicidal ideation. Judging from the phrase alone––replete with pejoratives and a particularly spatialized horror––one can gather exactly how unfitting it was to be of “ill” mental health. While the...
In the 18th-century common beliefs, “the devil’s bath” figured as a metaphor for depression and suicidal ideation. Judging from the phrase alone––replete with pejoratives and a particularly spatialized horror––one can gather exactly how unfitting it was to be of “ill” mental health. While the...
- 2/29/2024
- by Savina Petkova
- The Film Stage
The Berlin Film Festival kicked off its 74th edition February 15 with the opening-night world premiere screening of Small Things Like These, the Irish drama starring Oscar-nominated Oppenheimer star Cillian Murphy. It started 10 days of debuts including for movies starring Rooney Mara, Isabelle Huppert, Gael García Bernal, Kristen Stewart and more.
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
This year’s Competition lineup features films from a swath of international filmmakers including Olivier Assayas, Mati Diop, Hong Sangsoo, Bruno Dumont and Abderrahmane Sissako.
The Berlinale runs through February 25.
Keep checking back below as Deadline reviews the best and buzziest movies of the festival. Click on the titles to read the full reviews.
Another End ‘Another End’
Section: Competition
Director: Piero Messina
Cast: Gael García Bernal, Renate Reinsve, Bérénice Bejo, Olivia Williams, Pal Aron
Deadline’s takeaway: The script, while ambitious, is laden with philosophical musings that often feel detached from the emotional core of the story. Another End...
- 2/24/2024
- by Stephanie Bunbury, Damon Wise, Pete Hammond and Valerie Complex
- Deadline Film + TV
“Please make me a good wife to Wolf,” murmurs Agnes (Anja Plaschg) on her marriage night, head bowed in front of the crucifix she has already set up in the conjugal bedroom of the tumbledown stone farmhouse where she will live from now on. Wolf (David Scheid), meanwhile, is carousing with his fellow villagers at the wedding celebration, in no hurry to join her. We are deep in the Austrian forest in the 1750s, where life is governed by the cruelties of each season and everything has its place. The point of a woman is to work and have children; anyone who fails in these conjoined vocations is simply a dead weight. Agnes will do her best, but her airy spirits soon are sinking.
The Devil’s Bath, directed by Veronika Franz and Severin Fiala, is the powerful story of one woman’s madness, but it is also the story of...
The Devil’s Bath, directed by Veronika Franz and Severin Fiala, is the powerful story of one woman’s madness, but it is also the story of...
- 2/22/2024
- by Stephanie Bunbury
- Deadline Film + TV
Austrian filmmaking duo Veronika Franz and Severin Fiala seemingly never met a remote woodland setting that didn’t feel like the right place to strand a traumatized woman. Following Goodnight Mommy (the chilling 2014 original, not the limp American remake) and their English language debut The Lodge, they inch away from horror without relinquishing the unsettling atmosphere or taste for the macabre in their intense character study, The Devil’s Bath (Des Teufels Bad). While it’s punishingly grim and has some pacing issues, this is a gripping psychological study by directors operating with formidable command.
Early on, Franz and Fiala’s new film recalls Robert Eggers’ The Witch, despite being set more than a century later, in 1750. It has a comparable emphasis on ambience and authentic historical detail, which is possibly even more granular here. But vague suggestions of witchcraft quickly turn out to be misleading, with the story instead fueled by converging forces of religion,...
Early on, Franz and Fiala’s new film recalls Robert Eggers’ The Witch, despite being set more than a century later, in 1750. It has a comparable emphasis on ambience and authentic historical detail, which is possibly even more granular here. But vague suggestions of witchcraft quickly turn out to be misleading, with the story instead fueled by converging forces of religion,...
- 2/21/2024
- by David Rooney
- The Hollywood Reporter - Movie News
Although it comes from the filmmaking duo behind “Goodnight Mommy” and “The Lodge,” Veronika Franz and Severin Fiala’s “The Devil’s Bath” is not a horror movie. Its sinister, woodsy atmospherics, where wet leaves mingle with mud and fishscales and menstrual blood, may suggest witchcraft or devil worship. But it is actually something far more frightening — an exploration, based on real records, of a chapter of Austrian history so dark it could be a black hole, which might account for its invisibility to posterity. But if the story is so pitilessly bleak you may want to look away, the filmmaking craft is so compelling that you can’t. The world of “The Devil’s Bath” is one that cannot be easily escaped, however much one might want, in the words of one of the women it emblematizes, “to be gone from it.”
With only a couple of feature acting credits to her name,...
With only a couple of feature acting credits to her name,...
- 2/20/2024
- by Jessica Kiang
- Variety Film + TV
Playtime has had a busy EFM, where it’s locked a raft of major deals on “The Devil’s Bath,” a period psychological thriller in competition at the Berlin Film Festival.
“The Devil’s Bath” is directed by Veronika Franz and Severin Fiala, the Austrian filmmaking duo behind “Goodnight Mommy.”
Set in rural Austria in 1750, “The Devil’s Bath” stars Anja Plaschg, the up-and-coming singer and composer known as Soap & Skin. Plaschg plays Agnes, a young married woman who feels oppressed in her husband’s world, which is devoid of emotions and limited to chores and expectations. A pious and highly sensitive woman, Agnes falls into a deep depression, before committing a shocking act of violence that she sees as the only way out of her inner prison.
“The Devil’s Bath” has been bought by Klockworx (Japan), Cine Canibal (Latin America), Russian World Vision (Cis excluding Ukraine), September Films (Benelux), Movies Inspired (Italy...
“The Devil’s Bath” is directed by Veronika Franz and Severin Fiala, the Austrian filmmaking duo behind “Goodnight Mommy.”
Set in rural Austria in 1750, “The Devil’s Bath” stars Anja Plaschg, the up-and-coming singer and composer known as Soap & Skin. Plaschg plays Agnes, a young married woman who feels oppressed in her husband’s world, which is devoid of emotions and limited to chores and expectations. A pious and highly sensitive woman, Agnes falls into a deep depression, before committing a shocking act of violence that she sees as the only way out of her inner prison.
“The Devil’s Bath” has been bought by Klockworx (Japan), Cine Canibal (Latin America), Russian World Vision (Cis excluding Ukraine), September Films (Benelux), Movies Inspired (Italy...
- 2/19/2024
- by Elsa Keslassy
- Variety Film + TV
The latest genre movie from Veronika Franz and Severin Fiala, the directing duo behind the disturbing horror films Goodnight Mommy and The Lodge, is The Devil’s Bath, which is set to have its world premiere at the Berlin International Film Festival this month. Before the movie’s festival screening, Variety reports that the Shudder streaming service has already picked up the rights to release The Devil’s Bath in North America, the U.K., Ireland, Australia, and New Zealand sometime this summer. Variety also reports that Franz and Fiala have signed on to direct the psychological horror movie A Head Full of Ghosts, which is based on a novel by Paul Tremblay (you can pick up a copy of the book Here). Another novel written by Tremblay was The Cabin at the End of the World, which M. Night Shyamalan turned into Knock at the Cabin.
The Devil’s Bath – which has...
The Devil’s Bath – which has...
- 2/15/2024
- by Cody Hamman
- JoBlo.com
A new psychological horror movie, The Devil’s Bath, is on the way from The Lodge and Goodnight Mommy filmmakers Veronika Franz and Severin Fiala. Variety reports that horror streaming service Shudder has acquired the film ahead of its world premiere at the Berlin International Film Festival.
The Devil’s Bath is expected to release this summer.
The German-language horror film is “set in 1750 Austria, at a time when villages were surrounded by deep forests. There, a deeply religious woman has married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her turmoil.”
The film stars Anja Plaschg, David Scheid, Maria Hofstätter, Camilla Schielin, and Lorenz Tröbinger.
The Devil’s Bath is expected to release this summer.
The German-language horror film is “set in 1750 Austria, at a time when villages were surrounded by deep forests. There, a deeply religious woman has married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her turmoil.”
The film stars Anja Plaschg, David Scheid, Maria Hofstätter, Camilla Schielin, and Lorenz Tröbinger.
- 2/13/2024
- by Meagan Navarro
- bloody-disgusting.com
Shudder, AMC Networks’ streaming service for horror films, thrillers and supernatural stories, has acquired “The Devil’s Bath,” the new film from Austrian horror auteurs Veronika Franz and Severin Fiala. The deal comes ahead of the psychological thriller’s world premiere at the Berlin International Film Festival, where it will play in competition.
Shudder has picked up all rights in North America, as well as in the U.K., Ireland, Australia and New Zealand. “The Devil’s Bath” will be released this summer.
The German-language film is set in 1750 Austria, at a time when villages were surrounded by deep forests. There, a deeply religious woman has married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking...
Shudder has picked up all rights in North America, as well as in the U.K., Ireland, Australia and New Zealand. “The Devil’s Bath” will be released this summer.
The German-language film is set in 1750 Austria, at a time when villages were surrounded by deep forests. There, a deeply religious woman has married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking...
- 2/12/2024
- by Brent Lang
- Variety Film + TV
Playtime has boarded “The Devil’s Bath,” a period psychological thriller directed by Veronika Franz and Severin Fiala, the Austrian filmmaking duo behind the critical and commercial hit “Goodnight Mommy.”
The movie reteams Franz and Fiala with Ulrich Seidl, who also produced “Goodnight Mommy.”
Set in rural Austria in 1750, “The Devil’s Bath” stars Anja Plaschg, the up-and-coming singer and composer known as Soap & Skin. Plaschg plays Agnes, a young married woman who feels oppressed in her husband’s world which is devoid of emotions and limited to chores and expectations. A pious and highly sensitive woman, Agnes falls into a deep depression, before committing a shocking act of violence that she sees as the only way out of her inner prison.
Along with starring in “The Devil’s Bath,” Plaschg also composed the music for the film. Based on historical records, the movie is inspired by the true stories...
The movie reteams Franz and Fiala with Ulrich Seidl, who also produced “Goodnight Mommy.”
Set in rural Austria in 1750, “The Devil’s Bath” stars Anja Plaschg, the up-and-coming singer and composer known as Soap & Skin. Plaschg plays Agnes, a young married woman who feels oppressed in her husband’s world which is devoid of emotions and limited to chores and expectations. A pious and highly sensitive woman, Agnes falls into a deep depression, before committing a shocking act of violence that she sees as the only way out of her inner prison.
Along with starring in “The Devil’s Bath,” Plaschg also composed the music for the film. Based on historical records, the movie is inspired by the true stories...
- 1/22/2024
- by Elsa Keslassy
- Variety Film + TV
Click here to read the full article.
In IFC Films’ Corsage, Vicky Krieps stars as Empress Elisabeth of Austria (known affectionately as Sisi) during a particular life crisis: middle age. After turning 40, the celebrated beauty finds herself fading — at least, she’s convinced as much. With her children grown and her relationship with Emperor Franz Joseph I threatened by her indifference to royal obligations, the disaffected royal becomes bored with her life, wanting nothing more than to hide away from the public that still watches her every move as if she were a 19th century influencer.
Marie Kreutzer
Writer-director Marie Kreutzer’s irreverent biopic mixes the stoicism of a classic costume drama with postmodern twists, incorporating anachronistic songs (a chamber version of the Rolling Stones’ “As Tears Go By” is heard on the soundtrack) and modern-day vulgar hand gestures. The film also plays fast and loose with historical accuracy; rather than a traditional biography,...
In IFC Films’ Corsage, Vicky Krieps stars as Empress Elisabeth of Austria (known affectionately as Sisi) during a particular life crisis: middle age. After turning 40, the celebrated beauty finds herself fading — at least, she’s convinced as much. With her children grown and her relationship with Emperor Franz Joseph I threatened by her indifference to royal obligations, the disaffected royal becomes bored with her life, wanting nothing more than to hide away from the public that still watches her every move as if she were a 19th century influencer.
Marie Kreutzer
Writer-director Marie Kreutzer’s irreverent biopic mixes the stoicism of a classic costume drama with postmodern twists, incorporating anachronistic songs (a chamber version of the Rolling Stones’ “As Tears Go By” is heard on the soundtrack) and modern-day vulgar hand gestures. The film also plays fast and loose with historical accuracy; rather than a traditional biography,...
- 12/11/2022
- by Tyler Coates
- The Hollywood Reporter - Movie News
An exchange of letters between two notable German-language poets is recreated in a simple but beguiling way
The letters exchanged between the poets Ingeborg Bachmann and Paul Celan form the basis for this intriguing exercise. The correspondence details their love, jealousy, passion and destruction over the 20-year period after they met in postwar Vienna.
Ruth Beckermann’s playful approach is simple but strikingly effective. She films two young actors, Anja Plaschg and Laurence Rupp, recording the missives in a sound studio. Gradually, the rich emotional content of the writing bleeds into the relationship between the pair, in an unexpectedly beguiling echo of the past.
Continue reading...
The letters exchanged between the poets Ingeborg Bachmann and Paul Celan form the basis for this intriguing exercise. The correspondence details their love, jealousy, passion and destruction over the 20-year period after they met in postwar Vienna.
Ruth Beckermann’s playful approach is simple but strikingly effective. She films two young actors, Anja Plaschg and Laurence Rupp, recording the missives in a sound studio. Gradually, the rich emotional content of the writing bleeds into the relationship between the pair, in an unexpectedly beguiling echo of the past.
Continue reading...
- 12/4/2016
- by Wendy Ide
- The Guardian - Film News
Two young actors become involved with Paul Celan and Ingeborg Bachmann’s letters in this intriguing study of a famous relationship
Austrian film-maker Ruth Beckermann has created a cerebral chamber piece from the love letters of postwar poet Paul Celan, whose parents perished in a Nazi concentration camp, and Ingeborg Bachmann, the author whose father had been a Nazi party member. Performers Laurence Rupp and Anja Plaschg play versions of themselves, reading out selections of the letters into studio microphones, apparently for a radio programme. We see them taking a thoughtful cigarette break together, or getting lunch. Maybe their own relationship is being influenced by Celan and Bachmann’s? Most of the film consists of their faces in closeup, reading the text. It is an intriguing exchange, like a controlled but dreamily unhappy dialogue which can’t represent the length and rhythm of the silences that existed between each letter:...
Austrian film-maker Ruth Beckermann has created a cerebral chamber piece from the love letters of postwar poet Paul Celan, whose parents perished in a Nazi concentration camp, and Ingeborg Bachmann, the author whose father had been a Nazi party member. Performers Laurence Rupp and Anja Plaschg play versions of themselves, reading out selections of the letters into studio microphones, apparently for a radio programme. We see them taking a thoughtful cigarette break together, or getting lunch. Maybe their own relationship is being influenced by Celan and Bachmann’s? Most of the film consists of their faces in closeup, reading the text. It is an intriguing exchange, like a controlled but dreamily unhappy dialogue which can’t represent the length and rhythm of the silences that existed between each letter:...
- 12/1/2016
- by Peter Bradshaw
- The Guardian - Film News
Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.
A Date for Mad Mary
Mary’s not crazy-mad, she’s angry-mad, in that incoherent way that young people floundering around to figure themselves out often fall into. After a short stint in prison — for a violent crime that was surely an expression of that rage — she returns home to her Irish town to find that her disconnect to friends and family has grown even wider, and it’s a real struggle to fulfill her duties as maid of honor to her best friend, Charlene, in the run-up to her wedding. No longer able to rely on others to define her, Mary must decide for herself who she is, a task she approaches with snark to cover up her terror and her confusion. The things that make Mary a misfit create a portrait of female...
A Date for Mad Mary
Mary’s not crazy-mad, she’s angry-mad, in that incoherent way that young people floundering around to figure themselves out often fall into. After a short stint in prison — for a violent crime that was surely an expression of that rage — she returns home to her Irish town to find that her disconnect to friends and family has grown even wider, and it’s a real struggle to fulfill her duties as maid of honor to her best friend, Charlene, in the run-up to her wedding. No longer able to rely on others to define her, Mary must decide for herself who she is, a task she approaches with snark to cover up her terror and her confusion. The things that make Mary a misfit create a portrait of female...
- 9/20/2016
- by MaryAnn Johanson
- www.flickfilosopher.com
This was a busy year at Tiff, where I was a juror for Fipresci, helping to award a prize for best premiere in the Discovery section. Not only did this mean that some other films had to take a back burner—sadly, I did not see Eduardo Williams’ The Human Surge—but my writing time was a bit compromised as well. Better late than never? That is for you, Gentle Reader, to decide.Austerlitz (Sergei Loznitsa, Germany)So basic in the telling—a record of several days’ worth of visitors mostly to the Sachsenhausen concentration camp in Oranienberg, Germany—Austerlitz is a film that in many ways exemplifies the critical theory of Theodor Adorno and Walter Benjamin. What is the net effect for humanity when, faced with the drive to remember the unfathomable, we employ the grossly inadequate tools at our disposal?Austerlitz takes its name from W. G. Sebald’s final novel.
- 9/20/2016
- MUBI
DaguerrotypeDear Fern,I've heard a lot of mixed things here about Terrence Malick's Voyage of Time, so I'm very pleased at your enraptured praise. Did you know from the first moment that you liked it so much? Sometimes, in those rare special occasions, you know right off that a film is great. From the first shot of Kelly Reichardt’s Certain Women, a grainy Montana landscape grayed by winter, with hills so soft in they could be painted on, and a train arcing its way towards the camera, it is clear this film is special. Based on stories by author Maile Meloy, the film takes the unusual form of a sequence of three stories, all set in small town Montana, and each foregrounded on a woman and her conflicted yearning.Laura Dern is a lawyer whose client (Jared Harris) in a dead-end malfeasance lawsuit gets increasingly dejected and unhinged...
- 9/13/2016
- MUBI
As fragile and trembling as it is delicately clear, Ruth Beckermann's The Dreamed Ones revolves around a young woman (musical artist Anja Plaschg) and a young man (Laurence Rupp) reading part of the nearly two decades lasting correspondence between the poets and lovers Paul Celan and Ingeborg Bachmann in a recording studio of the Vienna Radio House. What gently unfolds from this perhaps sterile sounding situation is of perplexing subtlety and, indeed, beauty. The read love story between Paul Celan and Ingeborg Bachmann is reflected in the faces of the actors, in their glistening eyes and in the sleek undulation of their voices, the actors as if possessed by the refined language of the letters and invaded by the almost unbearably dense emotional cargo of...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 3/22/2016
- Screen Anarchy
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