It’s the holidays, and strings of gaudy rainbow lights twinkle from gables. In cozy living rooms, the elders doze in their chairs while middle-aged siblings bicker and booze it up around the dining table. Little kids squirm in makeshift beds trying to stay awake for Santa, while truculent teenagers sneak out into the suburban night to do secret teenager things. Ok, so there are no chestnuts roasting on an open fire — instead there is a salad bowl full of red and green M&Ms — but in almost every other respect, Tyler Taormina’s delightful stocking-stuffer “Christmas Eve in Miller’s Point” is as alive to the domesticated magic of the season as a classic carol. Taormina’s fondly multivalent, Millennial-Norman-Rockwell perspective incorporates a child’s experience of the holiday, overlaid with a teen’s and a parent’s and a grandparent’s and so on. It feels as though...
- 5/17/2024
- by Jessica Kiang
- Variety Film + TV
Three features into his filmmaking career, it’s evident that director Tyler Taormina loves faces — though not in the way of Bergman or Cassavetes. Unlike those art house paragons, he doesn’t isolate his characters in order to peer intently into their souls. He collects faces by the dozen and dreams up crowded tableaus.
His debut film, Ham on Rye, presented a mysterious and unsettling teen ritual in which the faces never connected to conventional stories. Five years later, Taormina is still inspired by group dynamics, and he’s still experimenting with the fusion of aesthetics and storytelling, but this time on more familiar terrain. Veering at times into sensory overload as it reconfigures the holiday-gathering template, Christmas Eve in Miller’s Point can feel like a party that refuses to end, one that could have used some judicious streamlining. But it’s a memorably adventurous party, fueled by intense hopefulness,...
His debut film, Ham on Rye, presented a mysterious and unsettling teen ritual in which the faces never connected to conventional stories. Five years later, Taormina is still inspired by group dynamics, and he’s still experimenting with the fusion of aesthetics and storytelling, but this time on more familiar terrain. Veering at times into sensory overload as it reconfigures the holiday-gathering template, Christmas Eve in Miller’s Point can feel like a party that refuses to end, one that could have used some judicious streamlining. But it’s a memorably adventurous party, fueled by intense hopefulness,...
- 5/17/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
As another year of horror ends, we reflect on the best this genre had to offer. Usually, that means focusing on those movies that drew the most attention. However, there are also those movies that slipped under everyone’s radars for whatever reason, ultimately causing them to be overlooked. So the objective here is to bring more attention to these releases as horror fans play catch-up.
Like last year, 2023 was a strong year for horror. And these ten hidden gems might have escaped notice at the time, but it’s never too late to discover them now.
Pollen
Image: Ava Rose Kinard in D.W. Medoff’s Pollen.
In the vein of other horror movies about misunderstood outsiders, like May and Love Object, D.W. Medoff‘s first long feature Pollen focuses on an individual whose awkward and unconventional ways make her stand out in society. Although, it wasn’t always...
Like last year, 2023 was a strong year for horror. And these ten hidden gems might have escaped notice at the time, but it’s never too late to discover them now.
Pollen
Image: Ava Rose Kinard in D.W. Medoff’s Pollen.
In the vein of other horror movies about misunderstood outsiders, like May and Love Object, D.W. Medoff‘s first long feature Pollen focuses on an individual whose awkward and unconventional ways make her stand out in society. Although, it wasn’t always...
- 12/29/2023
- by Paul Lê
- bloody-disgusting.com
Grieve, written and Directed by Robbie Smith and starring Paris Peterson and Danielle Keaton, is out now on Digital Platforms in North America from Terror Films.
Synopsis:
A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema, like a marriage of Chantal Ackerman and Kiyoshi Kurosawa.
The post Terror Films releases Grieve on Digital Platforms appeared first on Horror Asylum.
Synopsis:
A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema, like a marriage of Chantal Ackerman and Kiyoshi Kurosawa.
The post Terror Films releases Grieve on Digital Platforms appeared first on Horror Asylum.
- 10/10/2023
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
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