Sarah Polley’s Oscar for her Women Talking script has not actually been rescinded by the Film Academy, despite her 11-year-old child’s valiant April Fools’ Day effort to suggest otherwise.
The filmmaker, who picked up the vaunted prize for best adapted screenplay last month, shared a letter to Twitter on Saturday that she attributed to her child. The prank involved a typed-out message stating that Polley must send back the trophy in order for it to be given to the team behind Netflix’s All Quiet on the Western Front, who were the actual winners, according to the note. The letter ended with a signoff from Academy president David Rubin, forged signature and all.
“We are giving you one more week to enjoy its presence in your home, but after that period of time you must mail it back to LA, where we will give it to the rightful...
The filmmaker, who picked up the vaunted prize for best adapted screenplay last month, shared a letter to Twitter on Saturday that she attributed to her child. The prank involved a typed-out message stating that Polley must send back the trophy in order for it to be given to the team behind Netflix’s All Quiet on the Western Front, who were the actual winners, according to the note. The letter ended with a signoff from Academy president David Rubin, forged signature and all.
“We are giving you one more week to enjoy its presence in your home, but after that period of time you must mail it back to LA, where we will give it to the rightful...
- 4/1/2023
- by Ryan Gajewski
- The Hollywood Reporter - Movie News
When Sarah Polley decided to make a documentary about the mother she lost as a girl of 11, she had no idea of the extraordinary family secret she would unearth. The acclaimed Canadian film-maker talks about the often painful burden of exploring the lives of loved ones – and why she thinks marriage is a 'crazy and optimistic' institution
As I fly to Canada to meet Sarah Polley, I think about the glimpses of her in Stories We Tell – her first full-length documentary feature, which bowled over critics at Sundance and the Venice film festival and has won Canada's Film of the Year award. She looks like a contemplative Madonna on screen, with long, fair hair. She listens more than she talks. She encourages her family to speak. Her film may be her story – but she gets others to tell it. Michael Polley, her British-born father – an actor who worked for an...
As I fly to Canada to meet Sarah Polley, I think about the glimpses of her in Stories We Tell – her first full-length documentary feature, which bowled over critics at Sundance and the Venice film festival and has won Canada's Film of the Year award. She looks like a contemplative Madonna on screen, with long, fair hair. She listens more than she talks. She encourages her family to speak. Her film may be her story – but she gets others to tell it. Michael Polley, her British-born father – an actor who worked for an...
- 6/23/2013
- by Kate Kellaway
- The Guardian - Film News
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