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“I told Ava DuVernay, who is a dear friend,” says Euzhan Palcy, “‘Ava — you call me the goddess. You call me the queen. But you know what? It’s hard to be a pioneer. It’s hard.’ “
Palcy would know. At 64, the Martinique-born director — a trailblazer who won the Silver Lion at the Venice Film Festival with her first feature, 1983’s Sugar Cane Alley, then directed Marlon Brando to an Oscar nomination in 1989’s A Dry White Season — has spent decades seeing her dream projects fall apart.
“The leads were Black,” explains Palcy, sipping on a smoothie on the sunny terrace of a rental home in Culver City. (Her permanent home is in Paris.) “And certain [protagonists] were Black and female, like Bessie Coleman. They didn’t like that. Now everybody’s talking about Bessie Coleman.”
Palcy discovered Coleman’s story in 1991. She was...
“I told Ava DuVernay, who is a dear friend,” says Euzhan Palcy, “‘Ava — you call me the goddess. You call me the queen. But you know what? It’s hard to be a pioneer. It’s hard.’ “
Palcy would know. At 64, the Martinique-born director — a trailblazer who won the Silver Lion at the Venice Film Festival with her first feature, 1983’s Sugar Cane Alley, then directed Marlon Brando to an Oscar nomination in 1989’s A Dry White Season — has spent decades seeing her dream projects fall apart.
“The leads were Black,” explains Palcy, sipping on a smoothie on the sunny terrace of a rental home in Culver City. (Her permanent home is in Paris.) “And certain [protagonists] were Black and female, like Bessie Coleman. They didn’t like that. Now everybody’s talking about Bessie Coleman.”
Palcy discovered Coleman’s story in 1991. She was...
- 11/18/2022
- by Seth Abramovitch
- The Hollywood Reporter - Movie News
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