The unspoken and often ineffable syzygy between sisters sharing in a mutual trauma is one rife for cinematic inquiry, from the films of Ingmar Bergman to Lars von Trier’s “Melancholia” and even “What Ever Happened to Baby Jane?” Cathy Brady’s “Wildfire” is set in a fractious Ireland where the gulf between estranged siblings Kelly (Nika McGuigan) and Lauren (Nora-Jane Noone) is as wide and blurry as the void between the North and the South post-Brexit. While the film at first establishes a political framework with a blistering montage of current events in the UK, “Wildfire” shifts into a more personal tale about women shouldering psychic damage, and coming together to reckon with the past. While occasionally veering into melodrama, . And the film itself becomes all the more tragic once, by the closing credits, it’s revealed star McGuigan, who gives a chilling and complex performance, died from cancer...
- 9/17/2020
- by Ryan Lattanzio
- Indiewire
Kirsten Tan has hit it from the beginning, with her debut feature being the first Singaporean movie selected to screen at the Sundance Festival, where it won a Special Jury Prize in the World Cinema Dramatic Competition section of the 2017 edition.
Pop Aye screened at Helsinki Cine Aasia Film Festival 2018
Architect Thana has run into his childhood friend, an elephant called Pop Aye, just at the right moment. The world seems to be passing him by as a landmark shopping mall he designed in the 90’s is being torn down, the young people currently in charge of the company he works for seem not to value him very much and his wife, Bo, seems to be distant, and less and less understanding. Thana decides to take the elephant back to the rural village where they both grew up and into his uncle Peak’s (Narong Pongpab) care. His journey away...
Pop Aye screened at Helsinki Cine Aasia Film Festival 2018
Architect Thana has run into his childhood friend, an elephant called Pop Aye, just at the right moment. The world seems to be passing him by as a landmark shopping mall he designed in the 90’s is being torn down, the young people currently in charge of the company he works for seem not to value him very much and his wife, Bo, seems to be distant, and less and less understanding. Thana decides to take the elephant back to the rural village where they both grew up and into his uncle Peak’s (Narong Pongpab) care. His journey away...
- 3/5/2019
- by Panos Kotzathanasis
- AsianMoviePulse
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