So it all comes to an end, as Apple TV’s Sugar wraps up with the finale named Farewell. The anticipations and reddit theories this show generated are second to none, as the finale begins with John Sugar finally taking Olivia home from the nightmare she was in. The signature classic Hollywood movie scenes blending into Sugar’s narrative have been one of the best experiments in recent memory, and the final episode gives the Hitchcock classic Vertigo a nod. Scotty and Judy’s flirtatious exchange over his actual name starts off the episode on an incredible note. Now we head to discuss the events that unfold in the concluding episode of Sugar.
Spoilers Ahead
Why Is Sugar Obsessing Over Tape Number 44?
Ryan Pavich notoriously kept recordings of him torturing his victims. After saving Olivia, the case is closed, but Sugar still isn’t completely content. Sugar plays the tape...
Spoilers Ahead
Why Is Sugar Obsessing Over Tape Number 44?
Ryan Pavich notoriously kept recordings of him torturing his victims. After saving Olivia, the case is closed, but Sugar still isn’t completely content. Sugar plays the tape...
- 5/17/2024
- by Aniket Mukherjee
- Film Fugitives
Ryan J. Sloan’s “Gazer” is a classic thriller that will surely have Cannes audiences on the edge of their seats when it world premieres in competition in Directors’ Fortnight at this year’s festival.
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
Set in New Jersey and starring Sloan’s partner Ariella Mastroianni, “Gazer” is the story of Frankie, a young mother with a rare degenerative brain condition called dyschronometria. The disease causes her to struggle to perceive time, which makes holding down a steady job nearly impossible. So, when a mysterious woman offers her a risky job, she takes it, unaware of the dark consequences of her decision.
While the thematic notes of a classic Hitchcockian thriller are plain to see on screen, one thing that really sets “Gazer” apart from most films – especially American films – that make it to Cannes is that the project was entirely self-financed and produced.
There were no production companies (apart...
- 5/16/2024
- by Jamie Lang and Elsa Keslassy
- Variety Film + TV
TV networks come and go. While the state of cable TV now isn’t particularly stable amid the constant streaming wars, TV network deaths have always been monumental funerals. Corporate mergers, changes in demographics, and budget cuts all contributed to channel deaths during the early 21st century that crushed my spirits – long before Netflix even cast the first streaming stone.
Not a day goes by when I don’t reflect upon my childhood spent watching programming on long-gone networks. These networks gave unrepresented artists platforms, brought audiences of underserved demographics together, and ultimately established specific TV identities. These are a few channels that deserve a second or third shot at life.
Spike TV
Before it became the “Yellowstone and Friends” channel, also known as Paramount Network, Spike TV was machismo-television personified. Who doesn’t remember the days of watching Rambo, Star Wars marathons, and 1000 Ways to Die in rotation?...
Not a day goes by when I don’t reflect upon my childhood spent watching programming on long-gone networks. These networks gave unrepresented artists platforms, brought audiences of underserved demographics together, and ultimately established specific TV identities. These are a few channels that deserve a second or third shot at life.
Spike TV
Before it became the “Yellowstone and Friends” channel, also known as Paramount Network, Spike TV was machismo-television personified. Who doesn’t remember the days of watching Rambo, Star Wars marathons, and 1000 Ways to Die in rotation?...
- 5/16/2024
- by Alec Bojalad
- Den of Geek
Ahead of the release of The Strangers: Chapter 1, we chat to director Renny Harlin about reimagining one of the most beloved modern horror films.
When The Strangers, Bryan Bertino’s low-budget horror film, was released in 2008, it immediately burrowed itself under my skin. In the film, a couple, played by Liv Tyler and Scott Speedman, are stalked by masked assailants, who seemingly have no motive for tormenting the couple. The film was a massive hit and has earned itself a firm, deserved cult status.
16 years after the release of Bertino’s film, Finnish director Renny Harlin is attempting the impossible. He has taken the basic premise of The Strangers, kept the name and turned it into an ambitious trilogy of his own.
The film follows Maya (played by Madelaine Petsch) and Ryan (played by Froy Gutierrez) on a road trip across the country. They pull over to a remote town for some food,...
When The Strangers, Bryan Bertino’s low-budget horror film, was released in 2008, it immediately burrowed itself under my skin. In the film, a couple, played by Liv Tyler and Scott Speedman, are stalked by masked assailants, who seemingly have no motive for tormenting the couple. The film was a massive hit and has earned itself a firm, deserved cult status.
16 years after the release of Bertino’s film, Finnish director Renny Harlin is attempting the impossible. He has taken the basic premise of The Strangers, kept the name and turned it into an ambitious trilogy of his own.
The film follows Maya (played by Madelaine Petsch) and Ryan (played by Froy Gutierrez) on a road trip across the country. They pull over to a remote town for some food,...
- 5/16/2024
- by Maria Lattila
- Film Stories
Jeffrey Dean Morgan and Famke Janssen will return for the sequel of The Postcard Killings, a crime thriller film that followed NYPD detective Jacob Kanon as he investigates the death of his murdered daughter who was on her honeymoon in Europe.
Jeffrey Dean Morgan in The Postcard Killings
The upcoming film is said to follow Morgan’s Kanon as he tries to rescue his ex-wife after she has been abducted by a new killer who goes on a killing spree in the same continent.
Jeffrey Dean Morgan Returns For Netflix’s The Postcard Killer
The film production for Renny Harlin’s The Postcard Killer starring Jeffrey Dean Morgan and Famke Janssen is set to commence this fall in various locations, namely London, Madrid, Florence, and Latvia. The movie is based on James Patterson and Liza Marklund’s novel.
In an exclusive report by Screen Daily, the director confirmed the sequel...
Jeffrey Dean Morgan in The Postcard Killings
The upcoming film is said to follow Morgan’s Kanon as he tries to rescue his ex-wife after she has been abducted by a new killer who goes on a killing spree in the same continent.
Jeffrey Dean Morgan Returns For Netflix’s The Postcard Killer
The film production for Renny Harlin’s The Postcard Killer starring Jeffrey Dean Morgan and Famke Janssen is set to commence this fall in various locations, namely London, Madrid, Florence, and Latvia. The movie is based on James Patterson and Liza Marklund’s novel.
In an exclusive report by Screen Daily, the director confirmed the sequel...
- 5/15/2024
- by Ariane Cruz
- FandomWire
Jeffrey Dean Morgan and Famke Janssen will star in Renny Harlin’s crime thriller The Postcard Killer for Highland Film Group, which is financing and handling sales.
The project marks the sequel to 2020’s The Postcard Killings, which featured the same leads, and brings a new adventure for Morgan’s NYPD detective Jacob Kanon as he attempts to rescue his ex-wife after she is kidnapped by a new killer on a brutal spree across Europe. The cast also includes Naomi Battrick.
Production is scheduled to start this autumn on location in London, Madrid, Florence and Latvia.
Luke Garrett adapted the...
The project marks the sequel to 2020’s The Postcard Killings, which featured the same leads, and brings a new adventure for Morgan’s NYPD detective Jacob Kanon as he attempts to rescue his ex-wife after she is kidnapped by a new killer on a brutal spree across Europe. The cast also includes Naomi Battrick.
Production is scheduled to start this autumn on location in London, Madrid, Florence and Latvia.
Luke Garrett adapted the...
- 5/15/2024
- ScreenDaily
Palais Intrigue Warren Beatty and Natalie Wood
Warren Beatty and his Splendor in the Grass co-star (and then girlfriend) Natalie Wood on the steps of the Palais du Festival, 1962.
Queen Elizabeth Liz Taylor
A bejeweled and becrowned Liz Taylor grabs a seat, and all the attention, at the 1957 edition of the festival.
Bonjour, Bb! Brigitte Bardot
French actress Brigitte Bardot at the Ninth Cannes Film Festival in 1956, the year Roger Vadim’s And God Created Woman made her a star.
Stars Aligning Cary Grant and Kim Novak
Cary Grant and Kim Novak at the 12th edition of the festival, perhaps discussing their recent work for Alfred Hitchcock.
Belle Journée Marie Laforêt
French singer Marie Laforêt in a dreamy moment at the Cannes Festival in 1960.
Moment of Reflection Grace Kelly
Grace Kelly in the Carlton Hotel in 1955, the year she appeared with Grant in Hitchcock’s To Catch a Thief, about...
Warren Beatty and his Splendor in the Grass co-star (and then girlfriend) Natalie Wood on the steps of the Palais du Festival, 1962.
Queen Elizabeth Liz Taylor
A bejeweled and becrowned Liz Taylor grabs a seat, and all the attention, at the 1957 edition of the festival.
Bonjour, Bb! Brigitte Bardot
French actress Brigitte Bardot at the Ninth Cannes Film Festival in 1956, the year Roger Vadim’s And God Created Woman made her a star.
Stars Aligning Cary Grant and Kim Novak
Cary Grant and Kim Novak at the 12th edition of the festival, perhaps discussing their recent work for Alfred Hitchcock.
Belle Journée Marie Laforêt
French singer Marie Laforêt in a dreamy moment at the Cannes Festival in 1960.
Moment of Reflection Grace Kelly
Grace Kelly in the Carlton Hotel in 1955, the year she appeared with Grant in Hitchcock’s To Catch a Thief, about...
- 5/14/2024
- by Edited by Julian Sancton
- The Hollywood Reporter - Movie News
The Cannes Film Festival officially kicks off today with the latest from Quentin Dupieux, but Francis Ford Coppola has decided to truly begin the festivities with a bang. After a brief, enticing tease earlier this month, he’s now debuted the epic first trailer for Megalopolis, chock full of jaw-dropping images that has us counting down the hours until Thursday’s world premiere. “Our new film Megalopolis is the best work I’ve ever had the privilege to preside over,” notes Coppola with the trailer.
Along with French distribution from Le Pacte, the film was also picked up by Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; and Entertainment Film Distributors Limited for the U.K., per Deadline. A U.S. deal has yet to be announced, but here’s hoping it comes during the festival.
“My first goal...
Along with French distribution from Le Pacte, the film was also picked up by Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; and Entertainment Film Distributors Limited for the U.K., per Deadline. A U.S. deal has yet to be announced, but here’s hoping it comes during the festival.
“My first goal...
- 5/14/2024
- by Jordan Raup
- The Film Stage
Expect George Miller’s upcoming Mad Max: Fury Road prequel, Furiosa, to be heavy on action and short on dialogue as Anya Taylor-Joy’s eponymous character only speaks 30 lines of dialogue over the course of the film’s two-and-a-half hours.
In an interview with The Telegraph, the director cited inspiration from the “pure cinema” of Buster Keaton and Charlie Chaplin’s silent comedy, which “Hitchcock defined as movies where they don’t have to read the subtitles when they’re screened in Japan.”
Miller then explained his belief that dialogue “tends to slow things down, and film is a medium that’s often best enjoyed at high speed.” As a result, Furiosa barrels ahead with car chases across the Australian Outback, with one 15-minute sequence taking 78 days and 200 stunt performers to shoot.
Taylor-Joy recently spoke to Total Film about that particular setpiece, telling the magazine it was pivotal in unlocking her character.
In an interview with The Telegraph, the director cited inspiration from the “pure cinema” of Buster Keaton and Charlie Chaplin’s silent comedy, which “Hitchcock defined as movies where they don’t have to read the subtitles when they’re screened in Japan.”
Miller then explained his belief that dialogue “tends to slow things down, and film is a medium that’s often best enjoyed at high speed.” As a result, Furiosa barrels ahead with car chases across the Australian Outback, with one 15-minute sequence taking 78 days and 200 stunt performers to shoot.
Taylor-Joy recently spoke to Total Film about that particular setpiece, telling the magazine it was pivotal in unlocking her character.
- 5/13/2024
- by Eddie Fu
- Consequence - Film News
An important thing to keep in mind when evaluating any work of art is that the audience and critical response can change a ton over the years. Such was the case with "Vertigo," the 1958 Alfred Hitchcock thriller that is now rightly recognized as one of the best films ever made, and a career-high for Hitchcock himself. It's a dark, provocative film, one with a lot of fascinating things to say about love and obsession. It's also a remarkably well-directed movie; every single cinematic choice (like filming the driving scenes so Scottie (James Stewart) is almost always driving downhill, never up) contributes to the sense that Scottie is descending towards his doom.
Still, at the time of its release, "Vertigo" received mixed reviews and had a disappointing run at the box office. Contemporary critics declared the film's big twist to be nonsensical, and Hitchcock himself seemed to agree with this, at...
Still, at the time of its release, "Vertigo" received mixed reviews and had a disappointing run at the box office. Contemporary critics declared the film's big twist to be nonsensical, and Hitchcock himself seemed to agree with this, at...
- 5/13/2024
- by Michael Boyle
- Slash Film
There’s a story Alfred Hitchcock always liked to tell about how, when he was five years old, his father dropped him off at the local police station near his home in East London. William Hitchcock left a note for the coppers explaining that his son had been misbehaving. A policeman locked young Alfred in a cell for a few minutes and explained, “This is what we do to naughty boys.”
When Hitchcock recounted that story to Dick Cavett he was in his 70s, but the incident continued to leave a profound mark on the director. He said he was still “terrified of the police” because of that and drew a connection from that to the feelings of guilt and wrong-men-on-the-run paranoia that seeps into so many of his films.
The funny thing is, though, father characters are almost entirely absent from Hitchcock’s work. There are a few: Cedric Hardwicke...
When Hitchcock recounted that story to Dick Cavett he was in his 70s, but the incident continued to leave a profound mark on the director. He said he was still “terrified of the police” because of that and drew a connection from that to the feelings of guilt and wrong-men-on-the-run paranoia that seeps into so many of his films.
The funny thing is, though, father characters are almost entirely absent from Hitchcock’s work. There are a few: Cedric Hardwicke...
- 5/12/2024
- by Christian Blauvelt
- Indiewire
With his debut feature, “The Last Stop in Yuma County,” hitting theaters this week, Francis Galluppi is riding high. The Western-tinged neo-noir stars Jim Cummings as a nameless traveling knife salesman who finds himself in a unique position after witnessing a diner robbery while carrying a case of his sharp wares. The film charmed audiences on the genre festival circuit last fall and established Galluppi as a director worth watching. But as he nears the end of a five-year journey, the director hasn’t lost sight of how difficult it was to get his first project off the ground.
“I had two children in the time it took me to make this movie,” Galluppi said during a recent Zoom conversation with IndieWire. “My daughter’s first words were ‘The Last Stop in Yuma County.'”
Originally a musician by trade, Galluppi says that he originally felt compelled to pursue filmmaking...
“I had two children in the time it took me to make this movie,” Galluppi said during a recent Zoom conversation with IndieWire. “My daughter’s first words were ‘The Last Stop in Yuma County.'”
Originally a musician by trade, Galluppi says that he originally felt compelled to pursue filmmaking...
- 5/10/2024
- by Christian Zilko
- Indiewire
Obnoxious flatmates Ewan McGregor, Christopher Eccleston and Kerry Fox get way more than they bargained for with the arrival of enigmatic Keith Allen and a suitcase full of cash
Rereleased for its 30th anniversary, the macabre black-comic crime caper is from screenwriter John Hodge with Danny Boyle making his feature-directing debut, giving us a hint of the turbocharged showmanship that always marked his style and which he was to crank up another notch a few years later with the zeitgeisty 90s hit Trainspotting. Shallow Grave is a bizarre Edinburgh noir, centring on cover-ups, disloyalty and incompetent corpse-management in the approximate spirit of Ealing, with touches of Hitchcock’s The Trouble With Harry and Orton’s Entertaining Mr Sloane. It’s also a kind of 90s young person flatshare entertainment, but closer to the BBC’s This Life than Friends.
We get an embarrassment of riches in the cast, with Peter Mullan,...
Rereleased for its 30th anniversary, the macabre black-comic crime caper is from screenwriter John Hodge with Danny Boyle making his feature-directing debut, giving us a hint of the turbocharged showmanship that always marked his style and which he was to crank up another notch a few years later with the zeitgeisty 90s hit Trainspotting. Shallow Grave is a bizarre Edinburgh noir, centring on cover-ups, disloyalty and incompetent corpse-management in the approximate spirit of Ealing, with touches of Hitchcock’s The Trouble With Harry and Orton’s Entertaining Mr Sloane. It’s also a kind of 90s young person flatshare entertainment, but closer to the BBC’s This Life than Friends.
We get an embarrassment of riches in the cast, with Peter Mullan,...
- 5/9/2024
- by Peter Bradshaw
- The Guardian - Film News
Midsommar (A24), Nope (Universal Pictures), Texas Chain Saw Massacre’s Hewitt house (Shutterstock), Pearl (A24)Graphic: The A.V. Club
There’s an old adage in horror: The less you show a monster, the scarier it is. Horror filmmakers are, by necessity, skilled at using darkness and shadows to creep out audiences.
There’s an old adage in horror: The less you show a monster, the scarier it is. Horror filmmakers are, by necessity, skilled at using darkness and shadows to creep out audiences.
- 5/7/2024
- by Cindy White
- avclub.com
Wes Anderson’s favorite on-set still photographer James Hamilton with 99 Records founder Ed Bahlman and Anne-Katrin Titze on his Village Works exhibition: “They have a display of eight of my photographs, good size prints, including Lou Reed and John Cale and Pattie Smith and Tom Verlaine and Prince and Debbie Harry.”
In the first instalment with photojournalist James Hamilton, Wes Anderson’s favourite on-set still photographer (James is also the voice of Mole in Fantastic Mr. Fox and makes an appearance in The Life Aquatic With Steve Zissou), we start out discussing Alfred Hitchcock’s Rear Window, Grace Kelly’s Mark Cross bag, the Albert Hotel, Harper’s Bazaar, and everything else that James Stewart’s Lb Jeffries eerily has in common with the subject of Dw Young’s surprisingly candid Uncropped (a highlight and centerpiece selection of the 14th edition of Doc NYC).
James Hamilton on Alfred Hitchcock at the St.
In the first instalment with photojournalist James Hamilton, Wes Anderson’s favourite on-set still photographer (James is also the voice of Mole in Fantastic Mr. Fox and makes an appearance in The Life Aquatic With Steve Zissou), we start out discussing Alfred Hitchcock’s Rear Window, Grace Kelly’s Mark Cross bag, the Albert Hotel, Harper’s Bazaar, and everything else that James Stewart’s Lb Jeffries eerily has in common with the subject of Dw Young’s surprisingly candid Uncropped (a highlight and centerpiece selection of the 14th edition of Doc NYC).
James Hamilton on Alfred Hitchcock at the St.
- 5/5/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
I’ve predicted Megalopolis, anticipated as it is, will have a clear dividing point: the cultural commentariat hoping to see “another film by the director of The Godfather” and those who appreciate “something that looks and sounds like a Star Wars prequel.” I am very firmly in the latter, was duly excited by the first image, and can only be pleased with the time-stopping debut teaser, arriving today via Le Pacte.
It comes with a sad addenedum. Coppola, sharing the teaser on Instagram, noted:
Megalopolis has always been a film dedicated to my dear wife Eleanor. I really had hoped to celebrate her birthday together this May 4th. But sadly that was not to be, so let me share with everyone a gift on her behalf.
As Coppola recently told Vanity Fair, “I wouldn’t have been able to make it without standing as I do on the shoulders of G.B. Shaw,...
It comes with a sad addenedum. Coppola, sharing the teaser on Instagram, noted:
Megalopolis has always been a film dedicated to my dear wife Eleanor. I really had hoped to celebrate her birthday together this May 4th. But sadly that was not to be, so let me share with everyone a gift on her behalf.
As Coppola recently told Vanity Fair, “I wouldn’t have been able to make it without standing as I do on the shoulders of G.B. Shaw,...
- 5/4/2024
- by Nick Newman
- The Film Stage
Cocaine Bear surprised everyone with its box office haul. For fans of animal attack movies, this is not a shock. People love animal attack films and can’t get enough of them. I’m not sure if it’s the man vs. nature theme of the films, the animals themselves getting revenge on humans, or just the all-around fun these films bring. No matter what, they are enjoyable for audiences in theaters. There has been a long history of animals attacking humans on film. Some films that are classified as ‘classic’ cinema fall into the animal attack category. We can always use more movies of animals rampaging through humans on the big screen. What are some of the best animal attack movies?
Grizzly (1976)
Since bears seem to be on everyone’s brain this weekend; then we might as well start with this classic. A fifteen-foot tall...
Grizzly (1976)
Since bears seem to be on everyone’s brain this weekend; then we might as well start with this classic. A fifteen-foot tall...
- 5/2/2024
- by Bryan Wolford
- JoBlo.com
Anthony Hopkins, who has embodied a cast of real-life characters in his long career, ranging from Richard Nixon (in Nixon) and Sigmund Freund (Freud’s Last Session) to Alfred Hitchcock (Hitchcock), and Adolf Hitler (1981 TV movie The Bunker), is set to play composer George Frideric Handel in the upcoming feature The King of Covent Garden.
Minamata filmmaker Andrew Levitas is attached to direct the biopic focused on how the German-British Baroque composer created his 1741 masterpiece Messiah. Tim Slover wrote the screenplay. Dan Lupovitz and Kevan Van Thompson will produce.
Opera star Katherine Jenkins is attached as an executive producer on the project and will be involved as a musical advisor on the project as well as helping with future marketing efforts. Peter Touche (Military Wives, The Son) is also executive producing.
Embankment Films is handling global pre-sales on The King of Covent Garden and will be pitching it to buyers at...
Minamata filmmaker Andrew Levitas is attached to direct the biopic focused on how the German-British Baroque composer created his 1741 masterpiece Messiah. Tim Slover wrote the screenplay. Dan Lupovitz and Kevan Van Thompson will produce.
Opera star Katherine Jenkins is attached as an executive producer on the project and will be involved as a musical advisor on the project as well as helping with future marketing efforts. Peter Touche (Military Wives, The Son) is also executive producing.
Embankment Films is handling global pre-sales on The King of Covent Garden and will be pitching it to buyers at...
- 5/2/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Hollywood genres tend to wax and wane, but not mysteries. The Cabinet of Dr. Caligari, The Thin Man and The Maltese Falcon introduced early moviegoing audiences to the thrills of a riddle, popularizing a model that could be tweaked for horror, comedy, noirish drama and beyond. Today, mysteries are as popular as ever.
We all love to play armchair detective, and trying to deduce the outcome before it arrives is what keeps the genre fresh. So whether you want an all-star laugh riot or a brooding psychodrama, here are 12 worthwhile mystery movies that’ll put your puzzle-solving skills to good use.
We all love to play armchair detective, and trying to deduce the outcome before it arrives is what keeps the genre fresh. So whether you want an all-star laugh riot or a brooding psychodrama, here are 12 worthwhile mystery movies that’ll put your puzzle-solving skills to good use.
- 5/1/2024
- by Matthew Jacobs
- Tudum - Netflix
Now that Francis Ford Coppola has unveiled his long-in-the-works epic Megalopolis to buyers and the industry, we’re just a few weeks away from its official premiere at the Cannes Film Festival. As he hopefully secures U.S. distribution soon, the first look has finally arrived.
Featuring Adam Driver and Nathalie Emmanuel towering above the metropolis, the first image comes courtesy from Vanity Fair, who also share a few new quotes from Coppola himself. “My first goal always is to make a film with all my heart, so I began to realize it would be about love and loyalty in every aspect of human life,” said the director. “Megalopolis echoed these sentiments, in which love was expressed in almost crystalline complexity, our planet in danger and our human family almost in an act of suicide, until becoming a very optimistic film that has faith in the human being to possess...
Featuring Adam Driver and Nathalie Emmanuel towering above the metropolis, the first image comes courtesy from Vanity Fair, who also share a few new quotes from Coppola himself. “My first goal always is to make a film with all my heart, so I began to realize it would be about love and loyalty in every aspect of human life,” said the director. “Megalopolis echoed these sentiments, in which love was expressed in almost crystalline complexity, our planet in danger and our human family almost in an act of suicide, until becoming a very optimistic film that has faith in the human being to possess...
- 4/30/2024
- by Jordan Raup
- The Film Stage
Watch just about any media from the mid-20th century and you'll quickly notice something: people smoked a lot more onscreen back then -- like, a lot more. Those born in the current century would no doubt be shocked to learn that even beloved cartoon icons like Donald Duck would light up a pipe or puff away on a stogie when the occasion merited (and that's to say nothing of commercials like the jaw-dropping marketing campaign where Fred Flinstone gets his buddy Barney and his wife Wilma hooked on Winston cigarettes).
Smoking was a useful visual shorthand for a variety of things. When Cruella De Vil spewed a wreath of putrid yellow smoke from her infamous cigarette holder in Disney's animated "101 Dalmatians," you just knew she was trouble, even before dog-napping entered the equation. Alternatively, when Cary Grant carefully lit Eva Marie Saint's cigarette in perhaps the ultimate Alfred Hitchcock picture,...
Smoking was a useful visual shorthand for a variety of things. When Cruella De Vil spewed a wreath of putrid yellow smoke from her infamous cigarette holder in Disney's animated "101 Dalmatians," you just knew she was trouble, even before dog-napping entered the equation. Alternatively, when Cary Grant carefully lit Eva Marie Saint's cigarette in perhaps the ultimate Alfred Hitchcock picture,...
- 4/28/2024
- by Sandy Schaefer
- Slash Film
This weekend brings a unique hybrid, a mixing of genres that has happened in the past but is somewhat rare. Perhaps it’s because one of the genres is the sports movie, more specifically tennis. Yes, there have been a couple of prominent films within the last couple of years, though they were “inspired by true stories”, mainly the Oscar-winning King Richard and the humorous, but “for reals”, Battle Of The Sexes. This new flick is pure fiction, though gleaned from recent players, and it’s also (the other genre) a dramatic love story. Oh, and this is the big selling point for the studio, it’s a true “love triangle”, as two male tennis “hotshots” share a passion for the game and the same woman. So, in the sport and the romance, these two are truly motivated Challengers.
In the film’s opening moments, we get a few short...
In the film’s opening moments, we get a few short...
- 4/26/2024
- by Jim Batts
- WeAreMovieGeeks.com
“The light. Always, the light.” Tom Ripley is staring at a Caravaggio painting in a Roman church, his typical blank expression a touch more bewildered than usual, when a priest comes up behind him and tells him to pay attention to the light, how the artist uses the contrast of brightness and deep shadow to direct the eye. The moment is brief; Tom isn’t one for introspection, and like a shark, he never stays in place for long. But the line doubles as a clue to the audience as well, some of whom have been as bemused as Tom by “Ripley’s” quietly dazzling style.
In Steven Zaillian’s adaptation of Patricia Highsmith’s “The Talented Mr. Ripley” for Netflix, shot entirely in precise, pitiless black-and-white, light is Zaillian’s most crucial storytelling tool in “Ripley.” The script is carefully paced, often wordless, but every shot shines a light on a new,...
In Steven Zaillian’s adaptation of Patricia Highsmith’s “The Talented Mr. Ripley” for Netflix, shot entirely in precise, pitiless black-and-white, light is Zaillian’s most crucial storytelling tool in “Ripley.” The script is carefully paced, often wordless, but every shot shines a light on a new,...
- 4/25/2024
- by Josh Richmond
- Gold Derby
Stars: Aston McAuley, Sophie Simnett, Jason Flemyng, Johanna Harlin, Raza Jaffrey, Shervin Alenabi | Written by Ben Sztajnkrycer | Directed by Renny Harlin
Renny Harlin’s career has come full circle, from low-budget horror and action films like Born American and Prison through blockbusters such as Die Hard 2 and Cliffhanger before reverting back to budget-minded films like The Bricklayer and this film, Refuge. This time around, he’s bringing the horrors of war back home as a soldier’s encounter with the unexplained threatens the lives of everyone around him.
Sergeant Rick Pedroni is serving somewhere in Afghanistan when his unit takes a group of Taliban prisoner. Questioned about a nearby cave, they say there’s no more of them in there, in fact, none of them would go in there. Rick volunteers to check it out.
This sets off a long flashback to he and Kate’s wedding day. By...
Renny Harlin’s career has come full circle, from low-budget horror and action films like Born American and Prison through blockbusters such as Die Hard 2 and Cliffhanger before reverting back to budget-minded films like The Bricklayer and this film, Refuge. This time around, he’s bringing the horrors of war back home as a soldier’s encounter with the unexplained threatens the lives of everyone around him.
Sergeant Rick Pedroni is serving somewhere in Afghanistan when his unit takes a group of Taliban prisoner. Questioned about a nearby cave, they say there’s no more of them in there, in fact, none of them would go in there. Rick volunteers to check it out.
This sets off a long flashback to he and Kate’s wedding day. By...
- 4/25/2024
- by Jim Morazzini
- Nerdly
Any photographer who shoots what’s happening in the gleaming, raw, people-packed carnival of New York City — the stores and walls and towers and alleyways, the celebrities, the endless cross-section of humanity — already has an artistic leg up. But the other leg is what he or she does with it. Weegee shot the violent night world of sin and crime. Diane Arbus captured the hidden freak show and showed us its humanity. Alfred Eisenstaedt and William Klein caught the hurly-burly of the everyday. But as you watch “Uncropped,” an addictive look at the life and work of the magazine and newspaper photographer James Hamilton, you may think: He’s the greatest New York photographer of them all.
Hamilton’s black-and-white images — in the documentary, we see hundreds of them — have a burnished tactility, and a psychology so effortless that every one of them tells a story. The photographs are gallery beautiful,...
Hamilton’s black-and-white images — in the documentary, we see hundreds of them — have a burnished tactility, and a psychology so effortless that every one of them tells a story. The photographs are gallery beautiful,...
- 4/24/2024
- by Owen Gleiberman
- Variety Film + TV
Setting a vampire — even a tiny one, as in “Abigail” — loose on the world is a messy affair, which got the IndieWire Craft team wondering less about stakes and more about modern special effects make-up. Are there fake blood brands you can buy? Are there different blood recipes for film versus TV? How much has fake blood changed from Nosferatur to Hammer horror to today’s scary movies? Or is fake blood just all VFX these days?
Who better to ask than Dave Elsey of Igor Studios, a self-described makeup FX Jedi and one of the lead designers of the chilling corpsicle in “True Detective: Night Country”? A connoisseur of practical tricks to create worlds of fantastic horror, Elsey’s recipes for fake blood are most often based on the ones that makeup legend Dick Smith came up with in the ’70s, which have been used in everything from “The Godfather...
Who better to ask than Dave Elsey of Igor Studios, a self-described makeup FX Jedi and one of the lead designers of the chilling corpsicle in “True Detective: Night Country”? A connoisseur of practical tricks to create worlds of fantastic horror, Elsey’s recipes for fake blood are most often based on the ones that makeup legend Dick Smith came up with in the ’70s, which have been used in everything from “The Godfather...
- 4/23/2024
- by Sarah Shachat
- Indiewire
Renny Harlin returns with a gripping horror movie featuring Sergeant Rick Pedroni, portrayed by Aston McAuley. After a terrifying encounter during his military service in Afghanistan, Rick comes home possessing something far darker than expected. The newly released trailer offers a chilling glimpse into this supernatural ordeal. Watch it and feel the intensified suspense! Explore the Creativity Behind the Scenes Director Renny Harlin, known for his love of the horror genre influenced by masters like Hitchcock, brings another exhilarating project to life. My mother instilled the love of movies in me through the world of Hitchcock and other masters of
The post Renny Harlin Unveils New Supernatural Horror Film Refuge first appeared on TVovermind.
The post Renny Harlin Unveils New Supernatural Horror Film Refuge first appeared on TVovermind.
- 4/19/2024
- by Steve Delikson
- TVovermind.com
Renny Harlin returns with a gripping horror movie featuring Sergeant Rick Pedroni, portrayed by Aston McAuley. After a terrifying encounter during his military service in Afghanistan, Rick comes home possessing something far darker than expected. The newly released trailer offers a chilling glimpse into this supernatural ordeal. Watch it and feel the intensified suspense! Explore the Creativity Behind the Scenes Director Renny Harlin, known for his love of the horror genre influenced by masters like Hitchcock, brings another exhilarating project to life. My mother instilled the love of movies in me through the world of Hitchcock and other masters of
The post Renny Harlin Unveils New Supernatural Horror Film Refuge first appeared on TVovermind.
The post Renny Harlin Unveils New Supernatural Horror Film Refuge first appeared on TVovermind.
- 4/19/2024
- by Steve Delikson
- TVovermind.com
FX’s pilot The Sensitive Kind from creator Sterlin Harjo (Reservation Dogs) has added five to its cast: Killer Mike (Ozark), Kaniehtiio Horn (Reservation Dogs), Cody Lightning (Echo), Michael Hitchcock (Grand Death Lotto) and Ryan Kiera Armstrong (Star Wars: Skeleton Crew).
Details as to the roles these actors will play are under wraps.
Also written, directed and exec produced by Harjo, The Sensitive Kind is described as a Tulsa noir about a guy (Ethan Hawke) who knows too much. As previously announced, Keith David, Siena East, Jeanne Tripplehorn, Tim Blake Nelson, Scott Shepherd, Tracy Letts, Kyle Maclachlan and Macon Blair will also star.
The project is Harjo’s first for TV since Reservation Dogs, the acclaimed FX dramedy which won an AFI Award for each of its three seasons. Additional EPs include Garrett Basch and Hawke. FX Productions is the studio.
A Grammy-winning rapper of Run the Jewels fame, Killer...
Details as to the roles these actors will play are under wraps.
Also written, directed and exec produced by Harjo, The Sensitive Kind is described as a Tulsa noir about a guy (Ethan Hawke) who knows too much. As previously announced, Keith David, Siena East, Jeanne Tripplehorn, Tim Blake Nelson, Scott Shepherd, Tracy Letts, Kyle Maclachlan and Macon Blair will also star.
The project is Harjo’s first for TV since Reservation Dogs, the acclaimed FX dramedy which won an AFI Award for each of its three seasons. Additional EPs include Garrett Basch and Hawke. FX Productions is the studio.
A Grammy-winning rapper of Run the Jewels fame, Killer...
- 4/18/2024
- by Matt Grobar
- Deadline Film + TV
This article contains spoilers for "Star Wars: The Bad Batch" season 3, episode 13, "Into the Breach."
From the very beginning, "Star Wars" has been a smorgasbord of film influences and references. George Lucas cited John Ford and Akira Kurosawa films as chief inspirations for "A New Hope." In fact, here at /Film (and StarWars.com before that), I've written hundreds of articles about the cinematic influences behind "Star Wars."
The latest episode of "The Bad Batch" is no exception. As the Bad Batch further pursues a path to the secret Imperial science facility on Mount Tantiss where Omega is being held, they lead a daring mission to an orbital platform at Coruscant to get the coordinates and affect their rescue. Meanwhile, Omega is held inside a child prison with other gifted kids who are being experimented on. Be that as it may, she knows her brothers are coming for her, and...
From the very beginning, "Star Wars" has been a smorgasbord of film influences and references. George Lucas cited John Ford and Akira Kurosawa films as chief inspirations for "A New Hope." In fact, here at /Film (and StarWars.com before that), I've written hundreds of articles about the cinematic influences behind "Star Wars."
The latest episode of "The Bad Batch" is no exception. As the Bad Batch further pursues a path to the secret Imperial science facility on Mount Tantiss where Omega is being held, they lead a daring mission to an orbital platform at Coruscant to get the coordinates and affect their rescue. Meanwhile, Omega is held inside a child prison with other gifted kids who are being experimented on. Be that as it may, she knows her brothers are coming for her, and...
- 4/17/2024
- by Bryan Young
- Slash Film
I'm sure you all know the famous, then-shocking twist of Alfred Hitchcock's "Psycho." Marion Crane (Janet Leigh) is set up as the film's protagonist; the opening scene is an intimate moment between her and lover Sam Loomis (John Gavin), who can't commit until he pays his debts. So, she impulsively steals $40,000 from her boss' client. Surely the movie will be about her on the run.
Well, it is for a while, but then she makes it to the Bates Motel. She chats up polite young innkeeper Norman (Anthony Perkins), but his elderly mother sure seems creepy. With an hour to go, Marion is murdered by a knife-wielding assailant in the motel shower (a scene so scary it left Leigh scared of showers). The film's second half becomes a new story about Sam and Marion's sister Lila (Vera Miles) investigating her disappearance. They stumble onto the truth -- that Marion was killed by Norman,...
Well, it is for a while, but then she makes it to the Bates Motel. She chats up polite young innkeeper Norman (Anthony Perkins), but his elderly mother sure seems creepy. With an hour to go, Marion is murdered by a knife-wielding assailant in the motel shower (a scene so scary it left Leigh scared of showers). The film's second half becomes a new story about Sam and Marion's sister Lila (Vera Miles) investigating her disappearance. They stumble onto the truth -- that Marion was killed by Norman,...
- 4/16/2024
- by Devin Meenan
- Slash Film
Alfred Hitchcock is undoubtedly one of the most influential filmmakers that has ever lived and his films have made a mark on filmmakers today. He has an unusual yet affecting way of inducing suspense and intensity in his films and his works like Psycho, Rebecca, To Catch a Thief, Vertigo, North by Northwest, and The Birds are proof of that.
Alfred Hitchcock’s Vertigo is one of his most acclaimed films
The latter is one of Hitchcock’ most audacious films and actress Tippi Hedren was the lead of the film. The director is known for his rigorous process of bringing his vision to life and this proved to be an excruciating experience for Hedren as she got pecked at by real birds following a last-minute switch-up made by Hitchcock.
Tippi Hedren Was Horrified At Alfred Hitchcock’s Approach While Filming The Birds
Tippi Hedren as Melanie Daniels in Alfred Hitchcock...
Alfred Hitchcock’s Vertigo is one of his most acclaimed films
The latter is one of Hitchcock’ most audacious films and actress Tippi Hedren was the lead of the film. The director is known for his rigorous process of bringing his vision to life and this proved to be an excruciating experience for Hedren as she got pecked at by real birds following a last-minute switch-up made by Hitchcock.
Tippi Hedren Was Horrified At Alfred Hitchcock’s Approach While Filming The Birds
Tippi Hedren as Melanie Daniels in Alfred Hitchcock...
- 4/15/2024
- by Rahul Thokchom
- FandomWire
Starting with the 1979 film featuring Mel Gibson, George Miller’s Mad Max film series has expanded to include multiple movies, including the 2015 Oscar-winning film Fury Road. The franchise is poised for further expansion with upcoming films like Furiosa and The Wasteland. A consistent theme across both past and future installments is the dystopian or post-apocalyptic desert setting, a hallmark of the franchise.
Mad Max: Fury Road (2015)
And Miller recently explained his rationale for selecting this setting, emphasizing that practical considerations, rather than creativity influenced the decision.
George Miller Explained the Reason Behind the Dystopian Setting in the Mad Max Films
During his appearance at CinemaCon, renowned filmmaker George Miller discussed his choice of a dystopian setting for the Mad Max franchise. He shared that they were aiming for a universally understood film relying heavily on visuals.
George Miller’s Mad Max: Fury Road
“The idea was to make a film where,...
Mad Max: Fury Road (2015)
And Miller recently explained his rationale for selecting this setting, emphasizing that practical considerations, rather than creativity influenced the decision.
George Miller Explained the Reason Behind the Dystopian Setting in the Mad Max Films
During his appearance at CinemaCon, renowned filmmaker George Miller discussed his choice of a dystopian setting for the Mad Max franchise. He shared that they were aiming for a universally understood film relying heavily on visuals.
George Miller’s Mad Max: Fury Road
“The idea was to make a film where,...
- 4/14/2024
- by Laxmi Rajput
- FandomWire
Alfred Hitchcock was so prolific a director that very few years go by without a handful of his 53 feature films celebrating a significant anniversary. 2024 is no exception: his first version of The Man Who Knew Too Much turns 90 this year, Lifeboat drifts into its 80s, Dial M For Murder rings up 70 years, and Marnie – the baby of the bunch – is now a sprightly 60 years old.
Released just months after Dial M, Hitchcock’s sweatiest masterpiece Rear Window also celebrates 70 years of voyeuristic thrills this year. To celebrate, here’s an exclusive extract from regular Empire contributor Neil Alcock’s new book, Hitchology: A Film-by-Film Guide to the Style and Themes of Alfred Hitchcock. An accessible introduction for newcomers to Hitchcock and an insightful companion for devoted fans, Hitchology has been described by Empire’s editor Nick De Semlyen as “incisive, fresh and thunderingly entertaining.”
Have a read below, and look...
Released just months after Dial M, Hitchcock’s sweatiest masterpiece Rear Window also celebrates 70 years of voyeuristic thrills this year. To celebrate, here’s an exclusive extract from regular Empire contributor Neil Alcock’s new book, Hitchology: A Film-by-Film Guide to the Style and Themes of Alfred Hitchcock. An accessible introduction for newcomers to Hitchcock and an insightful companion for devoted fans, Hitchology has been described by Empire’s editor Nick De Semlyen as “incisive, fresh and thunderingly entertaining.”
Have a read below, and look...
- 4/12/2024
- by Neil Alcock
- Empire - Movies
George Miller paid tribute to his Furiosa: A Mad Max Saga star Anya Taylor-Joy and reminisced about ditching a career in medicine for cinema at CinemaCon’s International Day Lunch and awards ceremony on Monday.
Miller, the recipient of the International Career Achievement in Filmmaking award, recalled in a fireside chat how Edgar Wright had encouraged him to cast Taylor-Joy after the British director screened a preview of Last Night In Soho.
The Australian filmmaker followed the advice and reflected, “There’s something mystical about her.” Furiosa premieres out of competition in Cannes on May 15 and opens on May...
Miller, the recipient of the International Career Achievement in Filmmaking award, recalled in a fireside chat how Edgar Wright had encouraged him to cast Taylor-Joy after the British director screened a preview of Last Night In Soho.
The Australian filmmaker followed the advice and reflected, “There’s something mystical about her.” Furiosa premieres out of competition in Cannes on May 15 and opens on May...
- 4/9/2024
- ScreenDaily
Her score for Ryûsuke Hamaguchi’s opus helped it to Oscar glory. Now the Japanese musician has reunited with its director for a collaboration unlike any other
Whether it’s Hitchcock and Herrmann, Spielberg and Williams or latterly Villeneuve and Zimmer, film directors often get into a glorious feedback loop with a preferred composer – and the latest is a burgeoning collaboration between Ryûsuke Hamaguchi and Eiko Ishibashi. Her jazz-pop theme for Drive My Car in 2021 was an instant classic – wistful, generous of spirit, even a little Gallic with its touch of accordion – and her score helped to carry the Japanese film to glory at Cannes and beyond, including a best picture nomination and best international feature film award at the Oscars in 2022.
“There was a big awards rush, festivals, and I think Hamaguchi was ultimately quite fatigued from the whole experience,” Ishibashi says, elegantly wrapped up in her cold-looking recording...
Whether it’s Hitchcock and Herrmann, Spielberg and Williams or latterly Villeneuve and Zimmer, film directors often get into a glorious feedback loop with a preferred composer – and the latest is a burgeoning collaboration between Ryûsuke Hamaguchi and Eiko Ishibashi. Her jazz-pop theme for Drive My Car in 2021 was an instant classic – wistful, generous of spirit, even a little Gallic with its touch of accordion – and her score helped to carry the Japanese film to glory at Cannes and beyond, including a best picture nomination and best international feature film award at the Oscars in 2022.
“There was a big awards rush, festivals, and I think Hamaguchi was ultimately quite fatigued from the whole experience,” Ishibashi says, elegantly wrapped up in her cold-looking recording...
- 4/8/2024
- by Ben Beaumont-Thomas
- The Guardian - Film News
David Fincher’s next film for Netflix is his long, long cherished remake of Alfred Hitchcock’s Strangers On A Train. More here.
Following the release of The Killer on Netflix late last year, David Fincher signed a new deal with the streaming platform which is believed to tie him exclusively to the company for another three years.
While the boss of Cannes (and anybody else who yearns to see Fincher’s work back on the big screen) expressed some dismay that the American filmmaker’s next few projects would go straight to the small screen, at least Fincher’s Netflix deal has seen him become more prolific of late.
In the last three years, Fincher has created Mank and The Killer for Netflix, a veritable landslide of films when you consider that prior to this flurry of films, it took Fincher almost a decade to release two films, those...
Following the release of The Killer on Netflix late last year, David Fincher signed a new deal with the streaming platform which is believed to tie him exclusively to the company for another three years.
While the boss of Cannes (and anybody else who yearns to see Fincher’s work back on the big screen) expressed some dismay that the American filmmaker’s next few projects would go straight to the small screen, at least Fincher’s Netflix deal has seen him become more prolific of late.
In the last three years, Fincher has created Mank and The Killer for Netflix, a veritable landslide of films when you consider that prior to this flurry of films, it took Fincher almost a decade to release two films, those...
- 4/8/2024
- by Dan Cooper
- Film Stories
When David Boreanaz read for FBI agent Seeley Booth in the "Bones" pilot, he instantly thought of "Harry and the Hendersons." It's not hard to see why. The character's relationship with his then newfound partner, the forensic anthropologist Dr. Temperance "Bones" Brennan (Emily Deschanel), readily evokes that between the open-hearted Bigfoot Harry and John Lithgow's uptight, disapproving patriarch George Henderson Jr. in William Dear's Oscar-winning 1987 fantasy comedy film. Much like Harry and George, however, Bones gradually opens up to Booth in spite of his shenanigans and even bids him a teary farewell when he rejoins his fellow federal investigators living in the wilderness.
Alright, alright, fine, Boreanaz actually thought of "Romancing the Stone." Even in the pilot, long before they became a romantic item, Booth and Bones' repartee recalled Robert Zemeckis' 1984 hit action-rom-com, itself a throwback to Golden Age Hollywood screwball comedy and action-adventure classics like "It Happened One Night" and "The African Queen,...
Alright, alright, fine, Boreanaz actually thought of "Romancing the Stone." Even in the pilot, long before they became a romantic item, Booth and Bones' repartee recalled Robert Zemeckis' 1984 hit action-rom-com, itself a throwback to Golden Age Hollywood screwball comedy and action-adventure classics like "It Happened One Night" and "The African Queen,...
- 4/7/2024
- by Sandy Schaefer
- Slash Film
Denis Villeneuve recently came up with the part two adaptation of Frank Herbert’s sci-fi novel by the same name, which starred Timothée Chalamet and Zendaya on the big screen. Bringing the franchise to the public eye, Dune: Part Two has garnered positive reviews overall, from fans and critics alike. And even James Cameron seemed to give his input on the film series.
Filmmaker James Cameron during an interview with Rolex
The creative mind behind Aliens, Titanic, and the Avatar franchise, James Cameron, recently addressed the box-office success of Dune: Part Two and spoke fondly of Denis Villeneuve and his sci-fi epic. Comparing the Dune films with David Lynch’s infamous 1984 adaptation, Cameron gave his verdict on why Villeneuve’s version is way better.
James Cameron Praises Dune Franchise While Criticizing The David Lynch Version
After the successful premiere of Dune in 2021, Denis Villeneuve recently came up with the sequel...
Filmmaker James Cameron during an interview with Rolex
The creative mind behind Aliens, Titanic, and the Avatar franchise, James Cameron, recently addressed the box-office success of Dune: Part Two and spoke fondly of Denis Villeneuve and his sci-fi epic. Comparing the Dune films with David Lynch’s infamous 1984 adaptation, Cameron gave his verdict on why Villeneuve’s version is way better.
James Cameron Praises Dune Franchise While Criticizing The David Lynch Version
After the successful premiere of Dune in 2021, Denis Villeneuve recently came up with the sequel...
- 4/7/2024
- by Krittika Mukherjee
- FandomWire
The late Stanley Donen was born on April 13, 1924. The legendary filmmaker — the last of the directors from Hollywood’s golden age — passed away on February 21, 2019, leaving behind a legacy of classic movies filled with color, song, and dance. Let’s take a look back at 15 of his greatest films, ranked worst to best.
Donen got his start as a dancer. It was in the chorus line for George Abbott‘s production of “Pal Joey” that he met Gene Kelly. The two became quick friends, and Donen started working as Kelly’s assistant, helping him choreograph his intensely acrobatic dance sequences.
The two turned to filmmaking with “On the Town” (1949), a lavish Technicolor musical about three sailors on a 24 hour shore leave in New York City. They teamed up again for perhaps the greatest movie musical of all time: “Singin’ in the Rain” (1952). A satire of Hollywood’s rocky transition from silent cinema to sound,...
Donen got his start as a dancer. It was in the chorus line for George Abbott‘s production of “Pal Joey” that he met Gene Kelly. The two became quick friends, and Donen started working as Kelly’s assistant, helping him choreograph his intensely acrobatic dance sequences.
The two turned to filmmaking with “On the Town” (1949), a lavish Technicolor musical about three sailors on a 24 hour shore leave in New York City. They teamed up again for perhaps the greatest movie musical of all time: “Singin’ in the Rain” (1952). A satire of Hollywood’s rocky transition from silent cinema to sound,...
- 4/6/2024
- by Zach Laws and Chris Beachum
- Gold Derby
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives
“Essential Cinema” brings films by Mekas’ Walden and Journey to Lithuania, Man Ray, Duchamp, René Clair and more; a Quebec cinema retrospective is underway.
Museum of the Moving Image
Hal Hartley’s masterpiece Henry Fool plays on 35mm this Sunday; a Jim Henson program shows on Saturday and Sunday; a Warner Bros. cartoon collection screens Friday and Sunday.
Metrograph
A complete retrospective of Lee Chang-dong has begun.
Film Forum
Le Samouraï and the Belmondo-led Classe tous risques continue playing in new 4K restorations; It Came from Outer Space plays in 3D this Sunday.
Paris Theater
A dual retrospective of Steven Zaillian and Patricia Highsmith brings films by Hitchcock, Fincher, Scorsese, Haynes, Wenders, and more.
IFC Center
The End of Evangelion continues its run, while Paprika, Female Trouble, Desperate Living, and Repo! The Genetic Opera show late.
The...
Anthology Film Archives
“Essential Cinema” brings films by Mekas’ Walden and Journey to Lithuania, Man Ray, Duchamp, René Clair and more; a Quebec cinema retrospective is underway.
Museum of the Moving Image
Hal Hartley’s masterpiece Henry Fool plays on 35mm this Sunday; a Jim Henson program shows on Saturday and Sunday; a Warner Bros. cartoon collection screens Friday and Sunday.
Metrograph
A complete retrospective of Lee Chang-dong has begun.
Film Forum
Le Samouraï and the Belmondo-led Classe tous risques continue playing in new 4K restorations; It Came from Outer Space plays in 3D this Sunday.
Paris Theater
A dual retrospective of Steven Zaillian and Patricia Highsmith brings films by Hitchcock, Fincher, Scorsese, Haynes, Wenders, and more.
IFC Center
The End of Evangelion continues its run, while Paprika, Female Trouble, Desperate Living, and Repo! The Genetic Opera show late.
The...
- 4/5/2024
- by Nick Newman
- The Film Stage
“I’m not someone who takes advantage of people,” Tom Ripley tells his new friend Dickie Greenleaf in the second episode of the new Netflix thriller Ripley. By this point, viewers have ample evidence that Tom is, in fact, exactly the kind of someone who takes advantage of people, even if Dickie and his girlfriend Marge are charmed by his company and oblivious to the threat he poses to them.
Many viewers will go into Ripley already understanding that Tom is, as one character will put it later in the show,...
Many viewers will go into Ripley already understanding that Tom is, as one character will put it later in the show,...
- 4/4/2024
- by Alan Sepinwall
- Rollingstone.com
Air Supply may be the latest chart-topping musical act to get the big screen treatment.
Altit Media Group said it plans to make biopic about the band that will, in a nod to one of the group’s biggest hits, be entitled, “All Out of Love: The Air Supply Story.” The film will be released in summer 2025 to celebrate Air Supply’s 50th anniversary. Filming is set to take place in Australia and the U.K. during the fourth quarter of 2024.
Air Supply found success with a series of romantic ballads. Their hits include “Here I Am,” “Lost in Love,” “The One That You Love”, “All Out of Love”, “Every Woman in the World” and “Even the Nights Are Better.” The group scored seven Top 5 singles in a row, tying the Beatles’ consecutive run, and went on to sell more than 100 million albums worldwide while playing over 5,000 shows. Members Graham Russell...
Altit Media Group said it plans to make biopic about the band that will, in a nod to one of the group’s biggest hits, be entitled, “All Out of Love: The Air Supply Story.” The film will be released in summer 2025 to celebrate Air Supply’s 50th anniversary. Filming is set to take place in Australia and the U.K. during the fourth quarter of 2024.
Air Supply found success with a series of romantic ballads. Their hits include “Here I Am,” “Lost in Love,” “The One That You Love”, “All Out of Love”, “Every Woman in the World” and “Even the Nights Are Better.” The group scored seven Top 5 singles in a row, tying the Beatles’ consecutive run, and went on to sell more than 100 million albums worldwide while playing over 5,000 shows. Members Graham Russell...
- 4/3/2024
- by Brent Lang
- Variety Film + TV
Directors are lining up left and right each month to share their favorite films from the TCM lineup, and the latest is Jason Reitman. He follows Steven Spielberg going deep on “Meet Me in St. Louis,” Martin Scorsese praising “Madonna of the Seven Moons,” Guillermo del Toro making the case why overlooked “Suspicion” is top-tier Hitchcock, and so many more.
IndieWire simply loves directors sharing their favorite films and paying tribute to the directors and screenwriters behind them. And that enthusiasm comes across loud and clear in “SNL 1975” director Reitman’s picks. First up, Reitman, whose always had an ear for dialogue himself, talks about what’s so great about the patter in Barry Levinson’s “Diner.”
“[‘Diner’] is probably one of the best first movies for a filmmaker of all time,” Reitman said. “And the dialogue is delicious. You can’t look at a Quentin Tarantino movie and...
IndieWire simply loves directors sharing their favorite films and paying tribute to the directors and screenwriters behind them. And that enthusiasm comes across loud and clear in “SNL 1975” director Reitman’s picks. First up, Reitman, whose always had an ear for dialogue himself, talks about what’s so great about the patter in Barry Levinson’s “Diner.”
“[‘Diner’] is probably one of the best first movies for a filmmaker of all time,” Reitman said. “And the dialogue is delicious. You can’t look at a Quentin Tarantino movie and...
- 4/2/2024
- by Christian Blauvelt
- Indiewire
No one’s ever really gone when it comes to a timey wimey show like Doctor Who, including past showrunner Steven Moffat, who is back penning a new episode of series 14. We still know very little about his new story except that it’ll be the third episode of the series, will feature Hitchcock-style suspense, and is the second episode directed by Julie Anne Robinson after the series 14 premiere.
And now add a new detail: the episode’s title, which is simply “Boom.” Sounds explosive, indeed.
BOOM⁰Writer: Steven Moffat
Director: Julie Anne Robinson#DoctorWho pic.twitter.com/4LowSa4HzP
— Doctor Who (@bbcdoctorwho) March 31, 2024
Fans may be reminded of some of Moffat’s other episodes with one-word titles, including arguably his best — “Blink,” which he wrote during Davies’ first run as NuWho showrunner and introduced his greatest addition to Doctor Who lore: the Weeping Angels. But we’d also...
And now add a new detail: the episode’s title, which is simply “Boom.” Sounds explosive, indeed.
BOOM⁰Writer: Steven Moffat
Director: Julie Anne Robinson#DoctorWho pic.twitter.com/4LowSa4HzP
— Doctor Who (@bbcdoctorwho) March 31, 2024
Fans may be reminded of some of Moffat’s other episodes with one-word titles, including arguably his best — “Blink,” which he wrote during Davies’ first run as NuWho showrunner and introduced his greatest addition to Doctor Who lore: the Weeping Angels. But we’d also...
- 3/31/2024
- by John Saavedra
- Den of Geek
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Parajanov’s Shadows of Forgotten Ancestors plays on Friday; “City Dudes” returns on Saturday, while Space Jam screens on 35mm this Sunday.
Film Forum
Le Samouraï screens in a new 4K restoration; Hondo’s West Indies and the Belmondo-led Classe tous risques continue playing in new 4K restorations; Abbott and Costello Meet Frankenstein plays on Sunday.
Paris Theater
A dual retrospective of Steven Zaillian and Patricia Highsmith brings films by Hitchcock, Fincher, Scorsese, Haynes, Wenders, and more.
Anthology Film Archives
The films of Med Hondo play in a massive retrospective, while The Story of a Three Day Pass plays in “Americans in Paris.”
Film at Lincoln Center
The films of Wojciech Has continue screening.
Museum of the Moving Image
The Last Temptation of Christ screens on Friday and Saturday; Ang Lee’s The Wedding Banquet plays on 35mm...
Roxy Cinema
Parajanov’s Shadows of Forgotten Ancestors plays on Friday; “City Dudes” returns on Saturday, while Space Jam screens on 35mm this Sunday.
Film Forum
Le Samouraï screens in a new 4K restoration; Hondo’s West Indies and the Belmondo-led Classe tous risques continue playing in new 4K restorations; Abbott and Costello Meet Frankenstein plays on Sunday.
Paris Theater
A dual retrospective of Steven Zaillian and Patricia Highsmith brings films by Hitchcock, Fincher, Scorsese, Haynes, Wenders, and more.
Anthology Film Archives
The films of Med Hondo play in a massive retrospective, while The Story of a Three Day Pass plays in “Americans in Paris.”
Film at Lincoln Center
The films of Wojciech Has continue screening.
Museum of the Moving Image
The Last Temptation of Christ screens on Friday and Saturday; Ang Lee’s The Wedding Banquet plays on 35mm...
- 3/29/2024
- by Nick Newman
- The Film Stage
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSUntil Branches Bend.Amidst a widespread debate on the merit of U.S. state financial incentives for film and television productions, a Georgia bill that would have limited the sale of tax credits was rejected by the Senate Finance Committee. In recent years, those credits have exceeded $1 billion despite findings that the state makes back only 19¢ on the dollar. Four of the thirteen labor guilds bargaining with IATSE have now reached tentative agreements with the AMPTP: Locals 600 (cinematographers), 729 (set painters), 800 (art directors), and 695. IATSE president Matthew Loeb has threatened to strike if a new contract is not in place when the current one expires on July 31.Due to financial constraints, the Human Rights Watch Film Festival will be...
- 3/28/2024
- MUBI
As Easter Sunday approaches this weekend, we thought we’d “die” your eggs a little a differently. That is, we’re on the great hidden treasure hunt for some of the most colorful and delicious horror movie Easter eggs found in some of our favorite titles. But here’s the thing. We aren’t talking about obscure cameos from people that are hard to miss, or even secretive foreshadowing within a single movie, a la the entire Final Destination franchise. Nor are we talking about mere verbal references to other horror movies. Rather, we’re interested in visual crossover clues found one horror movie that pay homage to another, found tucked away in the background or even hidden in plain sight. You see the distinction. Good. Hopefully you haven’t already seen what’s to follow. Happy holiday y’all, here’s our Top 10 Favorite Crossover Horror Movie Easter Eggs!
- 3/28/2024
- by Jake Dee
- JoBlo.com
The highest grossing director of all time, Steven Spielberg enjoys high-brow classics as much as crowd-pleasing blockbusters. Known for “Jurassic Park,” “Indiana Jones,” “Jaws,” “West Side Story” (2021), and more favorites, the beloved American filmmaker premiered his semi-autobiographical “The Fabelmans” in theaters last November.
The movie, nominated for seven Oscars (winning none), tells the story of how Spielberg came to be Spielberg — chiefly through the lens of his parents’ traumatic divorce. Boasting a cast that includes not just Michelle Williams and Paul Dano as Spielberg’s mom and dad, but also David Lynch in a rare acting opportunity, “The Fabelmans” was described by IndieWire’s David Ehrlich as an epic rendering of “the breakup that launched a million blockbusters.”
Following the contemplative mood of two-ish years in Covid-19 lockdown, the 2022 fall film season was chockfull of projects meditating on the role — and, in the case of “TÁR,” responsibility — of artists. How...
The movie, nominated for seven Oscars (winning none), tells the story of how Spielberg came to be Spielberg — chiefly through the lens of his parents’ traumatic divorce. Boasting a cast that includes not just Michelle Williams and Paul Dano as Spielberg’s mom and dad, but also David Lynch in a rare acting opportunity, “The Fabelmans” was described by IndieWire’s David Ehrlich as an epic rendering of “the breakup that launched a million blockbusters.”
Following the contemplative mood of two-ish years in Covid-19 lockdown, the 2022 fall film season was chockfull of projects meditating on the role — and, in the case of “TÁR,” responsibility — of artists. How...
- 3/27/2024
- by Wilson Chapman
- Indiewire
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