Hello, and welcome to the Scene to Seen Podcast. I am Valerie Complex Associate editor and film writer at Deadline.
Today, we’re talking to directors Jesse Short Bull, and Laura Tomaselli about their new film Lakota Nation vs. The United States. Mark Ruffalo and Marisa Tomei serve as executive producers, while Benjamin Hedin and Phil Pinto serve as producers.
It is the most sacred place on earth, the birthplace of the Lakota that has shaped thought, identity and philosophy for the Očéti Šakówiŋ since time immemorial–the life-giving land known as the Black Hills. Yet with the arrival of the first Europeans in 1492, the sacred land has been the site of conflict between the people it has nurtured, and the settler state seeking to exploit and redefine it in its own image.
This documentary is a searing testament to the strength of the Oyate and a visually stunning rejoinder...
Today, we’re talking to directors Jesse Short Bull, and Laura Tomaselli about their new film Lakota Nation vs. The United States. Mark Ruffalo and Marisa Tomei serve as executive producers, while Benjamin Hedin and Phil Pinto serve as producers.
It is the most sacred place on earth, the birthplace of the Lakota that has shaped thought, identity and philosophy for the Očéti Šakówiŋ since time immemorial–the life-giving land known as the Black Hills. Yet with the arrival of the first Europeans in 1492, the sacred land has been the site of conflict between the people it has nurtured, and the settler state seeking to exploit and redefine it in its own image.
This documentary is a searing testament to the strength of the Oyate and a visually stunning rejoinder...
- 12/15/2023
- by Valerie Complex
- Deadline Film + TV
The documentary festival Doc NYC has unveiled the full lineup for its 14th edition. It will be a total of 114 features and 129 short films. The festival runs in-person November 8-16 at IFC Center, Sva Theatre and Village East by Angelika and continues online through November 26 with films available to viewers across the U.S.
The Short Lists sections showcase a selection of nonfiction features and shorts that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards. The Winner’s Circle are films already feted at major international film events while Come As You Are section highlights films about people striving to find their place in the world, or in their communities.
Short List: Features
20 Days In Mariupol
Director: Mstyslav Chernov
Producers: Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden
An AP team of Ukrainian journalists trapped in the...
The Short Lists sections showcase a selection of nonfiction features and shorts that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards. The Winner’s Circle are films already feted at major international film events while Come As You Are section highlights films about people striving to find their place in the world, or in their communities.
Short List: Features
20 Days In Mariupol
Director: Mstyslav Chernov
Producers: Mstyslav Chernov, Michelle Mizner, Raney Aronson Rath, Derl McCrudden
An AP team of Ukrainian journalists trapped in the...
- 10/18/2023
- by Armando Tinoco
- Deadline Film + TV
PBS’ “20 Days in Mariupol,” IFC’s “The Disappearance of Shere Hite” and MTV’s “The Eternal Memory” are among Doc NYC’s 14th edition featuring 114 features and 129 short films.
The shortlist for Doc NYC, the largest documentary festival in the U.S., was launched in 2012 and has become a key indicator and predictor for the Academy Awards’ best documentary feature category. Ten out of the last 11 winners for documentary feature were screened at the festival. In addition, 12 of the 15 shortlisted docs from 2022 were among its lineup.
Some other notable inclusions are Julie Cohen’s moving “Every Body” about the generation of intersex people living among us, Lisa Cortés’ “Little Richard: I Am Everything,” an intimate look at the queer rock ‘n’ roll legend, and Matthew Heineman’s “American Symphony,” an emotional look into the life of singer Jon Batiste as he prepares for his performance at Carnegie Hall.
The festival runs from Nov.
The shortlist for Doc NYC, the largest documentary festival in the U.S., was launched in 2012 and has become a key indicator and predictor for the Academy Awards’ best documentary feature category. Ten out of the last 11 winners for documentary feature were screened at the festival. In addition, 12 of the 15 shortlisted docs from 2022 were among its lineup.
Some other notable inclusions are Julie Cohen’s moving “Every Body” about the generation of intersex people living among us, Lisa Cortés’ “Little Richard: I Am Everything,” an intimate look at the queer rock ‘n’ roll legend, and Matthew Heineman’s “American Symphony,” an emotional look into the life of singer Jon Batiste as he prepares for his performance at Carnegie Hall.
The festival runs from Nov.
- 10/17/2023
- by Clayton Davis
- Variety Film + TV
Doc NYC, America’s largest documentary festival, on Tuesday announced its lineup in the short and feature categories, as well as for its Winner’s Circle category and its new section for 2023 titled Come As You Are.
All shortlisted films will have theatrical screenings at the festival. With Tuesday’s announcement, Doc NYC will present a total of 114 features and 129 short films in its 14th year, including 33 world premieres and 29 U.S. premieres.
The festival will run this year Nov. 8-16 at IFC Center, Sva Theatre and Village East Angelika in New York, and will run online through Nov. 26.
The festival’s new Come As You Are section features films about “people striving to find their place in the world, or in their communities,” according to the festival. The Doc NYC Short List for documentary features was launched in 2012. For 10 of the last 11 years, the festival has screened doc features...
All shortlisted films will have theatrical screenings at the festival. With Tuesday’s announcement, Doc NYC will present a total of 114 features and 129 short films in its 14th year, including 33 world premieres and 29 U.S. premieres.
The festival will run this year Nov. 8-16 at IFC Center, Sva Theatre and Village East Angelika in New York, and will run online through Nov. 26.
The festival’s new Come As You Are section features films about “people striving to find their place in the world, or in their communities,” according to the festival. The Doc NYC Short List for documentary features was launched in 2012. For 10 of the last 11 years, the festival has screened doc features...
- 10/17/2023
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Subject Matter, a recently-launched nonprofit organization that supports social issue documentary films and other nonprofits that work on its featured topics, announced their inaugural grantees, awarding a total of 120,000 to four feature-length documentaries and four of the films’ coinciding nonprofits. Subject Matter launched in July, spearheaded by former Tribeca Film Institute leaders Amy Hobby, David Earls, and Colleen Hammond.
The inaugural grantees were determined by a selection committee that included Subject Matter board members actor Jeffrey Wright, entrepreneur Lily Band, Picture Motion and Kinema founder Christie Marchese, documentary director and producer Ferne Pearlstein and social justice and public health grant maker Julia Greenberg, along with guest jurors filmmaker Shola Lynch and film programmer José Rodriguez.
“All of the films the jury considered were formidable,” Wright said. “But we were especially moved by the handling of the stories in the four selected projects and felt that they are intimate, powerful and...
The inaugural grantees were determined by a selection committee that included Subject Matter board members actor Jeffrey Wright, entrepreneur Lily Band, Picture Motion and Kinema founder Christie Marchese, documentary director and producer Ferne Pearlstein and social justice and public health grant maker Julia Greenberg, along with guest jurors filmmaker Shola Lynch and film programmer José Rodriguez.
“All of the films the jury considered were formidable,” Wright said. “But we were especially moved by the handling of the stories in the four selected projects and felt that they are intimate, powerful and...
- 11/28/2022
- by EJ Panaligan
- Variety Film + TV
IFC Films is acquiring North American rights to “Lakota Nation vs. United States,” a documentary about the Lakota Indians’ quest to reclaim the Black Hills. That sacred land was stolen in violation of treaty agreements, and the film, from directors Jesse Short Bull and Laura Tomaselli, looks at the many ways that the U.S. has ignored, overlooked and failed to grapple with the historical wrongs done to Indigenous communities.
“Lakota Nation vs. United States” is narrated by and features the poetry of acclaimed Ogala Lakota poet Layli Long Soldier, winner of the National Books Critics Circle award and finalist for the National Book Award. The score is composed by Raven Chacon, recipient of the 2022 Pulitzer Prize for “Voiceless Mass,” and director of photography is Kevin Phillips (“Super Dark Times”). The Lakota activists featured in the film include Nick Tilsen and Krystal Two Bulls, two organizers of today’s Landback movement,...
“Lakota Nation vs. United States” is narrated by and features the poetry of acclaimed Ogala Lakota poet Layli Long Soldier, winner of the National Books Critics Circle award and finalist for the National Book Award. The score is composed by Raven Chacon, recipient of the 2022 Pulitzer Prize for “Voiceless Mass,” and director of photography is Kevin Phillips (“Super Dark Times”). The Lakota activists featured in the film include Nick Tilsen and Krystal Two Bulls, two organizers of today’s Landback movement,...
- 11/1/2022
- by Brent Lang
- Variety Film + TV
The Sundance Institute has announced this year’s grantees for the Sundance Institute Documentary Fund, with a total of 1,396,500 in unrestricted grant support bestowed upon 35 projects.
“As we celebrate the Dfp’s 20th anniversary, it’s an exceptional achievement that Sundance has been able to provide documentary filmmakers robust and sustained financial support, from development through post-production, for two decades,” said Carrie Lozano, director of the Sundance Institute’s Documentary Film Program. “Thanks to our incredible funders, supporters, staff, and external reviewers, the Documentary Fund has been able to realize its top priorities during a tumultuous time: supporting underrepresented stories, directors and producers; providing much needed resources to urgent international projects; and elevating human rights and social, civic and environmental justice, all while foregrounding bold and artistic approaches. I am constantly amazed by the breadth and depth of our grantees.”
This year’s grant recipients have roots in 31 countries, with...
“As we celebrate the Dfp’s 20th anniversary, it’s an exceptional achievement that Sundance has been able to provide documentary filmmakers robust and sustained financial support, from development through post-production, for two decades,” said Carrie Lozano, director of the Sundance Institute’s Documentary Film Program. “Thanks to our incredible funders, supporters, staff, and external reviewers, the Documentary Fund has been able to realize its top priorities during a tumultuous time: supporting underrepresented stories, directors and producers; providing much needed resources to urgent international projects; and elevating human rights and social, civic and environmental justice, all while foregrounding bold and artistic approaches. I am constantly amazed by the breadth and depth of our grantees.”
This year’s grant recipients have roots in 31 countries, with...
- 10/6/2022
- by Michaela Zee
- Variety Film + TV
Previously supported projects have included American Factory, Collective, Fire Of Love, The Mole Agent.
Projects from Armenia, Chile, Uganda and Palestine are among grantees of the Sundance Institute Documentary Fund, which in the 20th anniversary year of the Documentary Film Program (Dfp) has made 1.4m available in unrestricted grant support to 35 projects.
Of the recipients, five are in development, 15 in production, 10 in post, and the filmmakers behind five are actively pursuing support for audience engagement and social impact campaigns.
Some 57 of the current cycle’s submissions hail from outside the US. Among the 14 US films receiving support, all are directed...
Projects from Armenia, Chile, Uganda and Palestine are among grantees of the Sundance Institute Documentary Fund, which in the 20th anniversary year of the Documentary Film Program (Dfp) has made 1.4m available in unrestricted grant support to 35 projects.
Of the recipients, five are in development, 15 in production, 10 in post, and the filmmakers behind five are actively pursuing support for audience engagement and social impact campaigns.
Some 57 of the current cycle’s submissions hail from outside the US. Among the 14 US films receiving support, all are directed...
- 10/4/2022
- by Jeremy Kay
- ScreenDaily
The International Documentary Association (IDA) has announced the full program for its annual screening series, including the 10 films that have been chosen for its Awards Campaign Access Initiative (Acai).
The program will open with Netflix’s “Descendant,” a film produced by the Obamas’ company Higher Ground Productions. The documentary sees director Margaret Brown return to her hometown of Mobile, Alabama to document the search for The Clotilda, the last known ship to arrive in the United States, illegally carrying enslaved Africans, and the ramifications its discovery has on the community.
What will follow is a showcase of 43 feature-length documentary films that are eligible for consideration for the upcoming Academy Awards; 20 films will be screened both in-person and online, and 35 will be available for virtual viewing only.
The films selected for the Acai, a program meant to support independent filmmakers from historically excluded communities currently pursuing a film awards campaign, are:
Beba | Dir.
The program will open with Netflix’s “Descendant,” a film produced by the Obamas’ company Higher Ground Productions. The documentary sees director Margaret Brown return to her hometown of Mobile, Alabama to document the search for The Clotilda, the last known ship to arrive in the United States, illegally carrying enslaved Africans, and the ramifications its discovery has on the community.
What will follow is a showcase of 43 feature-length documentary films that are eligible for consideration for the upcoming Academy Awards; 20 films will be screened both in-person and online, and 35 will be available for virtual viewing only.
The films selected for the Acai, a program meant to support independent filmmakers from historically excluded communities currently pursuing a film awards campaign, are:
Beba | Dir.
- 8/30/2022
- by Marcus Jones
- Indiewire
Marvel star Mark Ruffalo is to exec produce a feature-length documentary about Lakota Indians’ quest to reclaim the Black Hills, sacred land that was stolen in violation of treaty agreements.
The I Know This Much Is True actor has teamed up with director Jesse Short Bull, co-director Laura Tomaselli and producer Benjamin Hedin, who both worked on MLK/FBI and exec producer Sarah Eagle Heart on Lakota Nation vs. the United States.
The doc, which is currently in production with Xtr with Kathryn Everett and Bryn Mooser also exec producing, is the first film to amplify the tragic history of the land claim. It features interviews with a number of Indigenous citizens, many central to the effort to regain control of the Black Hills land that stretches across South Dakota, Wyoming and Montana.
It features the likes of Nick Tilsen and Krystal Two Bulls, activists and founders of the #landback movement in South Dakota.
The I Know This Much Is True actor has teamed up with director Jesse Short Bull, co-director Laura Tomaselli and producer Benjamin Hedin, who both worked on MLK/FBI and exec producer Sarah Eagle Heart on Lakota Nation vs. the United States.
The doc, which is currently in production with Xtr with Kathryn Everett and Bryn Mooser also exec producing, is the first film to amplify the tragic history of the land claim. It features interviews with a number of Indigenous citizens, many central to the effort to regain control of the Black Hills land that stretches across South Dakota, Wyoming and Montana.
It features the likes of Nick Tilsen and Krystal Two Bulls, activists and founders of the #landback movement in South Dakota.
- 9/21/2021
- by Peter White
- Deadline Film + TV
Documentary studio Xtr is in production on “Lakota Nation vs. United States,” the first film to chronicle the Lakota Indians’ fight to reclaim control of the Black Hills. Oglala Sioux Jesse Short Bull and “MLK/FBI” editor Laura Tomaselli direct the feature documentary, with Benjamin Hedin producing.
“Lakota Nation vs. United States” will investigate how the sacred land was stolen in violation of treaty agreements and feature interviews with Indigenous citizens.
The film is executive produced by Mark Ruffalo, author and activist Sarah Eagle Heart, Kathryn Everett and Bryn Mooser from Xtr. Sales will be handled by Cinetic Media, who are also working on the film’s financing.
Short Bull is a 2016 Sundance Institute Native American and Indigenous Program Development Grant recipient and a board member of the Black Hills Film Festival. Interview subjects include Nick Tilsen and Krystal Two Bulls, activists who founded South Dakota’s #landback movement.
“It...
“Lakota Nation vs. United States” will investigate how the sacred land was stolen in violation of treaty agreements and feature interviews with Indigenous citizens.
The film is executive produced by Mark Ruffalo, author and activist Sarah Eagle Heart, Kathryn Everett and Bryn Mooser from Xtr. Sales will be handled by Cinetic Media, who are also working on the film’s financing.
Short Bull is a 2016 Sundance Institute Native American and Indigenous Program Development Grant recipient and a board member of the Black Hills Film Festival. Interview subjects include Nick Tilsen and Krystal Two Bulls, activists who founded South Dakota’s #landback movement.
“It...
- 9/21/2021
- by Pat Saperstein
- Variety Film + TV
Variety's Awards Circuit is home to the official predictions for the upcoming Oscars from Film Awards Editor Clayton Davis. Following Academy Awards history, buzz, news, reviews and sources, the Oscar predictions are updated regularly with the current year's contenders in all categories. Variety's Awards Circuit Prediction schedule consists of four phases, running all year long: Draft, Pre-Season, Regular Season and Post Season. Eligibility calendar and dates of awards will determine how long each phase lasts and will be displayed next to revision date.
To see all the latest predictions, of all the categories, in one place, visit The Collective
Draft>>>Pre Season>>>Regular Season>>>Post Season
2021 Oscars Predictions:
Best Documentary Feature
Updated: Mar. 4, 2021
Awards Prediction Commentary: The documentary branch has a lot of international voters that have been added over the last few years. Some of the American stories that center around politics and social issues may get passed over...
To see all the latest predictions, of all the categories, in one place, visit The Collective
Draft>>>Pre Season>>>Regular Season>>>Post Season
2021 Oscars Predictions:
Best Documentary Feature
Updated: Mar. 4, 2021
Awards Prediction Commentary: The documentary branch has a lot of international voters that have been added over the last few years. Some of the American stories that center around politics and social issues may get passed over...
- 3/4/2021
- by Clayton Davis
- Variety Film + TV
A version of this story about “MLK/FBI” and Sam Pollard first appeared in the Documentaries issue of TheWrap’s awards magazine.
The documentary “MLK/FBI” delves into the years in the 1960s when the FBI engaged in a clandestine campaign to spy on and discredit civil rights activist and leader Martin Luther King, Jr. Director Sam Pollard’s film is a portrait of a turbulent time when the country was divided and race relations were a flashpoint for conflict — and it appears now in a different era, but one that is bitterly divided in its own way.
The film premiered at 2020’s Toronto International Film Festival, in the wake of Black Lives Matter protests around the country. It was released theatrically and on VOD on Jan. 15, in time for Martin Luther King Day and for the end of the Donald Trump administration, with its attempted demonization of those protestors. “It seems...
The documentary “MLK/FBI” delves into the years in the 1960s when the FBI engaged in a clandestine campaign to spy on and discredit civil rights activist and leader Martin Luther King, Jr. Director Sam Pollard’s film is a portrait of a turbulent time when the country was divided and race relations were a flashpoint for conflict — and it appears now in a different era, but one that is bitterly divided in its own way.
The film premiered at 2020’s Toronto International Film Festival, in the wake of Black Lives Matter protests around the country. It was released theatrically and on VOD on Jan. 15, in time for Martin Luther King Day and for the end of the Donald Trump administration, with its attempted demonization of those protestors. “It seems...
- 1/23/2021
- by Steve Pond
- The Wrap
Another precursor has chimed in, this one focused on the documentary genre. Last night, the International Documentary Association held their 36th Annual awards ceremony. There, the IDA Awards tapped Crip Camp as its Best Feature winner, beating fellow nominees Collective, Gunda, MLK/FBI, The Reason I Jump, Reunited, Time, The Truffle Hunters, and Welcome to Chechnya. It was a good victory for Netflix and Higher Ground (Barack Obama and Michelle Obama’s company), as they seek to make it back to back wins at the Academy Awards in Best Documentary Feature. Will an Oscar follow? Stay tuned to find out, but the winners are below… Here are the full results from the 2020 IDA Awards: Best Feature Nominees “Collective” “Crip Camp” – ***Winner*** “Gunda” “MLK/FBI” (USA / IFC Films. Director: Sam Pollard. Producer: Benjamin Hedin) “The Reason I Jump” “Reunited” (Denmark. Director: Mira Jargil. Producer: Kirstine Barfod) Softie (Kenya / Pov . Director/Producer: Sam Soko.
- 1/17/2021
- by Joey Magidson
- Hollywoodnews.com
Last month the documentary feature Dear Santa proved to be the perfect film to coincide with the upcoming holiday. And though this week’s doc is only a couple of days away from its holiday, it couldn’t be more timely and relevant to today’s headlines. This coming Monday our nation once again celebrates the life and legacy of Martin Luther King, Jr.. Of course, he wasn’t as revered then, during his own lifetime, as he is now. Some groups openly despised him. At the top of that list, white supremacists like the Ku Klux Klan may have been the most vocal (and violent). But Dr. King had a more powerful enemy, very close to the President, none other than “G-man number one” J. Edgar Hoover, who put considerable effort into spying on and discrediting him. How did Hoover’s obsession over King begin? And just how far did it go?...
- 1/15/2021
- by Jim Batts
- WeAreMovieGeeks.com
Chicago – Sam Pollard has been a behind-the-scenes film editor/producer for most of his career, best known for his work with Spike Lee. But recently, after sporadic director assignments over the years, he has broken out with two major profile documentaries, one on Sammy Davis Jr. in 2017, and his most recent “MLK/FBI.”
MLK is of course, Dr. Martin Luther King Jr. and the FBI is the Federal Bureau of Investigation. The story is of government overreach in the surveillance of Dr. King, revealing some very human foibles that FBI Director J. Edgar Hoover hoped to use against the civil rights icon and the movement that he led. As in his previous work that included King, “Eyes on the Prize,” Sam Pollard has structured a meticulous history lesson, one of truth and morality.
Director Sam Pollard of ‘MLK/FBI’
Photo credit: IFC Films
Pollard has had a long and varied career in the film industry,...
MLK is of course, Dr. Martin Luther King Jr. and the FBI is the Federal Bureau of Investigation. The story is of government overreach in the surveillance of Dr. King, revealing some very human foibles that FBI Director J. Edgar Hoover hoped to use against the civil rights icon and the movement that he led. As in his previous work that included King, “Eyes on the Prize,” Sam Pollard has structured a meticulous history lesson, one of truth and morality.
Director Sam Pollard of ‘MLK/FBI’
Photo credit: IFC Films
Pollard has had a long and varied career in the film industry,...
- 1/14/2021
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Virtual ceremony set for January 16, 2021.
The Reason I Jump, Gunda, and Crip Camp are among nominees for the best feature award at the upcoming 36th annual IDA Documentary Awards.
International Documentary Association (IDA) members will vote for the 10 best feature and short nominees from December 7-January 8, 2021. The virtual awards are set to take place on January 16, 2021.
The IDA received 1,056 submissions comprising 365 documentary features, 153 documentary shorts, 153 documentary series, 52 student films, 39 music documentaries, and 33 audio documentaries and podcasts. A record 40% of submissions were international productions or co-productions.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry,...
The Reason I Jump, Gunda, and Crip Camp are among nominees for the best feature award at the upcoming 36th annual IDA Documentary Awards.
International Documentary Association (IDA) members will vote for the 10 best feature and short nominees from December 7-January 8, 2021. The virtual awards are set to take place on January 16, 2021.
The IDA received 1,056 submissions comprising 365 documentary features, 153 documentary shorts, 153 documentary series, 52 student films, 39 music documentaries, and 33 audio documentaries and podcasts. A record 40% of submissions were international productions or co-productions.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry,...
- 11/24/2020
- by Jeremy Kay
- ScreenDaily
“Crip Camp” leads all films in nominations for the 36th annual IDA Documentary Awards, the International Documentary Association announced on Tuesday.
The film by directors Nicole Newnham and Jim LeBrecht deals with a New York summer camp in the early 1970s that became a key launching pad for the disability rights movement. It was an opening-night film at this year’s Sundance Film Festival, where it won the documentary audience award.
“Crip Camp” received five IDA doc awards nominations, including Best Feature, Best Director, Best Editing and Best Writing. Four films received three nominations each: Sam Pollard’s “MLK/FBI,” Garrett Bradley’s “Time,” Michael Dweck and Gregory Kershaw’s “The Truffle Hunters” and Pippa Ehrlich and James Reed’s “My Octopus Teacher,” the only film whose three nominations did not include the Best Feature category.
Other Best Feature nominees are “Collective,” “Gunda,” “The Reason I Jump,” “Reunited,” “Softie” and “Welcome to Chechnya.
The film by directors Nicole Newnham and Jim LeBrecht deals with a New York summer camp in the early 1970s that became a key launching pad for the disability rights movement. It was an opening-night film at this year’s Sundance Film Festival, where it won the documentary audience award.
“Crip Camp” received five IDA doc awards nominations, including Best Feature, Best Director, Best Editing and Best Writing. Four films received three nominations each: Sam Pollard’s “MLK/FBI,” Garrett Bradley’s “Time,” Michael Dweck and Gregory Kershaw’s “The Truffle Hunters” and Pippa Ehrlich and James Reed’s “My Octopus Teacher,” the only film whose three nominations did not include the Best Feature category.
Other Best Feature nominees are “Collective,” “Gunda,” “The Reason I Jump,” “Reunited,” “Softie” and “Welcome to Chechnya.
- 11/24/2020
- by Steve Pond
- The Wrap
Leading the International Documentary Association Documentary Awards nominees with five nominations is “Crip Camp,” Netflix’s look back at an influential activist summer camp for the disabled, followed by Garrett Bradley’s poetic black-and-white “Time” (Amazon Studios) and Sam Pollard’s 60s archival dive “MLK/FBI” (IFC Films) with four noms each.
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
- 11/24/2020
- by Anne Thompson
- Indiewire
Leading the International Documentary Association Documentary Awards nominees with five nominations is “Crip Camp,” Netflix’s look back at an influential activist summer camp for the disabled, followed by Garrett Bradley’s poetic black-and-white “Time” (Amazon Studios) and Sam Pollard’s 60s archival dive “MLK/FBI” (IFC Films) with four noms each.
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
“The Truffle Hunters” (Sony Pictures Classics) scored three nods. All four films landed nods for Best Feature and Director, along with Jerry Rothwell’s “The Reason I Jump.” Netflix also landed multiple nominations for “Dick Johnson Is Dead” And “My Octopus Teacher.”
The IDAs are among the most reliable bellwethers of the Oscar documentary feature race. Last year’s IDA Best Feature winner, “For Sama,” was among the final five Oscar nominees, along with three out of 10 IDA nominees, including eventual Oscar-winner “American Factory.”
Starting December 7, IDA members are invited to vote online for Best Feature and Best...
- 11/24/2020
- by Anne Thompson
- Thompson on Hollywood
The International Documentary Association has announced the nominees for its 36th Annual IDA Documentary Awards, and a certain streaming service dominates. Netflix scored a leading 18 noms for the 2020 IDAs, more than three times its nearest rival. PBS is second with five, followed by HBO (four).
The IDA also said today that its 2020 ceremony is going virtual on January 21.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry, executive director of the IDA. “The broad range of subjects and approaches to storytelling underscores that documentary is our most exciting form of cultural expression, a vital art form and a crucial element of democratic dialogue.”
Ten films are up for the marquee Best Feature award: Collective, Crip Camp (Netflix), Gunda (Neon), MLK/FBI (IFC Films), The Reason I Jump (Kino Lorber), Reunited, Softie, Time, The Truffle Hunters (Sony Pictures Classics) and Welcome to Chechnya (HBO).
The helmers of five of those films also are up for Best Director: Garrett Bradley (Time), Michael Dweck and Gregory Kershaw (The Truffle Hunters), Nicole Newnham and Jim LeBrecht (Crip Camp), Sam Pollard (MLK/FBI) and Jerry Rothwell (The Reason I Jump).
On the TV side, five programs will vie for Best Curated Series): ESPN’s 30 for 30, PBS’ American Experience, Thirteen Productions’ American Masters, Illinois Public Media’s Reel Midwest and PBS/World Channel’s Reel South.
The nominees for Best Episodic Series are Cheer (Netflix), Hip Hop: The Songs That Shook America (AMC), Last Chance U (Netflix), Seven Planets, One World (BBC America) and We’re Here (HBO).
Up for Best Multi-Part Documentary are Asian Americans (PBS), Atlanta’s Missing and Murdered (HBO), City So Real (National Geographic), Hillary (Hulu) and Lenox Hill (Netflix).
“This is a year that has been one of reflection, looking inwards, and living life differently than we have always known it to be,” said James Costa, co-chair of the Feature Documentary Nominating Committee and IDA Board of Directors’ co-vice president. “Through the art of filmmaking these films gave us an opportunity to truly look and learn through the lenses of others.”
Here is the full list of nominees for the 2020 IDA Documentary Awards:
Best Feature
Collective
Director/Producer: Alexander Nanau
Producer: Bianca Oana
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Gunda
Director: Victor Kossakovsky
Producer: Anita Rehoff Larsen
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The Reason I Jump
Director: Jerry Rothwell
Producers: Jeremy Dear, Stevie Lee, Al Morrow
Reunited (Denmark)
Director: Mira Jargil
Producer: Kirstine Barfod
Softie (Kenya / Pov)
Director/Producer: Sam Soko
Producer: Toni Kamau
Time
Director/Producer: Garrett Bradley
Producers: Lauren Domino, Kellen Quinn
The Truffle Hunters
Directors/Producers: Michael Dweck, Gregory Kershaw
Welcome to Chechnya (USA / HBO)
Director/Producer: David France
Producers: Alice Henty, Joy A. Tomchin and Askold Kurov
Best Director
Garrett Bradley
Time
USA / Amazon Studios, Concordia Studio, The New York Times
Michael Dweck and Gregory Kershaw
The Truffle Hunters
USA, Italy, Greece / Sony Pictures Classics
Nicole Newnham and Jim LeBrecht
Crip Camp
USA / Netflix
Sam Pollard
MLK/FBI
USA / IFC Films
Jerry Rothwell
The Reason I Jump
USA, UK / Kino Lorber
Best Short
Abortion Helpline, This is Lisa
Directors/Producers: Barbara Attie, Mike Attie, Janet Goldwater
All That Perishes at the Edge of Land (Pakistan)
Director/Producer: Hira Nabi
Producer: Till Passow
Huntsville Station (USA / New York Times Op-Docs)
Directors/Producers: Jamie Meltzer, Chris Filippone
Hysterical Girl (USA / New York Times Op-Docs)
Director: Kate Novack
Producer: Andrew Rossi
John Was Trying to Contact Aliens (USA / Netflix)
Director/Producer: Matthew Killip
The Lost Astronaut (USA / New York Times Op-Docs)
Director: Ben Proudfoot
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi
Mizuko
Directors/Producers: Kira Dane, Katelyn Rebelo
sống ở đây
Director/Producer: Melanie Ho
To Calm the Pig Inside (Ang Pagpakalma sa Unos) (Philippines)
Director/Producer: Joanna Vasquez Arong
Unforgivable (El Salvador)
Director/Producer: Marlén Viñayo
Producer: Carlos Martínez
Best Curated Series
30 for 30 (USA / ESPN)
Executive Producers: John Dahl, Libby Geist, Rob King, Erin Leyden, Connor Schell
American Experience (USA / PBS)
Executive Producers: Susan Bellows and Mark Samels
American Masters
Executive Producer: Michael Kantor
Reel Midwest (USA / Illinois Public Media)
Executive Producer: Moss Bresnahan
Reel South
Executive Producers: Don Godish and Rachel Raney
Best Episodic Series
Cheer (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Producers: Adam Leibowitz, Arielle Kilker, Chelsea Yarnell
Executive Producers: Andrew Fried, Dane Lillegard, Jasper Thomlinson, Bert Hamelinck
Hip Hop: The Songs That Shook America (USA / AMC)
Executive Producers: Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, Alex Gibney, Stacey Offman, Richard Perello, Shea Serrano, Angie Day, One9, Erik Parker, Isaac Bolden
Last Chance U (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Executive Producers: Joe Labracio, James D. Stern, Lucas Smith, Andrew Fried, Dane Lillegard
Seven Planets, One World (UK / BBC America)
Directors: Fredi Devas, Emma Napper, Giles Badger, Chadden Hunter
Executive Producer: Jonny Keeling
We’re Here (USA / HBO)
Executive Producers: Eli Holzman, Aaron Saidman, Stephen Warren, Johnnie Ingram, Peter LoGreco, Erin Gamble
Best Multi-Part Documentary
Asian Americans (USA / PBS)
Directors: Leo Chiang, Geeta Gandbhir, Grace Lee
Producers: Renee Tajima-Peña, Mark Jonathan Harris
Executive Producers: Jeff Bieber, Sally Jo Fifer, Stephen Gong, Jean Tsien, Donald Young
Atlanta’s Missing and Murdered (USA / HBO)
Directors/Executive Producers: Sam Pollard, Maro Chermayeff, Joshua Bennett, Jeff Dupre
Executive Producers: John Legend, Mike Jackson, Ty Stiklorious, Nancy Abraham, Lisa Heller
City So Real (USA / National Geographic)
Director/ Producer: Steve James.
Producer: Zak Piper.
Executive Producers: Jeff Skoll, Diane Weyermann, Alex Kotlowitz, Gordon Quinn, Betsy Steinberg, Jolene Pinder
Hillary (USA / Hulu)
Director: Nanette Burstein
Producers: Isabel San Vargas, Timothy Moran, Chi-Young Park, Tal Ben-David
Executive Producers: Ben Silverman, Howard T. Owens, Nanette Burstein, Sierra Kos, Laurie Girion
Lenox Hill (USA / Netflix)
Directors/Executive Producers: Adi Barash and Ruthie Shatz.
Executive Producer: Josh Braun
Best Short Form Series
Almost Famous (USA / New York Times Op-Docs)
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi and Jeremy Lambert
Executive Producer: Adam Ellick
Director: Ben Proudfoot
Guardian Documentaries
Producers: Shanida Scotland, Natasha Dack Ojumu and Nikki Parrott
Executive Producers: Charlie Phillips. Lindsay Poulton, Jess Gormley
Directors: Irene Baque, Laurence Topham, Sara Khaki, Mohammad Reza Eyni, Rebecca Lloyd-Evans, Laura Dodsworth, Dan McDougall
Last Call For The Bayou: 5 Stories from Louisiana’s Disappearing Delta (USA / Smithsonian Channel Plus)
Producer: Nadia Gill
Executive Producer: Gina Hutchinson
Director: Dominic Gill
Pov Shorts (USA / PBS)
Producer: Opal H. Bennett
Executive Producers: Justine Nagan and Chris White
Run This City (USA / Quibi)
Director: Brent Hodge
Producer: Prince Vaughn
Executive Producers: Mark Wahlberg, Stephen Levinson, Archie Gips, Brent Hodge
Best Audio Documentary
Crosses in the Desert / Cruces en el desierto
Reporter: Dennis Maxwell
Producers: Catalina May, Martín Cruz
Executive Producer: Martina Castro
Fiasco: Bush v. Gore (USA / Luminary)
Producers: Leon Neyfakh, Andrew Parsons
Girl Taken (UK / British Broadcasting Corporation)
Reporter: Sue Mitchell
Producer: Richard Hannaford
Executive Producer: Philip Sellars
Heavyweight – The Marshes (USA / Gimlet Media)
Reporter, Producer and Executive Producer: Jonathan Goldstein
Reporter and Producer: Kalila Holt.
Producers: Stevie Lane, Jorge Just, BA Parker, Bobby Lord
Somebody (USA / iHeartRadio)
Reporters and Producers: Alison Flowers, Bill Healy
Reporters: Sam Stecklow, Ellen Glover, Annie Nguyen, Kahari Blackburn, Rajiv Sinclair, Henri Adams, Matilda Vojak, Dana Brozost-Kelleher, Frances McDonald, Diana Akmajian, Andrew Fan and Maddie Anderson
Producers: Shapearl Wells, Sarah Geis
Executive Producers: Jamie Kalven, Maria Zuckerman, Christy Gressman, Leital Molad
Best Music Documentary
Beastie Boys Story (USA / Apple TV+)
Director/Producer: Spike Jonze
Producers: Jason Baum and Amanda Adelson
Billie (UK / Greenwich Entertainment)
Director: James Erskine
Crock of Gold (USA / Magnolia Pictures)
Director/Producer: Julien Temple
Producers: Johnny Depp, Stephen Deuters, Stephen Malit
Los Hermanos / The Brothers
Directors/Producers: Marcia Jarmel and Ken Schneider
Universe (USA)
Directors: Sam Osborn and Nicholas Capezzera
Producers: Esther Dere and Leah Natasha Thomas
David L. Wolper Student Documentary Award
Bananas (UK / National Film and Television School)
Director/Producer: Sara Montoya Sepúlveda
Isle of Us (UK / National Film and Television School)
Director: Laura Wadha
Na Luta Delas (Brazil / Uc Berkeley Graduate School of Journalism)
Directors/Producers: Orion Rose Kelly and Pedro Cota
People Like Me (USA / University of California Santa Cruz)
Director/Producer: Marrok Sedgwick
Susana (USA / Stanford University)
Director: Laura Gamse
Producer: James Davis
Trees (UK / National Film and Television School)
Director: Rosie Morris
Producer: Jesse Romain
Best Cinematography
Acasă, My Home
Cinematographers: Radu Ciorniciuc and Mircea Topoleanu
Boys State
Director of Photography: Thorsten Thielow
The Earth is Blue as an Orange
Cinematographer: Viacheslav Tsvietkov
The Truffle Hunters
Cinematographers: Michael Dweck, Gregory Kershaw
Time
Cinematographers: Zac Manuel, Justin Zweifach, Nisa East
Best Editing
Boys State
Editor: Jeff Gilbert
Crip Camp (USA / Netflix)
Editors: Eileen Meyer and Andrew Gersh
Disclosure (USA / Netflix)
Editor: Stacy Goldate
Dick Johnson is Dead (USA / Netflix)
Editor: Nels Bangerter
Through the Night
Editor: Malika Zouhali-Worrall
Best Writing
Crip Camp (USA / Netflix)
Writers: Nicole Newnham and Jim LeBrecht
Dick Johnson is Dead
(USA / Netflix)
Writers: Nels Bangerter and Kirsten Johnson
I Am Not Alone (USA / Netflix)
Writer: Garin Hovannisian
My Octopus Teacher (USA / Netflix)
Writers: Pippa Ehrlich and James Reed
Socks on Fire (USA)
Writers: Max Allman, Bo McGuire
Best Music Score
Dancing with the Birds (USA / Netflix)
Composer: David Mitcham
David Attenborough: Life On Our Planet
Composer: Steven Price
Hope Frozen: A Quest to Live Twice (USA / Netflix)
Composer: Chapavich Temnitikul)
My Octopus Teacher (USA / Netflix)
Composer: Kevin Smuts
Rising Phoenix (USA / Netflix)
Composer: Daniel Pemberton
ABC News VideoSource Award
#Unfit: The Psychology of Donald Trump (USA / Dark Star)
Director/Producer: Dan Partland
Producer: Art Horan
Bully. Coward. Victim.: The Story of Roy Cohn (USA / HBO)
Director: Ivy Meeropol
Producers: Julie Goldman, Christopher Clements, Carolyn Hepburn
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Kill Chain: The Cyber War on America’s Elections (USA / HBO)
Director: Sarah Teale
Directors/Producers: Simon Ardizzone and Russell Michaels
Producers: Michael Hirschorn and Jessica Antonini
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The First Rainbow Coalition
Director/Producer: Ray Santisteban
Pare Lorentz Award
Winner
My Octopus Teacher (USA / Netflix)
Director: Pippa Ehrlich, James Reed
Producer: Craig Foster
Honorable Mention
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Honorary Awards
Amicus Award
Regina K. Scully
Career Achievement Award
Sam Pollard (MLK/FBI)
Courage Under Fire Award
David France, David Isteev and Olga Baranova (Welcome to Chechnya)
Emerging Documentary Filmmaker Award
Garrett Bradley (Time)
Pioneer Award
Firelight Media
Truth to Power Award
Maria Ressa and Rappler (A Thousand Cuts)...
The IDA also said today that its 2020 ceremony is going virtual on January 21.
“The nominees present an inspiring and urgent range of stories from around the globe,” said Simon Kilmurry, executive director of the IDA. “The broad range of subjects and approaches to storytelling underscores that documentary is our most exciting form of cultural expression, a vital art form and a crucial element of democratic dialogue.”
Ten films are up for the marquee Best Feature award: Collective, Crip Camp (Netflix), Gunda (Neon), MLK/FBI (IFC Films), The Reason I Jump (Kino Lorber), Reunited, Softie, Time, The Truffle Hunters (Sony Pictures Classics) and Welcome to Chechnya (HBO).
The helmers of five of those films also are up for Best Director: Garrett Bradley (Time), Michael Dweck and Gregory Kershaw (The Truffle Hunters), Nicole Newnham and Jim LeBrecht (Crip Camp), Sam Pollard (MLK/FBI) and Jerry Rothwell (The Reason I Jump).
On the TV side, five programs will vie for Best Curated Series): ESPN’s 30 for 30, PBS’ American Experience, Thirteen Productions’ American Masters, Illinois Public Media’s Reel Midwest and PBS/World Channel’s Reel South.
The nominees for Best Episodic Series are Cheer (Netflix), Hip Hop: The Songs That Shook America (AMC), Last Chance U (Netflix), Seven Planets, One World (BBC America) and We’re Here (HBO).
Up for Best Multi-Part Documentary are Asian Americans (PBS), Atlanta’s Missing and Murdered (HBO), City So Real (National Geographic), Hillary (Hulu) and Lenox Hill (Netflix).
“This is a year that has been one of reflection, looking inwards, and living life differently than we have always known it to be,” said James Costa, co-chair of the Feature Documentary Nominating Committee and IDA Board of Directors’ co-vice president. “Through the art of filmmaking these films gave us an opportunity to truly look and learn through the lenses of others.”
Here is the full list of nominees for the 2020 IDA Documentary Awards:
Best Feature
Collective
Director/Producer: Alexander Nanau
Producer: Bianca Oana
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Gunda
Director: Victor Kossakovsky
Producer: Anita Rehoff Larsen
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The Reason I Jump
Director: Jerry Rothwell
Producers: Jeremy Dear, Stevie Lee, Al Morrow
Reunited (Denmark)
Director: Mira Jargil
Producer: Kirstine Barfod
Softie (Kenya / Pov)
Director/Producer: Sam Soko
Producer: Toni Kamau
Time
Director/Producer: Garrett Bradley
Producers: Lauren Domino, Kellen Quinn
The Truffle Hunters
Directors/Producers: Michael Dweck, Gregory Kershaw
Welcome to Chechnya (USA / HBO)
Director/Producer: David France
Producers: Alice Henty, Joy A. Tomchin and Askold Kurov
Best Director
Garrett Bradley
Time
USA / Amazon Studios, Concordia Studio, The New York Times
Michael Dweck and Gregory Kershaw
The Truffle Hunters
USA, Italy, Greece / Sony Pictures Classics
Nicole Newnham and Jim LeBrecht
Crip Camp
USA / Netflix
Sam Pollard
MLK/FBI
USA / IFC Films
Jerry Rothwell
The Reason I Jump
USA, UK / Kino Lorber
Best Short
Abortion Helpline, This is Lisa
Directors/Producers: Barbara Attie, Mike Attie, Janet Goldwater
All That Perishes at the Edge of Land (Pakistan)
Director/Producer: Hira Nabi
Producer: Till Passow
Huntsville Station (USA / New York Times Op-Docs)
Directors/Producers: Jamie Meltzer, Chris Filippone
Hysterical Girl (USA / New York Times Op-Docs)
Director: Kate Novack
Producer: Andrew Rossi
John Was Trying to Contact Aliens (USA / Netflix)
Director/Producer: Matthew Killip
The Lost Astronaut (USA / New York Times Op-Docs)
Director: Ben Proudfoot
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi
Mizuko
Directors/Producers: Kira Dane, Katelyn Rebelo
sống ở đây
Director/Producer: Melanie Ho
To Calm the Pig Inside (Ang Pagpakalma sa Unos) (Philippines)
Director/Producer: Joanna Vasquez Arong
Unforgivable (El Salvador)
Director/Producer: Marlén Viñayo
Producer: Carlos Martínez
Best Curated Series
30 for 30 (USA / ESPN)
Executive Producers: John Dahl, Libby Geist, Rob King, Erin Leyden, Connor Schell
American Experience (USA / PBS)
Executive Producers: Susan Bellows and Mark Samels
American Masters
Executive Producer: Michael Kantor
Reel Midwest (USA / Illinois Public Media)
Executive Producer: Moss Bresnahan
Reel South
Executive Producers: Don Godish and Rachel Raney
Best Episodic Series
Cheer (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Producers: Adam Leibowitz, Arielle Kilker, Chelsea Yarnell
Executive Producers: Andrew Fried, Dane Lillegard, Jasper Thomlinson, Bert Hamelinck
Hip Hop: The Songs That Shook America (USA / AMC)
Executive Producers: Ahmir “Questlove” Thompson, Tariq “Black Thought” Trotter, Shawn Gee, Alex Gibney, Stacey Offman, Richard Perello, Shea Serrano, Angie Day, One9, Erik Parker, Isaac Bolden
Last Chance U (USA / Netflix)
Director/Executive Producer: Greg Whiteley
Executive Producers: Joe Labracio, James D. Stern, Lucas Smith, Andrew Fried, Dane Lillegard
Seven Planets, One World (UK / BBC America)
Directors: Fredi Devas, Emma Napper, Giles Badger, Chadden Hunter
Executive Producer: Jonny Keeling
We’re Here (USA / HBO)
Executive Producers: Eli Holzman, Aaron Saidman, Stephen Warren, Johnnie Ingram, Peter LoGreco, Erin Gamble
Best Multi-Part Documentary
Asian Americans (USA / PBS)
Directors: Leo Chiang, Geeta Gandbhir, Grace Lee
Producers: Renee Tajima-Peña, Mark Jonathan Harris
Executive Producers: Jeff Bieber, Sally Jo Fifer, Stephen Gong, Jean Tsien, Donald Young
Atlanta’s Missing and Murdered (USA / HBO)
Directors/Executive Producers: Sam Pollard, Maro Chermayeff, Joshua Bennett, Jeff Dupre
Executive Producers: John Legend, Mike Jackson, Ty Stiklorious, Nancy Abraham, Lisa Heller
City So Real (USA / National Geographic)
Director/ Producer: Steve James.
Producer: Zak Piper.
Executive Producers: Jeff Skoll, Diane Weyermann, Alex Kotlowitz, Gordon Quinn, Betsy Steinberg, Jolene Pinder
Hillary (USA / Hulu)
Director: Nanette Burstein
Producers: Isabel San Vargas, Timothy Moran, Chi-Young Park, Tal Ben-David
Executive Producers: Ben Silverman, Howard T. Owens, Nanette Burstein, Sierra Kos, Laurie Girion
Lenox Hill (USA / Netflix)
Directors/Executive Producers: Adi Barash and Ruthie Shatz.
Executive Producer: Josh Braun
Best Short Form Series
Almost Famous (USA / New York Times Op-Docs)
Producers: Abby Lynn Kang Davis, Gabriel Berk Godoi and Jeremy Lambert
Executive Producer: Adam Ellick
Director: Ben Proudfoot
Guardian Documentaries
Producers: Shanida Scotland, Natasha Dack Ojumu and Nikki Parrott
Executive Producers: Charlie Phillips. Lindsay Poulton, Jess Gormley
Directors: Irene Baque, Laurence Topham, Sara Khaki, Mohammad Reza Eyni, Rebecca Lloyd-Evans, Laura Dodsworth, Dan McDougall
Last Call For The Bayou: 5 Stories from Louisiana’s Disappearing Delta (USA / Smithsonian Channel Plus)
Producer: Nadia Gill
Executive Producer: Gina Hutchinson
Director: Dominic Gill
Pov Shorts (USA / PBS)
Producer: Opal H. Bennett
Executive Producers: Justine Nagan and Chris White
Run This City (USA / Quibi)
Director: Brent Hodge
Producer: Prince Vaughn
Executive Producers: Mark Wahlberg, Stephen Levinson, Archie Gips, Brent Hodge
Best Audio Documentary
Crosses in the Desert / Cruces en el desierto
Reporter: Dennis Maxwell
Producers: Catalina May, Martín Cruz
Executive Producer: Martina Castro
Fiasco: Bush v. Gore (USA / Luminary)
Producers: Leon Neyfakh, Andrew Parsons
Girl Taken (UK / British Broadcasting Corporation)
Reporter: Sue Mitchell
Producer: Richard Hannaford
Executive Producer: Philip Sellars
Heavyweight – The Marshes (USA / Gimlet Media)
Reporter, Producer and Executive Producer: Jonathan Goldstein
Reporter and Producer: Kalila Holt.
Producers: Stevie Lane, Jorge Just, BA Parker, Bobby Lord
Somebody (USA / iHeartRadio)
Reporters and Producers: Alison Flowers, Bill Healy
Reporters: Sam Stecklow, Ellen Glover, Annie Nguyen, Kahari Blackburn, Rajiv Sinclair, Henri Adams, Matilda Vojak, Dana Brozost-Kelleher, Frances McDonald, Diana Akmajian, Andrew Fan and Maddie Anderson
Producers: Shapearl Wells, Sarah Geis
Executive Producers: Jamie Kalven, Maria Zuckerman, Christy Gressman, Leital Molad
Best Music Documentary
Beastie Boys Story (USA / Apple TV+)
Director/Producer: Spike Jonze
Producers: Jason Baum and Amanda Adelson
Billie (UK / Greenwich Entertainment)
Director: James Erskine
Crock of Gold (USA / Magnolia Pictures)
Director/Producer: Julien Temple
Producers: Johnny Depp, Stephen Deuters, Stephen Malit
Los Hermanos / The Brothers
Directors/Producers: Marcia Jarmel and Ken Schneider
Universe (USA)
Directors: Sam Osborn and Nicholas Capezzera
Producers: Esther Dere and Leah Natasha Thomas
David L. Wolper Student Documentary Award
Bananas (UK / National Film and Television School)
Director/Producer: Sara Montoya Sepúlveda
Isle of Us (UK / National Film and Television School)
Director: Laura Wadha
Na Luta Delas (Brazil / Uc Berkeley Graduate School of Journalism)
Directors/Producers: Orion Rose Kelly and Pedro Cota
People Like Me (USA / University of California Santa Cruz)
Director/Producer: Marrok Sedgwick
Susana (USA / Stanford University)
Director: Laura Gamse
Producer: James Davis
Trees (UK / National Film and Television School)
Director: Rosie Morris
Producer: Jesse Romain
Best Cinematography
Acasă, My Home
Cinematographers: Radu Ciorniciuc and Mircea Topoleanu
Boys State
Director of Photography: Thorsten Thielow
The Earth is Blue as an Orange
Cinematographer: Viacheslav Tsvietkov
The Truffle Hunters
Cinematographers: Michael Dweck, Gregory Kershaw
Time
Cinematographers: Zac Manuel, Justin Zweifach, Nisa East
Best Editing
Boys State
Editor: Jeff Gilbert
Crip Camp (USA / Netflix)
Editors: Eileen Meyer and Andrew Gersh
Disclosure (USA / Netflix)
Editor: Stacy Goldate
Dick Johnson is Dead (USA / Netflix)
Editor: Nels Bangerter
Through the Night
Editor: Malika Zouhali-Worrall
Best Writing
Crip Camp (USA / Netflix)
Writers: Nicole Newnham and Jim LeBrecht
Dick Johnson is Dead
(USA / Netflix)
Writers: Nels Bangerter and Kirsten Johnson
I Am Not Alone (USA / Netflix)
Writer: Garin Hovannisian
My Octopus Teacher (USA / Netflix)
Writers: Pippa Ehrlich and James Reed
Socks on Fire (USA)
Writers: Max Allman, Bo McGuire
Best Music Score
Dancing with the Birds (USA / Netflix)
Composer: David Mitcham
David Attenborough: Life On Our Planet
Composer: Steven Price
Hope Frozen: A Quest to Live Twice (USA / Netflix)
Composer: Chapavich Temnitikul)
My Octopus Teacher (USA / Netflix)
Composer: Kevin Smuts
Rising Phoenix (USA / Netflix)
Composer: Daniel Pemberton
ABC News VideoSource Award
#Unfit: The Psychology of Donald Trump (USA / Dark Star)
Director/Producer: Dan Partland
Producer: Art Horan
Bully. Coward. Victim.: The Story of Roy Cohn (USA / HBO)
Director: Ivy Meeropol
Producers: Julie Goldman, Christopher Clements, Carolyn Hepburn
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Kill Chain: The Cyber War on America’s Elections (USA / HBO)
Director: Sarah Teale
Directors/Producers: Simon Ardizzone and Russell Michaels
Producers: Michael Hirschorn and Jessica Antonini
MLK/FBI (USA / IFC Films)
Director: Sam Pollard
Producer: Benjamin Hedin
The First Rainbow Coalition
Director/Producer: Ray Santisteban
Pare Lorentz Award
Winner
My Octopus Teacher (USA / Netflix)
Director: Pippa Ehrlich, James Reed
Producer: Craig Foster
Honorable Mention
Crip Camp (USA / Netflix)
Directors/Producers: Nicole Newnham, Jim LeBrecht
Producer: Sara Bolder
Honorary Awards
Amicus Award
Regina K. Scully
Career Achievement Award
Sam Pollard (MLK/FBI)
Courage Under Fire Award
David France, David Isteev and Olga Baranova (Welcome to Chechnya)
Emerging Documentary Filmmaker Award
Garrett Bradley (Time)
Pioneer Award
Firelight Media
Truth to Power Award
Maria Ressa and Rappler (A Thousand Cuts)...
- 11/24/2020
- by Erik Pedersen
- Deadline Film + TV
Doc screens in Masters section and is in contention for best creative use of archive award.
Cinetic has closed key territory sales in the UK, Scandinavia, Benelux, and Poland on Sam Pollard’s documentary MLK/FBI ahead of its European premiere at International Documentary Festival Amsterdam (IDFA).
Dogwoof has acquired the film for the UK, NonStop for Scandinavia, Cherry Pickers for Benelux, and Against Gravity for Poland. Terry Steiner has picked up airlines rights, and additional territories are expected to close shortly.
MLK/FBI screens in IDFA’s Masters section and is in contention for the best creative use of archive award.
Cinetic has closed key territory sales in the UK, Scandinavia, Benelux, and Poland on Sam Pollard’s documentary MLK/FBI ahead of its European premiere at International Documentary Festival Amsterdam (IDFA).
Dogwoof has acquired the film for the UK, NonStop for Scandinavia, Cherry Pickers for Benelux, and Against Gravity for Poland. Terry Steiner has picked up airlines rights, and additional territories are expected to close shortly.
MLK/FBI screens in IDFA’s Masters section and is in contention for the best creative use of archive award.
- 11/20/2020
- by Jeremy Kay
- ScreenDaily
Doc screens in Masters section and is in contention for best creative use of archive award.
Cinetic has closed key territory sales in the UK, Scandinavia, Benelux, and Poland on Sam Pollard’s documentary MLK/FBI ahead of its European premiere at International Documentary Festival Amsterdam (IDFA).
Dogwoof has acquired the film for the UK, NonStop for Scandinavia, Cherry Pickers for Benelux, and Against Gravity for Poland. Terry Steiner has picked up airlines rights, and additional territories are expected to close shortly.
MLK/FBI screens in IDFA’s Masters section and is in contention for the best creative use of archive award.
Cinetic has closed key territory sales in the UK, Scandinavia, Benelux, and Poland on Sam Pollard’s documentary MLK/FBI ahead of its European premiere at International Documentary Festival Amsterdam (IDFA).
Dogwoof has acquired the film for the UK, NonStop for Scandinavia, Cherry Pickers for Benelux, and Against Gravity for Poland. Terry Steiner has picked up airlines rights, and additional territories are expected to close shortly.
MLK/FBI screens in IDFA’s Masters section and is in contention for the best creative use of archive award.
- 11/20/2020
- by Jeremy Kay
- ScreenDaily
The International Documentary Association has announced a shortlist of 30 films from which it will choose its nominations for the 2020 Ida Documentary Awards, with a list that includes “76 Days,” “Boys State,” “Crip Camp,” “MLK/FBI,” “The Reason I Jump,” “The Truffle Hunters,” “Time” and “Welcome to Chechnya.”
The list also included a generous helping of foreign-made docs, including “Notturno,” “Acasa, My Home,” “Collective,” “The Earth Is Blue as an Orange,” “Gunda,” “Me and the Cult Leader,” “A Metamorfose dos Passaros,” “Once Upon a Time in Venezuela” and “Softie.”
The rest of the list: “City Hall,” “Disclosure,” “The Forbidden Reel,” “I Walk on Water,” “The Mole Agent,” “Reunited,” “Self Portrait,” “Stray,” “‘Til Kingdom Come,” “To See You Again,” “Unapologetic,” “The Viewing Booth” and “Wintopia.”
The shortlisted films present a dramatically different view of the year in nonfiction filmmaking than the Critics Choice Documentary Awards, which were announced on Monday. Only three films — “Crip Camp,...
The list also included a generous helping of foreign-made docs, including “Notturno,” “Acasa, My Home,” “Collective,” “The Earth Is Blue as an Orange,” “Gunda,” “Me and the Cult Leader,” “A Metamorfose dos Passaros,” “Once Upon a Time in Venezuela” and “Softie.”
The rest of the list: “City Hall,” “Disclosure,” “The Forbidden Reel,” “I Walk on Water,” “The Mole Agent,” “Reunited,” “Self Portrait,” “Stray,” “‘Til Kingdom Come,” “To See You Again,” “Unapologetic,” “The Viewing Booth” and “Wintopia.”
The shortlisted films present a dramatically different view of the year in nonfiction filmmaking than the Critics Choice Documentary Awards, which were announced on Monday. Only three films — “Crip Camp,...
- 10/28/2020
- by Steve Pond
- The Wrap
The 2021 International Documentary Association (IDA) Awards has announced the shortlists for the Best Feature and Best Short categories. In a year crowded with top-notch documentaries (see the Critics Choice Documentary Awards nominations here), with more debuts unspooling at Doc NYC (November 11-19), every reputable non-fiction awards group helps to curate the sprawling list of eventual Oscar contenders, and the IDA is no exception. (Read IndieWire’s current list of documentary feature predictions here.)
The IDA will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
The IDA will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
- 10/28/2020
- by Anne Thompson
- Thompson on Hollywood
The 2021 International Documentary Association (Ida) Awards has announced the shortlists for the Best Feature and Best Short categories. In a year crowded with top-notch documentaries (see the Critics Choice Documentary Awards nominations here), with more debuts unspooling at Doc NYC (November 11-19), every reputable non-fiction awards group helps to curate the sprawling list of eventual Oscar contenders, and the Ida is no exception. (Read IndieWire’s current list of documentary feature predictions here.)
The Ida will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
The Ida will bestow 16 awards this year, for Best Feature, Best Short, Best Curated Series, Best Episodic Series, Best Multi-Part Documentary, Best Short Form Series, Best Audio Documentary, David L. Wolper Student Documentary Award, Best Music Documentary, Best Director, Best Cinematography, Best Editing, Best Writing, Best Music Score, ABC News VideoSource Award, and the Pare Lorentz Award.
Honorees will be announced on Tuesday, November 10. Nominees will be announced on Tuesday, November 24, along with the other awards recipients.
- 10/28/2020
- by Anne Thompson
- Indiewire
The International Documentary Association has announced the shortlists for best feature and best short at the 36th annual Ida Documentary Awards.
The shortlist for possible nominees includes “Boys State,” “Crip Camp,” “Welcome to Chechnya,” “Gunda” and more. Up to 10 nominees in each of the feature and short documentary categories will be selected from the shortlist and announced on Nov. 24. The virtual awards ceremony will take place in January 2021.
This year, Ida received 1,056 submissions across all categories, including 365 documentary features from 67 countries, and 153 documentary shorts from 21 countries.
“It is exciting to see the IDA Awards Shortlist include so many films from around the globe,” said Simon Kilmurry, executive director of Ida. “The range of stories and of makers is as diverse as we have ever had. It reflects the broad range of approaches to documentary filmmaking and some of the most urgent issues of the day.”
Ida Documentary Awards Features Shortlist
76 Days
Acasă,...
The shortlist for possible nominees includes “Boys State,” “Crip Camp,” “Welcome to Chechnya,” “Gunda” and more. Up to 10 nominees in each of the feature and short documentary categories will be selected from the shortlist and announced on Nov. 24. The virtual awards ceremony will take place in January 2021.
This year, Ida received 1,056 submissions across all categories, including 365 documentary features from 67 countries, and 153 documentary shorts from 21 countries.
“It is exciting to see the IDA Awards Shortlist include so many films from around the globe,” said Simon Kilmurry, executive director of Ida. “The range of stories and of makers is as diverse as we have ever had. It reflects the broad range of approaches to documentary filmmaking and some of the most urgent issues of the day.”
Ida Documentary Awards Features Shortlist
76 Days
Acasă,...
- 10/28/2020
- by Jordan Moreau
- Variety Film + TV
Sam Pollard’s new documentary, “MLK/FBI,” lays out a detailed account of the racially-fueled FBI surveillance that hounded Dr. Martin Luther King’s activism throughout the 1950s and ’60s. Pollard worried that by shinning a light on the salacious material and the FBI’s attempts to discredit Dr. King might just be helping the FBI’s cause, but he felt a responsibility to tell the story nonetheless.
“Absolutely, we thought about it,” Pollard said during TheWrap’s virtual studio for the 2020 Toronto International Film Festival. After repeatedly talking it over with producer Benjamin Hedin, the two were compelled to press forward.
“Here we are, almost 40, 50 years later and we just thought it was important to document this very complicated and densely packed story about how King was constantly being harassed and surveilled by J. Edgar Hoover, William Sullivan and the FBI,” Pollard said
As a student of the civil rights movement,...
“Absolutely, we thought about it,” Pollard said during TheWrap’s virtual studio for the 2020 Toronto International Film Festival. After repeatedly talking it over with producer Benjamin Hedin, the two were compelled to press forward.
“Here we are, almost 40, 50 years later and we just thought it was important to document this very complicated and densely packed story about how King was constantly being harassed and surveilled by J. Edgar Hoover, William Sullivan and the FBI,” Pollard said
As a student of the civil rights movement,...
- 10/5/2020
- by Trey Williams
- The Wrap
IFC Films has acquired North American rights to the Martin Luther King Jr. documentary “MLK/FBI,” the company announced on Tuesday. The film, directed by Emmy Award-winner and Oscar nominee Sam Pollard, examines the civil rights leader’s treatment by the federal agency in the 1960s.
IFC Films will release the film on January 15, 2021 ahead of the Martin Luther King, Jr. Day holiday. “MLK/FBI” was part of the Official Selection for the 2020 edition of the Telluride Film Festival, Toronto International Film Festival and New York Film Festival.
A description of the film reads:
“MLK/FBI” is the first film to uncover the extent of the FBI’s surveillance and harassment of Dr. Martin Luther King, Jr. Based on newly discovered and declassified files, utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, as well as revelatory restored footage, the documentary explores the government...
IFC Films will release the film on January 15, 2021 ahead of the Martin Luther King, Jr. Day holiday. “MLK/FBI” was part of the Official Selection for the 2020 edition of the Telluride Film Festival, Toronto International Film Festival and New York Film Festival.
A description of the film reads:
“MLK/FBI” is the first film to uncover the extent of the FBI’s surveillance and harassment of Dr. Martin Luther King, Jr. Based on newly discovered and declassified files, utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, as well as revelatory restored footage, the documentary explores the government...
- 9/15/2020
- by Umberto Gonzalez
- The Wrap
IFC Films said Tuesday that it acquired North American rights to MLK/FBI, the Sam Pollard-directed documentary that premiered today at the Toronto Film Festival and will play at the New York Film Festival too. IFC Films will release the film on January 15, 2021, ahead of the Martin Luther King Jr. Day holiday and the hope is to factor in the Oscar race.
MLK/FBI is the first film to uncover the extent of the FBI’s surveillance and harassment of Dr. Martin Luther King Jr. Based on newly discovered and declassified files, utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, as well as revelatory restored footage, the documentary explores the government’s history of targeting Black activists, and the contested meaning behind some of our most cherished ideals. Featuring interviews with key cultural figures including former FBI director James Comey, MLK...
MLK/FBI is the first film to uncover the extent of the FBI’s surveillance and harassment of Dr. Martin Luther King Jr. Based on newly discovered and declassified files, utilizing a trove of documents obtained through the Freedom of Information Act and unsealed by the National Archives, as well as revelatory restored footage, the documentary explores the government’s history of targeting Black activists, and the contested meaning behind some of our most cherished ideals. Featuring interviews with key cultural figures including former FBI director James Comey, MLK...
- 9/15/2020
- by Mike Fleming Jr
- Deadline Film + TV
NewportFILM will screen documentaries by Morgan Neville, Matt Tyrnauer, Nathanel Kahn, and Andrew Solomon as part of its annual summer series.
The festival has become something of an institution in the posh seaside community — Newport, Rhode Island is an old world resort, with Gilded Age mansions that are straight out of an Edith Wharton novel. Part of the attraction is that the sunset screenings are hosted in several different historic venues, including Rosecliff, a mansion featured in the 1974 version of “The Great Gatsby” with Robert Redford and Mia Farrow, the Eisenhower House, which was the “Summer White House” for President Dwight D. Eisenhower or his Mar a Lago, and the Newport International Polo Grounds.
The screenings kicked off Thursday with Neville’s “Won’t You Be My Neighbor?,” a look at the enduring legacy of Fred Rogers, and runs through September 6th. Past films that have played at newportFILM include Brett Morgan’s “Jane,...
The festival has become something of an institution in the posh seaside community — Newport, Rhode Island is an old world resort, with Gilded Age mansions that are straight out of an Edith Wharton novel. Part of the attraction is that the sunset screenings are hosted in several different historic venues, including Rosecliff, a mansion featured in the 1974 version of “The Great Gatsby” with Robert Redford and Mia Farrow, the Eisenhower House, which was the “Summer White House” for President Dwight D. Eisenhower or his Mar a Lago, and the Newport International Polo Grounds.
The screenings kicked off Thursday with Neville’s “Won’t You Be My Neighbor?,” a look at the enduring legacy of Fred Rogers, and runs through September 6th. Past films that have played at newportFILM include Brett Morgan’s “Jane,...
- 6/22/2018
- by Variety Staff
- Variety Film + TV
Films include a collaboration between Sing Sing prison inmates and a leading contemporary dance company from Turner Prize nominated visual artist Phil Collins.
Scroll down for full list of projects
Sheffield Doc/Fest (June 5-10) has revealed the titles that will pitch for funding at its MeetMarket initiative, celebrating 10 years in 2015.
A total of 64 filmmaker teams from 19 countries will pitch to international and UK decision makers for research, development and production funding
At Crossover Market, which includes digital titles, a further 26 interactive projects from 12 countries will pitch in one-to-one meetings to a range of specialist decision makers.
Among the Crossover projects being pitched are the latest from Oscar Raby who won last year’s Interactive Audience Award with Assent; and Ram Devineni who attracted funding at last year’s Crossover Market and Tribeca New Media Fund for Priya’s Shakti.
New pitch opportunities this year include a BBC Radio 1 and 1Xtra Stories commission for young filmmakers, the Guardian...
Scroll down for full list of projects
Sheffield Doc/Fest (June 5-10) has revealed the titles that will pitch for funding at its MeetMarket initiative, celebrating 10 years in 2015.
A total of 64 filmmaker teams from 19 countries will pitch to international and UK decision makers for research, development and production funding
At Crossover Market, which includes digital titles, a further 26 interactive projects from 12 countries will pitch in one-to-one meetings to a range of specialist decision makers.
Among the Crossover projects being pitched are the latest from Oscar Raby who won last year’s Interactive Audience Award with Assent; and Ram Devineni who attracted funding at last year’s Crossover Market and Tribeca New Media Fund for Priya’s Shakti.
New pitch opportunities this year include a BBC Radio 1 and 1Xtra Stories commission for young filmmakers, the Guardian...
- 4/27/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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