Giving a leading role to Jacki Weaver is something any filmmaker should be commended for. The veteran actress is a welcome presence anywhere, no matter the topic. Casting her as the lead in a fish out of water type dramedy? Well, that should be the main ingredient to a delicious cinematic dish. Unfortunately, Stage Mother ends up more like a fast food dish when you were hoping for fine dining. Does it mostly get the job done? Sure, but it also doesn’t particularly satisfy you. The premise, along with Weaver’s talents, ultimately keep this from being something that leaves an impression on you. Opening this week, it’s a missed opportunity for something wonderful. The movie is a dramedy, focused on a southern woman evolution in the Bay Area. When Maybelline (Weaver), a conservative, Texas church-choir director finds out that her son Rickey (Eldon Thiele) has passed away from a drug overdose,...
- 8/18/2020
- by Joey Magidson
- Hollywoodnews.com
The late Richard Benner’s 1977 “Outrageous!” blazed trails as both a hit Canadian export and positive screen depiction of gay life, two relative rarities at the time. Even then, some gay viewers found the funny-sad friendship between a hairdresser/professional drag queen and a young schizophrenic woman a bit old-fashioned. But everybody was won over by Craig Russell’s stage impersonations of Hollywood stars — schmaltz and camp being a reliable combination for gay cinema with crossover ambitions.
That formula has scarcely altered 43 years later for “Stage Mother.” It’s the latest from Thom Fitzgerald, whose 1997 “The Hanging Garden” was also shot in Nova Scotia, and helped herald a new, perhaps more politically bold and artistically adventuresome generation of gay Canadian filmmakers. His more recent work has fitted into a time-tested mould of sentimental seriocomedy, however. This tale of a small-town Texas matron who inherits her estranged son’s San Francisco drag bar offers up smiles,...
That formula has scarcely altered 43 years later for “Stage Mother.” It’s the latest from Thom Fitzgerald, whose 1997 “The Hanging Garden” was also shot in Nova Scotia, and helped herald a new, perhaps more politically bold and artistically adventuresome generation of gay Canadian filmmakers. His more recent work has fitted into a time-tested mould of sentimental seriocomedy, however. This tale of a small-town Texas matron who inherits her estranged son’s San Francisco drag bar offers up smiles,...
- 7/2/2020
- by Dennis Harvey
- Variety Film + TV
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