In late 1995, Carlos Broady was an aspiring hip-hop producer from Memphis when his girlfriend pushed him to submit beat tapes to five production companies. One of the tapes ended up in the hands of Nashiem Myrick, a New York producer who had previously worked with Sean “Diddy” Combs on Mary J. Blige’s second album, My Life. Broady and Myrick traded beat tapes for a bit, until Broady got a call that would change his career.
“A week after I sent him one tape, he called me back and said,...
“A week after I sent him one tape, he called me back and said,...
- 5/26/2020
- by Jason Newman
- Rollingstone.com
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