Disney dominated the 18th annual Ves Awards with five nominations apiece for Jon Favreau’s frontrunner “The Lion King” and Robert Rodriguez’s surprising “Alita: Battle Angel” (acquired from Fox). Joining them for the top photo-real prize were the Disney-led “Avengers: Endgame” and “Star Wars: The Rise of Skywalker,” along with Ang Lee’s “Gemini Man”. The Ves Awards will be held January 29th at the Beverly Hilton Hotel.
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
Competing for supporting VFX were Martin Scorsese’s “The Irishman”, Sam Mendes’ “1917,” (which stitched together the World War I thriller as one continuous shot and offered various enhancements), James Mangold’s “Ford v Ferrari,” Todd Phillips’ “Joker,” and “The Aeronauts.”
In animation, Disney also fared well, with Pixar’s “Toy Story 4” (which grabbed five nominations) and “Frozen 2.” They were joined by Golden Globe nominee “Missing Link” from Laika, surprise nominee “Klaus” (the innovative 2D feature from Netflix and Spanish director Sergio Pablos), and,...
- 1/7/2020
- by Bill Desowitz
- Indiewire
The Visual Effects Society has unveiled nominations for its 18th annual Ves Awards, which honor VFX work in film, animation, TV, commercials and video games. Winners will be revealed at a ceremony January 29 at the Beverly Hilton.
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
Disney’s CG redo of the The Lion King and 20th Century Fox’s Alita: Battle Angel lead all film nominees with five apiece, joining the top animated nominee Toy Story 4. In TV, Disney+’s Star Wars spinoff The Mandalorian and the final season of HBO’s epic Game of Thrones lead the field with six nominations each.
Along with naming winners in 25 categories, the group’s ceremony later this month includes honoring Martin Scorsese with the Ves Lifetime Achievement Award. The Ves Visionary Award will be given to Roland Emmerich, and the Ves Award for Creative Excellence will be presented to VFX supervisor Sheena Duggal.
Here’s the list of noms:...
- 1/7/2020
- by Patrick Hipes
- Deadline Film + TV
With director Sergio Pablos’ “Klaus” (Netflix), the innovative 2D Santa origin story, Annie-nominated production designers Szymon Biernacki and Marcin Jakubowski achieved a unique retro look, channeling Disney’s “Sleeping Beauty” but looking forward instead of back.
“Our mission was to revive 2D animation and make it relevant again for audiences,” said Jakubowski, who filled in the gap with new tracking software for volumetric lighting and texturing around characters to make them stand out more in the environments. “But we had to operate within the broad appeal visual language that we are all used to. We couldn’t get too experimental.”
Disney is in Pablos’ DNA: he worked on “Tarzan” and “The Hunchback of Notre Dame” in the ’90s. “But our inspiration was Eyvind Earle with his backgrounds from ‘Sleeping Beauty,'” said Jakubowski, “and also his personal work, including the Christmas postcards. It looks like Scandinavia in winter and...
“Our mission was to revive 2D animation and make it relevant again for audiences,” said Jakubowski, who filled in the gap with new tracking software for volumetric lighting and texturing around characters to make them stand out more in the environments. “But we had to operate within the broad appeal visual language that we are all used to. We couldn’t get too experimental.”
Disney is in Pablos’ DNA: he worked on “Tarzan” and “The Hunchback of Notre Dame” in the ’90s. “But our inspiration was Eyvind Earle with his backgrounds from ‘Sleeping Beauty,'” said Jakubowski, “and also his personal work, including the Christmas postcards. It looks like Scandinavia in winter and...
- 12/23/2019
- by Bill Desowitz
- Indiewire
Netflix’s first animation productions, an increasing number of attendees and the imminent Disney+ were all under discussion.
The Annecy International Animated Film Festival celebrated its 43rd edition (June 10-15), with filmmakers and industry professionals arriving at the French lakeside town for the latest content across features, shorts, videogames and Vr. Screen reports on the key talking points for the film industry from the week.
Newcomers debut original feature animations
As part of Mifa, the festival’s market event, Netflix presented several scenes from Sergio Pablos’ Santa Claus origin story Klaus, the streamer’s first in-house feature-length animated production. Melissa Cobb,...
The Annecy International Animated Film Festival celebrated its 43rd edition (June 10-15), with filmmakers and industry professionals arriving at the French lakeside town for the latest content across features, shorts, videogames and Vr. Screen reports on the key talking points for the film industry from the week.
Newcomers debut original feature animations
As part of Mifa, the festival’s market event, Netflix presented several scenes from Sergio Pablos’ Santa Claus origin story Klaus, the streamer’s first in-house feature-length animated production. Melissa Cobb,...
- 6/17/2019
- by Ben Dalton
- ScreenDaily
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