Friendships rarely start on terms more passive-aggressive than an intergenerational one does in “Good Posture,” writer-director Dolly Wells’ roughly drafted feature debut that manages to be just affable enough. Navigating the bookish streets of New York again after playing a kindhearted bookstore owner in “Can You Ever Forgive Me?” — this time, behind the camera in present-day Brooklyn — Wells swaddles her film with her soft artistic spirit; an aura she also infused into Marielle Heller’s melancholic drama. The result is a genial slice-of-life comedy, a female-driven, late-coming-of-age tale in the tradition of Lynn Shelton’s “Laggies,” exclusively brewed and bottled among the tree-lined sidewalks of Bed-Stuy.
While sufficiently charming, “Good Posture” would have been mostly unremarkable if it weren’t for sensational “The Meyerowitz Stories” actor Grace Van Patten, who plays recent college graduate Lilian, an entitled and thoroughly privileged brat who hides her aimless existence behind her noticeable beauty.
While sufficiently charming, “Good Posture” would have been mostly unremarkable if it weren’t for sensational “The Meyerowitz Stories” actor Grace Van Patten, who plays recent college graduate Lilian, an entitled and thoroughly privileged brat who hides her aimless existence behind her noticeable beauty.
- 5/1/2019
- by Tomris Laffly
- Variety Film + TV
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