Movie News
Danny Boyle’s “28 Years Later” has added Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes to its cast.
The continuation of the “28 Days Later” franchise will be released in theaters globally by Sony Pictures. “28 Days Later” was released in 2002 and starred Cillian Murphy, then largely unknown. Boyle directed the feature, while Alex Garland wrote. A sequel, “28 Weeks Later,” was released in 2007.
Plot details are still being kept under wraps for the new screenplay, written by Garland. It will be part of an upcoming trilogy, for which Nia DaCosta is in talks to direct the second film.
Boyle and Garland are producing, as is original producer Andrew Macdonald and Peter Rice. Bernie Bellew is also producing. Murphy is also returning as an executive producer, and is not currently attached to star.
Comer earned an Emmy for her work as Villanelle on “Killing Eve.” She will next be seen...
The continuation of the “28 Days Later” franchise will be released in theaters globally by Sony Pictures. “28 Days Later” was released in 2002 and starred Cillian Murphy, then largely unknown. Boyle directed the feature, while Alex Garland wrote. A sequel, “28 Weeks Later,” was released in 2007.
Plot details are still being kept under wraps for the new screenplay, written by Garland. It will be part of an upcoming trilogy, for which Nia DaCosta is in talks to direct the second film.
Boyle and Garland are producing, as is original producer Andrew Macdonald and Peter Rice. Bernie Bellew is also producing. Murphy is also returning as an executive producer, and is not currently attached to star.
Comer earned an Emmy for her work as Villanelle on “Killing Eve.” She will next be seen...
- 4/24/2024
- by Katcy Stephan
- Variety Film + TV
The American Black Film Festival (ABFF) has set its lineup of narrative and documentary features for its 28th edition, including Jussie Smollett’s return to acting in “The Lost Holliday,” filmmaker Christine Swanson’s latest drama “Albany Road” and the acclaimed Luther Vandross doc “Never Too Much.”
This year’s festival takes place June 12-16 in Miami Beach, Fla., followed by a virtual segment June 17-24 on ABFF Play. Winners of film festival competition will be announced on June 15, during the “Best of ABFF Awards” hosted by Emmy-nominee Dondré Whitfield.
The 2024 narrative lineup includes “Albany Road,” directed and written by Swanson, starring Renée Elise Goldsberry, Lynn Whitfield and J. Alphonse Nicholson; “The Lost Holliday” directed by, co-written and starring Smollett alongside Vivica A. Fox, produced by Mona Scott-Young; “The Waterboyz,” directed by Coke Daniels and produced by Ben Crump, starring Akil McDowell, Alani “La La” Anthony and Quavo; and “Black Heat,...
This year’s festival takes place June 12-16 in Miami Beach, Fla., followed by a virtual segment June 17-24 on ABFF Play. Winners of film festival competition will be announced on June 15, during the “Best of ABFF Awards” hosted by Emmy-nominee Dondré Whitfield.
The 2024 narrative lineup includes “Albany Road,” directed and written by Swanson, starring Renée Elise Goldsberry, Lynn Whitfield and J. Alphonse Nicholson; “The Lost Holliday” directed by, co-written and starring Smollett alongside Vivica A. Fox, produced by Mona Scott-Young; “The Waterboyz,” directed by Coke Daniels and produced by Ben Crump, starring Akil McDowell, Alani “La La” Anthony and Quavo; and “Black Heat,...
- 4/24/2024
- by Angelique Jackson
- Variety - Film News
Screen is running this regularly updated page with the latest film festival and market dates from across the world.
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Fantaspoa International Fantastic Film Festival, Brazil - April 11-28
Istanbul Film Festival, Turkiye - April 17-28
Bcn Film Fest, Spain - April 18-26
Sunny Bunny, Ukraine - April 19-26
Far East Film Festival, Italy - April 24-May 2
Atlanta Film Festival + Creative Conference, US - April 25-May 5
HotDocs,...
To submit details of or alter your festival dates, please contact us here with the name, dates, country and website for the event. Screen is also running a calendar for UK-Ireland film release dates here.
Ongoing
Fantaspoa International Fantastic Film Festival, Brazil - April 11-28
Istanbul Film Festival, Turkiye - April 17-28
Bcn Film Fest, Spain - April 18-26
Sunny Bunny, Ukraine - April 19-26
Far East Film Festival, Italy - April 24-May 2
Atlanta Film Festival + Creative Conference, US - April 25-May 5
HotDocs,...
- 4/25/2024
- by Ben Dalton
- ScreenDaily
Sheffield DocFest has selected 50 projects for the 2024 edition of MeetMarket, its pitching event for documentary films at development, production and rough cut stage.
Titles in the selection include Rachel Close’s One Of Us, a Romanian film in co-production with the UK. The film sees UK-Romanian filmmaker Close travel to Romania to help a stranger search for her birth mother. The project is produced by Monica Lazurean-Gorgan, who previously produced Berlinale 2023 selection Between Revolutions, and Elena Martin.
Scroll down for the full list of projects
The five Rough Cut projects include Isabel Alcantara and Alfredo Alcantara’s Mexican title The Age Of Water,...
Titles in the selection include Rachel Close’s One Of Us, a Romanian film in co-production with the UK. The film sees UK-Romanian filmmaker Close travel to Romania to help a stranger search for her birth mother. The project is produced by Monica Lazurean-Gorgan, who previously produced Berlinale 2023 selection Between Revolutions, and Elena Martin.
Scroll down for the full list of projects
The five Rough Cut projects include Isabel Alcantara and Alfredo Alcantara’s Mexican title The Age Of Water,...
- 4/25/2024
- ScreenDaily
‘Inside Gaza,’ ‘Edgar Hilsenrath the Masturbator’ Among 2024 Pitch Projects at Sunny Side of the Doc
International documentary marketplace Sunny Side of the Doc has revealed the 42 projects from 21 countries that make up the official selection for its 2024 edition.
As always, the projects are topical and eclectic, ranging from Helene Lam Trong’s “Inside Gaza,” that tells the inside story of the ongoing conflict in the region; to Francois-Xavier Destors’ “Edgar Hilsenrath The Masturbator,” an animated documentary journeying through the transgressive world of Edgar Hilsenrath, the first German-Jewish writer and Holocaust survivor who dared to laugh at death.
The projects will participate in pitch sessions in front of more than 300 international decision-makers, including major broadcasters, streamers, foundations, distributors, buyers and other investors looking for stories with the biggest impact.
This year’s call for projects received 320 responses (the same as 2023) from 60 countries, 52% of which were led by female filmmakers.
The Specialist Factual strand, which has a cash prize of €3,000, focuses on the topics Global Issues, Wildlife & Conservation,...
As always, the projects are topical and eclectic, ranging from Helene Lam Trong’s “Inside Gaza,” that tells the inside story of the ongoing conflict in the region; to Francois-Xavier Destors’ “Edgar Hilsenrath The Masturbator,” an animated documentary journeying through the transgressive world of Edgar Hilsenrath, the first German-Jewish writer and Holocaust survivor who dared to laugh at death.
The projects will participate in pitch sessions in front of more than 300 international decision-makers, including major broadcasters, streamers, foundations, distributors, buyers and other investors looking for stories with the biggest impact.
This year’s call for projects received 320 responses (the same as 2023) from 60 countries, 52% of which were led by female filmmakers.
The Specialist Factual strand, which has a cash prize of €3,000, focuses on the topics Global Issues, Wildlife & Conservation,...
- 4/25/2024
- by Naman Ramachandran
- Variety - Film News
Sombre documentary focuses on the former Palestinian leader Marwan Barghouti, and how he is becoming a Mandela-like figure since his imprisonment in 2002
Here is a film that offers something not generally on offer in the media: an envisioning of the future and a road map, or part of a road map, out of the present situation in Israel and Palestine. It’s about Palestinian leader Marwan Barghouti, an initial supporter of the 1993 and 1995 Oslo peace accords who became progressively disillusioned with the slow choreography of international consensus, and was ultimately imprisoned in 2002 for authorising deadly attacks on Israel. Barghouti’s position is not that he is innocent, but that an Israeli court has no right to try him.
During the long years since, he has gone on hunger strike, been beaten and abused in captivity; his grownup children have themselves been targeted and arrested and his wife Fadwa has...
Here is a film that offers something not generally on offer in the media: an envisioning of the future and a road map, or part of a road map, out of the present situation in Israel and Palestine. It’s about Palestinian leader Marwan Barghouti, an initial supporter of the 1993 and 1995 Oslo peace accords who became progressively disillusioned with the slow choreography of international consensus, and was ultimately imprisoned in 2002 for authorising deadly attacks on Israel. Barghouti’s position is not that he is innocent, but that an Israeli court has no right to try him.
During the long years since, he has gone on hunger strike, been beaten and abused in captivity; his grownup children have themselves been targeted and arrested and his wife Fadwa has...
- 4/25/2024
- by Peter Bradshaw
- The Guardian - Film News
UK producers Damian Keogh and Simon Vaughan, previously at TV drama juggernaut Lookout Point, have launched their own film and TV studios The Story Works in Richmond, southwest London.
The 22-acre site, a former brewery dating as far back as the 11th century, was originally intended as a temporary base for production on Steven Knight’s upcoming Disney+ series A Thousand Blows which Keogh and Vaughan produced via The Story Collective with Matriarch Productions and Water & Power Productions.
Through their production company, founded in 2021 alongside Helen Jackson, the pair recently signed a lease with the developers to continue operating...
The 22-acre site, a former brewery dating as far back as the 11th century, was originally intended as a temporary base for production on Steven Knight’s upcoming Disney+ series A Thousand Blows which Keogh and Vaughan produced via The Story Collective with Matriarch Productions and Water & Power Productions.
Through their production company, founded in 2021 alongside Helen Jackson, the pair recently signed a lease with the developers to continue operating...
- 4/25/2024
- ScreenDaily
UK producers Damian Keogh and Simon Vaughan, previously at TV drama juggernaut Lookout Point, have launched their own film and TV studios The Story Works in Richmond, southwest London.
The 22-acre site, a former brewery dating as far back as the 11th century, was originally intended as a temporary base for production on Steven Knight’s upcoming Disney+ series A Thousand Blows which Keogh and Vaughan produced via The Story Collective with Matriarch Productions and Water & Power Productions.
Through their production company, founded in 2021 alongside Helen Jackson, the pair recently signed a lease with the developers to continue operating...
The 22-acre site, a former brewery dating as far back as the 11th century, was originally intended as a temporary base for production on Steven Knight’s upcoming Disney+ series A Thousand Blows which Keogh and Vaughan produced via The Story Collective with Matriarch Productions and Water & Power Productions.
Through their production company, founded in 2021 alongside Helen Jackson, the pair recently signed a lease with the developers to continue operating...
- 4/25/2024
- ScreenDaily
“The Imaginary,” an upcoming hand-drawn animated fantasy film from Japan’s Studio Ponoc that will play in competition at this year’s Annecy International Animation Film Festival, is set to debut July 5 on Netflix. An Oscar-qualifying run is also planned.
“The Imaginary” is directed by Yoshiyuki Momose, whose credits as an animator include Studio Ponoc’s 2017 debut feature “Mary and the Witch’s Flower” and Studio Ghibli’s Academy Award winner “Spirited Away.” Studio Ponoc founder Yoshiaki Nishimura, the Oscar-nominated producer of Studio Ghibli’s “The Tale of The Princess Kaguya” and “When Marnie Was There,” is producing.
Based on the novel of the same name by A.F. Harrold and illustrated by Emily Gravett, “The Imaginary” is described as a fantasy that “portrays the depths of humanity and creativity through the eyes of young Amanda and her imaginary companion, Rudger. Their fantastical adventures launched from her attic, lead them to discover...
“The Imaginary” is directed by Yoshiyuki Momose, whose credits as an animator include Studio Ponoc’s 2017 debut feature “Mary and the Witch’s Flower” and Studio Ghibli’s Academy Award winner “Spirited Away.” Studio Ponoc founder Yoshiaki Nishimura, the Oscar-nominated producer of Studio Ghibli’s “The Tale of The Princess Kaguya” and “When Marnie Was There,” is producing.
Based on the novel of the same name by A.F. Harrold and illustrated by Emily Gravett, “The Imaginary” is described as a fantasy that “portrays the depths of humanity and creativity through the eyes of young Amanda and her imaginary companion, Rudger. Their fantastical adventures launched from her attic, lead them to discover...
- 4/25/2024
- by Carolyn Giardina
- Variety - Film News
The Clash are the touchstone for a story that stretches back to the 50s, told in interviews with many campaigning rockers
There’s no better time than now for a documentary on popular music’s role in the fight against racism and fascism. And in true punk spirit, this lo-fi indie packs in a lot of history and righteous passion for not much budget – even if, to be brutally honest, its core narrative is a very minor part of that history, centred on a bunch of ageing Clash fans.
The Clash are very much the touchstone here. Motivated by musicians such as Eric Clapton echoing the National Front’s racist and anti-immigrant sentiments, Joe Strummer and co became key players in the Rock Against Racism movement in the late 70s, alongside acts including Steel Pulse, Tom Robinson and Aswad. (The 2020 doc White Riot lays out the story in more detail.
There’s no better time than now for a documentary on popular music’s role in the fight against racism and fascism. And in true punk spirit, this lo-fi indie packs in a lot of history and righteous passion for not much budget – even if, to be brutally honest, its core narrative is a very minor part of that history, centred on a bunch of ageing Clash fans.
The Clash are very much the touchstone here. Motivated by musicians such as Eric Clapton echoing the National Front’s racist and anti-immigrant sentiments, Joe Strummer and co became key players in the Rock Against Racism movement in the late 70s, alongside acts including Steel Pulse, Tom Robinson and Aswad. (The 2020 doc White Riot lays out the story in more detail.
- 4/25/2024
- by Steve Rose
- The Guardian - Film News
Jennifer Aniston is ready to pour herself a cup of ambition.
Aniston and her Echo Films partner Kristin Hahn are producing a “9 to 5” reimagining for 20th Century Studios, Variety has confirmed.
The film is currently in development, with Diablo Cody working on the latest draft of the “9 to 5” reimagining. Plot details are being kept under wraps.
The original “9 to 5” follows three female office colleagues who decide to exact revenge on their sexist, egotistical boss. Jane Fonda, Lily Tomlin, Dolly Parton and Dabney Coleman starred in the 1980 office satire, directed by Colin Higgins and written by Patricia Resnick. The hit comedy film spawned a sitcom of the same name, which aired on ABC from 1982 to 1983, and in first-run syndication from 1986 to 1988. Parton, Tomlin and Fonda participated in the 2022 documentary “Still Working 9 to 5,” which focuses on the impact of the classic film 40 years later.
Aniston and her Echo Films partner Kristin Hahn are producing a “9 to 5” reimagining for 20th Century Studios, Variety has confirmed.
The film is currently in development, with Diablo Cody working on the latest draft of the “9 to 5” reimagining. Plot details are being kept under wraps.
The original “9 to 5” follows three female office colleagues who decide to exact revenge on their sexist, egotistical boss. Jane Fonda, Lily Tomlin, Dolly Parton and Dabney Coleman starred in the 1980 office satire, directed by Colin Higgins and written by Patricia Resnick. The hit comedy film spawned a sitcom of the same name, which aired on ABC from 1982 to 1983, and in first-run syndication from 1986 to 1988. Parton, Tomlin and Fonda participated in the 2022 documentary “Still Working 9 to 5,” which focuses on the impact of the classic film 40 years later.
- 4/25/2024
- by Michaela Zee
- Variety - Film News
The new film marks the reunion of director Danny Boyle and writer Alex Garland, who created 2002’s 28 Days Later starring Oscar winner Cillian Murphy
Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes will star in 28 Years Later, Danny Boyle’s upcoming sequel to the classic zombie horror 28 Days Later.
The new film will mark the reunion of Boyle and writer Alex Garland, who directed and wrote the 2002 original and served as executive producers on the 2007 sequel 28 Weeks Later.
Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes will star in 28 Years Later, Danny Boyle’s upcoming sequel to the classic zombie horror 28 Days Later.
The new film will mark the reunion of Boyle and writer Alex Garland, who directed and wrote the 2002 original and served as executive producers on the 2007 sequel 28 Weeks Later.
- 4/25/2024
- by Michael Sun
- The Guardian - Film News
Rebel Wilson’s memoir “Rebel Rising” will be published in the U.K. with redacted passages about her experience working with Sacha Baron Cohen.
“We are publishing every page, but for legal reasons, in the U.K. edition, we are redacting most of one page with some other small redactions and an explanatory note,” publisher HarperCollins told The Guardian in a statement. “Those sections are a very small part of a much bigger story.”
Following the news of the redaction in the U.K. edition, a spokesperson for Baron Cohen told Variety in a statement, “Harper Collins did not fact check this chapter in the book prior to publication and took the sensible but terribly belated step of deleting Rebel Wilson’s defamatory claims once presented with evidence that they were false.”
The statement continued, “Printing falsehoods is against the law in the U.K. and Australia; this is not a ‘peculiarity’ as Ms.
“We are publishing every page, but for legal reasons, in the U.K. edition, we are redacting most of one page with some other small redactions and an explanatory note,” publisher HarperCollins told The Guardian in a statement. “Those sections are a very small part of a much bigger story.”
Following the news of the redaction in the U.K. edition, a spokesperson for Baron Cohen told Variety in a statement, “Harper Collins did not fact check this chapter in the book prior to publication and took the sensible but terribly belated step of deleting Rebel Wilson’s defamatory claims once presented with evidence that they were false.”
The statement continued, “Printing falsehoods is against the law in the U.K. and Australia; this is not a ‘peculiarity’ as Ms.
- 4/25/2024
- by Michaela Zee
- Variety - Film News
Korean comedy action film “The Roundup: Punishment” destroyed all competition in local theaters on its Wednesday opening day.
The film earned $4.92 million from 821,000 ticket sales, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a crushing 97% share of the day’s theatrical market.
Including a smattering of previews over the latest weekend, the film finished Wednesday with a cumulative of $5.26 million earned from 862,000 spectators.
Earlier, it was reported that the film had broken the Korean record for advanced ticket sales. On the eve of its arrival in cinemas, the film had notched up 830,000 pre-sales for Wednesday and other subsequent days. That comfortably exceeded previous record-holder “Along With the Gods: The Last 49 Days,” which pre-sold 646,000 tickets in 2018, and last year’s “The Roundup: No Way Out,” which pre-sold 640,000 before arriving in cinemas.
The film, which sees a tough-guy cop go after gangsters involved in drugs,...
The film earned $4.92 million from 821,000 ticket sales, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). That represented a crushing 97% share of the day’s theatrical market.
Including a smattering of previews over the latest weekend, the film finished Wednesday with a cumulative of $5.26 million earned from 862,000 spectators.
Earlier, it was reported that the film had broken the Korean record for advanced ticket sales. On the eve of its arrival in cinemas, the film had notched up 830,000 pre-sales for Wednesday and other subsequent days. That comfortably exceeded previous record-holder “Along With the Gods: The Last 49 Days,” which pre-sold 646,000 tickets in 2018, and last year’s “The Roundup: No Way Out,” which pre-sold 640,000 before arriving in cinemas.
The film, which sees a tough-guy cop go after gangsters involved in drugs,...
- 4/25/2024
- by Patrick Frater
- Variety - Film News
This April sees Zendaya cross a milestone it honestly feels like she should have reached ages ago: a legitamite leading role in a theatrical film. The actor has been one of the biggest stars of Generation Z and a much hyped starlet for years now, and yet a quick glance at her Wikipedia page reveals a shockingly short resume.
The Oakland born star’s adult film career, after a childhood in the Disney Channel machine leading sitcoms like “Shake It Up” and “Kc Undercover,” really only started in 2017, with a brief supporting turn in Marvel’s “Spider-Man: Homecoming.” Opposite her eventual real-life boyfriend Tom Holland, she only had a scant 10 minutes or so of screentime as the sarcastic teen Mj — hardly a star is born moment, despite what the advertising for the film would have you expect.
Zendaya would reprise her role in future Spider-Man films, and her screentime increased with each installment.
The Oakland born star’s adult film career, after a childhood in the Disney Channel machine leading sitcoms like “Shake It Up” and “Kc Undercover,” really only started in 2017, with a brief supporting turn in Marvel’s “Spider-Man: Homecoming.” Opposite her eventual real-life boyfriend Tom Holland, she only had a scant 10 minutes or so of screentime as the sarcastic teen Mj — hardly a star is born moment, despite what the advertising for the film would have you expect.
Zendaya would reprise her role in future Spider-Man films, and her screentime increased with each installment.
- 4/25/2024
- by Wilson Chapman
- Indiewire
Billed as North America’s largest documentary festival, conference and market, Hot Docs offers up 168 films for its 31st edition running April 25-May 5 in Toronto, opening with the international premiere of Luther: Never Too Much about R&b singer-songwriter and producer Luther Vandross.
Among the festival’s 51 world premieres this year are special presentations of Red Fever from Cree filmmaker Neil Diamond and Catherine Bainbridge, and The Ride Ahead from Samuel and Dan Habib.
The international competition includes the world premiere of Farming The Revolution from India and the international premiere of Ukrainian Sundance prize-winner Porcelain War.
This year’s Made In section highlights Spain,...
Among the festival’s 51 world premieres this year are special presentations of Red Fever from Cree filmmaker Neil Diamond and Catherine Bainbridge, and The Ride Ahead from Samuel and Dan Habib.
The international competition includes the world premiere of Farming The Revolution from India and the international premiere of Ukrainian Sundance prize-winner Porcelain War.
This year’s Made In section highlights Spain,...
- 4/25/2024
- ScreenDaily
Billed as North America’s largest documentary festival, conference and market, Hot Docs offers up 168 films for its 31st edition running April 25-May 5 in Toronto, opening with the international premiere of Luther: Never Too Much about R&b singer-songwriter and producer Luther Vandross.
Among the festival’s 51 world premieres this year are special presentations of Red Fever from Cree filmmaker Neil Diamond and Catherine Bainbridge, and The Ride Ahead from Samuel and Dan Habib.
The international competition includes the world premiere of Farming The Revolution from India and the international premiere of Ukrainian Sundance prize-winner Porcelain War.
This year’s Made In section highlights Spain,...
Among the festival’s 51 world premieres this year are special presentations of Red Fever from Cree filmmaker Neil Diamond and Catherine Bainbridge, and The Ride Ahead from Samuel and Dan Habib.
The international competition includes the world premiere of Farming The Revolution from India and the international premiere of Ukrainian Sundance prize-winner Porcelain War.
This year’s Made In section highlights Spain,...
- 4/25/2024
- ScreenDaily
Mark Ruffalo is turning back the clock to celebrate 20 years of timeless rom-com “13 Going on 30.”
Ruffalo, who starred opposite Jennifer Garner in the time travel comedy, revisited the film for its 20th anniversary in an Instagram video alongside Garner and co-star Judy Greer. The “Poor Things” actor and Marvel star Ruffalo admitted that among his filmography, “13 Going on 30” still proves to be his most recognizable role…even after playing the Hulk in the Marvel Cinematic Universe for more than a decade.
“There’s two types of people in this world. There’s Hulk people, and there’s ’13 Going on 30′ people, and I get equal amounts,” Ruffalo said before adding, “way more ’13 Going on 30.'”
“13 Going on 30” was directed by Gary Winick and written by Cathy Yuspa and Josh Goldsmith. Garner plays Jenna Rink, a 13-year-old who wakes up in 2004 with her dream life after wishing to be “thirty,...
Ruffalo, who starred opposite Jennifer Garner in the time travel comedy, revisited the film for its 20th anniversary in an Instagram video alongside Garner and co-star Judy Greer. The “Poor Things” actor and Marvel star Ruffalo admitted that among his filmography, “13 Going on 30” still proves to be his most recognizable role…even after playing the Hulk in the Marvel Cinematic Universe for more than a decade.
“There’s two types of people in this world. There’s Hulk people, and there’s ’13 Going on 30′ people, and I get equal amounts,” Ruffalo said before adding, “way more ’13 Going on 30.'”
“13 Going on 30” was directed by Gary Winick and written by Cathy Yuspa and Josh Goldsmith. Garner plays Jenna Rink, a 13-year-old who wakes up in 2004 with her dream life after wishing to be “thirty,...
- 4/24/2024
- by Samantha Bergeson
- Indiewire
A cellphone video of the accident on the set of the Eddie Murphy film “The Pickup” reveals that an SUV and truck can be seen flipping over after veering off road.
The New York Times obtained the footage and shared it Wednesday after news broke that the accident on the set of the Amazon MGM Studios film hospitalized two people and injured several others. The New York Times now says at least half a dozen people who were inside the two cars were taken to the hospital. One remains hospitalized Wednesday after sustaining a back injury.
In the video (via Nyt), you can see an armored truck pulling up alongside an SUV and then swerving into it, leading the cars to drive off the road and into grass. But the armored truck then rolls on top of the SUV, with both vehicles fully flipping before landing upright. The video concludes...
The New York Times obtained the footage and shared it Wednesday after news broke that the accident on the set of the Amazon MGM Studios film hospitalized two people and injured several others. The New York Times now says at least half a dozen people who were inside the two cars were taken to the hospital. One remains hospitalized Wednesday after sustaining a back injury.
In the video (via Nyt), you can see an armored truck pulling up alongside an SUV and then swerving into it, leading the cars to drive off the road and into grass. But the armored truck then rolls on top of the SUV, with both vehicles fully flipping before landing upright. The video concludes...
- 4/24/2024
- by Brian Welk
- Indiewire
Is 2024 the year of tennis? At the movies and on our TV screens, the answer might be yes. This spring brings two major releases that both heavily feature racquets, green courts, and sweaty tennis action. The first was Peacock’s “Apples Never Fall,” a limited series based on “Big Little Lies” scribe Liane Moriarty’s novel about the family of two married tennis pros (played by Annette Bening and Sam Neill) who are forced to contend with the mysterious and sudden disappearance of their matriarch. Even more anticipated is “Challengers,” a Luca Guadagnino film that arrives — after strike-related delays — this April to tell the steamy story of a tennis coach (Zendaya) caught between her husband and an old flame as the two men go head to head in a Challenger tennis event.
These two releases mark the biggest Spring for tennis-related media in…possibly ever. Which isn’t necessarily hard...
These two releases mark the biggest Spring for tennis-related media in…possibly ever. Which isn’t necessarily hard...
- 4/24/2024
- by Wilson Chapman and Mark Peikert
- Indiewire
Rachel Stavis, billed as the “Hollywood Exorcist,” is channeling her creativity for a number of upcoming scripted projects.
Stavis is an author and filmmaker whose day job — as a “non-denominational exorcist on a mission to create global change by eradicating darkness from one person or place at a time,” per her bio – has put her in the employ of studio chiefs, movie stars and global political figures.
Stavis’ work ranges from the personal and therapeutic to paranormal investigations, and content makers are taking notice. Stavis is currently in the casting phase for her feature directorial debut “Da Wee Do Wa,” for which she also wrote the script. The film explores generational trauma suffered by women in the context of body horror. XYZ Films is in the mix to produce the project. V, formerly known as Eve Ensler, is on board as an executive producer. Acclaimed multi-hyphenate and “Better Things” creator...
Stavis is an author and filmmaker whose day job — as a “non-denominational exorcist on a mission to create global change by eradicating darkness from one person or place at a time,” per her bio – has put her in the employ of studio chiefs, movie stars and global political figures.
Stavis’ work ranges from the personal and therapeutic to paranormal investigations, and content makers are taking notice. Stavis is currently in the casting phase for her feature directorial debut “Da Wee Do Wa,” for which she also wrote the script. The film explores generational trauma suffered by women in the context of body horror. XYZ Films is in the mix to produce the project. V, formerly known as Eve Ensler, is on board as an executive producer. Acclaimed multi-hyphenate and “Better Things” creator...
- 4/24/2024
- by Matt Donnelly
- Variety - Film News
Dermot Mulroney didn’t have a Bff in any casting departments after starring in 1997 rom-com “My Best Friend’s Wedding.”
Mulroney shared with the New York Times that despite starring in the hit film alongside Julia Roberts and Cameron Diaz, he “probably didn’t work for a year” after its release. “My Best Friend’s Wedding” grossed almost $300 million at the global box office against its $35 million budget, and while Mulroney went on to continue his rom-com reign with “The Wedding Date” and more, there was not exactly a slew of immediately available roles with Dermot’s name on them.
“I was sitting there ready for the gift with purchase that was supposed to come along with being in a popular movie, and instead, I probably didn’t work for a year,” Mulroney said. “I chalked it up to me being so tiny on the poster, the little guy on the cake.
Mulroney shared with the New York Times that despite starring in the hit film alongside Julia Roberts and Cameron Diaz, he “probably didn’t work for a year” after its release. “My Best Friend’s Wedding” grossed almost $300 million at the global box office against its $35 million budget, and while Mulroney went on to continue his rom-com reign with “The Wedding Date” and more, there was not exactly a slew of immediately available roles with Dermot’s name on them.
“I was sitting there ready for the gift with purchase that was supposed to come along with being in a popular movie, and instead, I probably didn’t work for a year,” Mulroney said. “I chalked it up to me being so tiny on the poster, the little guy on the cake.
- 4/24/2024
- by Samantha Bergeson
- Indiewire
We will update this article throughout the season, along with all our predictions, so make sure to keep checking IndieWire for the latest news from the 2024 Emmys race. The nomination round of voting takes place from June 13 to June 24, with the official Emmy nominations announced Wednesday, July 17. Afterwards, final voting commences on August 15 and ends the night of August 26. The 76th Annual Primetime Emmy Awards are set to take place on Sunday, September 15, and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
The State of the Race
There’s an idea that a show can finally get in front of the right audience, and build enough momentum to gain Emmys attention in its later seasons, but those moments are few and far between, and often fueled specifically by a show hitting Netflix. That actually has happened for SyFy’s “Resident Alien,” so star Alan Tudyk...
The State of the Race
There’s an idea that a show can finally get in front of the right audience, and build enough momentum to gain Emmys attention in its later seasons, but those moments are few and far between, and often fueled specifically by a show hitting Netflix. That actually has happened for SyFy’s “Resident Alien,” so star Alan Tudyk...
- 4/24/2024
- by Marcus Jones
- Indiewire
Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes have signed on to Danny Boyle’s 28 Years Later, which Sony will distribute worldwide.
Plot details remain under wraps on the project, based on Alex Garland’s screenplay and conceived as the first in a trilogy.
Boyle and Garland are also producing 28 Years Later alongside Andrew Macdonald, who produced the 2002 breakout 28 Days Later, directed by Boyle, and 2007’s 28 Weeks Later, which Juan Carlos Fresnadillo directed and featured Boyle as executive producer.
Peter Rice and Bernie Bellew are also serving as producers on 28 Years Later.
Cillian Murphy, who recently won...
Plot details remain under wraps on the project, based on Alex Garland’s screenplay and conceived as the first in a trilogy.
Boyle and Garland are also producing 28 Years Later alongside Andrew Macdonald, who produced the 2002 breakout 28 Days Later, directed by Boyle, and 2007’s 28 Weeks Later, which Juan Carlos Fresnadillo directed and featured Boyle as executive producer.
Peter Rice and Bernie Bellew are also serving as producers on 28 Years Later.
Cillian Murphy, who recently won...
- 4/24/2024
- ScreenDaily
Have you heard about this Taylor Swift gal? Turns out she’s pretty famous. And as we all know, Paul Schrader is one of the biggest Swifties around.
Never afraid to post his musings on Facebook, the filmmaker posted a photo of her self-titled, debut album cover when she was just 16 and wondered how this girl, then just someone named Taylor Swift, became “Taylor Swift,” i.e. the biggest star on the planet in our year 2024.
“This girl became Taylor Swift. There’s a movie there,” Schrader wrote. “What’s the best article written about the Ts phenomenon?”
You’d be shocked to know that discussing Swift on the internet can be a recipe for disaster, and not long after he wrote the post asking for a deep dive article that really explains why she’s a superstar (may we suggest this recent WSJ feature about Swift’s publicist Tree Paine?...
Never afraid to post his musings on Facebook, the filmmaker posted a photo of her self-titled, debut album cover when she was just 16 and wondered how this girl, then just someone named Taylor Swift, became “Taylor Swift,” i.e. the biggest star on the planet in our year 2024.
“This girl became Taylor Swift. There’s a movie there,” Schrader wrote. “What’s the best article written about the Ts phenomenon?”
You’d be shocked to know that discussing Swift on the internet can be a recipe for disaster, and not long after he wrote the post asking for a deep dive article that really explains why she’s a superstar (may we suggest this recent WSJ feature about Swift’s publicist Tree Paine?...
- 4/24/2024
- by Brian Welk
- Indiewire
Danny Boyle's lo-fi 2002 zombie apocalypse film "28 Days Later" caused a stir in the horror community for its grainy digital photography (shot by Anthony Dod Mantle) and for its introduction of "fast zombies" into the pop vernacular. The zombies in "28 Days Later" were, unlike most movie zombies seen up to that point, fast-moving and vicious rather than mindless and shambling. It is credited for breathing new life into the zombie genre, followed as it was by other zombie hits like the "Dawn of the Dead" remake, George Romero's "Land of the Dead," and the hit 2010 series "The Walking Dead." "28 Days Later" also tapped into a lot of America's post-9/11 ennui, presenting hard-edged images of urban desolation. Everyone felt like the world had ended, and Boyle aesthetically agreed.
"28 Days Later," penned by "Civil War" director Alex Garland, was followed by a sequel in 2007 called "28 Weeks Later,...
"28 Days Later," penned by "Civil War" director Alex Garland, was followed by a sequel in 2007 called "28 Weeks Later,...
- 4/24/2024
- by Witney Seibold
- Slash Film
Taylor Swift has conquered the world of music, and it's long been rumored that the next step in her career is the movies.
She has her own eponymous production company, for one. In 2020, she starred in the documentary "Miss Americana," and in 2021, she directed a short film adapting her song "All Too Well," starring Sadie Sink and Dylan O'Brien. Aside from a handful of supporting roles in several films, she also took the 2023 box office by storm with the "Eras Tour" concert film.
Swift has a passionate fanbase, one that is famous for finding (or creating) supposedly hidden messages across her lyrics. Now, her newly released 11th album, "The Tortured Poets Department," has whipped up a new Swiftie theory.
The last track of "The Tortured Poets Department" — "Clara Bow" — concludes with the line: "The future's bright and dazzling." Fans jumped to the obvious conclusion; of course, Swift is hinting to...
She has her own eponymous production company, for one. In 2020, she starred in the documentary "Miss Americana," and in 2021, she directed a short film adapting her song "All Too Well," starring Sadie Sink and Dylan O'Brien. Aside from a handful of supporting roles in several films, she also took the 2023 box office by storm with the "Eras Tour" concert film.
Swift has a passionate fanbase, one that is famous for finding (or creating) supposedly hidden messages across her lyrics. Now, her newly released 11th album, "The Tortured Poets Department," has whipped up a new Swiftie theory.
The last track of "The Tortured Poets Department" — "Clara Bow" — concludes with the line: "The future's bright and dazzling." Fans jumped to the obvious conclusion; of course, Swift is hinting to...
- 4/24/2024
- by Devin Meenan
- Slash Film
Ufeg’s Make It Universal and Rotten Tomatoes have partnered to create the new “Seen on Screen” podcast hosted by Rotten Tomatoes awards editor Jacqueline Coley. The bi-weekly podcast offers a behind the scenes look into Universal productions and conversations with Universal employees about the impact of film on their lives.
“Seen on Screen” also aims to demystify the interworkings of the film industry to listeners. Episodes will showcase the many employment opportunities available across a major studio and highlight the diversity within the Universal staff.
“Movies have the unique ability to unite us – in them we either see a reflection of ourselves or they give us a window into perspectives and experiences that are unlike our own but are worth exploring,” said Dwight Caines, Universal Pictures president of domestic marketing. “The ‘Seen on Screen’ podcast celebrates the inclusive culture of our studio by putting a spotlight on the people...
“Seen on Screen” also aims to demystify the interworkings of the film industry to listeners. Episodes will showcase the many employment opportunities available across a major studio and highlight the diversity within the Universal staff.
“Movies have the unique ability to unite us – in them we either see a reflection of ourselves or they give us a window into perspectives and experiences that are unlike our own but are worth exploring,” said Dwight Caines, Universal Pictures president of domestic marketing. “The ‘Seen on Screen’ podcast celebrates the inclusive culture of our studio by putting a spotlight on the people...
- 4/24/2024
- by Jack Dunn
- Variety - Film News
Ben Stiller still can’t get over just how much “Zoolander 2” flopped.
Despite the writer/actor/director previously crediting the critically-panned sequel for jumpstarting his dramatic directing career with “Escape From Dannemora” and “Severance,” Stiller revisited the box office bomb during David Duchovny’s “Fail Better” podcast (via People).
“I thought everybody wanted this,” Stiller said of the 2016 sequel to his 2001 classic comedy. “And then it’s like, ‘Wow, I must have really fucked this up. Everybody didn’t go to it. And it’s gotten these horrible reviews.'”
Stiller even questioned his own comedic take given the reception to the feature.
“It really freaked me out because I was like, ‘I didn’t know was that bad?’” Stiller said. “What scared me the most on that one was l’m losing what I think what’s funny, the questioning yourself … on ‘Zoolander 2,’ it was definitely blindsiding to me.
Despite the writer/actor/director previously crediting the critically-panned sequel for jumpstarting his dramatic directing career with “Escape From Dannemora” and “Severance,” Stiller revisited the box office bomb during David Duchovny’s “Fail Better” podcast (via People).
“I thought everybody wanted this,” Stiller said of the 2016 sequel to his 2001 classic comedy. “And then it’s like, ‘Wow, I must have really fucked this up. Everybody didn’t go to it. And it’s gotten these horrible reviews.'”
Stiller even questioned his own comedic take given the reception to the feature.
“It really freaked me out because I was like, ‘I didn’t know was that bad?’” Stiller said. “What scared me the most on that one was l’m losing what I think what’s funny, the questioning yourself … on ‘Zoolander 2,’ it was definitely blindsiding to me.
- 4/24/2024
- by Samantha Bergeson
- Indiewire
Brian Tyree Henry has joined the cast of Universal’s untitled Pharrell Williams and Michel Gondry musical project.
The Oscar, Emmy and Tony nominee joins Kelvin Harrison Jr., Halle Bailey and Oscar winner Da’Vine Joy Randolph in the coming-of-age musical, set in the summer of 1977 at Virginia Beach and inspired by Atlantis Apartments, Williams’ childhood neighborhood.
Gondry is set to direct the project based on a script by Martin Hynes and Steven Levenson. Williams and Mimi Valdés will produce through the recording company I Am Other and Gil Netter will produce through Gil Netter Productions.
Universal’s senior vice president of production development Ryan Jones and Christine Sun, director of production development, will oversee the project for the studio.
Henry starred on Donald Glover’s acclaimed series “Atlanta” for four seasons as Alfred “Paper Boi” Miles, earning an Emmy nomination for his performance. He also scored a supporting actor Oscar...
The Oscar, Emmy and Tony nominee joins Kelvin Harrison Jr., Halle Bailey and Oscar winner Da’Vine Joy Randolph in the coming-of-age musical, set in the summer of 1977 at Virginia Beach and inspired by Atlantis Apartments, Williams’ childhood neighborhood.
Gondry is set to direct the project based on a script by Martin Hynes and Steven Levenson. Williams and Mimi Valdés will produce through the recording company I Am Other and Gil Netter will produce through Gil Netter Productions.
Universal’s senior vice president of production development Ryan Jones and Christine Sun, director of production development, will oversee the project for the studio.
Henry starred on Donald Glover’s acclaimed series “Atlanta” for four seasons as Alfred “Paper Boi” Miles, earning an Emmy nomination for his performance. He also scored a supporting actor Oscar...
- 4/24/2024
- by Katcy Stephan
- Variety - Film News
We will update this article throughout the season, along with all our predictions, so make sure to keep checking IndieWire for the latest news from the 2024 Emmys race. The nomination round of voting takes place from June 13 to June 24, with the official Emmy nominations announced Wednesday, July 17. Afterwards, final voting commences on August 15 and ends the night of August 26. The 76th Annual Primetime Emmy Awards are set to take place on Sunday, September 15, and air live on ABC at 8:00 p.m. Et/ 5:00 p.m. Pt.
The State of the Race
Unlike dramas, Outstanding Comedy Series and its associated Emmy categories has tons of returning contenders. Coming off of such a winning winter awards season for the FX show, it may be hard to see past “The Bear” getting back-to-back wins, but right now, it does not look like the Chicago set series can do much campaigning.
What really...
The State of the Race
Unlike dramas, Outstanding Comedy Series and its associated Emmy categories has tons of returning contenders. Coming off of such a winning winter awards season for the FX show, it may be hard to see past “The Bear” getting back-to-back wins, but right now, it does not look like the Chicago set series can do much campaigning.
What really...
- 4/24/2024
- by Marcus Jones
- Indiewire
Throughout the early 2000s, the rock ‘n’ roll film festival “Don’t Knock the Rock” was one of the highlights of any L.A.-based cinephile’s year, an impeccably assembled program of movies, live performances, and panels celebrating the intersection between rock ‘n’ roll and cinema. Created by writer-director Allison Anders and music supervisor Tiffany Anders, “Don’t Knock the Rock” was beloved for its determination to showcase difficult-to-see music documentaries and for the breadth and depth of its programming.
The festival last graced L.A. screens in 2016, but now it’s returning to Hollywood via the American Cinematheque with a line-up that’s one of the best ever. From May 23-27, “Don’t Knock the Rock” will screen an eclectic mix of documentaries, music-themed narrative films, and essential retrospective programs at the Cinematheque’s Los Feliz venue, with an added virtual component that will stream from May 23-July 31. Among the...
The festival last graced L.A. screens in 2016, but now it’s returning to Hollywood via the American Cinematheque with a line-up that’s one of the best ever. From May 23-27, “Don’t Knock the Rock” will screen an eclectic mix of documentaries, music-themed narrative films, and essential retrospective programs at the Cinematheque’s Los Feliz venue, with an added virtual component that will stream from May 23-July 31. Among the...
- 4/24/2024
- by Jim Hemphill
- Indiewire
Danny Boyle’s “28 Years Later” has added Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes to its cast.
The continuation of the “28 Days Later” franchise will be released in theaters globally by Sony Pictures. “28 Days Later” was released in 2002 and starred Cillian Murphy, then largely unknown. Boyle directed the feature, while Alex Garland wrote. A sequel, “28 Weeks Later,” was released in 2007.
Plot details are still being kept under wraps for the new screenplay, written by Garland. It will be part of an upcoming trilogy, for which Nia DaCosta is in talks to direct the second film.
Boyle and Garland are producing, as is original producer Andrew Macdonald and Peter Rice. Bernie Bellew is also producing. Murphy is also returning as an executive producer, and is not currently attached to star.
Comer earned an Emmy for her work as Villanelle on “Killing Eve.” She will next be seen...
The continuation of the “28 Days Later” franchise will be released in theaters globally by Sony Pictures. “28 Days Later” was released in 2002 and starred Cillian Murphy, then largely unknown. Boyle directed the feature, while Alex Garland wrote. A sequel, “28 Weeks Later,” was released in 2007.
Plot details are still being kept under wraps for the new screenplay, written by Garland. It will be part of an upcoming trilogy, for which Nia DaCosta is in talks to direct the second film.
Boyle and Garland are producing, as is original producer Andrew Macdonald and Peter Rice. Bernie Bellew is also producing. Murphy is also returning as an executive producer, and is not currently attached to star.
Comer earned an Emmy for her work as Villanelle on “Killing Eve.” She will next be seen...
- 4/24/2024
- by Katcy Stephan
- Variety - Film News
The end of the fifth episode of "X-Men '97" gave fans quite the shock. Not only did the peaceful haven of Genosha suddenly find itself under attack by a massive Tri-Sentinel Master Mold that massacred unknown numbers of mutants, but the beloved X-Men team member Gambit met his demise in a final act of heroism that stopped the tragedy from getting even worse. A week later, the end of the sixth episode revealed that it was recurring X-Men villain Mister Sinister who was behind the attack, having manipulated Bolivar Trask into activating the Sentinel strike. But as we learned in this week's seventh episode, "Bright Eyes," Sinister is just one part of the equation.
Throughout episode 7 of "X-Men '97," Rogue is trying to figure out who was responsible for the destruction on Genosha and the death of Gambit. She's out for vengeance, and in her pursuit, she encounters Captain America,...
Throughout episode 7 of "X-Men '97," Rogue is trying to figure out who was responsible for the destruction on Genosha and the death of Gambit. She's out for vengeance, and in her pursuit, she encounters Captain America,...
- 4/24/2024
- by Ethan Anderton
- Slash Film
For the first eight seasons of Bravo‘s “Vanderpump Rules,” Jax Taylor was the man viewers loved to hate. Between his hot temper, shameless gossiping, and seeming inability to be faithful to any of the women in his life — including Brittany Cartwright, whom he would eventually marry in 2019 after a series of break-ups and reconciliations — Taylor was one of the most compelling cast members on the show right up until he and Cartwright were fired from it in 2020. So when the news broke in early 2024 that Jax and Brittany would be returning to television with their own spinoff series, “The Valley,” expectations among “Vanderpump” fans were high.
So far, “The Valley” has not only met but exceeded those expectations with episodes that are every bit as entertaining and revelatory as those found on the best seasons of “Vanderpump,” even though the milieu might seem less promising. Instead of singles in Hollywood,...
So far, “The Valley” has not only met but exceeded those expectations with episodes that are every bit as entertaining and revelatory as those found on the best seasons of “Vanderpump,” even though the milieu might seem less promising. Instead of singles in Hollywood,...
- 4/24/2024
- by Jim Hemphill
- Indiewire
Ryan Gosling is not a dumbass; heh heh, heh, heh heh heh, heh! Thanks in large part to a “Beavis and Butt-Head” sketch that went viral, Gosling’s “Saturday Night Live” episode is the most-watched “SNL” since late 2021.
Counting one week’s worth of delayed viewing (which is fine and normal but really helps when something goes viral) and all platforms, the April 13, 2024 telecast of “SNL” drew 8.9 million total viewers, according to NBC. That’s the most since Billie Eilish hosted the program on December 11, 2021.
The Gosling episode, for which he was promoting film “The Fall Guy,” is the most-watched “SNL” episode ever on Peacock. Gosling’s musical guest was Chris Stapleton.
On YouTube, 46 million users have “viewed a portion of the episode,” NBC said, the most since 2020. That’s an important specificity given the viral nature of the “Beavis and Butt-Head” sketch. In all, there were 170 million social-video views...
Counting one week’s worth of delayed viewing (which is fine and normal but really helps when something goes viral) and all platforms, the April 13, 2024 telecast of “SNL” drew 8.9 million total viewers, according to NBC. That’s the most since Billie Eilish hosted the program on December 11, 2021.
The Gosling episode, for which he was promoting film “The Fall Guy,” is the most-watched “SNL” episode ever on Peacock. Gosling’s musical guest was Chris Stapleton.
On YouTube, 46 million users have “viewed a portion of the episode,” NBC said, the most since 2020. That’s an important specificity given the viral nature of the “Beavis and Butt-Head” sketch. In all, there were 170 million social-video views...
- 4/24/2024
- by Tony Maglio
- Indiewire
DreamWorks Animation will showcase a sneak peek of “The Wild Robot” at the Annecy Animation Festival (June 9-15). The preview footage will take place June 11, hosted by writer/director Chris Sanders (co-director of “How to Train Your Dragon” and “Lilo & Stitch”).
“The Wild Robot”, adapted from Peter Brown’s illustrated book and produced by Jeff Hermann, explores the bridge between technology and nature. It’s about a robot called Roz (Lupita Nyong’o) washed ashore on an uninhabited island, who must embark on a journey of survival and discovery when she inadvertently becomes the protector of an orphaned gosling bird.
The all-star voice cast also includes Pedro Pascal as fox Fink, Catherine O’Hara as opossum Pinktail, Bill Nighy as goose Longneck, Kit Connor as gosling Brightbill, and Stephanie Hsu as robot Vontra; plus Matt Berry, Ving Rhames, and Mark Hamill.
The preview will be followed later that evening by a...
“The Wild Robot”, adapted from Peter Brown’s illustrated book and produced by Jeff Hermann, explores the bridge between technology and nature. It’s about a robot called Roz (Lupita Nyong’o) washed ashore on an uninhabited island, who must embark on a journey of survival and discovery when she inadvertently becomes the protector of an orphaned gosling bird.
The all-star voice cast also includes Pedro Pascal as fox Fink, Catherine O’Hara as opossum Pinktail, Bill Nighy as goose Longneck, Kit Connor as gosling Brightbill, and Stephanie Hsu as robot Vontra; plus Matt Berry, Ving Rhames, and Mark Hamill.
The preview will be followed later that evening by a...
- 4/24/2024
- by Bill Desowitz
- Indiewire
Good news for 12-year-old kids who talk about Deadpool as if he’s Jean-Luc Godard, think calling someone a “fuck puppet” is the height of comedy, and just can’t wait until July for another noxiously self-aware cartoon bloodbath about a disfigured anti-hero who dresses in red and simply refuses to shut up: “Boy Kills World” is here, and while it may be a touch less meta than the Merc with a Mouth’s forthcoming installment of the MCU, it does co-star Brett Gelman as a loathsome shitheel whose frustrated creative ambitions have compelled him to endorse child murder, so that’s something.
Another point in its favor: The film’s hyper-logorrheic protagonist doesn’t actually talk, on account of the fact that his tongue was sliced off when he was a child. “Boy” communicates to us instead through the magic of his internal monologue, for which he permanently assigned...
Another point in its favor: The film’s hyper-logorrheic protagonist doesn’t actually talk, on account of the fact that his tongue was sliced off when he was a child. “Boy” communicates to us instead through the magic of his internal monologue, for which he permanently assigned...
- 4/24/2024
- by David Ehrlich
- Indiewire
Baltasar Kormákur is back directing — but this time it’s not a survival drama, it’s a romance.
The “Adrift” and “Everest” filmmaker directs Focus Features’ “Touch,” based on the bestselling novel by Ólafur Jóhann Ólafsson. The film tells a romantic and thrilling story that spans several decades and continents, with one widower trying to find his first love who disappeared 50 years ago.
Director Kormákur co-wrote the screenplay with novelist Ólafsson. The original Icelandic novel was published by Ecco/Harper Collins in the U.S. in August 2022. The film was shot in Iceland and Japan.
The ensemble cast is led by Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, Yoko Narahashi, Meg Kubota, and Tatsuya Tagawa, with Charles Nishikawa, Sigurður Ingvarsson, Benedikt Erlingsson, Kieran Buckeridge, Ruth Sheen, María Ellingsen, and Masatoshi Nakamura also starring.
Writer/director Kormákur produces along with Agnes Johansen and Mike Goodridge. Kormákur most recently directed 2022’s “Beast...
The “Adrift” and “Everest” filmmaker directs Focus Features’ “Touch,” based on the bestselling novel by Ólafur Jóhann Ólafsson. The film tells a romantic and thrilling story that spans several decades and continents, with one widower trying to find his first love who disappeared 50 years ago.
Director Kormákur co-wrote the screenplay with novelist Ólafsson. The original Icelandic novel was published by Ecco/Harper Collins in the U.S. in August 2022. The film was shot in Iceland and Japan.
The ensemble cast is led by Egill Ólafsson, Kōki, Pálmi Kormákur, Masahiro Motoki, Yoko Narahashi, Meg Kubota, and Tatsuya Tagawa, with Charles Nishikawa, Sigurður Ingvarsson, Benedikt Erlingsson, Kieran Buckeridge, Ruth Sheen, María Ellingsen, and Masatoshi Nakamura also starring.
Writer/director Kormákur produces along with Agnes Johansen and Mike Goodridge. Kormákur most recently directed 2022’s “Beast...
- 4/24/2024
- by Samantha Bergeson
- Indiewire
Angelina Jolie’s scrapped “Cleopatra” movie was part romance epic and part “political thriller with assassinations and sex,” according to the movie’s original screenwriter Brian Helgeland. The Oscar-winning actor was set to play the Egyptian queen in a tentpole for Sony Pictures that once courted director David Fincher to helm. It never got off the ground.
“I was the very first writer on ‘Cleopatra’ when it was being developed for Angelina Jolie to star in, which was almost made,” Helgeland said in an interview with Inverse. “It had elements of a political thriller with assassinations and sex, but it’s an epic that’s divided between her love affairs with Caesar and Marc Antony. Lots of true events surprised me when I was writing it.”
“For example, the day Caesar was assassinated — the Ides of March and all that stuff — she was in Rome,” he continued. “They were leaving for Egypt,...
“I was the very first writer on ‘Cleopatra’ when it was being developed for Angelina Jolie to star in, which was almost made,” Helgeland said in an interview with Inverse. “It had elements of a political thriller with assassinations and sex, but it’s an epic that’s divided between her love affairs with Caesar and Marc Antony. Lots of true events surprised me when I was writing it.”
“For example, the day Caesar was assassinated — the Ides of March and all that stuff — she was in Rome,” he continued. “They were leaving for Egypt,...
- 4/24/2024
- by Zack Sharf
- Variety - Film News
Joanna Arnow’s feature-length film debut “The Feeling That the Time for Doing Something Has Passed” is a spiky, hilarious look at the life of Ann (Arnow), a thirty-something living in Brooklyn, working a corporate job, dealing with her meddlesome family, and passing the time in her casually longterm Bdsm relationship with an older man.
Arnow’s previous work, including the shorts “Bad at Dancing,” which won a Berlinale Silver Bear Jury Prize in 2015, and “I hate myself :).” Both explore similar themes of loneliness and sexuality through an autofiction lens. But they also showcase Arnow’s specific comedic insight into everyday, mundane things that might not seem funny at first but are downright gut-busting in her hands.
“The Feeling That the Time” premiered at Cannes Directors’ Fortnight in 2023 before Magnolia Pictures acquired it out of the festival, with Sean Baker executive producing.
The first inspiration for “The Feeling That...
Arnow’s previous work, including the shorts “Bad at Dancing,” which won a Berlinale Silver Bear Jury Prize in 2015, and “I hate myself :).” Both explore similar themes of loneliness and sexuality through an autofiction lens. But they also showcase Arnow’s specific comedic insight into everyday, mundane things that might not seem funny at first but are downright gut-busting in her hands.
“The Feeling That the Time” premiered at Cannes Directors’ Fortnight in 2023 before Magnolia Pictures acquired it out of the festival, with Sean Baker executive producing.
The first inspiration for “The Feeling That...
- 4/24/2024
- by Kerensa Cadenas
- Indiewire
Of all the famously unmade and never materialized film projects, an adaptation of Cormac McCarthy’s bleak and brutal Western, “Blood Meridian,” has to be near the top of the list. But as you likely know by now, if you’re a fan of this supposedly “unadaptable” book, a new film version is already in the works. And now, a new writer has been attached.
According to new reports, Oscar-nominated screenwriter John Logan (“Skyfall”) has been tapped by New Regency to work on the script for a feature film adaptation of McCarthy’s novel.
Continue reading ‘Blood Meridian’: Veteran Writer John Logan Boards John Hillcoat’s Adaptation Of Bleak Cormac McCarthy Western at The Playlist.
According to new reports, Oscar-nominated screenwriter John Logan (“Skyfall”) has been tapped by New Regency to work on the script for a feature film adaptation of McCarthy’s novel.
Continue reading ‘Blood Meridian’: Veteran Writer John Logan Boards John Hillcoat’s Adaptation Of Bleak Cormac McCarthy Western at The Playlist.
- 4/24/2024
- by Christopher Marc
- The Playlist
The 31st edition of Canada’s influential Hot Docs Film Festival, which gets underway Thursday, could very well be the last.
For the past month, the Toronto festival, one of North America’s largest dedicated to documentaries, has been roiled by staff and funding turmoil. On March 25, artistic director Hussain Currimbhoy and 10 of the fest’s programmers abruptly exited their posts. That was followed by Hot Docs president Marie Nelson issuing an “urgent appeal” for more funding. But the Canadian government declined to provide funding for the doc fest in the federal budget unveiled April 16. The budget added more $88 million in funding for the screen sector, including $17 million over three years for the larger Toronto International Film Festival.
The mass exodus of staff and lack of much-needed government funding has put the future of Hot Docs in serious jeopardy. Fest organizers indicated as much after the federal budget was unveiled.
For the past month, the Toronto festival, one of North America’s largest dedicated to documentaries, has been roiled by staff and funding turmoil. On March 25, artistic director Hussain Currimbhoy and 10 of the fest’s programmers abruptly exited their posts. That was followed by Hot Docs president Marie Nelson issuing an “urgent appeal” for more funding. But the Canadian government declined to provide funding for the doc fest in the federal budget unveiled April 16. The budget added more $88 million in funding for the screen sector, including $17 million over three years for the larger Toronto International Film Festival.
The mass exodus of staff and lack of much-needed government funding has put the future of Hot Docs in serious jeopardy. Fest organizers indicated as much after the federal budget was unveiled.
- 4/24/2024
- by Addie Morfoot
- Variety - Film News
Having living abroad for 19 years, music critic Philip Sherburne recently described the culture shock of returning home and trying to navigate an American supermarket: “the self-checkout machine accuses me of stealing and runs back video of me while calling for an employee to come intervene. Every time you turn around, it seems like a corporation is trying to screw you out of yet more money via another hidden fee. It’s no wonder Americans seem pissed off all the time. It’s a fundamentally hostile environment.” For me, some of the fun of attending Visions du Réel, a Swiss festival focused […]
The post Visions du Réel 2024: The American Way and Other Options first appeared on Filmmaker Magazine.
The post Visions du Réel 2024: The American Way and Other Options first appeared on Filmmaker Magazine.
- 4/24/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
A decade ago, I interviewed Argentinian filmmaker Martín Rejtman for an hour, walking through the general scope of his career before discussing his then-most-recent feature, Two Shots Fired, which may help flesh out the parts of this interview relating to his first feature, Rapado. Rejtman’s new film, Riders, is only his second documentary. As I wrote in my dispatch on Visions du Réel 2024, where the film premiered, Riders kicks off in May 2020, with extended global lockdown fatigue ramping up; after an opening rally of delivery drivers protesting their horrible conditions (“It is inadmissable to normalize the bodies of […]
The post “With a Documentary, It’s More Difficult to Find Humor”: Martín Rejtman on Riders first appeared on Filmmaker Magazine.
The post “With a Documentary, It’s More Difficult to Find Humor”: Martín Rejtman on Riders first appeared on Filmmaker Magazine.
- 4/24/2024
- by Vadim Rizov
- Filmmaker Magazine - Blog
Oscar-nominated actress Amy Adams was everywhere over the last decade, but the actress seemingly took a beat after a busy 2021. Since 2022’s “Disenchanted,” the actress hasn’t appeared in anything, not one film or TV project. That changes in 2024 with at least one movie scheduled for December (“Night Bitch”) and another filming now (Taika Waititi’s “Klara and the Sun”).
Continue reading ‘At The Sea’: Amy Adams To Star In New Family Drama From ‘Pieces Of A Woman’ Director Kornel Mundruczó at The Playlist.
Continue reading ‘At The Sea’: Amy Adams To Star In New Family Drama From ‘Pieces Of A Woman’ Director Kornel Mundruczó at The Playlist.
- 4/24/2024
- by Christopher Marc
- The Playlist
Two weeks ago, "X-Men '97" delivered quite a heartbreaking development with the death of Gambit during a shocking Sentinel attack on the peaceful mutant colony of Genosha. The Ragin' Cajun went out in a blaze of tragic glory but left Rogue and the rest of the X-Men team shattered.
This week, the episode "Bright Eyes" begins with Gambit's funeral. Nightcrawler gives a lovely eulogy with a combination of just the right amount of card-playing puns and a wonderful tribute to Gambit's character, both as a man and a superhero. Though Rogue isn't in attendance, dealing with her grief in a vengeful way across the country, Cyclops, Jean Grey, Wolverine, Beast, Jubilee, Sunspot, and more are all there to lay Gambit to rest.
Also among the crowd are a few faces that you're meant to notice, but you might not remember them if you haven't refreshed yourself on "X-Men: The Animated Series" in a while.
This week, the episode "Bright Eyes" begins with Gambit's funeral. Nightcrawler gives a lovely eulogy with a combination of just the right amount of card-playing puns and a wonderful tribute to Gambit's character, both as a man and a superhero. Though Rogue isn't in attendance, dealing with her grief in a vengeful way across the country, Cyclops, Jean Grey, Wolverine, Beast, Jubilee, Sunspot, and more are all there to lay Gambit to rest.
Also among the crowd are a few faces that you're meant to notice, but you might not remember them if you haven't refreshed yourself on "X-Men: The Animated Series" in a while.
- 4/24/2024
- by Ethan Anderton
- Slash Film
A raging policy debate in Washington is forcing Hollywood to curb its enthusiasm for mergers and acquisitions — for now.
Federal regulators and some legal scholars are moving to radically overhaul how the nation enforces antitrust laws. That’s making it much harder for dealmakers and corporate titans to pursue M&a activity. The regulatory mood in Washington, where transactions of any size must be approved by the Justice Department and other agencies, has become downright hostile to large-scale deals.
For Hollywood, the timing is terrible. Disney, Warner Bros. Discovery, Comcast and NBCUniversal are conceiving potential new combinations with traditional or digital giants, but they’re hemmed in by the chilly atmosphere in D.C. The new breed of regulators are concerned that digital giants à la Google, Facebook and Amazon have been allowed to become too big and too powerful.
The Justice Department and the Federal Trade Commission have issued much...
Federal regulators and some legal scholars are moving to radically overhaul how the nation enforces antitrust laws. That’s making it much harder for dealmakers and corporate titans to pursue M&a activity. The regulatory mood in Washington, where transactions of any size must be approved by the Justice Department and other agencies, has become downright hostile to large-scale deals.
For Hollywood, the timing is terrible. Disney, Warner Bros. Discovery, Comcast and NBCUniversal are conceiving potential new combinations with traditional or digital giants, but they’re hemmed in by the chilly atmosphere in D.C. The new breed of regulators are concerned that digital giants à la Google, Facebook and Amazon have been allowed to become too big and too powerful.
The Justice Department and the Federal Trade Commission have issued much...
- 4/24/2024
- by Cynthia Littleton
- Variety - Film News
Zack Snyder’s “Rebel Moon — Part Two: The Scargiver” debuted on Netflix on April 19. Critical pans aside (IndieWire’s David Ehrlich called Part Two “almost as disastrous” as Part One and gave it a D. Perhaps David’s the real “Scargiver.”), the sequel to the 2023 “Rebel Moon — Part One: A Child of Fire” became the streamer’s biggest film (in any language) for the week of April 15-21. It was watched for 44.2 million hours; based on its 2:04 runtime, Netflix translates that to 21.4 million views.
On the March 6 episode of “The Joe Rogan Experience,” Snyder said “Rebel Moon — Part One” was seen by more people (on Netflix) than the smash-hit “Barbie” (in theaters).
“Say right now, [Part One is] like almost 90 million views… 80 or 90 million accounts turned it on, give or take,” Snyder told Rogan. “They assume two viewers per screen, right? So that’s 160 million people supposedly watching… at $10 a ticket,...
On the March 6 episode of “The Joe Rogan Experience,” Snyder said “Rebel Moon — Part One” was seen by more people (on Netflix) than the smash-hit “Barbie” (in theaters).
“Say right now, [Part One is] like almost 90 million views… 80 or 90 million accounts turned it on, give or take,” Snyder told Rogan. “They assume two viewers per screen, right? So that’s 160 million people supposedly watching… at $10 a ticket,...
- 4/24/2024
- by Tony Maglio
- Indiewire
“Dune” filmmaker Denis Villeneuve has a lot of options for what he could make next, and one of them could be his long-gestating “Cleopatra” movie based on the Stacy Schiff novel “Cleopatra: A Life” for Sony Pictures.
Before that, however, some may remember the era when filmmaker David Fincher had a version of the movie set up at Paramount, circa 2012, that would have starred Oscar-winning actress Angelina Jolie (long before the competing Gal Gadot incarnation with Patty Jenkins and Kari Skogland).
Continue reading Brian Helgeland Shares Details On David Fincher’s Unmade ‘Cleopatra’ Film Almost Starring Angelina Jolie at The Playlist.
Before that, however, some may remember the era when filmmaker David Fincher had a version of the movie set up at Paramount, circa 2012, that would have starred Oscar-winning actress Angelina Jolie (long before the competing Gal Gadot incarnation with Patty Jenkins and Kari Skogland).
Continue reading Brian Helgeland Shares Details On David Fincher’s Unmade ‘Cleopatra’ Film Almost Starring Angelina Jolie at The Playlist.
- 4/24/2024
- by Christopher Marc
- The Playlist
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