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- Inspired by the 25th Anniversary of 'Shine (1996)', the mysterious world of musical genius of brilliant musicians is explored as well as transformational story-telling, the mystery of prodigy and the impact of music on the brain.
- 'You Should Have Been Here Yesterday' combines hundreds of hours of lovingly restored 16mm footage with a salt-infused soundscape by Headland. This cinematic poem tells the story of a wild community who took off up the coast and discovered a whole new way to live. Going back to the never-before-seen camera reels to ask the question - what do we keep and what do we leave behind? Featuring Tim Winton, Wayne Lynch, Bob McTavish, Albe Falzon, Evelyn Rich, Maurice Cole and many more. Inspired by Moonage Daydream and Jen Peedom's Mountain.
- A symphonic concert spectacle featuring rock maestro Ben Folds with the Adelaide Symphony Orchestra, combining the power of orchestral grandeur with the intimacy of close contact with the musicians. Audience participation peaks as Folds achieves the extraordinary feat of inducing the crowd to sing a choral refrain in three-part harmony. Interwoven with Folds' personal narratives of the inspirations for his songs, the film transforms enthralling live performance into a unique portal revealing the creativity of the song writing process.
- A bold, visually striking dance documentary that celebrates human connection and asks us to rethink our notions of perfection.
- This history of the co-op film movements of Sydney and Melbourne comes from two of the major figures in Australian documentary who were intimately involved in the filmmaking groundswell that first emerged in the 1960s. The Ubu group in Sydney, born from the influence of avant-garde filmmaking mingled with a rich range of social movements including unionism, feminism, Indigenous self-expression, and queer theory. A few names should give you a sense of the main participants here: Philip Noyce, Gillian Armstrong, Albie Thoms, Stephen Wallace, Martha Ansara, Essie Coffey, and many, many others. This is the story of the rise of alternative forms of filmmaking, and their fall at the hands of government agencies. It is a story of a road not taken, but of a moment full of possibility when fresh voices and new ways of seeing struggled to establish themselves in Australian cinema.