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1-26 of 26
- A naive bullock-cart driver falls for a traveling courtesan.
- A portrait of a large extended Indian family over several decades as they gather at the matriarch's rural home, following the inevitable rhythms of change, children moving away to the city, and the decay of traditional village life.
- A UK-based NRI visits India, and while returning, he goes to a remote station run by a psychopath station master.
- Pankaj is a small-town theatre actor with dreams of making it big in Mumbai. But faced with obligations to his family, which is under a deep financial strain post the lockdown, he is forced to weigh his dreams and make a choice.
- In Hindi and Sanskrit language 'SAMANANTAR' means the parallel, and that's what this film is all about, how does the unknown force of the parallel realm start manifesting once humans breach all the limits through their evil actions. A philosophical-cum-horror 'anthology' of four hard-hitting stories entangled together with common philosophies of life and 'KARMA'.
- An emotional and thrilling journey of Kranti Prakash who works in Toronto, for establishing his grandfather's company which was closed down 35 years ago in a small village in Bihar, India. Kranti, 32 works in a company in Toronto and comes to his village in Bihar after 23 years. In his short trip of one week he has to perform a small family ritual/puja and meet the girl with whom his mother wants him to get married. The village of his memories is no more the same, the place is marred with migration, corruption and apathy from all the quarters. Meanwhile he finds out that his grandfather used to be a Makhaan (a famous Agro product) farmer in 70s and was killed due to business rivalry. He leaves village with heavy heart after 4 days. Kranti reaches Delhi airport to catch his outbound flight but sudden surge of emotion and dramatic turnouts makes him come back to his village. He vows to start the company "Mithila Makhaan Private Limited" once again but the road to this entrepreneurial venture in hinterlands of India is not easy. In his pursuit, he fights against odds and especially the Makhaan Mafia Brahma Singh. Mithila Makhaan is a riveting story of triumph of human spirit.
- This film is made in Angika language, it is shown in this film that a father finds a boy for his daughter's marriage. Sarpach and his companions together find a boy and forcefully get him married.
- Lalka Paag is Maithili language film, depicting the story of Tiru, a simple, chaste village girl and Radhakant, a modern-day man with high educational qualification.
- Dinanath has two sons. Ram and Golu. Ram is married to Puja. When Puja is pregnant, she goes to her maternal home. Ram refuses to pay the expenses by speaking to a different family than his father. Dinanath divides. Golu is married to Padma. Padma comes. She asks Golu about the tied rope. Golu tells him everything. Padma asks to be one again. Golu says he will talk to his father. Pooja returns with her son. Pooja also does not like the matter of partition. Nand (Sister in Law) Jimmpi is in love with Rahul. Pooja sees Jammpi, asks him about Rahul. When it is found out that his father is a Doctor, Pooja plans and get admitted to the hospital with her son. Ram gets upset there, and then doctor says that, he could not save the child. Ram realizes the sorrow of separation from son. Ram comes home and apologies to his Father and Mother. They forgives him. Pooja comes home with her son and tells that, she did all this to teach Ram a lesson. Dinanath is overjoyed and says that, he is proud of his Daughter-in-law. The whole family becomes one and lives happily.
- Life and legacy of renowned scholar Pandit Ayachi Mishra of Sarisaw Pahi, Mithila. Ayachi (a + yachi = who does not beg), he never asked for anything from any person.
- Maithili Future Film based on Dowry System. This film is directed by N. Mandal. This film is targeted to cater Maithli region. The family drama and social messages are the key elements of this Film.