The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
The opening title reads: "A comedy with a smile--and perhaps a tear". As she leaves the charity hospital and passes a church wedding, Edna deposits her new baby with a pleading note in a limousine and goes off to commit suicide. The limo is stolen by thieves who dump the baby by a garbage can. Charlie the Tramp finds the baby and makes a home for him. Five years later Edna has become an opera star but does charity work for slum youngsters in hope of finding her boy. A doctor called by Edna discovers the note with the truth about the Kid and reports it to the authorities who come to take him away from Charlie. Before he arrives at the Orphan Asylum Charlie steals him back and takes him to a flophouse. The proprietor reads of a reward for the Kid and takes him to Edna. Charlie is later awakened by a kind policeman who reunites him with the Kid at Edna's mansion. Written by
Ed Stephan <email@example.com>
The shooting ratio (the amount of material shot; what appears in the final film) is 53:1, far higher than any other Charles Chaplin film. See more »
When both the Tramp and the Kid are chased by the policeman, the Kid loses his cap which falls to the ground in the yard before he could enter in his home. Still, when he is seen inside, he has got his cap back upon his head. See more »
Charlie Chaplin's study of a tramp teaming up with a street kid (the cute little Jackie Coogan) has a fine line to tread between humour and pathos, and true to what you would expect of his best work, does it superbly. The tramp always manages to wring the hearts of his viewers and adding a little boy to the mix was the finishing touch. Look out too for little Lita Grey in the angel sequence, who would become Chaplin's 2nd wife four years after this film was made.
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