The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
Wealthy Jervis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and ... See full summary »
The opening title reads: "A comedy with a smile--and perhaps a tear". As she leaves the charity hospital and passes a church wedding, Edna deposits her new baby with a pleading note in a limousine and goes off to commit suicide. The limo is stolen by thieves who dump the baby by a garbage can. Charlie the Tramp finds the baby and makes a home for him. Five years later Edna has become an opera star but does charity work for slum youngsters in hope of finding her boy. A doctor called by Edna discovers the note with the truth about the Kid and reports it to the authorities who come to take him away from Charlie. Before he arrives at the Orphan Asylum Charlie steals him back and takes him to a flophouse. The proprietor reads of a reward for the Kid and takes him to Edna. Charlie is later awakened by a kind policeman who reunites him with the Kid at Edna's mansion. Written by
Ed Stephan <firstname.lastname@example.org>
The production company tried to cheat Charles Chaplin by paying him for this six-reel film what they would ordinarily pay him for two-reel film, about half a million dollars. Chaplin took the unassembled film out of state until they agreed to the one-and-a-half million he deserved, plus half the surplus profits on rentals, plus reversion of the film to him after five years on the rental market. See more »
After the tramp chases on rooftop the two welfare workers who have captured and tormented Jackie, the scene ends with the Tramp and one of the workers fighting on the back of the workers' pickup truck. After kicking the second welfare man off the back of the pickup, the tramp makes a 'nonsensical' wave-good-bye as he and Jackie ride off to momentary safety. In reality Chaplin (also the director) is waving 'CUT' to cameraman Rollie Totheroh. See more »
Charlie Chaplin's study of a tramp teaming up with a street kid (the cute little Jackie Coogan) has a fine line to tread between humour and pathos, and true to what you would expect of his best work, does it superbly. The tramp always manages to wring the hearts of his viewers and adding a little boy to the mix was the finishing touch. Look out too for little Lita Grey in the angel sequence, who would become Chaplin's 2nd wife four years after this film was made.
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